This research aims at a critical discourse on the relation between the concepts of the uncanny and posthistoire , on the basis of descriptions in The Architectural Uncanny (1992) by Anthony Vidler. For the purpose, Histories of the Immediate Present (2008), another book by Vidler that discusses posthistoire philosophy to which he is not positive, is also investigated along with the former thesis; and various publications related to the themes by the influential writers such as Freud, Lyotard, Vattimo, and Habermas are referred to, too. Firstly, this paper will illustrate an essential understanding of the uncanny, an outgrowth of the sublime, and the history of posthistoire respectively; and then analyse contexts where the posthistoire was mentioned in The Architectural Uncanny. In the 'Introduction' and 'Losing Face' chapters of the book, this paper argues, the two concepts are connected by the notions of 'repetition' and 'losing the classical facade' as well as the uncanny as 'a metaphor for a fundamentally unlivable modern condition'. Though Vidler's recognition of posthistoire in the two chapters are differently interpreted, each as 'the emptiness of capitalism' and 'the decomposition of representation', both can be understood in terms of 'modernity' that is 'still open'. If modernity is 'an unfinished project' as maintained by Habermas, who Vidler relies on, we need to continue innovative experiments and internal investigations in architectural creation beyond the categories of modernism and postmodernism.

현재 사용되고 있는 대부분의 풍진동해석법은 진동수영역의 스펙트럼 해석법에 기초하고 있다. 스펙트럼해석법은 하중 및 응답의 위상각을 무시하게 되며 그에 따라 병진방향 및 비틀림 방향의 모드 응답조합이 어려워질 수 있다. 본 연구에서는 일반화 밑면 모멘트 스펙트럼밀도함수로부터 재생된 풍하중 시간이력을 이용하여 병진, 비틀림 방향이 연계된 구조물의 응답을 해석하는 시간이력 해석법에 대해서 다룬다. 제시된 시간이력 해석법의 적용성을 검토하기 위하여 직사각형 평면을 가지는 40층 규모의 구조물을 대상으 로 해석을 수행하였다. 수치해석결과에 의하면, 시간이력해석법에 의하여 질량중심으로부터 멀리 떨어진 곳의 비틀림 모드에 의한 응답특성을 파악할 수 있었으며, 병진방향과 비틀림방향 모드 응답의 조합에 의하여 보다 정확한 응답예측이 가능한 것을 알 수 있었다. 또한 해석된 응답을 이용하여 사용성능 및 처짐 성능평가를 수행할 수 있기 때문에 예비설계 단계에서 보다 정밀한 내풍 성능평가가 가능한 것을 알 수 있었다.

This study is about the change of multi-storied buildings in Hanyang, the capital city of Joseon Dynasty. The changes are divided into 3 phases in the viewpoint of architectural types and building types. The first phase is from the early Joseon Dynasty to the time of Japanese invasion to Korea and Sungryemun remains until now. The second phase is from 1592 to the the first half of the 18th century. Many multi-storied Buddhist halls were rebuilt at that time. In the final phase, many multi-storied gate buildings and multi-storied main buildings of palaces were rebuilt. And there are differences between the Buddhist buildings and the main buildings of palaces. By the way the change that architectural style of the Buddhist buildings and the main buildings of pal were switched and mixed occurred. For example, Anguksa Daeungjeon adopted the style of multi-storied gates and Injeongjeon adopted the style of multi-storied Buddhist halls. These phenomenon was result from periodical situation the monk carpenter and his disciple took part in governmental construction like Janganmun.

