Thermolysis of Cu(NO3)2·3H2O impregnated activated carbon fiber (ACF) was studied by means of XRD analysis to obtain Cu-impregnated ACF. Cu(NO3)2·3H2O was converted into Cu2O around 230℃. The Cu2O was reduced to Cu at 400℃, resulting in ACF-C(Cu). Some Cu particles have a tendency to aggregate through the heat treatment, resulting in the ununiform distribution in ACF. Catalytic decomposition of NO gas has been performed by Cu-impregnated ACF in a column reactor at 400℃. Initial NO concentration was 1300 ppm diluted in helium gas. NO gas was effectively decomposed by 5~10 wt% Cu-impregnated ACF at 400℃. The concentration of NO was maintained less than 200 ppm for 6 hours in this system. The ACF-C(Cu) deoxidized NO to N2 and was reduced to ACF-C(Cu2O) in the initial stage. The ACF-C(Cu2O) also deoxidized NO to N2 and reduced to ACF-C(CuO). This ACF-C(CuO) was converted again into ACF-C(Cu) by heating. There was no consumption of ACF in mass during thermolysis and catalytic decomposition of NO to N2 by copper. The catalytic decomposition was accelerated with increase of the reaction temperature.

본 실험은 석회, 돈분액비 및 화학비료의 시용에 따른 옥수수의 생육특성, 건물수량 및 토양의 질산염 함량에 미치는 영향을 연구하기 위하여 토양 전처리, 기비, 추비를 각각 달리처리한(C구: 화학비료 + 화학비료, T1; 석회 + 화학비료 + 화학비료, T2; 돈분액비 + 돈분액비, T3; 석회 + 돈분액비 + 돈분액비, T4; 돈분액비 + 화학비료) 5처리 3반복으로 실시하였으며, 그 결과는 다음과 같다. 생육특성(초장, 착수고, 암이삭 비율, 건물율)

Arnold Scho¨nberg used three twelve-tone series in the first movement of his 「String Quartet no.3」. These twelve-tone series are used in both melodies and accompaniment. But sometimes he did not follow this fundamental rule to pursue musical thought even though he made use of the twelve-tone system in this piece. This thesis is focused on not only theme melodies, but also first ostinato motive of accompaniment and the relationship of balance between Scho¨nberg's primary and secondary musical thought can be considered in the theme melodies and the first motive of accompaniment. That is to say, Scho¨nberg shows how the main melodies and the supported ostinato motives match well together from the examples of his own musical main thought, environs thought, and relative thought. This is an specific example that Scho¨berg can develop his musical logic in his piece perfectly only when all of musical elements are in harmony. This is different with tonal music which is depends on the development of just main melody. Scho¨nberg says that the meaning of composition skill of the twelve-tone system is a reproduction of the traditional tonal harmony and is for systematization of the process of entire musical elements. So, he unites between the traditional composition techniques with and his twelve-tone system. 「String Quartet no. 3」 is also composed using both old and new. Unusually, there was no sensation in the first performance of the 「String Quartet no. 3」. But his critics said Scho¨nberg could not overcome his fantastic musical theory deeply and this piece was an expression of the Dadaism.1」 However, When it was performed at Frankfurt in 1928, Adomo was fascinated with this 「String Quartet no. 3」 and he evaluated this piece as a 'very influential music'. The article 「Why is it difficult to understand Scho¨nberg's music」 of Alban Berg says several common characteristics of atonal music. these characteristics include similar variety of harmonies, various methods of cadences, equal use for each tone in twelve-tone system, well-matched harmonies with melodies, unsymmetrical and unlimited composition in musical theme, abundant variation skills, inclusive polyphony, and various and subdivisible rhythms. Scho¨nberg's 「String Quartet no. 3」 uses abundant various rhythms, variation skills with motive, counterpoint skills, and musical theme development based on traditional harmonic function. This piece includes various characteristics of atonal music which Alban berg notes in his article. Scho¨nberg's 「String Quartet no.3」, composed with abundant musical skills, shows the serious musical thought of the composer and his musical beauties. This breaks general opinions that Scho¨nberg's piece is difficult to understand.

제주지역 화산회토양에서 주로 재배하고 있는 사료작물인 수수수단그라스 교잡종 재배시 돈분액비 중 질소성분을 기준으로 하여 수준별 돈분액비를 기비로 사용하였을 때 수수수단그라스 교잡종의 생산성과 환경에 미치는 영향을 구명하기 위하여 대조구로 화학비료 ( O=200-l50-150kg/ha), 단용구, 돈분액비 200kg N/ha, 돈분액비 300kg N/ha, 돈분액비 400kg N/ha 단용구, 돈분액비 100kg N/ha+화학비료 100kg N/ha, 돈

시설토양내 Na나 Cl이온의 과다집적은 직접 또는 간접적으로 작물의 생육에 장해를 준다 따라서 본 실험은 플라스틱 포트재배에서 NaCl에 의해 생육이 억제된 작물에 Ca을 토양에 시용함으로써 치유효과를 검토코자 수행되었다. 토마토(하우스 모모타로)를 공시하여 80 mM NaCl를 처리하고 Ca(NO3)2과 CaCl2을 각각 0, 10, 20mM을 토마토 재배용 야마자키 표준양액에 첨가하여 공급하였다. NaCl집적토양에 Ca을 시용함으로써 모두 초장,생체중,건물중,착과수,과중의 생육을 촉진하였다 이러한 효과는 Ca의 농도가 높을수록 좋았고 Ca(NO3)2이 CaCl2보다 좋았다 수량은 NaCl 집적＋Ca(NO3)2 20mM 처리구에서 대조구를 제외한 여타 처리구보다 많았다. 광합성 속도는 Ca 처리구가 NaCl 처리구보다 높았으며, Ca 농도가 증가할수록 높았다. 엽록소 함량은 Ca처리구에서 대조구보다 많았으며, 새로운 잎이 오래된 잎보다 많았으나 Ca의 농도간에는 큰 차이가 없었다. Ca(NO3)2이나 CaCl2을 처리함으로써 식물체의 Na함량은 감소하였고 N, K및 Ca함량은 증가하였다. 특히 K/Na비율이 현저하게 증가하였으나, Cl함량은 감소하였다. 이상의 결과에서 NaCl의 스트레스를 받은 작물에 Ca(NO3)2및 Cac12을 처리함으로써 생육이 촉진되고 수량이 증가되나 대조구보다는 저조함을 알 수 있었다.

잎상추 수경재배시 배양액 내 NO3-N와 NH4-N 비율 및 pH 조절이 엽중 nitrate 함량에 미치는 효과를 구명하였다. NO3-/NH4+의 비율 처리는 12:1, 10:3, 8:5이었으며, 8:5 처리구에 pH를 자동적으로 조절해준 처리구조 설정하였다. pH의 변화는 12:1 처리구에서는 실험기간 동안 계속적으로 상승하는 경향을 보였고, NH4+의 비율이 높을수록 pH가 상당한 저하하다가 낮은 수준에서 유지되었다. NH4+의 비율이 가장 높았던 8:5에 pH를 자동적으로 조절해준 처리구에서는 5.5-6.5 사이의 안정적인 수준으로 pH를 유지하였다. 엽중 nitrate 함량은 전반적으로 12:1 처리구에서는 점점 감소하는 경향을 보였으나, 12:1과 8:5에 pH를 조절해준 처리구에서는 비슷한 양상으로 수확시마다 증가하는 경향을 보였다. 즉, NH4+의 비율을 높이고 배양액의 pH를 조절하는 것이 생육 및 엽중 nitrate 함량에 가장 좋은 것으로 나타났다