This study aims to examine the expressive characteristics of the New Chinese style in the collection of Chinese fashion designer Ziggy Chen, analyze the inner meaning, and suggest a new direction in Chinese fashion design. As a research method, the background and concept of New-Chinese style occurrence were examined through previous studies, and the characteristics of the New Chinese style expression in fashion were investigated. The characteristics of the New Chinese style were summarized as cultural tradition, historical ethnicity, and pluralistic convergence. Based on these contents, the characteristics of the New Chinese style expression in Ziggy Chen’s men’s fashion design were analyzed. The data collection range was selected as the range of 20 seasons collected from 2012 S/S to 2022 A/W, which was collected on fashion sites and the brand’s official Instagram. The analysis results are as follows. First, subcultural resistance is a retro and ragged decadence formed by combining punk elements and industrial styles based on the clothing styles of lower-class Chinese people in the 17th and 90s. Second, cultural traditionality was influenced by traditional culture by mainland Chinese designers, who expressed the conservative presence of tradition and the Chinese style by looking at it from an oriental perspective. Third, historical ethnicity forms a Chinese fashion culture in which the national spirit and the development of the times coexist, while traditional culture and contemporary social values develop in harmony. Fourth, traditional fashion develops by combining a contemporary aesthetic sense and lifestyle with pluralistic convergence.

디지털 정보 기술의 급속한 발전에 따라 사람들은 점점 더 자연스럽고 편리한 방식으로 인간과 컴퓨터의 상호작용을 실현하는 경향이 있습니다. 본고에서는 Leap Motion 센서를 하드웨어 플랫폼으로 하고 Unity3D 와 Leap Motion 플러그인을 소프트웨어 플랫폼으로 하여 가상 거문고의 상호작용 설계를 개발합니다. 또한 Leap Motion 장치의 개발과 연구를 통해 Leap Motion 센서에서 수집된 제스처 정보의 처리와 인식을 알고리 즘으로 구현하고, 제스처 인식 알고리즘을 이용하여 서로 다른 제스처를 분리하여 서로 다른 응답을 가능하 게 합니다.

This study aims to investigate the socio-cultural background of Poulaines, which influenced fashion and contemporary shoe design. Analyzing the characteristics of the Poulaines provided basic data for different shoes. The study method utilized previous studies to explore the concept and characteristics of Poulaines. In the empirical analysis, shoe design data mainly came from collections that illustrate formative elements of contemporary shoe design from the 2010 S/S season to the 2020 S/S season. A total of 709 photo materials were collected and analyzed. The results showed that the morphological characteristics of Poulaines were exaggerated to symbolize classes of the past and sexual expression. The expanding structure was divided into the fore nose, heel, and top-line and featured a design that expressed the formative beauty of Poulaines. Additionally, the decorative desire to represent wealth and class using various materials introduced new designs into contemporary shoe designs while showing extreme decorativeness through over-trimming and color contrast. Furthermore, the heterogeneous characteristics that come from the change and harmony of the shoes’ body and heel that deviated from the existing shoe shapes were classified into the dissolution of shapes and mixing and matching. Thus, they broke the monotonous silhouette of shoes and gave variety delicately.

The strategic stakes of differentiation are so great for companies that the adequacy between aesthetic perception of the products and functional benefits for consumers must be taken into account (Alba and Williams, 2013; Bloch, 1995; Reimann et al., 2010). In order to examine the consumer's aesthetic perception, we tested an exploratory measurement scale of aesthetic style (Lagier, 2006), which we first validated for different kinds of products. Exploratory and confirmatory analysis of this scale were conducted and obtained results which proved the stability of the scale for design products. The three dimensions of the factor analysis can be interpreted within the conceptual framework of the perception of design products. We effectively find two clearly distinct dimensions which measure: “affective intensity” and “tolerance for ambiguity”. The last dimension is composed of items which fall both in the domain of “cognitive differentiation” and “cognitive discrimination”. To segment our sample and quantify the different profiles of aesthetic style, eight groups of consumers were formed from the scores on the three dimensions. Finally, the structure of aesthetic style on consumer preference for four design objects was also tested. We seek to show that our scale can also explain the choice for some objects. A one-way ANOVA was conducted to determine whether there were significant differences in preference for each object based on intensity scores of affective intensity, cognitive discrimination/differentiation and tolerance for ambiguity. Our measurement scale of aesthetic style, in the context of this test, explained consumer preference for some design objects.

