The purpose of this study is to analyze the expressive elements and techniques of graffiti appearing in the Moschino collection by Jeremy Scott. A theoretical examination of graffiti art and Moschino’s creative designer Jeremy Scott was conducted using previous studies and publications. Accordingly, keywords about the expressive elements and techniques of graffiti and Moschino were identified, as follows: expressive elements of ‘message (slogan)’, ‘symbolized letters or forms’, ‘logo and brand symbol’, ‘graffiti (scribbles)’, ‘child-like elements’, ‘daily element’s and expressive techniques of ‘using primary colors (color contrast)’, ‘deformation’, ‘distortion’, ‘exaggeration’, ‘illusion (trompe l'oeil)’, ‘collage (repetition)’, ‘simplification (flattening)’, and ‘borrowing heterogeneous objects’. These keywords were then used to analyze Moschino’s collection, comprising seven years of Moschino’s collection photographs officially recorded in the fashion magazine Vogue, ranging from the 2014 F/W to 2020 F/W collections. A total of 761 photos were initially collected, from which 561 were selected by the researcher. Expressive characteristics of graffiti in Moschino’s collection were analyzed, and identified in the following categories: ‘child-like playfulness’, ‘commercial satire’, ‘using daily elements’, and ‘borrowing non-representative techniques’. Accordingly, it was confirmed that expressive characteristics of graffiti were found in the Moschino collection by Jeremy Scott. This study anticipates the possibility of various interpretations from which fashion that communicates closely with contemporary art can be understood.

1991년 작품 Seeing Things를 『사물보기』 혹은 『환영보기』로, 1995년 노벨문학상 직후의 작품인 The Spirit Level을 『기포 수준기』 혹은 『영혼 측정』으로 변역할 수 있는 이유는 작가가 물질세계로부터 영혼세계로의 건너가기를 시도하고 있기 때문이다. 그런데 작가의 이 같은 시도는 부모님의 죽음이 가장 큰 동기였다고 생각한다. 작가는 그에게 영향을 끼친 부모와 지인들의 추억을 그들이 남긴 유품이나 업적과 함께 불멸의 유골 단지인 자신의 시에 보존시키려 한다. 아울러 『영혼 측정』의 많은 시들이 애가나 소네트 그리고 패스티쉬 형식의 헌정 시로 쓰인 점은 필자로 하여금 시인이 다가오 는 자신의 죽음을 준비하고 있다는 생각을 갖게 한다. 이 논문의 목적은 위의 추론을 이 시집 전체의 시를 읽어 증명할 뿐 아니라 수수께끼 같이 어려운 후기 시에 우리 말 번역과 해설을 시도하는 것이다.

PURPOSES : There are generally various driving behaviors in toll collection areas, including lane changing, merging and diverging, and other behaviors. Because of these behaviors, accident risk and traffic congestion may occur. To mitigate these problems, multi-lane electronic toll collection systems have been developed with a high-speed limit of 80 km/h. This study was conducted to investigate travel speed changes and effects through multi-lane electronic toll collection systems with a high-speed limit. METHODS : Traffic simulations were conducted using VISSIM. Before conducting simulations, driving behavior around the toll collection areas was observed, and field data were collected based on drones for peak and non-peak hours. In addition, safety effect evaluations were conducted based on conflict analyses using the SSAM software. RESULTS : Through multi-lane electronic toll collection systems with a high-speed limit, the travel speed on the toll collection area was increased, and traffic operational efficiencies were identified. However, different speed variations were produced as observation locations in toll collection areas. Speed variations were mitigated at most locations except the area within the tollbooth because of the high speed limit for multi-lane electronic tollbooth. CONCLUSIONS : It was important to manage lane-changing activities, and this may influence traffic operational effects. Safety effects were also identified through conflict analyses.

