본 연구 목적은 북한의 사회복지제도화 초기 단계의 역사적 동학을 추적하여 북한사회복지의 태동 배경과 요인을 규명하는 것이다. 본 연구의 분석범위는 해 방 이전 일제강점기부터 해방 이후 북조선임시인민위원회의 활동기간을 중심으 로 한다. 본 연구방법은 역사서술적 접근을 통한 문헌연구방법을 통해 분석하였 다. 분석결과, 첫째, 각 독립운동 단체와 단체, 계열과 계열 사이의 연결성에 이 은 상호성과 인과성은 비교적 존재하는 것으로 나타났다. 일제강점기 동안 각 독립운동 단체들은 독립운동과 사회복지에 대한 관심이 공존했다. 둘째, 마지막 으로 북한의 경우 사회주의계열의 복지정책을 이어받아 이를 적용하고 노력한 흔적이 확연히 나타났다. 북한은 정권 초창기부터 사상적 배경을 기반으로, 사회 복지정책을 도입하고 적용하고자 노력했고 이는 무엇보다 사회주의계열의 복지 정책을 기반으로 한 것이었다.

This study investigated the initial capital trend of newly-established fisheries companies during the Japanese occupation period. The initial capital size of fisheries companies provides information about the viability of the fisheries companies as well as the utilization intensity of fisheries resources. According to the analysis results, the average initial capital size of fisheries companies was larger in the enforcement period of “Chosun Company Ordinance” than in its abolition period. The initial capital size of the Chosun-capital fisheries company was smaller than that of the Japanese-capital fisheries company during the Japanese occupation period. The number of new fisheries companies funded by Chosun capital was less than the number of new fisheries companies funded by Japanese capital. Therefore, it could be seen that the Japanese fisheries companies had stronger dominance in the fisheries sector than the Chosun fisheries companies during the Japanese occupation period, and that Japanese fisheries companies were more viable than Chosun fisheries companies.

실제로 체험해보기 어려운 것 중의 하나가 감옥 체험일 것이다. 대부분의 사람들은 소설이나 영화, 드 라마 등을 통해 감옥에 대한 간접 체험을 하게 된다. 더운 여름철 감옥이라는 폐쇄된 공간은 이들의 이성을 마비시키고 좀 더 넓은 공간, 시원한 물만을 찾는 욕망의 존재로 전락시킨다. 욕망만이 남은 공간에서 민족적이고 이념적 사유는 불가능해지고, 개인적이고 육체적인 경험만 남게 된다. 한편 수감자 중 병에 걸린 환자들을 별도로 수감하는 병감을 배경으로 하는 ｢무명｣의 재소자들은 시기, 질투, 탐욕 등 욕망만 남은 인간의 모습을 보여주기도 한다. ｢태형｣, ｢물｣, ｢무명｣의 작가인 김동인, 김남천, 이광수 3 인은 모두 일제강점기에 수감 생활을 했다는 공통점이 있다. 이 글은 일제강점기 감옥을 배경으로 수감 자들을 형상화한 ｢태형｣, ｢물｣, ｢무명｣을 대상으로 과밀 수용과 기본권의 침해, 일본의 통제와 작품의 인물들이 순응하는 양상, 이기적인 태도를 극복하고 집단적 연대를 이루는 과정 등을 비교 연구하였다.

The palace byeoljeon(別殿), the King’s non-ceremonial space, were created as a space for the king to comfortably use and for the king to do what he wanted to do. The byeoljeon housed various types of spaces and were flexible in that they could be repurposed to meet the demands of the times. Nevertheless, their characteristic as palatial building created for the King’s convenience has remained unchanged. In this study, we examine the process by which such royal spaces were created by focusing on the reconstruction of the Changdeokgung Huijeongdang during Japanese occupation period, with a view to continuity and the transformation process. The reconstruction of Huijeongdang at the time may be considered along internal and external characteristics. Internally, Huijeongdang connected the symbolism of the king’s space as the palace byeoljeon. Externally, Huijeongdang is characterized by its mixture of traditional and western style, where western style structures were housed within traditional buildings. The plans for the block of Huijeongdang also included the coexistence of traditional building, western style building, and mixture of traditional and western style building. This reflects the characteristic continuity of the byeoljeon as well as the architectural techniques of the time, manifested together within a specific spatial block.