본 연구는 고층건축물의 기본설계 단계에서 평면형태를 결정할 때, 응용할 수 있도록 다양한 형상을 가진 고층건축물에 작용하는 풍력 및 풍응답에 대한 데이터베이스를 구축하는데 목적이 있다. 따라서 본 논문에서는 풍력데이터베이스의 초기 단계로, 높이 200m이상의 고층건축물의 변장비(D/B=0.33, 0.50, 0.77, 0.83, 0.91, 1.0, 1.1, 1.2 ,1.3 ,2.0, 3.0) 변화에 따른 풍력의 특성을 조사하고 기존 문헌과의 비교·검토를 통해 실험결과를 검증하였다. 또한 풍하중조합의 관점에서 풍방향-풍직각방향, 풍방향-비틀림방향 및 풍직각방향-비틀림방향 간의 풍력의 상호상관에 대해서 검토하였다. 실험결과, 풍방향 및 풍직각방향에 대한 평균 및 변동 모멘트계수와 풍직각방향 및 비틀림방향 변동모멘트계수의 파워스펙트럼밀도의 결과는 기존 연구결과와 잘 부합되는 것으로 나타났다. 또한, 지표면조도의 변화에 따른 풍방향, 풍직각방향 및 비틀림방향에 대한 풍력의 특성은 큰 변화가 없는 것으로 나타났다. 시간영역과 주파수영역에서의 변동모멘트의 상호상관계수 분석결과, 풍직각방향-비틀림방향 변동모멘트계수의 상호상관계수가 높게 나타나는 경향을 보였다.

The tasks of writing history is to reconstruct the past in order to understand the present condition and to envision the future. Modern architectural histories in the west have assumed this role, from Winckelmann to Giedion. Likewise, history of Korean modern architecture has to serve this purpose. However, existing histories of Korean modern architecture simply list up stylistic changes from western eclectic architecture to modernism without any historical narratives explaining the transition from Korean traditional architecture to modern architecture. History of Korean modern architecture has simply been understood as a unilateral process of transplantation of western architecture into Korea. This paper points out two major problems underlying this kind of historiography of Korean modern architecture. The one is formalistic approach which sees history of modern architecture mainly as a process of formal and stylistic changes. The other is humanistic approach which sees modern architects as agents of history. This paper argues that this kind of history writings has limitations since modernity of Korean architecture is fundamentally different from that of the west. and that specific tasks that Korean modern architectural history has to address are then two folds;(re)connecting the past architectural tradition to the present and forming self-identity of Korean architecture.

The fatalities of the evacuation facilities of the buildings accessed by unspecified people on the daily basis are significantly emerged as a problem. Evacuation facilities should be designed for common human behaviors the assumption that the customers are not familiar with the buildings. In addition, the characteristics of modern buildings such as high-rising and enlarging should be considered to design the evacuation plan. The evacuation is a problem that people reach a safe place with themselves. The architectural plan for the life safety should be established to minimize various disaster damages. To do so, the factors such as time, risks on the steps, combustion ash variables, safety training should be considered on the architectural planing.

High rising of the buildings offers a number of risk factors than ever before with regard to fire prevention. Especially in the construction site of high-rise buildings, people waste golden-time during the evacuation because temporary fire fighting facilities are not installed and transferred to a large fire because of fire suppression failure. In this study, the researcher derives the problems of fire protection in high-rise buildings construction sites and proposed the measures in such the legal aspects as fireᆞ building construction code and etc. There are the legal improvements such as orders of construction suspension in the problems of fire safety, appointing fire safety manager, temporary fire protection installation standards, enhancing penalty provisions regarding the use of fire, operating self fire brigade, confirming on-site after completing fire-protection facalities, establishment or strengthening special fire-protection investigations

The objective of this study is to censure the provision of correct information to the public through investigating radon emanation by building materials that are used in domestic construction environment. Radon emanation has been identified in 10 framing materials and 16 finishing materials of 26 building materials used in the domestic construction-industry. Radon emanation was measured using the closed chamber method based on CR-39 nuclear track detectors(NTDs). On Brick-General in framing materials, the highest radon emanation rates were 0.60028 Bq/ m2·h for surface and 0.00733 Bq/kg·h for mass, while on Ceiling-Tex Cement Plaster in finishing materials. The highest radon emanation rates were 0.47708 Bq/m2·h for surface and 0.05885 Bq/kg·h for mass.

