미래는 창의력과 도전정신이 요구되는 시대다. 미래는 다양성이 존중되는 시대다. 미래는 소통과 상생이 배어있는 시대다. 이를 통틀어서 미래는 배움의 시대다. 다가오는 미래는 새로운 가능성과 기회를 부여한다. 이를 위해 기존의 학교는 스스로의 가치와 역할에 대해서 다시금 반추해볼 필요가 있다. 지금까지 실행해 온 학교교육의 내용과 방법이 과연 미래 사회에도 충분히 적용 가능할 것인지에 대한 원론적인 질문부터 시작해야 할 것이다. 지금의 학교교육이 지닌 한계를 직시하고 이를 극복할 수 있는 미래 지향적인 학교교육의 비전과 방향을 수립하는 일이 필요한 시간이다. 미래 학교교육의 성패는 인간 본성으로서의 배움을 여하히 드러내고 복원해내고 증진시켜 나가느냐에 달려있다. 학생들 각자가 지닌 잠재력과 배움력을 극대화 하는 작업이 미래의 학교교육에서 성취해 나가야 할 과업이다. 이를 위해서는 창의력과 도전정신을 함양할 뿐만 아니라, 다름을 인정할 수 있는 다양성을 배양하고, 나아가 언제 어디서든지 원하는 내용을 접하고 익히고 만들어 낼 수 있는 배움 정신을 회복하는 일이 미래 학교교육의 비전이며, 이를 바탕으로 열린교육, 대안교육, 배움의 교육이 미래 학교교육의 방향이 되어야 할 것이다.

예이츠는 『비전』의 제 3권 ｢심판받는 영혼｣에서 생과 사의 경계선에서의 6가지의 단계를 묘사하고 있다. 그의 진정한 목표는 이미 선험적으로 결정지어진 “존재의 통일에 이르는 길,” 더 나아가서는 “문화의 통일” 또는 “다문화”와 “초국가”의 길에 이르는 연단의 문제였고, 결국 보편적인 영혼의 초문화/초국가적인 시학의 지형도를 그려내는 작업이었다. 이미 먼저 온 “앞선 미래”의 영혼의 눈은 초국가주의 시학을 예견하고 있었고, 예이츠의 ｢심판받는 영혼｣은 바로 이 시학의 중핵을 이루는 중요한 증언이 되고 있다.

As an art group, De Stijl (1917-1931) led a total art movement encompassing painting, sculpture, design, and architecture. Among these, architecture, as a model of the total art pursued by the group, was encapsulated by the term ‘plastic architecture.’ The term reflects architecture's shared features with plastic art, especially its pictorial characteristics. Firstly, De Stijl architecture shares geometric form with painting. Assembled in simple, clear and rational structures, the geometric forms signified universal forms, and extended the pictorial experimentation that Mondrian exercised through Neo-Plasticism to architecture. Constructed with colour fields made of concrete wall, De Stijl architecture is geometric abstract painting embodied in space. Together with such pictorial characteristics, large plate glass windows, narrow window frames, and cantilever structure minimize the building's visual weight. De Stijl architecture, which appears suspended in the air, is an architectural version of the abstract paintings of the era that revealed unknown spaces beyond perspective. De Stijl architecture is also an ‘open’ architecture, where the units placed as if radiating from the center form relations with each other flexibly and organically. The observer in such a space is encouraged to experience space within time, as his/her physical and visual mobility and extension are maximized. De Stijl architecture is an example of how the time-space continuum, represented within picture frame through Cubism, Futurism, and abstract art, can be realized in space. By transforming the ideal space of painting into real space in this way, ‘plastic architecture’ turned out to be an architectural manifestation of the utopianism of the era, aimed at building a society in ‘perfect harmony.’ However, such rationalism and universalism are not free from the violence of totalization that deletes various differences. This is evident in the history that followed as the geometric form of architecture and urban planning proliferated across the globe, engulfing the diverse natural landscapes and local cultures.

사회복지의 올바른 실천을 위한 실천현장에서의 실습의 중요성은 매우 크다. 초보자로서의 실습생은 현장 업무에 대한 두려움이 많고, 전문가로서의 자질이 부족한 점이 많으므로, 이에 실습지도자의 올바른 리더가 중요하다. 지지적인 수퍼비전이 사기를 진작시키고, 목적달성도를 높이는 데에 큰 영향을 미치게 된다. 이에 본 서에서는 의료세팅에서의 활용가능한 기법 및 모델을 중심으로 현장적용시 보다 효율적인 결과를 기대할 수 있는 실습지도의 틀을 TCS를 중심으로 구성하였다. 또한 임상에서 실습지도를 하며 경험하였던 사항 중 개선의 필요성이 있는 부분을 찾아 이에 대한 실천 지침을 제시하였다.

