Landscape performance is an assessment tool to quantitatively evaluate designed landscapes, which allows us to overcome the limitations of qualitative evaluation of ecological restoration projects. The purpose of this study was to develop a landscape performance assessment framework for ecological restoration using systematic reviews. To do this, literature related to landscape performance was systematically reviewed, considering the design intent of an ecological restoration project. Results indicated that the ecological benefits of ‘Water’and ‘Habitats’, the social benefits of ‘Recreational and Social Value’, and the economic benefits of ‘Operation and Maintenance Savings’should be considered first. Based on the results, this study suggests the landscape performance framework for ecological restoration projects. The landscape performance assessment framework can not only develop improvement plans for one ecological restoration project, but also potentially provide a logical basis for assessing other designed landscapes.

만명시기 대표적 문학이론가인 원굉도는 예술성 높은 유기산문을 많이 창작하였다. 그의 문학작품 창작론의 주요 방법은 ‘직기(直寄)’와 ‘신기(新奇)’의 창작이론이다. 그는 직기와 신기의 창작기교를 잘 활용하여 좋은 작품을 많이 창작하였다. 직기의 창작기교는 주로 자연경관의 묘사와 인물이나 사물의 형상표현 또는 사람의 감정 표현 등에 활용하고 있다. 그리고 자연경관을 서술한 부분을 보면 직기는 물론 신기의 창작기교를 활용하여 생동감 있는 표현을 하고 있다. 직기의 창작기교는 주로 직유의 수사기교를 사용해 표현되고 있고, 신기의 창작기교는 직유 은유 의인 등의 다양한 수사기교를 사용해 표현되고 있다. 원굉도 유기산문의 자연경관 표현에 보이는 신기의 창작방법에 바탕 하여 활용되어진 직유 은유 의인 등의 주요 수사기교를 살펴보면 원굉도 유기산문의 예술적 수준을 잘 알 수 있다.

This study measured the economic values of landscape and species diversity in mountainous pasture using a choice experiment. The attributes considered were landscape (forest, pasture, or pasture in forest), species diversity (180, 200, 225, or 250), and levy (five levels from 4,000 to 12,000 won/household). An online survey was administered to residents in 17 metropolitan cities and provinces in Korea. The results of the multinomial logit model showed that pasture in forest, all variables for species diversity, and levy were statistically significant. Age was statistically significant, implying that older people tend to prefer forest areas. The results also indicated that the willingness to pay for changing 1 ha of forest into pasture decreased by 74.3 won/household, while that for changing forest to pasture in forest increased by 1,338.1 won/household. The marginal willingness to pay for changing from species 250 to 225, 200, and 180 was estimated as -782.7, -2,647.1, and -4,492.6 won/household, respectively. The results of this study can provide useful insights for the development of mountainous pasture in Korea.

Introduction In the last decade, the luxury industry has witnessed strategic changes in its concept, essence and operation modes resulting from different factors and, in particular, digitalisation and democratisation in luxury fruition. As a result of those changes, luxury consumption has started to be perceived not simply in a conspicuous purchase perspective of goods or services, but as a 360 degrees experience, where cities - in particular in the emerging fast growing economies - have started being filled with luxury and fashion brands, invading every city area from streets to airports, from clinics to hotels and with concept stores, luxury flagship stores, sponsorships for events and urban artefacts, adding value to the symbolic production of an urban lived space (Bellini and Pasquinelli, 2016). In this new dimension of luxury, the underlying hypothesis of this paper is that luxury product brands are enriched by and, hence, draw value from the synergy with city brands and diverse fashion and art city locations, activities and events. This statement is based on that luxury perspective seeing luxury more in its experiential dimension than in the one of a pure desire for an exclusive object purchase and ownership. Accordingly, to what extent is the relation between the luxury brand and the city brand functional to the boosting of luxury brand experiential content? From our point of view, this deserves more specific focus. Based on these premises and with respect to the current evolution of fashion luxury cities and the retailing scenario, this paper will specifically focus on the evolution and different forms of concept stores with particular attention to their interaction with the urban context. The case of concept stores is particularly relevant due to the crisis of this retailing model caused by the rise of luxury e-shops which are becoming dominant brand channels also for luxury segments. In the case of the concept stores we can, in fact, see if and to what extent the value of ―offline stores‖ is rooted in their physical presence in an urban environment that is rich in history and cultural heritage. Two case studies will be carried out, XXX in Shanghai and Luisa Via Roma in Florence, Italy, thus including two different urban contexts characterised by a different relation with fashion and luxury industries, historically and nowadays. Authentic luxury experiences in relevant city contexts (that is in city contexts with which fashion brands succeed in establishing a meaningful, credible and so valuable relation) may add value to luxury brands, in particular to those brands with no consolidated heritage and identity, as in the case of the new Chinese luxury brands. In general, for those luxury brands with a very