북극지역은 기후변화에 대해 가장 민감하게 반응하고 환경파괴에 따른 영향이 가장 심각하게 나타나는 지역이다. 기후변화로 인한 해빙은 천연 자원 개발이 쉬워지고 북극해를 지나는 물류 운송로가 활성화 되면서 북극 국가(Arctic States) 이외 ‘비북극 국가(Non Arctic States)’ 특히 중국, 인도, 일본의 북극 진출 전략이 국익 차원에서 다양화 되고 있다. 북극해의 지리적 공간은 환경적, 사회적, 경제적 차원을 넘어서 군사․안보 적 차원까지 확장되고 있는 것이 현실이다. 북극권의 지속가능한개발에 대한 국제적인 관심이 집중되고 있다. 따라서 본 연구의 목적은 느슨한 형태의 거버넌스를 형성하고 있는 북극이사회를 조직화, 제도화, 실행 및 프로젝트 평가의 세 가지 지표로 평가하고 북극의 지속가능발전을 위한 북극이사회의 역할과 과제에 대해 조명해 보고자 한다. 또한 북극권의 SDGs에 관한 국내연구가 부재한 상황에서 다음과 같은 질문에 대한 답을 찾아가고자 한다. 첫째, 지속가능개발은 어떤 것이고 무엇을 의미하는 것인가? 둘째, 현재 북극상황에서 지속가능개발은 무엇이며 어떤 모습이어야 하는가? 북극권의 SDGs는 얼마나 유용하고 실행 가능한가? 마지막으로 북극의 지속가능개발을 위한 북극이사회의 역할과 과제는 무엇인가

The purpose of this study is to analyze how modern fashion brands practice cultural sustainability by investigating the ways they use and reinterpret traditional culture and clothing. The transmission and reinterpretation of traditional cultural elements connect the past, present, and future. These forces also lead to the development of new creativity in the fashion industry. Three brands have been selected for case studies: Danha (Korea), Mittan (Japan), and Jan Jan Van Essche (Belgium). These brands possess in-depth understanding of traditional cultural elements, including clothing, dyeing techniques, and patterns unique to various regions and minority groups. The brands all make use of traditional cultural identities whose clothing contains the historical and sentimental values of various regions and ethnic groups. The use and mixing of various cultures can be seen as the respectful preservation of global culture. Also, in contemporary fashion, the use of traditional culture plays an important role in the presentation and development of creative designs. The use of traditional handicraft techniques and the use of traditional clothing in the past convey cultural diversity to future generations; they will have a lasting influence on future fashion trends. The results of the study show that cultural sustainability in contemporary fashion has been implemented through safeguarding and respecting indigenous cultures and developing cultural elements into creative design.

1. 본 연구는 한국-미얀마 농업분야 개발협력(ODA)의 지속 가능성 강화 방안을 분석하기 위해 2001~2017년 시계열(time series)자료를 토대로 자기회귀분포시차 모델(Autoregressive Distributed Lag, ARDL)방법과 최소자승법(Ordinary Least Square, OLS)을 사용하였다. 2. 분석결과 1) 미얀마 농업 개발에 지원된 국제사회의 ODA, 한국이 지원한 농업 분야 ODA, 농촌 개발에 대한 한국 ODA 등의 변수가 미얀마의 농업 GDP에 긍정적으로 기여한 반면, 2) 한국 ODA는 가치사슬 분야 및 기술전수 분야에 미친 영향이 부정적으로 나타났다. 이는 이 분야의 지원 규모가 매우 작아 미얀마 농업발전에 미친 영향을 측정하기 어렵기 때문인 것으로 해석할 수 있다. 또한 한국이 미얀마에 제공한 농업 ODA 중 농산물 생산 및 유통 분야에 대한 지 원은 영향이 미미한 것으로 나타났으나 양(+)의 영향을 나타 내었다. 3. 분석 결과 한국의 미얀마 대상 농업 분야 ODA는 선택과 집중을 토대로 미얀마 농업 발전에 긍정적인 영향을 미치고 있는 농촌개발 분야에 장기적으로 지원을 확대할 필요성이 있음을 확인하였다.

