우리나라에서 건축물 내장재의 화재안전성능은 국토해양부 고시 제2011-39호에 의한 평가방법에 의해 불연성시험(KS F ISO 1182), 열방출률시험(KS F ISO 5660) 및 가스유해성시험(KSF 2271)을 실시하여 그 결과로서 분류하도록 되어 있다. 그 중 연기 및 연소독성가스에 대한 시험인 가스 유해성 시험은, 건축재료 및 내장재의 연소시 발생하는 가스의 유해성을 마우스의 평균 행동정지시간으로 측정하는 방법으로 사용하여 왔다. 이 중 연소 독성가스 4종(HCl, HF, HCN, SO2) 흡입독성시험방법의 확립을 위하여 ICR계 mouse와 전신흡입노출장치를 이용하여, 독성가스 노출 및 병리검사를 수행하였다. 그 결과 호흡기관지와 가까운 폐포에서 대식세포(Macrophage)의 침윤을 유발하는 것으로 나타났고, 4종의 물질에 대한 조직의 병리검사로 전체적으로 충혈과 울혈은 확인되었다. 조직 중 폐와 신장에서 조직손상이 심하였고, 물질로는 HCN이 가장 많은 병리소견을 보였다.

This study was carried out to observe the impacts of a mouse's inhalation of toxic gas SO2 generated from combustion on its organs by different concentrations. As for research methods: First, after concentrations of SO2 generation from combustion had been set to three: low (10.4 ppm), middle (24.9 ppm) and high (122 ppm) through Gas Toxicity Testing Method (KS F 2271) and SO2 combustion gas was exposed to eight mice in each concentration. Five mice that were able to move based on LD50, a criterion, which sets the down time of a mouse's average behaviors to over 9 minutes, were randomly selected in each concentration, and they were set up as the subjects of the study on toxicity bio-markers. Second, tissues were taken from heart, liver, lungs, spleen and the thymus gland of the mice selected in each concentration and a pathological examination of them was carried out. As a result, microvascular congestion appeared in the heart, and cell necrosis, cortex congestion and tubule medulla congestion, etc. in each concentration were observed in addition to vascular congestion in liver, lungs, spleen and the thymus gland. Also, it was found that the higher the concentrations of SO2 exposure is, the greater, the changes in the organs get. Through this study, SO2 of various toxic gases generated from fire turned out to affect the tissues of each organ of a mouse, it is expected that the toxic gases may greatly affect human body in case of actual fire, and this study is evaluated as having a significance as a basic data on inhalation toxicity assessment of toxic substances generated in combustion.

The objective of this study is to find out the recent trends of hanok design based on 58 hanoks appeared in architecture magazines in the last 10 years. The cases are analyzed in terms of location, size, building form, spatial organization, material, roof form, and the ceiling form of living room. The consequences of this study is as follows; Most of the recent hanoks are built in rural area (91.4%), which shows the hanok is not accepted as an urban house type. Hanoks tend to be built in 2 stories whose 2nd floor is smaller than the 1st floor. (34.5%) The preferred size is total floor area of 99.2 ~ 165.2㎡ (62.0%), 3 rooms (46.6%) with a traditional ondol room (60.3%). The buildings with ㄱ-shape (43.1%) and linear-shape (27.6%) are preferred, and the compact plan type similar with apartment house appears (13.8%). In the roof design that greatly influences the appearance of building, the traditional design factors such as half-hipped roof (55.2%), double eaves (27.6%), and eaves curve tend to be sustained. In terms of spatial organization, most of recent hanoks have double-layed plan (74.2%). The living room mostly has separately defined space. (82.8%) The indoor and outdoor tend to be connected by a narrow wooden veranda (39.7%), while some cases don't have any wooden floor space (48.3%). The entrance is adopted as an important spatial element in front part of building (75.9%), and it influences the appearance of building. The living room, the counterpart of the wooden floor hall in traditional hanok, and kitchen tend to be interiorized. In terms of material, the cement roof tile and red clay brick are preferred. Consequently, the walls of recent hanoks have the image of brick structure rather than the wooden frame structure of traditonal hanok.