limited identity and an almost absent heritage, in-store experience is likely to be of special relevance and of increasing importance (Atsmon et al, 2012). Without neglecting the rise of online brand channels and the vibrancy of virtual fashion spaces, the shopping location certainly still represents a crucial factor for the increasingly diverse and demanding luxury customers, for whom the shopping location is not just an instrument of purchase but also a value-adding experience on its own (Rintamaki et al, 2007). Fashion City: An Evolutionary Perspective Historically luxury and fashion have been linked to some specific cities in western countries such as Paris, London, Milan and New York, the so called capitals of luxury and fashion (Breward and Gilbert, 2006); those capitals are considered to be the places where luxury fashion production and consumption cross each other providing economic value for the sector and a unique experience for the consumers. More recently, the scenario has been changing. The ‗fashion city‘ has strated being one of the ‗brands‘ of economic development, seen as capable of strategically boosting attractiveness for the repositioning of a diverse set of cities across the world (Breward and Gilbert, 2006). Urban authorities, policy-makers, and various academic approaches have devoted attention to this phenomenon. The concept of the fashion city has started being part of urban plans and municipal promotional activities trying to reposition cities as attractive destinations for firms, human capital and especially for the ―creatives‖, investors, consumers, and tourists. An increasing number of developing and fast growing countries have achieved the status of ‗second-tier‘ cities of fashion (Larner et al., 2007) such as Antwerp, Shanghai, Beijing, Istanbul, Melbourne, Moscow, Vienna, as centres of reference of a highly diversified fashion context of culture, design, manufacturing and consumption. Although these cities have very different economic and cultural background and history, they indicate the evolution and the interaction between fashion and fashion players - including concept stores - and the urban context. Academia has started clarifying what a fashion city was, what constitutes a traditional fashion city and the interaction between luxury fashion and the fashion city. However, the interaction and evolution of luxury fashion cities and some of the urban players, such as concept stores, is far from being fully clarified and understood. The same can be said regarding the characteristics of the emerging luxury fashion cities. In particular, with respect to the differences characterising those new luxury fashion cities, there is still a very limited research. This article is aimed to make a contribution in this field by discussing the relation between fashion players (i.e. concept stores) and the urban landscape. This will also lead to define a set of characteristics of the contemporary luxury fashion city, based on their functional role in supporting luxury brands‘ value creation processes. In fact, it is certainly not possible to analyse the impact of the global luxury capitals on luxury brands without considering the evolution in city branding, i.e. the way in which cities are represented in order to create an image of the place. Fashion and Luxury in the Urban Branscape As said, ‗fashion city‘ has evidently been considered as potential device to reposition ‗second tier‘ – either large or small - urban contexts. If on the one hand fashion design has been integrated into urban policies in order to boost local economies (Martinez 2007), on the other hand fashion marketing seems to have integrated its luxury fashion strategies into the ―urban brandscape‖ (Bellini and Pasquinelli 2016). Fashion branding has, then, gone clearly in the direction of actively pursuing an appropriation of the city image whose value is drawn by corporate brands (Tokatli 2013). This last aspect, however, has received rather limited attention in literature. In the last decade, the fashion city has enhanced its economic and cultural importance specifically thanks to the economic value generated by the creative process and cultural value of cities (DMCS, 2001; Scott, 2002; Power and Scott, 2004; Breward and Gilbert, 2006; Rantisi, 2011; Bellini and Rovai, 2018). Initially, fashion cities and their fashion design component had only been considered with respect to the creative industry in relation to the mix of physical and symbolic processes involved in the current fashion industry. This combined a highly globalised manufacturing chain with a designer fashion sector mostly concentrated in fashion‘s world cities, together with other image-producing activities that contribute to the creation of place-based symbolic narratives (Williams and Currid-Halkett, 2011). However, the evolution towards new luxury fashion cities has shown a diversification of their meaning and positioning (Martìnez 2007). The delocalisation of fashion manufacturing in offshore urban centres together with the digitalisation and IT component in the process have modified the fashion industry (Segre Reinach, 2005), in parallel with the changes in the economy of media, marketing and the symbols associated to them. Accordingly, it is important to stress how the geographical origin, connection or association of fashion