21세기는 문화가 경쟁하는 민족개성의 시대로 나아가고 있다. 본 연구는 한옥의 부흥과 ‘현대한옥’ 실현을 위한 연구의 한 방법으로 북한의 현대한옥에 연구를 통해 한옥의 범위를 확장하고 현대한옥의 하나의 범위로 그 가능성을 모색하기 위한 연구이다. 이제 건축에서도 분명 새로운 한옥의 시대가 도래하였고 이 시대의 한옥이 어떠해야 하는지 생각해 봐야 하고 앞으로 우리의 후손에게 남겨줄 지금의 한옥을 정립하여야 한다. 그러기 위해서는 과거 우리의 한옥이 어떠했는지 알아야 함이 먼저 선행되어야 한다. 이를 바탕으로 한옥에 적합한 기법을 찾아내고 지금 우리가 사는 이 시대 이 장소에서 새롭게 적응시킬 수 있는 설계와 시공에 대한 연구가 필요하다 . 이러한 바탕에서 본 연구는 북한의 대형공공건물에 전통설계기법을 적용한 방법을 통해서 이 시대 대한민국에서도 실현 가능한 현대한옥의 기초 자료를 제공하고 북한에서 그간 연구하고 진행하고 있는 북한의 현대한옥을 조사 연구함으로 우리 현대 한옥의 나아갈 방향에 대한 단서를 제공한다.

Thanks to both developments in various media such as the internet and TV and China's economic growth, the fashion market in China has gain a lot of attention by global businesses as a newly-raised spending market. Fashion companies in Korea have entered into the china since the late 1990s. For them to get competitive edges, they have to differentiate their brand by creating new design based on the culture becoming mega-trend in fashion market. So in this research, I try to create fashion designs based on Hallyu Stars' fashion styles and images, who come on as a new culture code in China and other Asian. For this, I conducted theological consideration on what the Hallyu is, and looked into fashion styles in soft dramas which 5 Hallyu Stars started in and street fashion in Shanghai in China. Based on the outcomes of analysis, I figured out those star's fashion style and created products targeting young generation born after 1980s in China. The conclusion of this study is as follows. Firstly, the very definition of Hallyu which can be described as a phenomenon in which Korean movies, soap operas, and pop music have become immensely popular throughout Asia—has been expanding to signify the proliferation of Korean culture as a whole. Secondly, having selected the 5 female stars representing Hallyu, we were able to analyze and categorize their fashion styles on the basis of their music videos, movies, and soap-operas. Thirdly, In order to explore the level of influence of Hallyu fashion industry, we studied the street fashion of Shanghai The result was that we could observe both the slim and feminine cool casual style and the cute and affectionate pretty casual style simultaneously.

