This thesis is a study to Haengnang(行廊, a series of buildings) of Sijeon(市廛, licensed markets), which was built along with palaces, Jongmyo(宗廟) and roads in order to establish Hanyang(漢陽) as the capital of Joseon (朝鮮). Sijeon, built on Jongno and Namdaemun-ro, the main roads in Hanyang, created two-row lands on both sides of the road, and formed Pimat-gil as an inner road between the Jeonbang and Doga. The formation of the city proceeded along with the maintenance of the water path, and the situation of the water path parallel to the flow of Sijeon was achieved. The Sijeon building was a spatial structure managed by independent rooms as a result of reflecting the unique operation method of Sijeon. The Sijeon of Hanyang had an impact on the formation of land, architecture, roads, and waterways, and acted as a major factor in determining the urban spatial structure of Hanyang City.

The general contractor business in South Korea settled in the railway construction during the Daehan Empire, but depending on the construction intention and circumstances of the railroad, relationship among employer-contractor-subcontractor and their roles under the system of the construction process had changed. At the time of laying the Gyeongin and Gyeongbu-rail, the Empire, which had no capital and technology, passed all the power and responsibility of the rail laying to the contractor, who was involved in most of the process. After this, the empire tried to lay Gyeongui-railroad without the help of other countries. Japan prepared for the Russo-Japanese War and decided to construct the railway rapidly, and completed the railway in parallel with direct management work and contract work. From that time on, the general contractor would only do the work. During the construction of railroad in Daehan empire, the general contract business system was established. The ambiguous process was sorted out and divided. At this time, subjects in charge of design and construction has been divided. The internal organization of the project owner and the contractor were organaized and specialized.

대한제국기에는 우리 역사에서 최초로 재판소가 등장하여 사법과 행정이 분리되었다. 이때 범죄자를 수사하고 기소하는 역할을 하던 검사제도가 도입되었다. 처음의 검사는 행정관을 겸하기도 하였으나, 1905년 이후에는 일본에서 공부하여 서양의 법과 제도를 공부한 검사가 점차 많아졌다. 당시 검사는 범죄를 수사하고 기소하며, 사법경 찰관리에 대한 지휘권을 가지고 있었다. 초기의 검사의 오늘날과 다른 점은 체포 구금 된 수용자에 대한 석방권(保放權)을 가지고 있었다는 것을 들 수 있으며, 또한 일부 민 사사건(산송) 등에서는 검사가 재판을 담당하기도 하였다. 대한제국기의 검사들의 활약을 살펴보면, 오늘날 바람직한 검찰상을 제고하는 모범이 되는 사람이 몇 명 있다. 안병찬 검사는 사건 처리가 너무 공명정대하여 해당 지역 사람들이 다른 곳으로 가지 못하게 막기도 하였으며, 안중근의사가 이토 히로부미를 저격하였을 때 안중군의 변호를 맡으려 하였다. 이후 안병찬은 독립운동에 투신하여 조국 해방을 위한 삶을 살았다. 헤이그 밀사로 유명한 이준 검사는 상관의 부당한 압력에 굴복하지 않는 기개를 보여 주었다. 대한제국기 검사제도는 공익의 대변자로서의 검사가 처음으로 도입되었다는 의미, 현행법상 검사의 권한과 의무의 대부분이 규정되었다는 의미가 있다. 당시 위정자들이 일제에게 속절없이 나라를 빼앗기고 있을 때, 검사들의 공정한 업무처리와 독립정신은 재조명할 가치가 있다 할 것이다.