PURPOSES : This study introduces the use of instantaneous speed collected by in-vehicle sensing devices for space mean speed and time mean speed estimation. METHODS : Using probe vehicles’ instantaneous speed data and GPS location at each designated time interval enables analysts to calculate the link-based space mean speed and time mean speed for a certain time-space domain directly. This study proves the equations mathematically and compares the results of time mean speed using Wardrop’s equation and section average speed by trips. RESULTS : This study introduces the concept of link-based average speed using both time mean and space mean speed definitions. First, an unbiased space mean speed was explained for a roadway section can be calculated from high-resolution vehicle trajectory data without necessarily continuously tracking a vehicle. Second, this study proves that the average section speed by occupancy resulted in identical values to the true space mean speed formulation by Wardrop. In addition, the average section speed by trip was nearly identical to the time mean speed. CONCLUSIONS : Each section on a signalized intersection corridor yielded various speed distributions whose parameters varied as measurements were taken closer to the intersection proper. By exploring the space mean speed with speed distribution, the intersection impact area can be defined more accurately.

In this study, the artistic background and formative nature of representative 19th century realist artists Gustave Courbet and Honoré Daumier were analyzed and applied in a fashion context. By displaying representational desires (necessary adhesions of man and society) in their work, they became characteristic matrixes of critical realism and to perceive critical realism. The purpose of the study was to apply the characteristics of critical realism to the contemporary fashion collections of Alexander McQueen. Research was conducted to analyze the characteristics that appear in the field of fashion and to review methods of expression and internal aesthetics displayed through various aspects of fashion design. Characteristics of critical realism were analyzed by researching the formativeness and periodical background of the paintings of Courbet and Daumier. Based on these characteristics, analysis was conducted to identify critical realism in the fashion collections of Alexander McQueen. Data and scope included fashion information sites, internet photo data, and video material. Critical realist characteristics were categorized into five types as follows: ‘The proper borrowing of extremely realistic subjects signifies’, ‘satirical reconstruction and narrative composition’, ‘antipathetic distortions and abject representations’, ‘critical reproductions based on technology’, and ‘the maximization of ambivalent sexuality’. It was concluded that the characteristics of critical realism (recognized by the common formation of Courbet and Daumier) also appeared in Alexander McQueen's fashion collection but were inherited in a form that transcended pictorial expression due to the overall difference in use of visual arts.

The purpose of this study is to provide basic data to assist students and industrial designers in fashion by examining the trend of designing women’s wear with the SCAMPER method. In the research, the seven types of SCAMPER methods for fashion design were classified based on the previous studies. From 2010 S/S to 2020 S/S, data from 5,149 photographs were collected through overlapping checks and classified by SCAMPER method type. Data analysis was performed using SPSS 25.0 for frequency analysis. As a result, in the SCAMPER “combine” method, more than two items were combined, or structural details were combined with items. In the most applied “adapt” method was involved imitating similar images, or natural forms, or other objects. The “modify” method was applied by changing the shape of some details in basic fashion items. The “magnify” method was applied by enlarging, elongating, or elevating some details of fashion items. The “minify” method was applied by minimizing, shortening, or lowering some details of basic fashion. The method of “put to other use” was expressed throughout the clothing by using non-fabric or trimmings such as metal, beads, and strings. The “rearrange” method was applied by repositioning the top and bottom, front and back, or outside and inside in fashion items and in details. The “reverse” method was applied by reversing the style of fashion, mix-and-match fabric, or switching the gender of the fashion items.

In this study, acoustic and viscosity data are collected in real time during the ball milling process and analyzed for correlation. After fast Fourier transformation (FFT) of the acoustic data, changes in the signals are observed as a function of the milling time. To analyze this quantitatively, the frequency band is divided into 1 kHz ranges to obtain an integral value. The integrated values in the 2–3 kHz range of the frequency band decrease linearly, confirming that they have a high correlation with changes in viscosity. The experiment is repeated four times to ensure the reproducibility of the data. The results of this study show that it is possible to estimate changes in slurry properties, such as viscosity and particle size, during the ball milling process using an acoustic signal.