brands to places is simply constructed and negotiated (Pike 2010, 2011), until becoming a pure matter of perception in some case (Thakor and Kohli 1996). Moreover, it is important to notice – and this paper is engaged with this issue – how the fashion brand connection to a city can be built through the creation and exploitation of ―a status market‖ in which the brand is located (Hauge et al. 2009): think, for instance, of how fashion brands capitalize on the presence of prestigious urban assets such as cultural heritage and fine arts (Bellini and Pasquinelli, 2016). This is particularly relevant if thinking that fashion luxury‘s world cities also can count on valuable frameworks of cultural players such as museums, theatres, libraries, festivals, and academic institutions reinforcing their attractiveness (Volonté, 2012). Also relying on such mechanisms, a new wave of luxury and fashion capitals has emerged, i.e. the so called ‗not-so-global‘ cities of fashion, exemplifying new forms of symbolic economy and manufacturing that are not included in the usual classification of luxury fashion cities as New York, Milan, London and Paris (Rantisi and Leslie, 2006; Larner et al., 2007). Such ―not so global cities‖ largely contribute to reshaping the global geography of fashion capitals, which can be redefined as the result of the multiple and highly diverse typologies of links a city succeeds in establishing with products, firms, events and fashion stores, by drawing values and symbols from them (Jansson and Power 2010 ; Power and Jansson 2011). Research Design and Methodology The urban dimension of luxury and fashion brands characterising the emerging geography of fashion has not been extensively analysed. In this direction, this article will focus on the analysis of two international luxury fashion urban centres, i.e. Florence and Shanghai, which will be framed as brandscapes interacting with fashion players that are locally based. Particular attention will be drawn to concept stores by analysing their evolution and their changing relation with the surrounding urban contexts, notwithstanding a clear acknowledgement of the growing relevance of e-shops and digital platforms. A qualitative methodology, based on a review of internet sources, in-store visits and in-depth semi-structured interviews with store managers (to understand the concept store‘s strategy) and various local fashion players (to frame the urban brandscape and its relation with fashion), will be adopted to build a comparative framework. Reputable key players in the respective cities as concepts stores, i.e. Favotell in Shanghai and Luisaviaroma in Florence will be selected as case studies. That is, the study will highlight the synergies between fashion brands and city brands by focusing especially on concept stores, their interaction with the urban symbolic ecosystem and their evolution in the geography of contemporary emerging luxury fashion capitals. Expected Results Below the key propositions that we expect to discuss as a result of the presented study: ⦁ The urban brandscape is mirrored by the concept stores which tend to narrate the connection of their brand to the city ; ⦁ The concept store goes out into the city pushing its visible and distinctive presence in the urban symbolic ecosystem ; this mechanism is rich in symbolic content benefiting the fashion brands whose local, physical and tangile presence in specific urban settings has a strategic role in global value creation ; ⦁ The concept store has developed from a purely physical setting to including the online store ; also throughout such development, it maintains the physical location – its style, taste and connection to specific urban settings and local heritage – as reference and vividly alive ; ⦁ The global travelling of the concept store-city connection – also but not exclusively through digital platforms – make the city brand travel and evolve.

The purpose of this study is to highlight the idea that the approach and methodology in Landscape Architecture and Urban Studies are rooted in regional planning, and to trace the legacy that can be borrowed from modern city and landscape planning. This study examines the academic relationship between Geddes’ Urban Evolution and McHarg’s Ecological Landscape Planning theory, and explores the significance of regional planning that can be accommodated in both Landscape Architecture and Urban Studies areas at present. As a result, the Geddes’ theory and the McHarg’s ecological landscape planning emphasized a scientific understanding of plans based on evolutionary theories and local research in regional planning. However, the McHarg’s theory was definitely different from the Geddes’ theory and offered its own unique identity and possibilities. First, it was completely focused on the environment. Second, it suggested a concrete methodology consisting of a technique of land suitability analysis to visualize an environmental or regional investigation. Third, McHarg advocated drawings as a visualization tool. McHarg’s theory of ecological landscape planning can be thought of as an evolutionary version of the theory of urban evolution. The study was limited to an applicable range to solidify the possibility of applying the theory in real situation, and more concrete and substantial approaches were suggested accordingly.