The purpose of this study is to analyze the articles of food and nutrition published in the Yeo-Sung magazines from 1936 to 1940 in Korea. Out of the 67 articles about the food and the nutrition from the Yeo-Sung magazines, 28 (41.8%) of them were about the brief information of food and nutrition news, 16 (23.8%) of them were about the recipes, 6 (9.0%) were about the nutrition information, and 17 (25.4%) of them were about others. As the number of recipes mentioned from the Yeo-Sung magazine was 103, 77 items, the majority, were about the Korean foods, 18 of the Western foods, 6 of Chinese foods, and only 2 of Japanese foods. This result showed that the Japanese colonization didn't seem to influence on Korean tastes and gastronomy. During this period, the modernization caused the numerous changes to our traditional cuisine with introduction of new western menu items and concept of nutrition. The nutrition articles highly recommended eating brown rice, vegetables, tofu, and the white meat. Shin-Young Bang, one of the main authors, insisted that "Cookery is not only the skill, but also the one of the very important academic sciences." showed budding modern cookery sciences in Korea.

In this research, we analyzed the activities of Japanese architectural offices in Korea during the Japanese occupation era, classifying them into two groups: first, Japanese architectural offices that had their bases in Korea, and second, Japanese architectural offices that had their bases in Japan. There were totally 98 Japanese architectural offices that had their bases in Korea during the Japanese occupation period. The number of those offices had increased rapidly since 1920s. Nakamura(the design of bank buildings), Tamada(the design of theaters), Otsumi(the design of Japanese style residential houses) can be regarded as the most remarkable Japanese architectural offices among them. We found that these offices already specialized in certain architectural planning fields, such as bank buildings, theaters and residential houses. It was also found that, during the Pacific War period, even privately-managed architectural offices were mobilized for the war by Japanese government, through designing munitions factories, etc. On the one hand, since some large Japanese corporations entered into Korea, many Japanese architectural offices, that had their bases in Japan, got into working in Korea and designed a number of buildings, with the exception of the architectural office of Vories, who was a Christian architect. Even though the place that the activities of these Japanese architectural offices were carried out was Korea, any factors of Korean architectural style couldn't be found In their works. This means that they just transplanted the Japanese modern architectural style in Korea.

安龍福의 존재와 행적은 독도영유권 논쟁의 핵심이다. 안용복은 당대는 물론이고 일제강점기에도 영토를 지킨 인물로 기억되면서 그의 행적이 재현되었다. 민족적 이미지와 결합하 면서 역사적 인물로 재현된 것은 그가 민족의 현실적 과제를 해결하기 위한 대안으로 여겼 기 때문이다. 안용복이 1920년대 『逸士遺事』를 통해 민족적 인물로 거듭나면서 호걸의 칭호를 얻은 것은 영토문제와 외교권을 회복시켜 줄 인물을 염원한 시대의 희망과 결합된 결과였다. 그는 『동광』을 통해 쾌걸로 거듭나면서 올바른 일·통쾌한 일을 한 호걸로 이미지화 되었다. 일제에게 빼앗긴 주권을 되찾는 통쾌한 일을 그를 통해 염원했던 것이다. 안용복은 1930년대 해상의 쾌인용사로 이미지화 되면서 일제의 민족말살정책에 대한 저항의 인물로 그려졌다. 1940년대에는 늠름한 기상을 지닌 무사로 거듭났지만, 파쇼체제에 맞서기 어려운 조선의 현실과도 같은 무사의 모습이었다. 그러나 안용복의 동상건립을 통해 장쾌한 의협을 이어가려는 점에서는 희망이 보였다. 안용복의 다양한 이미지하의 변화는 시대정신, 시대적 과제와 맥락을 함께 했고, 오늘날 안용복이 울릉도·독도와 연계되는 상식이 되게 하였다.