The conversation analysis approach of using audio and video recordings of naturally occurring conversation contrasts with other methods of collecting data in the social and cognitive sciences. This paper intends to describe the ways in which conversation analysts collect their data suitable for analysis, including the steps involved in preparing to record, the recording of naturally occurring social interaction, and also the processing of recordings after they have been made. Before actually making the recordings, researchers must first choose what type of conversation they will collect and what device to use. Researchers also need to obtain consent for recording from the participants in a conversation analytic study. While making the recordings, researchers must figure out many practical issues such as who, when, how, what, how much, and where to record. After recording, researchers need to store data in audio or video formats. Researchers also archive it, using codes for identification that facilitate later finding, quoting and retrieving of any file. This paper focuses on these choices as they are made before, during, and after recordings and places specific emphasis on the effects these choices have on the recordings. It also illuminates how these techniques are closely related to the methodological and theoretical assumptions of the conversation analysis approach.

This study was conducted to examine the oocyte recovery efficiency through having an OPU session once and twice a week. Also, the oocyte recovery efficiency was examined by using OPU after two and three months of rest period. Six cows were used for oocytes collection and were randomly divided into two groups. In experiment 1, OPU sessions were conducted once and twice a week to collect oocytes. The collected oocytes between once and twice OPU groups were classified into four groups (grade 1, 2, 3 and 4) according to the quality of cumulus cells and ooplasm. Based on the result, the percentage of collected oocytes per aspirated follicle number was similar between once and twice OPU session groups (65.5 ± 1.9 and 68.7 ± 1.4 vs.). However, the percentage of grade 1 oocytes from the twice OPU session group was significantly high compared with that of the once a week OPU session group (25.3 ± 0.9 and 32.5 ± 1.2% vs. once and twice session group, respectively, p < 0.05). In experiment 2, the group with three months of rest period tended to have a high percentage of collected oocyte compared with the group with two months of rest period (64.6 and 70.9% vs. 2 and 3 months rest group, respectively, p = 0.62). The percentage of grade 4 in the group with three months of rest period was significantly low compared with the group with two months of rest period group (27.3 and 36.5% vs. two and three months rest group, respectively, p = 0.05). In conclusion, twice a week OPU session is suitable for collection of high quality oocytes by using OPU, and three months of rest period is needed for the recovery of oocyte quality of a donor cow.

가상현실 콘텐츠는 ICT 기술의 발전과 5G의 고용량 전송, 빠른 속도의 네트워크 서비스가 상용화로 2019년 빠른 성장을 하고 있다. 하지만 가상현실 콘텐츠의 사용성 평가에 대한 기준과 연구는 미흡한 실정이다. 본 연구에서는 가상현실 콘텐츠를 사용하는 사용자의 반응과 상태를 측정 할 수 있는 객관성이 있는 데이터에 관한 연구를 진행한다. 연구의 방법으로는 가상현실 게임 콘텐츠 사용자의 실시간 인체정보 수집 프로세스를 설계하고의 변화를 비교·분석하였다. 이를 위해 인체정보 측정에 아이트래킹을 통한 시선 정보와 심박수 데이터를 수집하고 분석하여 시각화 솔루션을 설계하고 프로토타입을 구현하였다. 가상현실 게임 콘텐츠 사용자 인체정보 데이터를 기반으로 한 사용성 평가에 대한 가이드를 제안한다. 향후연구로는 다양한 인체정보 측정 및 프로토타입의 고도화에 있다.