This study examined how the various garden forms introduced in the entire garden of Naumkeag were expressed, and in particular, how the modern style of the Naumkeag Garden was planned. The results are as follows. The Naumkeag garden has introduced various garden styles from China and Europe. This phenomenon appeared to be different from the features of the modernist garden that rejected historical style. The garden elements are introduced in detail and ornamental form, which is different from the characteristic of modernism that avoids such style. The introduction of new industrial materials, such as concrete and iron, has been actively incorporated and are the most visible characteristic of the modernist garden. It was confirmed that the role of the outdoor room, which is a characteristic element of the modernist garden, and garden elements were designed as the material filling the space. As a result, Naumkeag gardens are characterized by modernist style including the introduction of new industrial materials and functional aspects of garden elements. In addition, due to the influence of neoclassicism, garden styles from various countries were displayed. Nevertheless, the Naumkeag gardens are gardens to which Fletcher Steele introduced modernism, and it is evident that it played an important role in the birth and development of American modernist gardens.

Cumulative effects are defined as the joint and aggregated effects of many factors and processes. Their consideration in landscape and environmental assessments are integral at both the project and strategic level, and they can help to bridge the different spatial and temporal scales. The primary challenge of conducting cumulative effect assessments (CEAs) is the difficulty in understanding the complicated nature of cumulative effects. We used three criteria for a systematic understanding of the barriers to addressing cumulative effects that are critical for improving knowledge systems for sustainable development and environmental assessment: salience, credibility, and legitimacy, and analyzed three cases through a variety of studies and resources: the Middle Humber in the U.K., the Transboundary Crown of the Continent in the U.S. and Canada, and the Great Sandhills in Canada, to understand how CEAs have been applied and obstructed in terms of the three criteria. In addition, a series of focus group interviews with experts and practitioners were performed to illuminate the critical barriers based on the criteria for addressing CEA in the context of South Korea. Based on the lessons, we suggest several key strategies such as securing a cooperative consulting process, and active and transparent partnerships; using a strategic environmental assessment as a framework; understanding and incorporating stakeholder knowledge; using advanced computer modeling and simulation techniques including effective visualization tools; and preparing a simple model design and understandable scientific information.

본 논문은 피터 브뢰헐의 <이카로스의 추락이 있는 풍경>(1560년대)에 나타난 ‘노동’의 의미를 16 세기 네덜란드의 사회·문화적 맥락에서 해석하고자 한 것이다. 본 작품의 주제는 ‘구원에 이르는 현 세 삶의 방식’으로 ‘행동적 삶’과 ‘관상적 삶’이 본보기로 제시되었다. 또한 ‘교만’을 경계하고 도덕적 삶 을 실천하면 구원받을 것이라는 윤리지침이 제시되었다. 주목할 점은 ‘행동적 삶’이 ‘노동’으로 표현되 며 강조된 점, 가장 위협적인 악덕으로 ‘교만’이 묘사된 점, 그리고 이러한 삶의 방식이 ‘구원’과 연결된 다는 점이다. 본고에서는 본 작품의 주제를 당대 안트베르펀의 경제·종교적 상황과 도시민 문화의 틀 에서 고찰하였고, 16세기 네덜란드인들의 노동관과 현세 중심적인 삶의 태도가 반영된 것으로 분석하 였다.