개항 이후 조선은 일본 및 미국, 유럽을 통해 전기, 철도 등의 기반 산업뿐만 아니라 복식, 음식, 서양식 건물 등 실생활과 밀접한 문화체계 들을 받아들였으며, 조선의 전통 건축 및 기물들은 이전에는 볼 수 없었 던 새로운 양식의 수입기물들로 대체되었다. 대한제국기 궁궐의 전통 생활가구들은 서양가구들로 대체되었으며, 온돌식 주거문화에 따라 유지되었던 좌식 생활은 입식 생활로 변화하였다. 창덕궁과 덕수궁 석조전의 서양가구들은 18세기 유럽의 로코코 양 식(Rococo Style)을 따른 것에서부터 대한제국기 황실문장인 이화문(李花文)을 넣어 제작한 것 그리고 영국의 메이플사(Messrs Maple & Co) 에서 제작된 가구들이었다. 창덕궁에서는 장식성이 돋보이는 로코코 양식의 가구를 사용했으며, 석조전의 가구들은 신고전주의 건물 외관에 어울리는 소박하고 간결한 퀸앤 양식(Queen Ann style)의 가구가 주를 이루었다. 전통적인 좌식 가구에서 탈피한 서양식 입식 가구의 등장은 개항 이후 궁궐에서 이루어진 연회 문화와 관련이 있었으며, 서양식 연회에 어울리는 도자기와 공예품들도 각국에서 수입되었다. 연회에 사용 되었던 양식기들은 프랑스의 삘리뷔(Pillivuyt), 영국의 존슨 브라더스 (Johnson Brothers), 일본의 노리다케(Noritake) 등에서 제작했던 산업 자기였다. 서양식 만찬에 어울렸던 양식기 외에도 궁궐의 실내 장식을 위해 일본산 도자기와 공예품들이 유행하였다. 대한제국기의 수입기물들은 이후 일제의 간섭과 급변하는 나라 정세로 인하여 우리만의 독자적인 특징을 발현하여 양식적인 발전을 이루지 는 못하였다. 그러나 수입기물들이 시대의 흐름에 따라 새로운 생활방 식으로의 변화를 이끌었고, 합리성을 추구한 점에서 긍정적인 의미를 찾을 수 있으며, 대한제국기의 사회⋅문화적인 면모를 다각적으로 조명 하는데 기여하였음은 부인할 수 없을 것이다.

The purpose of this study is to fundamentally examine the vests of the robes “Daeraebok” and “Soraebok” of the Korean Empire from the 1876 Port Opening to the 1910 annexation of Korea to Japan. Among the collections of different robes of the Korean Empire which belong to various universities and institutions, only the vests were surveyed. The shape of the vests in the Korean Empire were single-breasted and doublebreasted. Most V-necklines and vests with a shawl collar look like a tailored collar, where the collar outline was shaped like a notched and picked collar, which is a mix of the step collar and roll collar of the 19th century. The rear center line was not flat, but inclined to a triangle. All vests of the robe Daeraebok were equipped with gold buttons, and those of the robe Soraebok had black satin buttons. The tailoring characteristic is that the front has a different material (dark black wool) from the back (black silk). This characteristic is expected to be an important basic piece of information in the restoration and reproduction of the vest, which was worn during the imperial period, especially to reveal its shape, characteristics and composition. This characteristic can also be used as data of cultural contents based on Korean modern history.

This thesis mainly deals with how ‘count of Ryang’ was used in the Daehan Empire. Count of Ryang means how many purlins were used in the building with longitudinal section. As a result, the notion of Ryang in the Daehan Empire does not differ from now one. But the usages of that are different from the Joseon Dynasty, and from the present. In the Daehan Empire, count of Ryang mainly was appeared with another word, count of Kan. In the Joseon Dynasty, they used the count of Ryang combined with Kan. Count of Kan had the meaning of purlin-directional length. By doing that, count of Ryang indicates the size of flank, count of Kan indicates the length of front. But in the Daehan Empire, count of Kan, especially the beam-directional length was considered at first, and then count of Ryang. Separately they used another count of Kan meaning the area of building. By using the combined words, count of Kan and Ryang in the beam direction, they got focused on the frame of wooden structure than before.

This research is regarding Park Ki-Jong’s Western-style court costume and emphasizes the shape and style peculiarities of Western-style court costumes in the Korean Empire from the 1876 Port Opening to the 1910 annexation of Korean to Japan. Park Ki-Jong’s frock coat was made during the period of the established law from 1900 to 1910. 1) The brand was ASADA TAILOR from Kyung-Sung. 2) The shape was long at the front and back, and it featured a picked lapel and double breast with six buttons to fasten and two buttons for decoration on the upper part. 3) The frock coat's materials were black wool fabric and black ridged silk. The lining's material was black plain silk and the sleeve's lining was white with blue striped silk. 4) The front separated the upper and bottom parts. The bottom was composed of a one-piece A-line skirt that continued from the front to back. The top of the back was separated by the princess line and the center-back seam was also separated with a vent. However, the center-back of the waistline was not separated, and it continued to one piece. The sleeve shape was a two-piece sleeve style with a phony vent and two wrapping buttons.

