‘把’구문은 중국어에서 사용빈도가 높지만, 한국인 중국어 학습자들에게 있어 학습 이 쉽지 않은 구문이다. 주된 이유 중 하나는 진리조건적으로 동등한 의미를 가지는 SVO 구문 및 화제화 구문과 어떠한 차이점이 있는지 알기 어렵기 때문이다. 이에 본고는 ‘把’구문의 구문의미, 정보구조, 사용환경에 대해 분석하여 이 같은 문제점을 해결하고자 시도하였다. 개별 구문은 고유한 구문의미를 가진다. 진리조건적으로 동 등한 의미를 나타내는 복수의 통사구조가 존재할 때, 구문의미는 언어 사용자의 선 택에 큰 영향을 미치는 요소이다. 본고에서 규정한 ‘把’구문의 구문의미는 ‘원상태와 결과상태 간의 어긋남’이다. 대다수의 기존연구에서는 ‘把’구문의 정보구조를 화제-평 언 구조로 분석했다. 하지만 이러한 이분법적 분석법으로는 ‘把’구문의 NP2가 보이는 화제성, 문장 전체가 신정보인 문장, NP2가 비한정적 명사구인 ‘把’구문의 정보구조 를 설명하기 어렵다. 본고는 Vallduví의 삼항계층분절 이론을 적용하여 ‘把’구문의 전 형적 정보구조와 비전형적 정보구조를 분석하였다. ‘把’구문의 구문의미를 적용하여 화자가 어떠한 환경에서 ‘把’구문을 선택하는지 설명할 수 있다. ‘把’구문은 ‘원상태와 결과상태 간의 어긋남’이라는 구문의미를 가진다. 그리고 이 구문의미는 상대방과의 관계에 따라 ‘질책’, ‘이의제기’, ‘미안함’, ‘자책’, ‘의외’, ‘여의치 않음’, ‘당위’ 등의 의미 를 나타낸다. 화자가 ‘把’구문을 선택하는 것은 이러한 주관성의 전달과 관련이 있다.

By adopting a usage-based approach to language acquisition, this study investigated the emergence and development of L2 constructional knowledge. A total of 19 English verb-argument constructions (VACs) and their associated verbs were extracted from a learner corpus and three verbal fluency tasks, each conducted in L1 and L2 English and L1 Korean. We compared verb usage in the target VACs across proficiency levels between the L1 and L2 groups and between data types for VAC productivity and verb-VAC associations. The results identified three stages through which Korean learners’ VAC knowledge develops in L2 English: emerging through the frequent use of a few general verbs, expanding the range of verbs associated with a VAC to include more specific and prototypical verb types, and then developing them into a creative constructional schema. Moreover, we determined similarities between L1 and L2 English VAC knowledge in higher L2 proficiency levels, as well as L1 Korean influences related to L1 typology and L1 collocational transfer.

The purpose of this paper is to research Gunnar Asplund's Woodland Chapel (1918-20) in terms of the revernacularization of classicism and to investigate into the matter of the constructional logic. The term 'revernacularization of classicism' was used by Alan Colquhoun to explain the process to return to the pure sources of classical architecture, and the case of a successful fusion of classicism and vernacular traditions was suggested by Demetri Porphyrios through Scandinavian Doricist sensibility in the early 20th century. Porphyrios's classicism, not as style but as sensibility, is premised on a constructional logic of vernacular, and is to achieve an aesthetic quality by its mythical elaboration. Woodland Chapel, a representative of the Scandinavian Doricism according to him, illustrates characteristics of the revernacularized classicism as in the fact that it thickly displays vernacular images at the same time as relying on classicism; in the return to primitive simplicity; and in the mythopoeic power. However, the constructional logic of this building was obscured in the capital of the portico columns, the interior dome, and the whole structure of the roof. Confronting this paradox, we have to remember that although Porphyrios emphasized the constructional logic he opened an aesthetic exit of the mythical elaboration, which is in accord with the concept of the tectonic as the poetics of construction. Woodland Chapel assumes atectonic features but is never anti-tectonic. Asplund intensified a poetic effect by setting the myth over construction in the chapel, and so it can be seen as a key example of the revernacularized classicism with the Doricist sensibility.

The coner high column method that is used in the multi-roof building Sungryemoon seems to have been used for the first time during the Choseon Dynasty, and it's characteristics and trend of usage are studied in this paper. In the results, it was confirmed that the coner high column method is economic and structurally safe, and selectively combines the structural factors used in the Chinese seats. It was found that this method was a newly adopted construction method to effectively express the authority of the country with the establishment of a new dynasty. Also the meaning of the method could be guessed since it was continuously used in important structures from the Choseon Dynasty to the Daehan Empire, in spite of the new multi-roof building technologies.

Jangan-sa is one of the Buddhist temples in the southeastern seaside district, which was restored directly after the termination of Japanese Invasion of Korea in 1592. Recently we could find out 4 records on the constructions of Daeoong - jeon in J angan-sa. These are <J ondori - Mookseo-myeong> written in the 12th year of Emperor Soonchi , <Jondori - Bachim - janghyeo Mookseo - myeong> written in the 8th year of Emperor Geonryung, <Mookseo - myeong> written in 1947 Buddha Era and <Mookseo - myeong> written in 1951 Buddha Era. Until the revelation of these records, the present building has been considered to be built in 1657, the 8th year of King Hyojong, based upon Kim Bang - han's「Jangan - sa Daeoong - jeon - gi」. Because the gongpo of Daeoong - jeon was finished with the type of the late period of Chosun Dynasty, we doubt of the correction on it's building date, just in the year of 1657. Now we are able to examine the building date and the alteration date, based upon the actual measurement and constructional records of Daeoong - jeon. So to speak, the building destroyed in 1592, had been restored in 1658, the 9th year of King Hyojong and was reconstructed in 1744, the 20th year of King Youngjo. Afterward it was repaired on small scales in 1947 and in 1951. Though this building is considered to be lack of the completeness owing to the later alterations, it is still worthy heritage for the research on the building type at the directly after the termination of Japanese Invasion of Korea in 1592.

This article presents a lexical-constructional analysis of the get-passive in English (e.g. Ed got fired). Drawing on standard arguments and evidence, it is argued that the passive is a family of constructions, from idiomatic through two productive types, which are either causative or non-causative. The article proposes an analysis of those three constructions as lexical items. While the idiomatic type is fully listed in the lexicon with a single meaning, the two productive types are templates that are stored in the component with passive get and a constructional meaning. The proposed analysis also has some advantages over previous studies.