During her time as Emperor of the Tang Dynasty, Wu Ze Tian created a number of new characters. Later generations called them “Wu Queen New Characters”, and some also called “Ze Tian Characters” and “Ze Tian Xin Characters.” Since the Tang Dynasty, although many scholars have studied the writing methods, word counts, and circulation areas of new characters, there are many different opinions, especially about the number of new characters and that of glyphs, which makes future studies much more difficult and impossible to restore the original appearance at that time. In addition, the timing of the promulgation of each new word is hardly recorded in the classics, and it is difficult to know the actual use of the word and the circulation situation. Therefore, this article uses Collection of Epitaph of Tang Dynasty, Sequel Collection of the Epitaph of Tang Dynasty, Collection of Epitaph of Tang Dynasty and Research, and Beijing Library Collection of Stone Carving of Each Chinese Generation etc. to set the age of the research material from “Zai Chu” first year (A.D.689) to the end of “Chang An” fourth year (A.D.704), 16 years in total, 422 piece of epitaphs. They are arranged according to the grave owner’s burial time, sorting out Queen Wu’s implementation process for new words, actual use of new words, word count, and word font, and staging and spread area. By means of this, the article makes the appearance of Queen Wu’s new words possible, even further presented in front of everyone, and finally making a new investigation for the Queen Wu’s new words.

Chinese characters used in the ancient Korean peninsula continued to occupy a leading position in the information processing process. Many literatures used Chinese characters as a means of recording. The main examples include Samguk-sagi (literally meaning the Historical Records of the Three Kingdoms) of the Goryeo Dynasty and the rest are listed as the Memory of the World: Joseonwangjo-sillok (literally meaning the Annals of the Joseon Dynasty), Joseonwangjo-uigue (literally meaning the Royal Protocols of the Joseon Dynasty), a well-known medical book of Joseon Dynasty, Dongui-bogam (literally meaning A Priceless Book about Medicines of an Eastern Country), and Printing Woodblocks of the Tripitaka Koreana and miscellaneous Buddhist scriptures (2007) of the Haeinsa Temple that amounts to about 87,000 pieces of woodblocks. However, only 9 books about Chinese characters in the Joseon Dynasty have been preserved up to date as the genealogy and dictionary of Chinese characters. These genealogies and dictionaries provide valuable data for studying common-use Chinese characters in the Joseon Dynasty. This study was intended to investigate the purpose of making Chinese characters and the frequency of common-use Chinese characters at that time through computerized data of Genealogy and Dictionary of Sillok-ja Types and the statistics of the frequency of Chinese characters.

Oversized fashion is again in the spotlight due to the influence of retro fashion. This has created new fashion trends with methods different from those of the past. This analysis examines recent trends by sorting these looks according to new and different methods of judging their appearance. A new categorization of the oversized look and its configurations has been created, one which separates “big” looks, partial changes, and layered looks. This research was based on historical review and previous studies. Three thousand one hundred thirty-six photos of oversized looks that have appeared in collections over the past five years were gathered, and their appearance was categorized according to type. The categorization results showed that big looks (55.1%) were most prevalent, followed by partial alterations (36.35%), and layered looks (8.45%). In comparison to prior oversized clothing production, new permutations of the “Big” look expanded the silhouettes of torso, shoulders, neckline and collar. Partial changes have expanded from the broadened shoulders of the 1980s. Today these styles expand the shoulders and armholes vertically or horizontally, which dramatically exaggerates the sleeves and collar. The layered look no longer simply features overlapping layers but takes the form of over-layering through cuts and insertions. Through such analysis it is clear that modern oversized looks break away from the simple expanded forms and production methods of the past. They now attempt to realize an exaggerated beauty of form regarding each clothing component and also maximize decorative effects through innovative drafting or sewing methods.

동물플랑크톤은 식물플랑크톤 및 기타 소형 미생물을 섭식하고, 고차 생물군집에 포식되어 일차생산과 상위 영양단계를 연결하는 중추적인 연결고리 역할자로 수생태계 내 물질 및 에너지 순환 구조와 기능을 이해하는데 필수적인 요소로 여겨지고 있다. 하지만, 동물플랑크톤은 분류군에 따라 상이한 크기와 유영능력, 그에 따른 다양한 서식 특성을 가지고 있어, 식물플랑크톤에 비해 다소 복잡한 채집 및 분석방법이 요구된다. 정확한 동물플랑크톤 정량화를 위해서는 종특이적인 분포를 고려하여 장소를 선정하 고 적합한 도구 (채수기, 플랑크톤 네트 등)를 이용하여 시료를 채집해야 할 필요가 있으며, 동정 및 계수 중에 발생 할 수 있는 오차를 최소화하기 위해서는 고정법과 부차시료에 대한 고려도 중요하다. 본 논문에서는 현재 사용되고 있는 대표적인 동물플랑크톤 정량채집방법 및 시료처리방법의 장·단점을 소개하여 연구 목적에 부합하는 방법을 선택, 적용할 수 있도록 가이드라인을 제시하고자 하였다.