한국선교는 한국교회 성장에 힘입었고, 한국교회는 한국경제의 성장과 무관하다고 볼 수 없다. 1990년대 한국선교가 양적으로 급성장 하면서 선교 대국으로 인정받았지만, 질적으로는 성숙단계에 이르렀다 고 보기 어렵다. 1970년대 한국경제는 빠르게 선진국을 쫓아가던 방식에서 이제는 선진국으로 도약하였고, 전 세계가 한국의 방식과 문화에 대해 주목하는 시대를 살고 있다. 한국은 4차 산업혁명의 시대에 국가와 모든 산업 분야에서 전략적인 대응을 하고 있다. 한국교회는 규모 면에서 세계에서 큰 교회로 성장하였지만, 한국선교 전략은 현장 에 맞는 선교 신학을 세우기보다 한국 목회 방식을 이식하려고 하고, 협업이 부족하고 건물과 부동산에 메인 선교에서 크게 벗어나지 못하고 있다. 최근 한국 교세의 약화, 선교사 비자발적 철수, 선교사 협업 플랫폼, 멤버 케어와 신뢰도 향상 등 뉴노멀 시대 속에서 한국선교에 직면한 도전과 과제를 두고 지속 가능한 선교를 이루기 위한 한국선교 전략을 고찰하고자 한다.

집약적 농업시스템으로 특징되는 관행농업은 생산성 증대를 이루었으나, 토질과 수질의 악화 등 농업환경을 오염시키며 농업생태계에 부정적인 영향을 미쳤다. 이 연구의 목적은 농업인의 지속가능농업에 대한 관점과 태도를 파악하고, 새로운 영농방식 실천에 장애가 되는 경제적 요인을 분석하는 데 있다. 아울러 농업인들이 인식하는 경제적 장애요인들에 영향을 미치는 변수들을 실증적으로 추적하는 데 연구의 추가적인 목적이 있다. 농업인들은 지속가능농업이 당면한 가장 중요한 문제로 수익성 유지를 지적하면서 이를 최우선적으로 중점을 두고 해결할 것을 주문하였다. 지속가능농업 채택률을 향상시키기 위해서 경제적 동기와 인센티브의 중요성을 강조하였으며, 과거에 비해 향후 지속가능성을 높게 전망했다. 관행농업인이거나 관행농업에서 지속가능농업으로 전환중인 농업인, 그리고 과거에 지속가능농업을 들어 본 적이 있는 농업인이 주목하는 경제적 장애요인은 관행농업에서 지속가능농업으로 전환 시 초래되는 비용으로 나타났다. 지속가능농업 시스템이 구축되었을 때, 효과적이고 효율적인 운영을 위해 농업인이 주도해야 한다고 인식하는 농업인에게는 새로운 영농방식의 불확실성은 큰 장애가 되지 않은 것으로 분석되었다.

The emergence of environmental and social issues has led to global discussions for the realization of sustainable development. The purpose of this study is to propose a method of sustainable fashion design using waste Hanbok, focusing on men's Hanbok with cultural values. The study utilizes literature research and fashion design development. From the literature study, reform was judged to be a higher concept encompassing reduction, recycling, and upcycling. Reduction is a design method through removal, and recycling design transforms from its original form into a completely different product. Upcycling design focuses on improvement and change in functionality. Accordingly, nine redesigns using men’s Hanbok were developed from which three were produced. Consequently, the reduction design demonstrated a small range of variation without changing the item, and cultural sustainability was confirmed through the design that removed the components and recombined the Hanbok. Second, recycling redesign can be reconstituted into a different item. Third, upcycling enables various designs through module assembly, which prolongs the lifespan of the product and confirms its value as a raw material for waste Hanbok. This study is meaningful in realizing sustainable fashion and suggesting practical measures for the sustainability of Korean traditional culture and creative fashion design planning.

