Buseok Temple in Yeongju was established by Uisang of Silla at the end of the Three Kingdoms period in 676 under the order of the king. In 1849, An jeong-gu recorded in Sunheung-eupji that 'Galang Mountain : To the north of Bonghwang Mountain. Originally, it was the old site of Buseok Temple'. According to these records, the current Buseok Temple is not the Buseok Temple established by Uisang of Silla. The purpose of this study is to investigate and analyze ancient documents related to the relocation of Buseok Temple based on the records of Sunheung-eupji and to conduct an on-site survey based on them to find out the truth about the old site of Buseok Temple. As a result of the study, the records of the relocation of Buseok Temple were confirmed in the old literature. As a result of the on-site investigation, a basin of about 75,000m² was found in Mt. Gaegot, which is located north of Mount Bonghwang. And here, roof tiles of the late Goryeo Dynasty and early Joseon Dynasty were found. These findings suggest the possibility that this place is the old site of Buseok Temple.

이 글에서는 국립박물관과 불교박물관들이 개최한 불교미술 전시현황을 정리하고, 대중 화에 성공했던 전시 사례로서 ‘창령사 터 나한상 전시’를 분석하였으며, 이를 바탕으로 불교 미술 전시의 대중화 방안을 제안하였다. 국립중앙박물관의 불교미술 전시는 1990년대 기획전시의 공간이 확보되고 큐레이터들의 역량이 성장한 이후 학술적으로 깊이 있는 불교미술 전시를 개최할 수 있었다. 2005년 용산 이전ㆍ개관을 기점으로 특별전시 운영시스템을 구축하여 국립박물관의 학예 연구 역량과 국 제적인 위상을 드러내는 불교미술 전시들이 개최되었으며 최근에는 기존 전시 형식을 탈피하 는 기획을 통해 일반인들의 관심을 모았다. 한편, 불교박물관의 불교미술 전시는 사찰의 성보박물관과 불교중앙박물관을 중심으로 이루어지고 있다. 종교적 위상과 고승 대덕의 업적, 그리고 사찰의 역사와 전통을 강조하고 있다. ‘창령사 터 나한상 전시’는 심오한 종교적 의미를 지닌 나한상을 설치 작품으로 재탄생 시켜 관람객이 불교미술에 빠져들고 사색에 잠길 수 있게 하였다. 다양한 전시연계 프로그램 의 운영과 SNS를 통한 홍보 역시 전시 대중화에 기여하였다. 나한상 전시 분석을 바탕으로 불교미술 전시의 대중화 방안을 다음과 같이 제안하였다. 첫째, 전시 주제를 확대할 필요가 있다. 둘째, 전시연출의 변화를 시도해야 한다. 셋째, 새로운 디지털 매체를 활용해야 한다. 넷째, 도록을 다양화해야 한다. 다섯째, 연계 교육 프로그 램을 개발하고 운영해야 한다. 여섯째, 다양한 전시행사를 기획해야 한다. 일곱째, 불교미술 의 콘텐츠가 지닌 개성과 역사성을 반영한 ‘캐릭터’를 개발하여 보급할 필요가 있다.

This study was prepared to understand the changes in the stylobate and the characteristics of contrasting with the wooden pagoda of Hwangnyongsa Temple, which occupies an important position in ancient architecture. Literature data related to the wooden pagoda of Hwangnyongsa Temple, excavation data, and newly identified stylobate stone were examined.The reconstruction period of the wooden pagoda of Hwangnyongsa Temple, the size and form of the stylobate, the plan of the stylobate, the height plan, and the elevation plan were reviewed one after another.Since its foundation in 646, the wooden pagoda of Hwangnyongsa Temple has been rebuilt during the reign of King Gyeongmun in 873 and a stylobate has been rebuilt. Through the analysis of similar cases with the wooden pagoda's face stone members, the elevation of the stylobate was proved. It is estimated that the size and format of the wooden pagoda stylobate were similar to those of the reconstruction stylobate. It seems that the Sumijwa style stylobate was first introduced to the foundation of the wooden pagoda of Hwangnyongsa Temple. This is of great significance in that it provided a fundamental motif for the stylobate of architecture and stone architecture of the Unified Silla period.

The Gyeongju and Pohang earthquakes caused damages to many cultural properties; particularly, stone pagoda structures were significantly damaged among masonry cultural properties. To preserve these structures, it is necessary to understand their dynamic behavior characteristics under earthquakes. Analyses on such areas as deformation, frequency, maximum acceleration, permanent displacement, sliding, and rocking have to be performed. Although many analytical studies have already been conducted, dynamic behavior studies based on experiments are insufficient. Therefore, this study analyzed dynamic behavior characteristics by performing a shaking table experiment on a three-story stone pagoda structure at the Cheollongsa temple site damaged by the Gyeongju earthquake. As a result of the experiment, the displacements of stylobates did not occur significantly, but the tower body parts rotated. In particular, the rotation of the 1F main body stone was relatively larger than that of the other chief body stones because the 1F main body stone is relatively more slender than the other parts. In addition, the decorative top was identified as the component most vulnerable to sliding. This study found that the 1F main body stone is vulnerable to rocking, and the parts located on the upper part are more vulnerable to sliding.