This study aims to examine the brief statement about the historiography of architecture by the French philosopher Michel Foucault and the possibility of a historical description according to his method. His historiographic proposition, “the history of architecture back in (the) general history of techne,” is a novel idea not only for his contemporaries but also for us. To grasp the meaning of Foucault’s proposition, we begin by considering his position with regard to architecture or architectural space in certain discussions till then. We then compare his standpoint on historical recognition with other viewpoints about historical narratives that can be found in books written since 1930. Finally, we interpret the concept of “techne” in the sense of “relation,” whose objectivation is for him his concern on architecture and examine possible aspects and their limits.

This study is on historiography of Modern Architecture since its beginning to present. As a critical review of the history of the writing history of Modern Architecture, this study tends to be a meta-history and criticism of historical text. This study try to analyse historiographical project of Modern architecture at specific phase since the beginning of modern architecture. The historiography of Modern architecture shows that writing a history is making a discourse of Modern architecture as a imaginative representation to define and justify Modernism in architecture. The analysis of canonic text since early 20th century proves that the history of writing history of Modern architecture played a critical role not only to shape of our ideal but the practice of architecture with a ideology construction in retrospect. With a name of truth or morality they made myths about the modernity in architecture. So we can find deep 'Hagelean Unconscious' in writing history of Modern architecture not even the first generation of historians but the second generation who were influenced by earlier writer in spite of their intention of revision and overcoming, which is in itself the key concept of Hegel's philosophy of History. Under this kind of 'operative' discourse our view point of Modern architecture were confined and the historiography of Modern architecture itself was narrowly defined as a kind of melodrama that a few architect and work of art matters. The rise of critical history fundamentally has changed the way of seeing and writing the history of Modern architecture. but it has also a new kind of dilemma as regard to writing history and involving practice. This review of historiography traces the texts of historians as like Pevsner, Giedion, Banham, Rowe, Tafuri, Frampton, and Curtis relating to different discours making. When we consider Benjamin's famous concept of constellation, writing history necessarily is a kind of montage making in time and we always need to recognize the historicity of historiography.

The purpose of this study is to identify ways of remodeling from the traditional hanok to the modern local governmental facility in 1910s. Analysing architectural drawings in the National Archives of Korea, 58 hanok remodeling cases of 52 facilities were verified like the provincial office, county office, county court from 1907 to 1910s. Using hanok as the local governmental building, exterior walls were all changed to the scaled-wooden wall like one of western-wooden building in 1910s and the western-style entrance was set. Change of the plan caused by remodeling interior walls had an intention of the centralized closed plan. Remodeled semi-outer corridor using the space of the eave became changed to the inner corridor with expansion of space. Expansion of hanok for spatial demand was in three ways. First was the expansion towards the eave space, second was direct extension from hanok, and last was the use of external corridor to the new building. Using the eave space was simple but had limitation of space, it was planed with other expansion ways. The way of direct extension was usually used than the one with the corridor, because it was more economical way.

This study aims to research the Kisho Kurokawa's architectural concepts and expressions that are comprised of various and complex theories system for Korean's globalization of architecture. Kurokawa's architectural concepts are composed by Metabolism, Metamorphosis and Symbiosis. And intermediate zone, ambiguity, multivalence are theories that work as media in changing process levels to three main concepts and these are used as media of Metamorphosis which embody Symbiosis. Metabolism include concepts of Metamorphosis and Symbiosis. Symbiosis is comprise of concepts of Metabolism and Metamorphosis, and is a ultimate goal of these three main concepts. Metamorphosis works as a medium in changing process levels from Metabolism to Symbiosis. The architectural expressions are embodied according to these main three concepts and theories of media in changing process levels. And these architectural expressions are analyzed by three elements as follows: form, material & color, structure & technique.