음악이론포럼 제15권

The purpose of this study is to explore historical and cultural backgrounds of early twentieth century in Paris, France and examine musical characteristics of selected songs of Les Six through analysis. This study investigates songs of Les Six, which possess valuable learning aspects technically and musically and present artistic aesthetics of early twentieth century France, but have not been studied suffciently as an appropriate twentieth century French repertoire for singers, teachers, and music researchers. Les Six was a group of talented and young composers gatering under Erik Satie (1866-1925) and Jean Cocteau (1889-1963) pursuing true French music that was independent from German Romantic and Debussy's impressionism. Also, Les Six has been recognized as representing composers of contemporary French music in the early of twentieth century. The study briefly examine the cultural and historical background of early twentieth century France and the formation and aesthetics of the group of six composers, Georges Auric(1899-1983), Loise Durey(1888-1979), Arthur Honegger(1892-1955), Darius Milhaud(1892-1974), Francis Poulenc(1899-1963) and Germaine Tailleferre(1892-1983). The selected songs of "Les Six" present a unique style such as neo-classical simplicity, embracement of tradition and modern qualities, and integration of characteristics of popular music, refined and controlled expression, and suble relationships between text and music.

4,800원

7.

2008.12 구독 인증기관 무료, 개인회원 유료

분석에 따른 다양한 연주 해석의 가능성: 프레이징과 아티큘레이션을 중심으로

Possibility of Multiple Interpretations by Analyses: Focusing on Phrasing and Articulation

송무경

음악이론포럼 제15권 pp.122-135 연세대학교 음악연구소

This paper begins with an assumption that the performer's interpretation could be influenced by his or her diverse analyses. Among the various elements that can have an effect on the analyse, the decision of a structural harmony and the rhythmic issue that originater from a conflict between tonal and durational rhythms are the primary concern of the paper. The paper tackles the issue of which dominant will be selected as a more structural one in an analytic situation, in which a half cadence is followed by the other half cadence. After discussing strengths and drawbacks of the readings, I cautiously propose performance suggestions that can be derived from each reading. I interpret the meter and measure by considering rhythmic aspects of a piece and finally suggest rebarring a passage to a better understanding. I also discuss how a decision of a long-range structural harmony that governs subsequent harmonic succession can influence the interpretation and performance of a performer.

4,600원

간행물

음악이론포럼 KCI 등재 Music Theory Forum

제15권 (2008년 12월) 7건