보스턴미술관의 한국미술 컬렉션은 보스턴미술관의 운영 및 소장품 수집과 관련된 컬렉 터들과 큐레이터에 의해 변화를 겪어왔다. 보스턴미술관의 동양미술품 소장 및 연구는 일본 과 중국이란 큰 축을 중심으로 이뤄졌으며, 그 중 한국미술은 부수적인 부분으로 다뤄졌다. 본 논문은 동양컬렉션의 조성 과정 및 소장과 연구에 주요한 영향을 미친 두 명의 큐레이터와 컬렉터들의 활동을 중심으로 살펴봄으로써 보스턴미술관의 한국미술 컬렉션의 형성과 특징에 대해 조명해보고자 하였다. 보스턴미술관에 한국 미술품이 처음 소장된 1892년에서 1910년 사이 에드워드 실베스터 모스(Edward Sylvester Morse, 1838~1925)의 한국 도자 컬렉션이 가장 주요하다. 일본 도자기와의 관계를 보여주기 위한 표본으로 삼국시대부터 근대에 이르는 시기의 다양한 한국 도자기가 수집되었으며 특히 신라, 가야의 토기가 많은 비중을 차지했다. 시기, 종류의 구분 없이 하나의 캐비넷에 전시된 한국도자기는 민족학, 인류학과 유사한 맥락에서 연구되었다. 이어지는 1910년대와 1920년대에는 기존 동양미술 컬렉션에 부족한 일본 조각과 중국 미술품들을 보강하는 과정에서 회화, 공예 등 다양한 매체의 한국미술품이 함께 소장되었다. 그 중 특별 기금을 통해 수집된 고려청자는기형, 색감, 문양, 유약 등의 특징을 파악하는 등 청자 자체로서 전시, 연구되는 양상을 띠었다. 연구를 통해 과거부터 중국, 일본인들에게 높은 평가를 받은 우수함과 고분 출토 도자기가 갖는 진품성이 고려청자를 한국미술의 대표격으로 자리잡게 하였다. 한편 고려청자는 중국 고대 역사를 바탕으로 다양한 동양미술의 보고로 발전한 일본미술까지의 시대적 변화를 담은 보스턴미술관 동양미술 전시에 한 부분으로 자리하였다. 전시구성과 함께 보스턴미술관의 동양미술 소장, 연구에 반영된 오카쿠라 카쿠 조(岡倉天心, 1868~1913)의 영향은 동양미술 연구자와 컬렉터들로 이어졌다. 다음으로 도미타 코지로(富田幸次郎, 1890~1976)가 동양미술부를 이끌어 나가던 1930년 이후, 일본 미술상과의 관계 속에서 고려시대 금속공예품이 주로 소장, 연구되었다. 동서양을 오가며 주요 컬렉터 및 기관과의 관계를 형성해 온 야마나카 회사(Yamanaka Company)를 통해 수집된 금속공예품은 코지로에 의해 일본 연구자들의 발굴, 연구성과를 활용하여 연구되며 한반도 내 일본 식민정책의 성과를 함께 담아내기도 했다. 마지막으로 한 국미술 컬렉션에 가장 큰 기여한 찰스 베인 호이트(Charles Bain Hoyt, 1889~1949)의 한국 컬렉션은 고려청자, 금속공예에 편중되어 전체 한국미술 컬렉션과 유사한 구성을 가지고 있으나 조선시대 도자기가 청자와 비슷한 수준으로 수집되었으며 다양한 기형, 기법을 반 영하고 있어 개인의 취향도 반영되어 있음을 확인할 수 있었다.