본 연구는 동양전통의 오방색을 실내 건축에 적용하기 위한 것으로 가족 구성원별 특징에 따라 바람직한 색채 구성 디자인을 제안하는데 있다. 이를 위해 먼저 동양의 전통 술수학인 사주와 풍수의 오방색의 개념과 본질을 규명하였다. 그리고 실제 사례를 통해 실내 색채 디자인을 구성하고자 하였으며 특히 전통적인 오방색 및 오정색에 대한 분석을 하였다. 나아가 상생 오간색 및 상극 오간색으로 색채를 구체화하여 현대적 적용방안까지 고려하였다. 현대적 적용 방법으로 첫째, 24방위도를 24색상환으로 만들어 색상과 방위를 동시에 판단 할 수 있도록 하였다. 둘째, 24방위 색상환을 평면도에 접목하여 비보색상을 적용할 정확한 위치를 판단하였다. 셋째, 판단한 위치와 색상을 실내재료 마감재 선택 및 소품 적용시 활용할 수 있게 하였다. 연구결과 향후 실내 색채구성에 있어 동양의 전통색의 적용이 가능하였고, 이를 응용한 현대적 색채 구성도 가능한 것으로 나타났다.

본 연구에서는 1988년 이전에 설계된 RC라멘+코어월 구조형식의 비내진 건축물을 선정하여 내진성능평가를 통해 현재 건축물들의 내진성능수준을 파악하고, 목표 내진성능수준에 적합하도록 보강 방안을 제시하였고, 보강방법별 성능을 비교하 였다. 보강 전 중앙코어 건축물과 측면코어 건축물의 내진성능수준은 모두 붕괴방지수준이었지만 보강 후에는 두 건축물 모두 목표 내진성능수준인 거주가능수준으로 성능이 향상되는 것으로 나타났다. 보강방법별 성능을 비교한 결과 중앙코어 건축물의 경우 벽체보강방법이 가장 성능이 우수한 것으로 나타났으며, 측면코어 건축물의 경우 가새보강방법이 가장 성능이 우수한 것으로 나타났다.

The basalt fiber is expected to become a trend for industrial fibers as they have better properties of heat-resistant, non-combustion, absorbent, soundproof, moistureproof, lightweight, corrosion resistant, and high strength properties. Also, the fiber is found to be non-toxic and harmless to the human body. Therefore, in this study, we analyzed the chemical and mineral compositions of powdered sludge of basalt produced at seven sites on Jeju Island for the development of fire resistance insulating material for a building. The results showed that the basalt stone sludge is made from only sodium calcium aluminum silicate and ferridioside components unlike the basalt rock.

The grade of East Asian architecture is generally classified by the size, the shape of the roof, and the type of bracket set. The craftsmanship of columns, beam, purlin, stylobate, column base stone and paintwork is also a contributing factor for such classifications. These classifications can be found not only in historical documents such as Oksajo(屋舍條) of Samguksagi(三國史記) but also in house details regulations of residential architecture(家舍規制) of Joseon Dynasty. However, there are differences in detailed designs among the same grade of architecture regardless of the classification. In this research, the Palace, the Royal Residence(宮家), and the Jaesil(齋室) are considered as the Palatial Buildings and Royal Residences. And the advanced architectural ㅇ details which appear only in the Royal Architectures are defined as the ‘The Architectural Crafts as a Code of Manners’. The Architectural Crafts as a Code of Manners is detailed design, which can be seen as fabrication of materials and supplementary factors. The Architectural Crafts as a Code of Manners used in the Palatial Buildings and Royal Residences reveal the types and their historical changes. This research will present a basis for the repair and restoration of cultural heritages to be carried out in the future, and also prevent them from further damages, thus help to preserve the cultural heritages.

This study is to find out the design concept of asymmetrical building with 4 purlins mainly in Sungkyunkwan(Confucian Shrines), Changgyeonggung palace and Changdeokgung palace The results are as follows: First, asymmetrical building with 4 purlins has the same height pillars, which was useful to control the side lenght and put a higher pillar without limit. Second, the side length of the asymmetrical building with 4 purlins is between 12 to 14 Ja[尺]. It's relatively longer than the minimum length(12 Ja) of 5 purlins architecture seen in later Joseon dynasty. Third, asymmetrical building with 4 purlins was not an anomalous structure when compared to 3 purlins and 5 purlins. It was actually a traditional style, unlike the current architectural recognition nowadays, which mainly focused on the balanced roof structure. These examples show that the architectures in Early Joseon dynasty were planned and constructed first according to the plane division that fit in a specific use or space.

The purpose of this study is to establish the relationship between Durand's architectural theory which provided reasonable architectural logic in the early 19th century, and architectural logic of the Modern Movement of Architecture led by avant-garde architects in the 1920’s. The system of thought in architecture proposed by Durand which clarified a architectural design method(composition) is very similar to the one of the International Style(Book), which summarizes commonalities in the flow of modern architecture. This approach has something in common from the perspective of the systems of thought, despite differences in external forms and time gaps. Therefore, this study intends to examine the systems of thought in three ways. It is to examine how the two systems of thought define architecture, what is the logic of building production, and finally the value of architecture (including aesthetic values) while eliminating classical aesthetics.