The purpose of this study is to understand the transition process of Korean architecture and urbanism from traditional state to modern state, by investigating the development of modern survey and the characteristics of survey drawings during the Great Han Empire (大韓帝國), the early modern Korea. The governmental efforts of the Great Han Empire to introduce a modern survey system named Gwangmu Land survey (光武量田事業) ended in failure. After the Russo-Japanese War (露日戰爭, 1904-1905), the Residency-General (統監府) held the hegemony of Korean Peninsula. It reintroduced a modern survey system for the survey of land and buildings all over the country and enforced the Land and Buildings Certification System (土地家屋證明制度). Since then, the land and buildings survey was propagated rapidly and the modern system for land use was gradually organized. With the progress of modern survey, the survey bureau of Cabinet (內閣) and Department of Royal Household (宮內府) created survey drawings that had some characteristics of colonialism. Takjibu (度支部) produced cadastral maps of major cities, with which the modern land system was developed. In addition, the Royal Property Bureau (帝室財産整理局) produced survey drawings of land and buildings owned by the Royal Household which were finally converted into modern facilities.

This study was started under the judgement that reviewing $\ulcorner$A Survey Report of Korean Architecture$\lrcorner$, which contains photographs and drawings by Sekino Tadashi and which was also made under the order of the Japanese government(1902), would make it possible to consider in detail the status of Korean buildings in the period of the Korean Empire. The focus of the study. was put on three main parts of the temple, especially the central parts. The photographs and drawings as mentioned above showed that changes in the layout of buildings in the central part of the temple were made between the period of the Korean Empire and that of Japanese occupation. Thus the purpose of the study is to investigate when changes in building layout in the central part of the temple were made and what made such changes to be caused, obtaining information necessary for future changes in the precincts of the temple. Results of the study can be summarized as follows. First, 'Seonchal Daebonsan Beomeosa feonkeongdo' and 'Gyeongsangnamdo Dongraegun Beomeosa Geonmul Jeondo' were made in a same period. While, 'Chosun Gojeok Dobo', published by the government-general of Chosun, was a collection of photographs taken by Sekino Tadashi for about 30 years from 1902 to 1933 under the order of the Japanese government. But there were few changes in the building layout of the temple shown in the three materials. Second, one of the photographs and drawings made since 1933, not contained in 'Chosun Gojeok Dobo', and discovered by this researcher was 'Seonchal Daebonsan Beomeosa Annae' which was published by the temple itself after national independence from the period of Japanese occupation, indicating the main reason of changes in building layout as mentioned above. In conclusion, the layout of buildings of the temple began to be changed on a large scale, with so-called 'Cheyongseol' ignored, when Buddhist monk Cha Woon Ho established a 7-storied sarira tower to the left of the main building in the center of the upper part in 1936. In addition, the axis line connecting between Hwaeomjong and Seonjong was also changed at that time.

기록을 보면 우리나라에서도 오래 전부터 대축척지도가 제작되었음을 알 수 있다. 하지만 지금까지 우리나라의 고지도에 관한 연구는 거의 대부분 소축척지도에 집중되어 왔다. 고지도 연구의 균형적인 발전을 위해서, 대축척지도에 대한 연구에도 관심을 기울여야 할 시점이 되었다. 그래서 본고에서는 대축척 실측도가 본격적으로 제작, 사용된 대한제국기의 지도들을 수집하여 그 특성을 분석하였다. 그 결과 전반적으로 다음 3가지 특징을 발견하였다. 첫째, 대한제국기에 근대적인 대축척지도의 기초가 된 전답도형도가 등장하였다. 둘째, 그 이후로 다종다양한 근대적인 대축척 실측도가 제작되었다. 셋째, 각 지도들의 축척이 다양하고 매우 정밀했다.