conditions for callus induction and plant regeneratin from seeds of lawngrass (Zoysia japonica Steud.) were confirmed in this study. MS (Murashige and Skoog) medium containg 2,4-D 3 or 5mg/l was used for callus induction, and MS medium with different volu

The bureaucrat-scholars, ruling class of the Choseon Dynasty, used to build small private pavilions for rest and study for themselves. In the early period of the Dynasty, the pavilions had plain shapes with rectangular plan and simple wooden structure without any walls so as to enjoy the surrounding scenery. From the 16th century, the building form began to change into some diverse one by putting in an ondol room, an unique floor heating equipment. The pavilions also began to show regional differences by placing the ondol rooms in the floor. Myonang-jong, a pavilion occupied by a famous bureaucrat-scholar Song Soon, was built at Damyang of the southwest part of the Korean peninsula, so called Honam area, in 1533. At first, the building form followed the ordinary early pavilion shape using simple wooden structure and wooden floor. But when it was rebuilt in 1654 after burning down by war, there happened some changes. An ondol room was put in the center of the floor, of which regarded as a dominant regional characteristic of the Honam area. The change of the building form of Myonang-jong showed that it was the 17th century Honam area got the regional characteristic in the architecture of pavilion.

199년경 한국 남해안 어선의 특징은 독창적이고 견고하여 한반도 주변의 해양조건에 적합하고 우리 선조들의 훌륭한 조선기술을 확인할 수 있었으며, 그 결과를 요약하면 다음과 같다. (1) 본 연구에 사용한 시험대상 어선은 고대 어선에 비하여 비교적 세형으로서 1900년경의 선형이 개량되었음을 알 수 있었다. (2) 용골은 각형단면인 방형용골(bar keel)로 되어 있으며, 선수부는 방형선수재의 구조로서 예리한 pointed stem을 이루고 있다. (3) 외판은 턱붙이 클링커 이음방법으로 접합되어 있었다. (4) 권형망어선의 L/B, L/D, B/D의 값이 자망어선의 값에 비하여 크게 나타났다. (5) 복원성은 두 선박이 양호한 편이며 권형망어선이 자망어선에 비해서 더 우수한 것으로 나타났다.

As far as fishing vessels are concerned, there are two aspects to be noted: One is the stability which is the greatest concern for the safety of fishing vessels, as the corresponding number of casualty is overwhelming compared with those of other types of vessels. To flake it worse, the feature of casualty is rather catastrophic, accompanying major fatalities. The other aspect is related to the needs of improvement of resistance performance along with the hull form development. In particular, small fishing vessels, such as under 24m in length, which is dominant size in the type, need further scrutiny to enhance the qualities mentioned above, as relevant standards/criteria on the issues are not shown clearly and, therefore, implemented for the design or assessment.

The purpose of this study is to interpret a house as material into culture. Main method is an ethnographic interview with dwellers as a part of a participant observation, a kind qualitative study. Significantly two different types of folk housing are discovered in East and West areas of the Cheju Island. In the East, kitchen itself forms a separated building, Jeongji-gori, whereas in the West, kitchen is within a main building, An-gori. Different type of kitchen is formed by the different family system. While independent family system of son and father selects a separate kitchen building as a general rule of Cheju Island, an extended family system between father and son selects same kitchen, Jeongji-gori, in the east area. Natural environment of infertile soil of east area makes family work together and eat together. Inner space of the kitchen building is utilized not only in cooking but also in eating, working, and sleeping. In order to explain folk house type, a 'culture area' concept is suggested. The interrelated 'cultural type' of architecture behind a physical surface 'type' is suggested as a new typology.