The analysis of an art trend in the principle dimension starts by observing the object of work in the perspective of formative composition and recognizing it as a universal system. It can be said that it is consistent with an interpretation method for a form theory of formal history by Heinrich Wölfflin, a leading form critic in art criticism. Hence, the purpose of this study was to find out what are the formative principles in Renaissance Classicism as a design principle to be applicable to modern fashion by reviewing the formative characteristics of Renaissance Classicism Architecture with which Wölfflin directly dealt. As for the theoretical literature review, I used Wölfflin's theoretical framework and looked at the Renaissance Classicism Architecture that he studied and examined the possibility of utilizing his theory as a layout principle and the characteristics. As for analysis of design cases, I applied the aforementioned architecture layout principle to modern fashion and conducted case study analysis to delve into distinctive layout principles found in fashion. The study showed that the Renaissance Classicism Architectural Style is marked by linearity, planarity, closing and multiple unity: linearity was expressed in the observation form in fixed frontal view and an emphasis on a tangible silhouette homeogenous and definite line structures; planarity was achieved in the form of paralleled layers of frontal view element, planarity style, and identical and proportional repetition of various sizes.; closing signified the pursuit of complete and clear regularity, and architecture developed in a constructive phase through organizational inevitability and absolute invariability.; multiple unity was expressed in self-completedness and independent parallel of discrete forms and harmony of emphasized individual elements in a totality. Applying these layout characteristics of the Renaissance Classicism Architectural style and to see their individual expressive features, I found out that in adopting layout principles of the Renaissance Classicism Architecture to modern fashion, it turned out to be an emphasis of individual silhouettes, a flattened space, completed objects, organic harmony among independent parts: the emphasis of individual silhouettes was expressed in individual definitiveness of formative lines of clothes in accordance with body joints and an emphasis on formative lines of clothes; the flattened space was marked by single layer structure, planarity of elements of clothes, and listing arrangement by appropriate proportion.; the completedness of the objects was expressed by the stationary state where overall image is fixed, the construction of homogeneous and complete space, and absolute inevitability of internal layout in proportion; lastly, organic harmony of independent parts was stressed in independent completedness of each detail, and organic harmony of the whole. The expressive features would lead to a unique expression style of linear emphasis, proportion, constructive forms, and two-dimensional arrangement. The meaning of this study is follows: The characteristics of art school of thought are given shape by appling & analysing the architectural layout principles of historical art school of thought to modern fashion in the view point of formal construction dimension. The applied possibility of historical art school of thought as the source of inspiration about the fashion design is extended.

본 연구는 전주의 한옥마을을 전통문화 중심도시로 육성시키기 위해서 진행하였던 간판정비 사업을 중심으로 내용을 정리하였다. 전체구성 방법은 표준화 디자인에 있어서 활용과 설명방법 그리고 각종 사인물에 있어서 올바른 설치 방법을 제시하기 위해 사인디자인 적용과 기본방향을 조사하였다. 설문조사에 있어서는 전주시 시민과 외부인 그리고 한옥마을에 주거하는 주민 등 600명을 대상으로 한옥마을의 일반적 특성, 한옥마을의 정보습득과 이동성 그리고 한옥마을의 간판 규제와 범위 등 3분야로 나누어 설문을 진행하였다. 위의 조사결과를 바탕으로 전주한옥마을에 있어서 디자인 컨셉과 세부적인 간판 적용방법을 규정하였고 사인물 디자인에 대한 픽토그램과 전통 한옥에 있어서 사인물 설치 방법을 제시하였다. 전주한옥마을에 대한 사인물 정비의 행정적 절차 규정에 있어서는 전주시와 간판 광고업자, 한옥마을 심의위원회, 지역주민의 상호협력 방법 등 행정적으로 사업 진행을 제시하였다. 따라서 본 연구는 전주한옥마을 사인디자인 사업진행 방향을 종합하였고 관련 담당부서와 협의를 통해 앞으로 전주한옥마을을 전통과 역사가 잘 보존된 지역으로서 육성 발전할 수 있는 기초 자료로 활용될 수 있도록 하였다.

This thesis is a study on Sook-Jae Lim(1899~1937) and Korean modern design. In modern Korea, design like most cultural advances came from western culture, that was introduced via Japan. So Korean design can be betterunderstood from observing Japanese modern design history. The research on Japanese modern design, however, is not being done actively. Sook-Jae Lim was the first Korean to graduate from the Department of Design at Tokyo Fine Arts School (currently the Tokyo National University of Fine Arts and Music). He died at a premature 38 years old, so very little of his works exist. That makes the study about him very difficult. From this perspective, the study aims to examine modern design concepts and styles accepted into Korea from Japan and position Lim as an early design pioneer in Korean design history, by using research of Korean and Japanese design fields in the modern era with focus on Lim and his works. Chapter II researches the process of how the concept of design was formed in modern Japan and how the “Art-Nouveau” style not only represents early modern design but also features Lim's works dominantly. Chapter Ⅲ looks into the process of how the concept of design was formed and which design styles were introduced and applied in modern Korea. Chapter Ⅳ analyzes how Lim's viewpoint on design and his works were developed with observations about the tendency of the Japanese design field and curriculums of the Tokyo Fine Arts School during the period of his college days.

