The planning acumen led by the crown prince stands out during the banquets that were held continually during the reign of Crown Prince Hyomyung around the late Joseon period from 1827 to 1929. If we examine the changes in banquet space during the period that Crown Prince Hyomyung ruled by proxy, the Jagyeongjeon(慈慶 殿) in Changgyeonggung Palace, which was built during the time of King Jeongjo was repaired after the in 1827 during the reign of the crown prince and appeared in its changed form in Muja Jinjakin 1828. It is believed that the Jagyeongjeonwas expanded and repaired during the reign of Crown Prince Hyomyung to conduct banquets for important guests. Jagyeongjeon which was repaired during the crown prince's reign, is a space where banquets were continuously held during the three years that he reigned, and we can see that it is an important space for royalty where the authority of King Sunjo, Queen Sunwon, and Crown Prince Hyomyung was reflected. Yeongyeongdan(演慶堂) was a structure built in 1828, which is after the period when the Jagyeongjeonwas changed in 1827, and it is a space that emerged during the reign of the crown prince. Hwanchwijeong(環翠亭), which was constructed during the time of King Seongjong was changed after 1827 during the reign of Crown Prince Hyomyung and appeared in its changed form in Muja Jinjakin 1828. Hwanchwijeongwas the place where the Crown Prince Hyomyung stayed and planned banquets and it was repaired along with Jagyeongjeonin 1827. During his reign, the political intent of the crown prince was reflected not in superficial political spaces but in spaces where banquets were held and accordingly the main spaces for banquets and their related royal palace locations were changed or newly established. You need to briefly explain what this and Muja Jinjak are. New information is not provided in this paragraph. You have already established why the crown prince renovated the banquets and its significance in the first two paragraphs. You could just add “Jagyeongjeon(慈慶殿), Yeongyeongdan(演慶堂), and Hwanchwijeong(環翠亭) in Changgyeonggung Palace during his reign were changed and renovated during the time when the royal banquets of the 19th century were getting established. It was spaces that reflected the royal family and royal authority” to the end of the second paragraph and it would convey your intended meaning.

본 연구는 건축가 왕슈의 수안산거（水岸山居） 작품에서 나타나는 그의 외부공간의 디자인 철학을 알아보고 설계과정에서 나타나는 시점, 동선, 재료 등의 요소와 연계된 외부공간을 분석하여 왕슈 건축에서 보여지는 공간의 특징을 살펴보는 것이 목적이다. 연구 방법으로 먼저 왕슈의 건축배경 및 원리에 대한 이론을 고찰하여 그의 건축 이론과 작품에 나타난 건축공간의 특징, 동선, 외부공간을 주요 연구내용으로 한다. 분석은 왕슈의 수안산거 건축 작품을 대상으로, 그의 작품집, 수필집, 인터뷰 등을 분석하는 방법으로 연구를 할 것이다. 서론에서 연구의 배경, 목적, 범위, 방법을 제시하고 그의 작품, 건축설계과정, 주요 디자인 어휘를 근거로 분석의 틀을 제시하여, 이 틀을 기준으로 수안산거 건축에 구현된 외부공간의 시점, 동선, 재료 등의 3가지 측면으로 분석·정리한다. 왕슈의 건축에는 3가지 특성이 나타나는데, 첫째, 시점에 의한 외부 공간의 표현으로 이용객의 이동 방향에 따라 다양한 풍경이 펼쳐지는데, 단일시점이 아닌 3개의 다양한 관점(앙시, 심원, 평원)으로 외부공간을 구성하였다. 둘째, 외부공간의 다양한 동선은 이용자의 다양한 시각변화와 공간적 경험을 유도한다. 셋째, 외부공간의 재료구성은 전통을 근거로 아이디어를 추출하여 현대건축 재료와의 조화를 통한 대응 방법을 찾아 문제점을 해결하였다. 중국 건축계의 대표적인 왕슈는 수안산거에 구현된 외부공간을 통하여 본인의 건축디자인과 조경 및 도시를 결합하여 시대적인 가치와 지침을 보여주고 있다.