This paper is an attempt to discuss Yeats's Four Faculties and symbolic approach in A Vision. He tried to search for how to make many symbols and images drawn in his poetry into one principle and theory and put it together in A Vision. He used Four Principles to explain the cycle of reincarnation while he made use of Four Faculties to show the stream of consciousness. He insists that we have many spiritual conflicts and pains. However we can solve this conflict and confrontation through the course of Four Faculties. He elaborately explains that this kind of stream of consciousness divides in Four Faculties and this travels on the phases of the moon in A Vision. These Four Faculties are Will, Mask, Creative Mind, and Body of Fate. Will is understood that what's the feeling has not become desire because there is no object to desire. Mask is understood the image of what we wish to become. Creative Mind meant intellect. And Body of fate is understood the physical and mental environment, the changing human body, and the stream of phenomena as this affects a particular individual, all that is forced upon us from without. Four Faculties movement means that the change of relative force in each pair of psychical function unites with the principle symbol of the 28 phases of moon. In a sense though this symbol is actually his own volition, this also has a beauty and mighty force. Transformation of the 28 phases of moon relates to cross over from the Primary to the Antithetical. Phase 15 and phase 1 emblematized the unity of Will and Creative Mind not moving and fixing. In phase 15, the feeling of introversion easily changes into the thought of introversion through material that is subjective image, or archetypical image. However in phase 1, the intuition of extroversion changes into the sensation of extroversion through the focus from without. These two phases make reconciliation rather than conflict. In conclusion, through the unity of subjective image, Unity with God, Unity with Nature, we experience the moment of tranquility in which reincarnation presents itself outside of cycle of phases. The synthesis from without opposed to the unity of image in the center of the Antithetical. Therefore Yeats shows the method of Unity with Nature, Unity with God, and Unity of Being in A Vision. However he insists the ideas of Unity of Being in his poems.

This paper discusses Yeats’s ideas on the transmigration of Souls in A Vision and his poems. Yeats creates the six levels of a human's reincarnation. He insists that Consciousness corresponds with one another in this life and the afterlife in A Vision. He thinks that Consciousness moves toward Will and goes in cycle in Faculties at the moment. However, Consciousness submerges Spirit in Principles and after Spirit unifies Celestial Body it becomes extinct. When Principles dominate the system in the afterlife, Spirit circulates in the system. Faculties have an effect on from birth to death in human, but although submerging in Faculties at the period, Principles have a tremendous impact on getting a new physical body in the afterlife. If a human passes away his body, Consciousness transfers from Faculties to Principles, also from Will to Spirit. And then it arrives at The Vision of Blood Kindred and Meditation. The Vision of Blood Kindred is the illusions of every past experience in Husk and Fascinate Body, resulted in final body. And Meditation is to disappear Husk and Fascinate Body and to appear Spirit and Celestial Body. After that, the stream of soul continuously changes into Return, Dreaming Back, Phantasmagoria, Shiftings, Beatitude, Purification, Foreknowledge step by step. Yeats described them as a cyclical course of afterlife in “Byzantium” and “The Man and the Echo.” In conclusion, a human is reborn in the afterlife through transferring from Principles to Faculties, also from Spirit to Will. The practical transition from Principles Gyre to Faculties Gyre takes place when Consciousness travels from Spirit to a new Husk. So a human passes away from this world and through the six courses of reincarnation in the afterlife. He is reborn in another world.

Purpose : This study described the subjects with the range of around 45 years old who start to show a lowered flexibility in their lens due to aging. We carried out stereoacuity test and research for the influence on visual acuity wi th distance for prescribing for monovision. Methods : The researchers prescribed monavision for 100 male and female adults who were wearing glasses for near vision or progressive addition lens due to presbyopia and had been resided around Ulsan and Daejeon for the period of Septernber to October. 2008. Also the researchers gave prescription for distance vision on the dominant eye and for near vision on the non-dominant eye through visual acuity test regarding near and distance vision and eye dominance test. For near stereoacuity test. we used the Stereo Fly Test. Results : After prescribing for monovision. all eyes showed reduction m stereoacuity. distance vision and near vision also deerease in binocular. Conclusions : We judged that have to be cautions with problems induced by deerease of stereoacuity and visual acuity in prescription for presbyopia correction.