본 연구는 우리나라의 기상환경에 적합한 한국형 공기주입 이중피복 플라스틱 온실을 설계하는데 필요한 기초자료를 제공하기 위하여 실험용 공기주입 이중피복 플라스틱 온실을 제작하여 작동실험을 실시하고 온실내부의 환경변화를 분석하였다. 온실의 피복재를 설치할 때 시공기술이 부족하여 밀폐도가 많이 떨어지는 것으로 나타났기 때문에 이중피복 공기충의 정압을 적절하게 유지하기 위해서는 높은 밀폐도를 유지할 수 있는 피복재 설치기술과 관련 자재의 개발이 요구되었다. 관행의 이중피복온실보다 공기주입 이중피복온실이 단열효과가 더 우수하였으며, 특히 아치형 지붕형태의 공기주입 이중피복온실이 복숭아 형태의 관행온실에 비해 2℃ 정도 높아 보온효과가 상당히 우수한 것으로 나타났다. 시공성이 우수하고 밀폐도를 높일 수 있는 피복방식은 온실위에 피복재를 덮은 상태에서 여유길이를 두지 않고 자연스럽게 고정시키는 것이 가장 바람직하였다. 다른 조건들이 동일한 공기주입 이중피복 단동온실의 경우 복숭아형 지붕온실에 비해 아치형 지붕온실에서 광투과율이 더 높은 것으로 나타났다. 3연 동 온실의 경우에는 관행 이중피복온실에 비해 공기주입 이중피복온실이 광투과율이 더 높은 것으로 나타났으며, 이는 주로 골조율과 이중피복재간의 간격 때문인 것으로 판단되었고, 이에 대한 자세한 원인은 앞으로 추가적인 실험을 통해 검증할 예정이다. 결로의 발생현상을 가시적으로 비교한 결과 관행온실에서 더 많은 결로가 발생함을 확인할 수 있었다 그러나 정량적인 비교를 위해서는 장기간의 관측과 이론적인 분석이 필요할 것으로 판단되며, 향후 더 자세한 실험을 통해 규명할 예정이다.

자동차 업계에 있어 오늘날 차량 개발의 대부분을 차지하는 업무가 모델 체인지이다. 국내 마켓이 소규모인 일본에서는 유럽과 미국에 비해 사이클이 짧으며 빈번한 모델 체인지를 실시해 왔다. 모델 체인지의 본연의 자세나 형태는, 그 자체가 개개의 디자인성을 포함한 제품 성능 향상의 발판으로서 기능을 하였다. 따라서 그것들은 다양성이 풍부하여 그때마다 시대의 가치관이나 문화적 배경을 현저하게 반영하면서 새로운 가치관의 창출에 기여해 왔다. 본 논문에서는 그 대표적인 차종의 모델 체인지에 관하여 제품 디자인의 시점으로부터 평가·고찰을 시도하였다. 그 결과, 모델 체인지를 계기로 하는 파생 추가나 분파 등 라인 업의 충실이나, 반대로 복수의 차형의 정리 통합에 의한 내적 진화 등 시대성이나 기업 전략에 보장 받은 여러 가지의 형태와 컨셉이 확인되었다. 표면상으로는 다르게 보이는 그것들이 근본적으로 공통성을 갖고 있는 요인으로서 차량 디자인의 특수성이 사실은 제품·디자인의 원점이라고도 할 수 있는 「형태의 집착」에 있다는 것을 재인식하는 것이다.