This research focuses on the life and works of architect Yi Hunwoo, who was active in early 20th century. Yi has been previously mentioned in a few research documents, but not as a main subject of interest. Thanks to digitalized historic databases, the authors of this research were able to access more information about Yi. It was discovered that he was born in Korea in the late 19th century and then attended the Nagoya Higher Technical School in Japan. After repatriation, he participated in a few public projects in Korea as an in-house architect at the Governor-General’s office, then started his own practice and produced his individual projects. He also contributed articles on innovations in residential design to newspapers. Chronologically, his activities as an architect preceeded those of Park Gilyong, who has been conventionally regarded as the first Korean modern architect so far. This research would like to establish Yi Hunwoo as a historic figure whose professional career spanned the earlier stage of the Korean modern architecture, based on the records of his life and professional activities. The authors do not wish to present the architectural analysis nor evaluation of his works, which will be subject to future researches.

The purpose of this study was to analyze the correlation between conservation activities and the development of tourism in the modern period in the Korean peninsula. The main building of Jangansa Temple, located in Mt. Geumgang, was repaired in the 1930s. During the repairs, the Japanese General-Government actively engaged in the development of Mt. Geumgang and raised funds for the operation of the Korean Peninsula through tourism revenue. The repair work was carried out under the influence of the Mt. Geumgang development project. And its influence is revealed by reviewing official documents recording repair work. This study tried to clarify the relationship between development and repair work through official documents.

It can be meaningful that this study attempted to analyze the use cases and forms based on the literature on the painting walls of the Joseon Dynasty, and attempted basic research to prevent disaster damage using traditional elements. This study summarizes the use of the Hwabangbyeok wall of J oseon Dynasty as follows. First, Hwabangbyeok wall was used from the early J oseon Dynasty and was adopted by palaces and other major state facilities to cope with fire and theft. Second, the Hwabangbyeok Wall was also referred to as the wall below the lower part of the wall, and was constructed with the purpose of preventing disasters from outside. Third, in an analysis of the Daeseongjeon shrine of Hyanggyo, many construction cases were identified mainly in the Gyeonggi area, which is assumed to be based on production and construction conditions along with local climatic factors. Fourth, it can be said that the Hwabangbyeok wall was basically adopted to prevent comprehensive disaster risk reduction in case of external intrusion and fire.

Seonjeong-jeon, the semi-great hall in Changdeok Palace, was constructed in a highly formal and conservative style and accommodated official ceremonies. However, the contemporary modification of the building has distorted or eliminated features including the two side doors on the front, the floor coverings, and the throne base (Jwa-tap) that consisted the most significant part of the throne. Seonjeong-jeon originally had three doors that stood between each pair of columns on the front side, respectively. The courtiers accessed the building through the side doors, while the central door was exclusively designated for the king. However, the renovation in 1999 ignored the political context of the architectural form of the building and changed the side doors into windows, damaging the traditional structure inherited from the early Joseon Dynasty. Although the building currently has traditional wooden floor structure (Woomul-maru), it was originally covered with square brick tiles (Bang-jeon) before the Japanese occupation, following the customs of early Joseon Dynasty. The throne was placed to the north of the central door and consisted of the throne base and a decorative roof (Dang-ga). A canvas (Jang-ja), which featured the royal symbolic painting of Sun, Moon, and Five Peaks, was also installed between the two columns that connected the base and the roof. Nevertheless, only the columns and the blank canvas remain nowadays after the removal of the base.

The purpose of this study is to propose future-oriented high-rise buildings where the vehicle is parked at the top of the building. At the same time, the vehicle is used as a part of the building along with the advent of the era of autonomous driving. The suspended structure is proposed as a suitable structural system for architectural planning. This system is free to design because there are no limitations on column planning compared to conventional designs. In particular, the low-floor plan can be used as an open space because colums are not arranged in the lower-floors. Thereby opened low-floor plan has advantages that visual perception of the space is improved, noise problems along the side of the street is solved and planning underground parking spaces are easier. These advantages can solve the problem of overlapping columns with vehicle traffic in the building. However, there are some problems that the suspension structure is mainly a formal form and the usable area is small compared to the core area because it is a core-oriented structural system. In this regard, a new structural system was proposed by combining the concept of suspended structure and cable stayed column. Therefore, this paper analyzes the existing style of high-rise housing suspended Structure and proposes a new structural system and the concept of design for autonomous vehicles.

