By contrasting the two representative dictionary from ancient to modern of WuhouqingZihai(《五侯鯖字海》)with HanyuDazidian (《漢語大字典》),we come to conclusion:“ying(孾)”,girl, this is to retain the“ying(孾)” original meaning;“ying(孾)”,“baby”, this is the uprising of the“ying(孾)”.“Pā()”, the voice of stone cracking;“bā(玐)”, the voice of Jade;the two are not variantions, but the voice of the two are similar , so can pass.“Miào()”, meaning “the name of the drug”,“yào(藥)”had false from “lè(樂)”in the process of copying.“Suǒ( )”, meaning“zhī(只)”,“zhī(只)” had false from “bèi(貝)”in the process of copying;“suǒ(瑣)”is the new words from “suǒ( )”.“Yú(臾)”is original meaning of the justice for catch hair bundle while dragging, and pictographic characters, “kuì(㬰)”is original meaning of the lifting apparatus, and the pictographic character;“kuì(㬰)”and“kuì(蕢)” are variantions. “réng(礽)” is divide variant of“réng(仍)”. “Zhī(祗)”and“zhī()”,the samesound and meaning, the radicalchoice ofthe
sameconfigurationheterogeneouscharacter.
Oracle inscriptions in bovid scapulas were engraved by certainregularity, that is no matter left bovid scapulas or right bovid scapulas. Oracleinscriptions that closed to the cut were first engraved. JiaguwenHejiShiwen甲骨文合集释文 usually arranged its order according to intervals betweensexagenary cycle, and sometimes according to whether the question is positiveor negative and whether the oracle inscription is integrated, but these ways can’t correctly reveal the order of oracle inscriptions. Thus, the writers thoroughlysurveyed bovid scapulas in JiaguwenHeji甲骨文合集 Book 1 to 6 and reordered the oracle inscriptions that were mistakenly ordered in JiaguwenHejiShiwen甲骨文合集释文according to oracle inscriptions that closed to the cut were first engraved.
Chinese characters are ideographic system text. Therefore,Chinese characters is through its body structure to express meaning. Thisis the basis of Chinese characters can be created, resulting in theprinciples of radical.Correspondingly, people recognize Chinesecharacters only through analysis of the body structure of Chinesecharacters in order to know the original significance of a singlecharacter. Therefore, understanding the Characters and the principle ofradicals is very important. However, in Chinese characters search, inorder to search easy people set up another radical system , this set ofradical system were re-classified and positioning of Chinesecharacters.Of course, considerable part of the radical is coincident with.Therefore, in the teaching process we should distinguish the principlecomponents and characters principles of radical differences, it is acorrect understanding of Chinese characters, and accurate use of Chinesecharacters.
The ancient and modern scholars have differentinterpretations to traditional word creation regulation of echoismin thesix categories of Chinese characters. The article seeks the regulationsintention closely the word on the basis of carefully studying thedifficult words“ Shi”( “事” )“ Ming” (“名”)“ Bi” (“譬”)accuratemeanings according to the disadvantage that the statements avoid to mention the definition of words, but vaguely explain the structure of name and definitions content. The article proposes a new interpretation of the regulations of echoism in order to make mutual credit and blend into one harmonious whole between the name, definition and the solution of example word, at the same time, the article proves the name motivation of “ imitative ” and “ pictophonetic character ” which are synonym of homogeneous to echoism
Compounding Binding words, transliteration words, and onomatopoetic words of Chinese language into the kind of onomatopoeia. Each word of its inside is called the character sued for onomatopoeia is thought to only record the one syllable sound without meaning. The result reveals, these characters are all independent morpheme, can all become words independently. The feasible reason of this research is, first, cut character temporarily ingrammar words. The second, word feature is different from word using. The third, Chinese character has its feature oneself ---- morphological features. This paper analyzes down from a point is identical with linguistics western. Enumerate seven reasons of the needing for internal word. Illustrate its morpheme, morphological feature, and use with examples. The researcher has the experience foundation that analyzing “hé”(和), in idea has the commonality cognition - -morpheme between Chinese and English, the attention of the independent unit of Chinese - -individual feature of Chinese characters. This research can reset Chinese character’s location in linguistics.
Etymological character is a term of traditional linguistics.The understanding and use of etymological character shows a certaindeviation in terms of modern linguistics system. There is a contradictionin the use of etymological character in traditional documents, both in itsconnotation and denotation. So the term of etymological character even in Encyclopedia of China needs to be searched out. In fact, the form of anetymological character can integrate into its meaning, and shows a kind of inner essence. Of course, the characteristics of etymological character should be followed in the study of dialect.
Explanation of mu is different. By dialects, differentpeoples’ languages and foreign languages, we think mu was thumb,then developed as middle finger by metonymy and big toe of feet by metaphor, and jiangzhi is the middle finger and big toe of feet. But MU doesn’t acquire the third finger of foot. This is why different meaning appears.
Chinese Characters with thousands Reflections and Practice of Chinese Characters Teaching of history, appearing with Chinese culture, will go on. They are the main carriers of Chinese culture, living fossil of Chinese history, a part of Chinese culture and history. With the frequent communication between Western and Eastern culture, Chinese characters play a more and more important role in the world and show more advantages. However, some bad phenomena appear during the course of using the Chinese Characters due to the influence of different factors. Not standard, mistaken phrases or words are often used, which badly damages the normative and purity of languages, then destroys the harmony of the language and culture environment. Thus, the language teaching has to be reflected upon agai
The article states that the writing style determines the forms ofChinese Characters during the process in shaping the characters by analyzing the Characters both in Pre-Qin Days and in Qin Dynasty. In other words, the way of writing influences the result of writing------ the forms of Chinese character directly, moreover, any kind of change in characters’ evolution stems from the slight difference from the previous writing style. Characters are presented by using writing, characters on Bamboo or Wood strips in Qin Dynasty are kept more in the inking words in the early forms of Chinese characters; meanwhile , writing style in Qin Dynasty is a transitional form in the change from seal script to clerical script; at the same time, it includes both the writing motivation of seal script and other writing styles, such as, clerical script, running script and cursive script in the following periods and conceives rich connotation in writing styles. So, we know that , to some extent, the writing style can restrict or improve the process of characters’ evolution by researching the writing styles’ influence on the following characters’ shape. And as an internal factor, it is writing style itself that influences the Chinese character’s shapes. In this way, we push the traditional static research of forms of joining different parts to form the Chinese characters and that of changing rules of different parts in Chinese characters to the dynamic level in Chinese characters’ research.
Phonetic Complement of the homophone system in ShuoWencame from different periods. The Character-building ability of the same phonetic complement is different in different periods. According our study, more than half of the phonetic complements in ShuoWenhave already existed in the Shang Dynasty. Only 10%-20% of the phonetic complements were appeared in the other periods. Almost a third part of characters which existed in the Shang Dynasty were largely chosen as phonetic complement at that time.