현 연구에서는 음성합성의 기초자료 수집을 위하여 대화체 감정표현의 음성적인 패러미터를 찾아내려고 시도하였다. 이를 이하여 일단 가장 자주 사용되는 대화체 감정표현자료가 수집되었고 이들 표현을 발화할 때 가장 주의를 기울이는 발성의 특징들이 탐색되었다. 구어체적 감정표현의 타당한 데이터베이스를 작성하기 위하여 20대와 30대로 연령층을 구분하여 자료를 수집, 분석하였다. 그 결과 다양한 감정표현의 발화특성들은 음의 강도, 강도변화, 그리고 음색이 중요한 기준으로 작용하는 것으로 나타났다. 다차원분석 결과 산출된 20대와 30대의 음성표현이 도면은 개별정서들이 음성의 잠재차원 상에서 상당한 일관된 특징을 지님을 보여 주었다.

The subjects of the research is the architecture expressed traditionality from the time of the Open Port on, including North Korea region. The scope is divided into three periods; the first is from the Open Port to the Rehabilitation (光復),1945, the second is from then to 1960, and the last is from 1960 to the present. The expression of Koreanity(韓國性) should be concerned with the states at the time. In the beginning of the first period the alienate culture and the new modern facilities, like electricity, telecommunication system, train service, etc., rushes to Korea and the traditional architecture accepted the most of the new-comings; therefore, the original form was transformed. That seems to be the beginning of the discourse on traditionality in Korea architecture. The expression was showed up in four parts: ● Korea traditional architecture accepting the foreign culture and the modern facilities ● the compromise between foreign and traditional architectural form ● the compromise between the Modem and traditional architecture ● the Imperial Crown Style(帝冠樣式) which is the eclectic architecture with transformed roof. The figurative expression in the present architecture was showed up in roughly two parts: ● the traditional form directly depicted wholly / partially ● the abstract traditional form wholly / partially Moreover the results on the research traditional architecture have been collected, the principles have been drawn out. Especially the first beauty is not on form or figure of a building but on the composition of architectures and the harmony of the natural circumstances and architectures. So many contemporary architects make efforts to apply the principles to the composition and formation of current architecture.

지난 수 십년 간 컴퓨터는 구조설계에 있어서 그 이용이 증가하고 있다. 구조설계를 위한 컴퓨터 시스템을 개발하기 위해서는 먼저 구조설계에 관련된 정보와 작업을 정형화한 표현이 필요하다. 본 논문은 구조설계에서 설계정보와 설계작업의 이해와 표현이 어려운 분야의 하나인 시스템설계에 대하여 논하고 있으며, 빌딩 프레임구조물의 시스템 설계정보를 표현하는 한 방법을 기술하고 있다. 3차원 공간을 표시하기 위하여 기준평면과 그리드 라인을 정의하였으며, 빌딩 프레임구조물의 시스템을 프레임 서브시스템, 플로어 서브시스템, 시스템요소 기둥의 세 종류의 요소로 분해하였다. 시스템요소 기둥은 프레임의 요소가 아니고, 시스템의 요소이다. 시스템 설계정보를 표현하기 위한 이와 같은 방법을 개체형 통합설계모델의 표기법을 이용하여 표시하였다. 개체형 통합설계모델은 설계정보와 설계작업을 표현하기 위하여 각각 프로덕트 개체와 프로세스 개체를 이용한다. 시스템 설계정보를 위하여 본 논문에서 정의한 프로덕트 개체들은 정형화된 시스템 설계정보를 표현하는데, 이것은 구조설계 CAD 시스템 개발에 유용하다.

Architectural Drawing has been settled down the very effective means of exchanging their architectural ideas and data on the construction process. However, it was not easy to conserve the original drawings, which aims had been accomplished, at the same time, building was built. The same phenomena were occurred in our traditional architectural construction project, especially before pre-modern age. And do not understand soundly building documentation accepted by craftsmen in the period of earliest Chosun dynasty and how to present their idea and information of architectural as means of sketches and drawings. So, this paper aimed to clarify the drawing occurrence and the development steps of their rendering, representation methodology in the construction process in Sannungdogam-Uuigue, which were the construction documents of government based on the royal family's tomb and building projects in the late Chosun Dynasty. There are three development stages of architectural space representation, pre-drawing stage, drawing occurring stage and drawing settlement stage, They had been adapted unique drawing presentation method which were drawn by artisan, so called Doseol(圖說)and Painter Hwawon(畵員) The results are 1. In the Pre-drawing stage, they had been used the systematic explanation method of character 2. Do not have the evidence of adapting drawing before 17th centry, it was originated in early 17's century started with Onga(甕家). Onga's Drawing was drawn very elementary skill, and became development, settlement and standardization of their drawing representation around 19th century 3. The drawing presented by client's recognition view of space and building, integrated data within a sheet of drawing with practical and hierarchy and using graphic and description.

Mekuro-Kazoen BLDG. is a complex of office, hotel, and banquet halls, builted in 1991, Tokyo, Japan. This building suggest us various issues about the representation of traditionality in current architecture. We can find the possibility of representation of traditionality in large complex, in past, rarely applicated. Even in Japan, such trial in official building as New Office Building of Tokyo in Sinzuku shows a application only in the elevation plan. In Mekuro-Kazoen BLDG, the applications of traditionality are found not only in external appearance, but also in interior design. And the traditional Japanese gardens in front of building and in atrium enrich the traditionality And the modenity and traditionality in this building are represented simultaneously not deteriorating each other. The issue of representation of traditionality in architecture should be succeed not only in now but also in the future. The method of application need to be studied and improved. The fields of application also should be extended such as large complex buildings and future-oriented buildings.