The purpose of this study is to understand the architectural space of Donggung(東宮), the Prince's Palace, and Dongjo(東朝), the King's Mother and Queen's living space, in the early Joseon Dynasty. The Royal palace can be divided into three parts, political space for king, living space for king and his family and government office. So first, we should to understand the characteristics of each space in the Royal Palace. Up to now we have looked at the architectural space of Donggung(東宮) and Dongjo(東 朝) in Gyeongbokgung(景福宮), one of the Royal Palace, the result of this study is as followings. Donggung which was living space for Prince consisted of Jaseondang(資善堂), Seunwhadang(承華堂) and Kyejodang(繼照堂) in the era of King Sejong Kyejodang was demolished and Seunwhadang was destroyed by fire in King Jungjong era and was not rebuilded. This buildings The buildings consisted of Jeondang, Whudang, main gate, hapmun(閤門) and corridor or fence Donggung and Dongjo was separated wall Dong consisted of many buildings for Queen dowager, Queen and many royal concubines The arrangement of Donggung and Dongjo was assumed like as the Fig2.

Balhae(698~926) was the ancient state which opened the Nambuk-guk period with the Unified Silla. But Balhae architecture began to included in the history of Korean architecture only about 15 years ago, such as the books written by Yun Jang-seop or Ju Nam-cheol. I discussed four issues related to Balhae architecture in this paper. First, I criticized the excavation report of 24 stones remains at Jiangdong in Duhua city, and I asserted the ondol site belonged to different period. Second, I also interpreted that the building found on the tombs no.13 and no.14, in the Longhai burial area in Helong city must be a wooden stupa. Third, Balhae played some important roles in the history of ondol. It developed Koguryeo ondol in terms of structure, gave an opportunity to the ruling class to adopt ondol for the first time, and passed the heating system down to the Jurchen, the ancestor of the modern Manchurian. Fourth, the Russian-Korean joint research team excavated seven building sites in Koksharovka 1 fortress from Russian territory these four years, and it is reasonable to assume the fortress was the center of Anbyeon-bu, one of 15 local government districts in Balhae. I guess this buildings were the royal shrine built by resisters after the fall of Balhae, and the vessel stands found there must be used for ancestral memorial ceremony inside them.

The starting point of this study is the concerning of simple behavioral pattern that whoever enters the inner space with taking off his shoes should go out from the position where he laid his shoes. The using of Ondol (floor heating room) and Maru (lifted wood floor) had changed the architectural space from chair-sitting to floor-sitting space, and it also made the behavior of taking off the shoes at the entrance of building and stepping on the lifted floor. This simple behavior has possibility to make lots of changes to the culture of architectural design. With this noticeable point, this paper is talking about the cultural feature of Korean traditional architecture, especially about the influence of tanking off and putting on shoes. The matter of shoes has changed diverse aspects of building and layout planning. It maximized the difference between front and rear part of building and characterized the lateral extension of Korean traditional house. The ritual space also had evolved from chair-sitting to floor-sitting space according to the type of ritual behavioral pattern. The change on the single building level had influenced on the layout planning of architectural complex. For examples, the parallel layout of ChangDeok-gung palace and the long sequential process to the main pavilion of Buddhist temple are the result of the matter of shoes. And NuGak(樓閣), the double-storied pavilion, on the axis of entering sequence’s node is one of the unique planning elements that makes possible to go through the building without taking off the shoes and also makes upper level space for staying. In short, Korean traditional architecture that has the chair-sitting spatial origin of the East Asian cultural sphere has pursued new architectural issues and planning methods according to evolution to the floor-sitting culture.

This research aims to demonstrate the sociocultural significance of architectural journals produced in the 1970s during which a fundamental reconsideration of architectural discipline has been made. To this end, we established a method of analysis adapted to the characteristics of architectural journals of that period. In this formulation, the relative autonomy of architectural journal with regard to various actors and institutions involved in its production emerged as a major criterion for the analysis of a journal. From this methodological reflection, we analyzed two French architectural journals, AMC published between 1973 and 1981 and l’Architecture d'Aujourd'hui between 1974 and 1977, which were produced both in close relation with parisian architectural schools (UPA) in the context of reestablishment of architectural education and beginning of architectural research in France after the events of May 1968. If these journals reflected and strengthened the architectural reality and especially the social network of their protagonists, it is equally important to note that they have transformed it into cultural network, and this by the mechanism proper to their preparation and their textual organization.

The core idea of the critical regionalism could be summarized as a self-conscious synthesis between universal civilization and world culture. After World War Ⅱ, it has been applied to architecture for overcoming the problem of Industrial Capitalism and uniformity of 20th century Modern Architecture. Naturally, religious architecture cannot also be an exception in this cultural trend, thus we can also apply the critical regionalism to the Korean Catholic Church Architecture with the basic premise that the Traditional Western and Modern Style Church Architecture should be regarded as universal civilization, and the Traditional Korean Architecture and endemicity as one of world culture. In the context, this article attempts to analyze the regionality of Korean Modern Catholic Church Architecture constructed between the 19th century and 1980's, and how it has been differently transformed with the view of the critical regionalism. Its analysis will be carried out within three types; transformation of the Traditional Korean Architecture and the influence of Japanese Modern Architecture, representation of the Traditional Korean Architecture, and abstraction of the Traditional Korean Architecture with each advantages and disadvantages.