본 논문의 목적은 막구조물의 형상해석, 응력-변형 해석, 재단도 해석을 수행하는 것이고, 재료는 선형탄성, 응력은 평면응력의 상태로 가정한다. 케이블 및 막구조물은 외력에 대한 변형이 매우 큰 구조물이기 때문에 기하비선형을 고려한 비선형해석을 하여야 한다 해석은 일반적인 구조물과는 달리 다음의 3단계로 구성된다. 첫 번째 단계는 초기 평형형상을 결정하기 위한 형상해석이고, 두 번째 단계는 다양한 외력이 가해졌을 때 구조물의 거동을 파악하는 응력-변형 해석이다. 이렇게 하여 일단 만족된 형상이 얻어지면 형상해석에서 얻은 결과를 기초로 하여 시공적 관점의 재단도 해석이 수행된다. 본 논문에서는 서귀포 월드컵 축구 경기장 지붕 구조물의 예를 들어 형상해석, 응력-변형 해석, 재단도 해석을 수행하고, 카테노이드(Catenoid) 구조물을 이용하여 최적재단도에 관한 해석기법을 제시한다.

In order to reveal the source of the architectural norm embodied in the first built-form of ChongMyo's Main Building, three analytic types were introduced into research. According to the level of accepting the architectural form of ChongMyo in the Koryo Dynasty, these types were defined by 'newly interpreted form', 'newly introduced form', and 'coventionally accepted form'. Among the first built-form in ChongMyo's Main Building, the form of 'TaeSil' was newly interpreted on the basis of the Tang's realating norm, and the form of 'HyupSil' was newly introduced according to the contemporary trend that had increasingly regarded it as an indispensible form. But the form of 'IkSil' had the different source, that is, the architectural form of ChongMyo in the Koryo Dynasty. After reconstructed by the King ChungSun, that form had been sustained without any change until the end of Koryo Dynasty. In result, that form had been accepted conventionally at the first time of building ChongMyo in the ChoSon dynasty.

There are several treatises about architectural characteristics of Hyangkyo. But those treatises usually treat with the types of site plans or structural characteristics without the historic background. So there needs the approaching methods with the historic background to study about the architecture of Hyangky. This study aims at the sample research about the architecture of Hyangkyo in beginnig period. Kyodong hyangkyo is the first building in hyangkyo. There are some architectural characteristics in this building comparing with the Hyangkyo in ripening period. Such characteristics apper in the site plan of educational spaces and in the floor plans of Myongryundang, Dongjae, Seojae. And there appear some characteristecs in ritual spaces such as the architectural structure of Daesungjun, and the position of stone establishment (Kwansedae, Saengdan) The ritual form of Kyodong hyangkyo has no special characteristics compering with the Hyangkyo in ripening period. These rictual form has kept the general rule of ritura form through the history.

The urban form of Korean cities significantly changed in the late Chosun dynasty. The influence of commercial development was the main cause of these changes. Commerce became a important function of existing cities, and the new type of commercial towns emerged at the important spots of traffic routes. In both cases streets became dominant element of urban form. Mainly commercial buildings aggregated along the streets, and to obtain higher land use intensity shape of lots became narrow and deep. Koyang(高陽) shows the most significant example of this new type of lot and lot pattern. Approximately 30 narrow and deep type of lots lined on each side of street forming about 390 meters long linear commercial town. Similar examples were found at the outside of south gate of Suwon(水原), Nuwon(樓院), and Pangyo(板橋).

According to Post-modernists including deconstructivists, as Modernism is changed into Post-modernism, the paradigm is shifted from consciousness to language. The paradigm of consciousness corresponds to representational language, and the paradigm of language to self-referential one. In post-modern age most of architects are wandering what kind of language architecture is. Some theorists contend that architecture is representational, and others that it is self-referential. Allan Colquhoun, who is known as one of the best architectural theorists inUnited States, accepts both the former and the latter, but fails to reveal the meaning and the limitation, of the two languages. Although he believes that the representational language of architecture ('figure') is the source of self-referential language of architecture('form'), he never clearly answers what kind of language architecture. In order to overcome the limitation and the meaning of Colquhoun's figure and form, and synthesize the two language, this essay appropriates Martin Heidegger's some concepts, 'ready-to-hand,' 'present-at-hand' and 'being-in-the-world' to make a theoretical framework for 'image' which prevails over and synthesizes 'form' and 'figure.' Since Image is based upon both 'being-in-the world' and 'ready-to-hand,' it is the source of 'form' and 'figure.' When 'image' is fragmented, the former and the latter emerge. Image is therefore both the former and the latter because it represents and self-refers a world as a reality.