As interest in the sustainable fashion industry continues to increase along with climate issues, it is necessary to identify research trends in sustainable fashion and seek new development directions. Therefore, this study aims to analyze research trends on sustainable fashion. For this purpose, related papers were collected from the KCI (Korean Citation Index) and Scopus, and 340 articles were used for the study. The collected data went through data transformation, data preprocessing, topic modeling analysis, core topic derivation, and visualization through a Python algorithm. A total of eight topics were obtained from the comprehensive analysis: consumer clothing consumption behavior and environment, upcycle product development, product types by environmental approach, ESG business activities, materials and material development, process-based approach, lifestyle and consumer experience, and brand strategy. Topics were related to consumption, production, and education of sustainable fashion, respectively. KCI analysis results and Scopus analysis results derived eight topics but showed differences from the comprehensive analysis results. This study provides primary data for exploring various themes of sustainable fashion. It is significant in that the data were analyzed based on probability using a research method that excluded the subjective value of the researcher. It is recommended that follow-up studies be conducted to examine social trends.

The purpose of this study was to investigate the sustainable practices of nutrition science teachers and dietitians working in school food service operations, and identify the social and psychological factors which affect the overall efficacy of the system. The research model was constructed based on the Extended Theory of Planned Behavior (ETPB) in order to analyze how individual motivation affects the sustainable practices of nutrition science teachers and dietitians. The data were collected through e-mail and postal mail from nutrition science teachers and dietitians all across Korea, and self-administered surveys were conducted. SPSS and AMOS programs were used for statistical analysis. First, the sustainable practices of nutrition science teachers and dietitians were analyzed in 6 different categories. Second, the significant pathways were 6 out of 9 in the ETPB model. Sustainable food service practices in school can contribute to the formation of more a sustainable culture, such as through the encouragement of more healthy eating habits, and higher level of environmental awareness and community awareness. The factors influencing these practices can be applied to the design of improvement programs aimed at increasing sustainable practices.

The aim of this study is to investigate fashion activism that supports sustainability by pursuing social transformation through social media. This is achieved by publicizing the environmental and labor problems of the fashion industry. For this study, a literary survey and netnography were conducted from January 2017 to November 2020. We classified and analyzed environmental and labor issues that could be considered fashion activism on social media. The results are as follows. First, movements for conscious consumption appeared as #haulternative, #fashionourfuture, #SecondHandSeptember, and #wornwear projects. These movements are concerned with buying used goods, re-dressing clothes owned by individuals, and transforming and wearing them with new methods. Second, activism for environmental protection includes #fashionOnclimate by Global Fashion Agenda and Sustainable Fashion Matterz’ #Watermatterz. These movements are directly involved in learning about the seriousness of environmental destruction caused by the fashion industry and participating in environmental protection with critical awareness. Third, the #whomademyclothes and the Clean Clothes Campaign are activism for improving the working environment, and are playing a role in publicizing labor issues by informing the general public about inadequate working conditions linked to the fashion industry. Thus, fashion activism on social media examined in this study can contribute to visualizing chronic problems that hinder sustainable development within the fashion industry.

The purpose of this study was to analyze trends in sustainable fashion research and to guide its the development by examining previous research projects conducted by the UK Centre for Sustainable Fashion. A literature review and case studies were conducted from which the following results were identified. It was shown that the CSF has cooperated with fashion, arts and technology businesses and other external organizations. The CSF has contributed to improving the economic durability of the fashion industry, the convergence of both local and the international fashion communities, and the development of cultural sustainability. Moreover, it incorporates various academic fields into its research and has developed advanced researching methods for sustainable fashion. The CSF has embraced the new perspectives by utilizing student ideas for the development of sustainable fashion. The conclusions of this study are as follows. First, the CSF studied the sustainability of fashion from a more organic perspective through multidisciplinary research. Second, it has expanded the possibility of sustainable fashion research through research formats, research fields and research operations. Finally, it has evoked values and responsibilities that the fashion industry should pursue in modern society and has become an exemplary case of sustainable fashion research, providing creative studies for sustainable fashion research in the future.