Nakseonjae in Changdeokgung Palace was established at The King Hunjong’s 13rd year (1847), the mid-19th century. It was constructed for own rests of King Hunjong and the residence of Kyungbin (king’s concubines), and is showing features of upper-class houses from several points such as rustic architectural types by getting out of authoritative aspects as king’s shelter space within the palace, block and floor distribution that separated spaces for men and women, simplicity in structures and styles, and non-colorful painting etc. This study aims at tracing on which architectural types did the upper-class houses within Hanyang (modern Seoul) at late Joseon Dynasty have and what was characteristics of Nakseonjae. The resemblance between Nakseonjae and the upper-class houses was very little differences from scale aspects, and floor plan shapes of Anchae (women’s quarters) and Sarangchae (men’s quarters) were followed basic common styles. Also, resemblance could be confirmed in the structural styles too. Characteristics of Nakseonjae are showing apparent differences from clearance compositions such as hall configuration etc. Nakseonjae was king’s dwelling place, and spaces for house’s collateral functions such as kitchen, stable, and warehouse etc together with shrine were unnecessary, and such places were substituted into servants’ quarters for assisting the Royal family. In detailed structural styles, column’s size was larger 3cm or more than the upper-class houses, and its height was higher to the degree of 30~60cm. Besides, formality as king’s shelter space was raised more in decorating aspects, and Nakseonjae was implemented by getting architectural influences from Qing Dynasty of China. This study induced features of Hanyang’s upper-class houses at the 19th century by supplementing distribution and space configurations at existing cases of Seoul and Gyeonggi area together with house diagrams having been collected by Gaokdohyung (site and floor plan) of Jangseogak Library, and confirmed resemblances and differences with Nakseonjae, that is, features of Nakseonjae. Through the result, this study judges a fact that architecture of Nakseonjae seemed to be affected from conveniences of upper-class houses within Hanseong, and also architectural styles and distribution types of Nakseonje would give influences to the upper-class houses.

이 논문에서는 뒷채움이 부실한 묻힌기초 위에 세워진 건축물의 지반증폭계수에 대한 기초묻힘으로 인한 저감계수를 산정하기 위한 연구를 비선형 의사 3D 수평지진해석이 가능한 P3DASS 유한요소 프로그램으로 수행하였다. 지반은 30m 두께로 균질하고탄성과 점성이 있는 등방성 지반으로 단단한 암반 위에 놓인 것으로 가정하였고, 기초는 반경이 10-70m인 등가원형 강체기초로 기초묻힘은 0, 10, 20, 30m인 경우를 고려하였다. 지진해석은 노두에서 실측한 7개 지진기록의 유효지진가속도를 0.1g로 조정한 후 연약지반밑 암반에서의 지진기록을 생성하여 수행하였다. 연구 결과에 의하면, 매우 연약한 지반에 깊게 묻힌 뒷채움이 부실한 소형기초인 경우를제외하고는 지반증폭계수가 기초묻힘비가 깊어 질수록 점진적으로 감소하고 기초크기에 따른 편차는 크지 않은 것으로 평가되었다. 따라서 뒷채움이 부실한 묻힌기초의 지반증폭계수를 설계기준에 주어진 지표면기초의 지반증폭계수에 곱해서 구할 수 있는 표준저감계수를전단파속도와 지반종류에 따라 제안하였다. 이 표준저감계수는 지반의 평균전단파속도에 따라 보간하여 사용할 수도 있다.

본 연구에서는 풍진동 제어 기술의 하나로 현재 대부분의 초고층 건축물에 적용되고 있는 아웃리거 시스템에 댐퍼를 설치한 아웃리거 댐퍼 시스템에 대하여 수치해석모델과 상용 구조해석프로그램을 사용한 모델을 사용하여 최적설계 및 변수연구를 수행하였다. 먼저 아웃리거 댐퍼의 거동 특성을 반영하도록 상태방정식을 사용한 단자유도 수치 모델을 설계하였고 상용 구조해석 프로그램을 사용해서 최적설계를 위한 다자유도모델을 설계하였다. 강성이 고려되지 않고 오직 댐퍼의 감쇠에 의한 최적 위치는 최상층인 것으로 나타났지만 중간 이상의 층에서는 댐퍼의 높이에 따른 성능 변화가 크지 않기 때문에 강성과 감쇠가 복합적으로 운동에 참여하는 실제 구조물의 경우 최적의 위치가 최상층이 아닌 다른 층에 존재한다. 아웃리거 댐퍼시스템은 기존 일반적인 아웃리거 시스템과 비교할 때 가속도 응답을 줄이는데 있어 매우 효과적인 것을 확인하였다.