2008년 이후 젊은 건축가상 수상작 중 주거건축의 비율이 총 203개작에서 64개로 30%의 중요도를 가지고 있다. 따라서 본 연구의 목적은 젊은 건축가들의 단독주택의 계획방향에 관한 분석을 통해 주거건축의 실질적인 공간변화에 대해 고찰한다. 연구의 방법으로는 첫 번째, 공간구 문론 분석을 위해 기본적인 볼록공간을 설정하여 주생활 공간의 배치를 알아본다. 공간위상도에서 단위공간의 심도분석으로 각 공간의 주거공간 내부에서의 현상과 중요도를 파악한다. 두 번째, 가시영역분석을 통해 건축물의 개방도를 알아본다. 결론적으로 공간구문적 분석을 통해 주거건축에서의 내부공간의 변화된 모습과 도시내,외지역에 따라 실질적인 상황과 조건에 부 합하는 외부공간과 건축설계의 적응방법을 분석하여 향후 젊은 건축가들의 건축프로세스의 연구가 주거건축의 적극적인 사례로 변화된 계획의 방향을 알아볼 수 있을 것이고, 세부적으로는 도시주거건축과 경계부의 특성을 유추하는데 도움이 된다. 주거공간 변화를 파악하고 그에 상응하는 주거건축의 설계 방향 모색과 더불어 도시 내외부의 주거건축물 집단화에도 도움이 될 것이다.

필로티는 현대건축에서 주차공간의 활용, 보행자의 통로 등 여러 가지 이점을 가지고 있기 때문에 아파트와 오피스텔과 같은 고층건축물에 많이 사용되고 있다. 이러한 고층건축물의 필로티 형태 특성상 강풍이 불 때 바람이 집중되기 때문에 필로티 천장과 벽 면에 위치하고 있는 외장재 및 주골조가 파손되기 쉽다. 그리고 이러한 외장재 및 주골조의 탈락으로 인해 2차 피해가 발생할 우려가 있다. 하지만 건축구조기준(KBC-2016)에서는 고층건축물에 대한 천장 및 벽면의 풍압계수만을 제시할 뿐 필로티에 대한 기준이 명시 되어 있지 않다. 본 논문은 고층건축물에서 사용되는 필로티의 종류로서 관통형, 개방형 필로티를 선정하였고, 필로티의 폭과 깊이를 변수로 하여 풍동실험을 진행하였다. 그리고 변수에 따른 풍압계수의 특성을 파악하였고 비교 및 분석하였고 본 논문의 실험결과를 통 하여 필로티 설계 시 활용할 수 있는 주골조 및 외장재 설계용 풍압계수를 제시하였다.

비정형 형태의 건축물에서 발생하는 풍하중은 KBC-2016의 풍하중 산정식으로 산정할 수 없기 때문에 풍동실험을 통해 풍하 중을 평가할 수밖에 없다. KBC-2016으로 비정형건축물을 정형적인 건축물로 가정하여 풍하중을 평가한다면 과소평가될 우려가 있 다. 그러므로 보다 합리적인 평가를 위해 풍하중을 할증시켜줄 필요가 있다. 본 연구에서는 평면형태가 L자인 건축물을 대상으로 풍력 실험을 실시하여 풍하중을 산정하였으며, 이를 KBC-2016으로 산정한 풍하중과 비교하였다. 풍동실험을 통해 구한 L자형 건축물의 풍 하중과 KBC-2016으로 L자형 건축물과 동일한 폭과 깊이를 가진 사각형평면 건축물을 대상으로 구한 풍하중의 비로 풍하중 할증계수 를 도출하였다. 풍하중 할증계수는 1.6~2.2로 나타났다. KBC-2016에 의해 평가한 사각형 건축물의 풍하중에 풍하중 할증계수를 곱하 면 L자형 건축물의 풍하중이 된다.