본 연구는 팀장의 비전과 팀에 대한 조직지원이 팀의 유효성에 미치는 영향을 검토했다. 팀장 비전과 팀에 대한 조직지원을 선행변수로, 감정적 몰입, 팀 권능감, 인지된 팀 성과를 결과변수로 설정하였으며, 또한 팀 수준 분석의 영향력을 통제하기 위하여 커뮤니케이션, 과업정체성, 자율성, 그리고 개인-집합주의 성향을 공변변수로 설정하여 회귀분석을 실행하였다. 분석의 수준을 팀으로 하였기 때문에 설문지의 배포와 회수는 팀 단위로 이루어졌으며 182명으로 구성된

Poets use symbols because they have realized that our common language is inaccurate in describing the inner reality. In A Vision, Yeats presents an elaborate symbolic pattern which he applies not only to history, but also to individual lives. One of his basic symbols is a pair of interpenetrating whirling cones or "gyres" signifying the world of change that move within a sphere emblematic eternity. The gyres, with their points at the bases of each other, represent the oppositions and reciprocity of human existence; one expands as the other diminishes. The two gyres stand for two contrasting forces―the primary or objective and the antithetical or subjective. There is a state of perpetual conflict between the gyres The “sphere” is the symbol of perfection, "Unity of Being". These symbols of sphere and gyres are equivalent to another set of symbols, in which a circle or "The Great Wheel" is marked off into "phase" that correspond to the waxing and waning of the moon. There are twenty eight such phases, with varying degrees of moonlight and darkness. They can be applied to human personality and to the incarnations of the soul. Each quarter of "The Great Wheel" represents a completely different character. The first quarter is identified with the body, the second with the heart, the third with the mind, and the fourth with the soul. The result of the mixture of these principles at any one phase must be measured in terms of "Four Faculties," which usually are at odds with one another. As "Four Faculties" with living here, "Four Principles" apply to the life after death. The Principles find their Unity in the Celestial Body, man's archetype in Heaven.

It is noticeable that the critics of William Butler Yeats has recently tried to elucidate the poet's aristocratic disposition in relation with his political identity. Some critics have disparaged Yeats' works of art in the light of his seeming conservative political position as an advocate of aristocracy. Other critics who disagreed with this excessive blame have insisted that Yeats' aristocratic disposition only shows his self-deceptive idealism. As the poet's inclination toward aristocracy seems to suggest his conservatism or elitism, it has hindered the critics from understanding and appreciating his poetry wholeheartedly. In this paper I intend to examine the established points of the critics concerning Yeats' political identity and demonstrate that his inclination towards aristocracy could be understood as an attempt to cultivate united national identity among the Irish. Inflamed as the working condition of the artists in Dublin deteriorated and the social position of the Anglo-Irish Protestant fell in Irish society, the aristocratic disposition of Yeats ultimately contributed to contrive a poetic vision for national integration. From the point of time when Yeats decided to pursue his own poetic principle, "Unity of Being," his vision of aristocracy assumed the mental and moral characteristic and became an ideal plan for achieving cultural nationalism among the Irish. Yeats' vision of aristocracy includes the ceremony of tradition and spiritual attitudes such as magnanimity and liberty which can be cultivated in the aristocratic society. According to the poet's vision, the ideal society consists of three major groups: the aristocrats who would lead an affluent life and support the artists, the artists and scholars who would concentrate on creating great works, and the populace who would appreciate their arts without any prejudice. All member of these groups will form a horizontal solidarity based on shared culture, which will give each member of them joyful peace and affirmative ability to embrace life.

Recently, the automotive part manufacturers have made a lot of efforts to increase the reliability of their products for various reasons. For that reason, many manufacturers have tried to get the automatic inspection system for their products. The automatic system can reduce the number of the workers and increase the accuracy of the inspection. In this study, inspection subject is brake-hose resonator. This component is made through a high frequency bonding process and can have the possibility of a defect like a leak problem. The purpose of this study is to make the automatic inspection system for detecting the implied leak problem of the products with the vision system. Consequently, this study show that the vision system is a very reasonable method to detect the leak problem. The automatic inspection system can decrease the detection time from 35s/EA to 22s/EA in case of continuous operation.

Khori(高麗) refers to the Chaabog(reindeer) that live on lichens(蘚) on Mt. Soyon(鮮) in which pastures are the cold and dry plateau of North Eurasia. Thus, the origin region of the Khori or Koguryo that are the ancestors of the reindeer-herding pastoral noma