The purpose of this study is to understand the architectural space of Chimjeon (寢殿), the King's Bedroom, and Backyard, in the early Joseon Dynasty. The Royal palace can be divided into three parts, political space for King, living space for King and his family and government office. So first, we should to understand the characteristics of each space in the Royal Palace. Up to now we have looked at the architectural space of the King's Bedroom in the central area and Backyard in Gyeongbokgung (景福宮), one of the Royal Palace, the result of this study is as followings. Cheonchujeon (千秋殿) and Manchunjeon (萬春殿) were not both sides of Sajeongjeon (思政殿), were on the north side of Gangnyeongjeon (康寧殿) Gangnyeongjeon was not a bedroom for the King and Queen, only for King. Bedroom for Queen was located another space in the Royal palace. There was Hamwonjeon on the west side of Koytaejeon. Jamidang and Cheongyeonroo were on the right side of Koytaejeon The Backyard on the north side of Gyeongbokgung had a wide area for horseback archery and the practice of battle formation The arrangement of the King's bedroom in the central area was assumed like as the Fig 7. and Fig 8.

The bracket sets which are supporting the weight of the roof, has to meet both requirements which are structural functions and act as an ornamental element. Therefore the bracket sets differ in many types from time and space and has done an important role in the history of architecture with many studies being presented. The first form of the bracket set has been found in the bronze table relics in zhōng shān wáng líng (中山王陵). Through the Eastern Han dynasty (A.D. 25-220) it became more specific in the shique (石闕) and huaxiangshi (畵像石) in the Han dynasty (206 B.C.-A.D. 220). Afterwards, as Buddhism was introduced to China, the bracket construction techniques shown in the Mogao Caves, Yungang Grottoes, and Longmen Grottoes has given much help for understanding the building techniques of wooden architecture. Especially the Xia-ang structure seen in the Mogao caves shows a vast development in wooden structure and a typical building would be the main hall of Fo Guang Shan monastery in Mt. Wutaishan from the Tang dynasty (A.D. 618-907). This accumulated techniques is inscribed in the 'Ying Zao Fa Shi (營造法式)' wooden structure designs which was published during the Northern Song dynasty (A.D. 960-1127) and many buildings were constructed following this technique after the publication. During this period, it is assumed that Baek-jae (B.C.18-A.D.660) in the Korean peninsula also used the Xia-ang technique, but there havn't been many studies on this field. In this thesis it is introducing the development of the building techniques and structural features of the Xia-ang wooden architecture during the Tang and Song dynasty.

Namhansanseong fortress (南漢山城) is not Eupchi (邑治) created for ages but the new settlement of public and military administration as Baedo (陪都) to defend capital territory. Namhansanseong has Jinsan (鎭山) that is named Cheongnyangsan (淸凉山) and its government office building was located in the main place, also a periodic five-day market was being held in the center of fortress. This study is find out the transition and its historical background of government office building on Namhansanseong by the relocation of Eupchi in the 17th century. The conclusion of analysis can be summarized as follows; The main change of government office in the late Choson dynasty is to move Yi-a, administrative complex (貳衙) around Yeonmugwan (演武館). Since 1795, the 19th year of King Jeongjo (正祖), this was fixed by the end of the Choson dynasty on the unification of Magistrate which is also Defense Commander. In the second place, the military office on Jungyeong (中營) that is Junggun's (中軍) place of work was abolished by the reform of Junggun system. Thirdly, transition of the end of the Choson dynasty is the abolition of Sueoyeong (守禦營) and the realignment of government offices. Namely, the administrative agency was moved to Haenggung (行宮) after the collapse of unification in 1895. Also former military offices was changed to police administration on Gwangju-bu (廣州府), Gwangju county level unit.

This study is on the pedagogical convention of architectural history in Korea, especially that of Western Architecture. Recent institutional change in architectural school in Korea has caused overall restructuring of academic program. In spite of extension in the field of history there was no progress of method and way of thinking. There is no change in the point of view to see the western architecture and its history as a unique and specialized phenomenon in the civilization of mankind. Because of no recognition about for what, for whom, and how to, and because of orientalism, the cultural position of western architectural history and its narrative was not asked. With the help of post-colonialism, de-constructivism and critical historiography this paper tries to show the fundamental premise of western architectural history as a myth and show its prejudice as not being justifiable. The background of the discourse there has been a representation effect with regard to knowledge as a power. we need to escape from this kind of cognitional frame With the analysis of the its premise and narrative we can find it is a historical construct that was made in the age of imperialism. In fact it has a lot of false information and problematic point of view. The Identity and originality of western architecture and its history has no logical reason or foundation if we think that it depends on the difference and comparison with other civilization. For example the explanation of its historical origin western architecture has big difference with Islamic architecture in spite of the resemblance each other. This paper try to show several reasons that discourse of western architectural history can not be survived any longer. So we need to reconstruct new pedagogy with deconstruction for the students of non western, or Korean students. Because it has important effect to see and think about architecture and its history.

The building for the Sutra appeared as the Sutra-belief became popular in the early years of the Koryo Dynasty. According to the written documents, there were two types of apparatus to keep sutras, one by fixing the cabinet to the wall and the other by rotating the cabinet at the center of the hall. There are no remains. Recently, at the excavation of the site of the Yeongguk Temple (寧國寺) in the Chungcheong Prevince (영동군), a building which was presumed as the Sutra Hall was recovered at the side of the Main Hall. At the center of the building, of 6meters width and 6meters depth, there was a large stone which had a round trace which was presumed to supporting the rotating sutra-case cabinet. By examining the concerned situations, this building was concluded as the Sutra Hall of the temple. The Yeongguk Temple had a close relationship with the royal household. Budddhist monk Gwangji, son of the 16th King Yejong was lived at the Temple. the tomb of King's advisory priest Wongak was also erected at the Temple. Two monks were well known as the defender of the Sutra. The Sutra Hall of the Yeongguk Temple regarded as a significant example which showed us how the archtectural aspect of the Sutra Hall was shaped in the Koryo Dynasty. It could be said that revealing the architectural aspect of the Stura Hall will help revealing the Buddhist architecture of the Koryo Dynsty which is veiled in many field.

The purpose of this study is to understand the architectural space of Gwolnaegaksa (闕 內各司), the Government office in the palace, in the early Joseon Dynasty. The Royal palace can be divided into three parts, political space for king, living space for king and his family and government office. So first, we should to understand the characteristics of each space in the Royal Palace. Up to now we have looked at the architectural space of Gwolnaegaksa in Gyeongbokgung (景福宮), one of the Royal Palace, the result of this study is as followings. There were not many Gwolnaegaksas in the early days in Gyeongbokgung. After King Sejong, some office buildings were established in that palace. King's closest guards, like as Seonjeonkwan (宣傳官), Gyumsabok (兼司僕), Naegeumwi (內禁衛) had been on duty in Sajeongjeon Haengrang (思政殿行廊), a kind of servants´ quarters. Bincheong (賓廳), a conference room of high-ranking government officials was situated in Geungjeon Haengrang (勤政殿行廊). There were also barracks of other palace guards in Geungjeon Haengrang. Gyeongyeoncheong (經筵廳), a place to prepare and wait, was built separately from Geungjeon Haengrang Layout drawings of Gyeongbokgung painted since the 18th century were different from document in some parts. The arrangement of the Gwolnaegaksa was assumed like as the Fig. 9.

The purpose of this study is to understand the architectural space of Seungjeongwon (承政院), the Royal Secretariat, in the early years of Joseon Dynasty. The Royal palace can be divided into three parts, political space, living space for king and his family and offices for government official in the palace. So first, we should to understand the characteristics of each space in the Royal Palace. The result of this study is following. Seungjeongwon of the Joseon Dynasty was where Seungji (承旨), Juseo (注書), Sagwan (史官), Seungjeonsaeg (承傳色), Seori (書吏) and Harye (下隷) worked together. The architectural space of Seungjeongwon was separated into Jeongwon-Cheong (政院廳) and Juseo-Cheong (注書廳). Jeongwon-Cheong was the office for Seungji, where Sagwan worked as well as Seungji and Juseo. The form of Jeongwon-Cheong (政院廳) in Kyung-bok Palace was similar to that depicted in Eundaegyecheop (銀臺契帖), which was painted the meeting of Seungjis. Juseo-Cheong was the office for Juseo and Sagwan and there was a break room. Apart from Jeongwon-Cheong there were rooms where Seungji could work or take a rest. As with the office of Seungji, the space for Juseo also had rooms for Juseo. There were also rooms for Seori and Abang (兒房) which were rooms for servants.