한강 밤섬은 서울특별시 영등포구 여의도동과 마포구 당인동 일대에 소재한 하천 하중도 습지로서 도심지내 대표적인 생태공간이다. 수생 및 육상생물의 서식에 좋은 조건을 갖추고 있으며 세계적으로 보기 드문 도심의 철새도래지로서 생태적 보호가치가 높은 지역이므로 역사적 가치와 더불어 생태적 가치를 보전하기 위한 관리가 필요한 곳이다. 한 강밤섬의 경우 생태경관보전지역으로 지정됨과 동시에 람사르 습지지역으로도 지정된 도심내 독특한 장소이기도 하다. 자연자원의 보존, 생물다양성 유지 측면에서 바라보는 관점은 같으나 습지와 생태경관보전지역의 관리방안에는 다소 차이가 있다. 따라서 각각의 관리방안을 비교하여 갭 (GAP)분석을 통해 차이점을 도출하고 향후 한강밤섬의 생태적 기능을 보전, 증진하기 위한 관리방안을 제시하고자 한다. 밤섬은 밤알을 까놓은 것처럼 생긴 모양새에서 유래된 지명으로 윗밤섬(영등포구 여의도동 84-8), 아랫밤섬(마포 구 당인동 313)으로 구분이 가능하며 총 면적은 273,503㎡ 이다. 과거 밤섬은 수십리 백사장과 동·서부 하식애의 절경 등 자연 경관이 유명하였으나 1968년 여의도 개발과정에서 골재 공급처로 활용되면서 거의 사라지기도 하였다. 이후 한강에 남아있던 섬의 잔해들을 기반으로 퇴적물이 쌓여 현재까지 그 모습을 유지하고 있으며 억새, 갯버들 등 습지 식물이 서식하면서 90년대 이후 도심 속 철새도래지로 부각 되었고 서울시는 이러한 밤섬의 생태적 가치를 인정하여 1999년 8월 10일에 생태경관보전지역으로 지정하여 관리 하고 있으며 2012년 6월 21일에는 도시내부 습지로는 드물게 람사르습지로 지정되었다. 밤섬의 관리방안을 살펴보기에 앞서 람사르협약과 습지보호지역, 생태경관보전지역의 관리기본계획을 각각 비교 하였다. 람사르의 경우 람사르 국제 협약, 습지보호지역은 습지보호법, 생태경관보전지역은 자연환경보전법을 기준으로 관리에 필요한 사항을 규정하고 있다. 또한 언급한 순 서대로 국가계획수립, 습지보전기본계획수립, 관리기본계 획수립을 통해 기본계획을 수립하고 있다. 관리계획을 살펴 보면 람사르는 습지 및 물새보전을 위해 자연보호구를 설치 하도록 명시되어 있고, 습지의 경우 생태계현황, 오염현황, 습지주변관리지역 등을 통해 습지보호의 효율성을 도모하기 위한 습지조사를 실시하도록 하는 방안을 제시하고 있다. 생태경관보전지역은 동식물 모니터링을 통해 생물다양성의 보전·관리에 필요한 기초자료 제공을 목적으로 한다. 각각 지정된 구역은 행위제한을 원칙으로 하고 있으며 구역에 따라 토지매수를 허가한다. 이를 바탕으로 각 항목들이 밤섬에서는 어떻게 적용되고 있는지 살펴보았다. 람사르습지와 생태경관보전지역의 경우 보전지역 지정위치는 거의 일치하였고 지속적인 동·식물 모니터링을 통해 생물다양성 유지를 위한 활동을 진행하였다. 그러나 람사르습지는 보호지역의 관리에 있어 적극적 개입을 최소화하는 반면에 생태경관보전지역에서는 정화 활동을 위해 쓰레기 제거, 순찰활동 등의 적극적 활동을 실시하고 있었으며 또한 위해 동·식물을 제거함으로써 생태계 보전을 위한 지속적 관리를 실시하고 있다. 또한 지역사회와의 효과적인 상호작용을 위해 람사르는 CEPA프로그램 을 적용하여 지역사회와의 협력을 꾀하고 있다면 생태경관 보전지역은 시민단체 활동이나 생태체험 프로그램 운영을 통해 지역사회에 기여하고 있다. 두 관리방안을 각각 비교해보았을 때 람사르습지의 경우 서식처의 보전에 중점을 두고 있어 소극적 관리방안을 제시 하고 있는 반면에 생태경관보전지역의 경우 람사르습지에 비해 적극적인 관리를 통하여 생태계를 보전하고 유지하고 있다. 한강 밤섬은 하중도로 사람들의 접근이 제한적이며 지속적인 하천 범람 등으로 교란을 받는 곳이므로 적극적인 관리방안보다는 생태적 특성을 유지하는 정도의 소극적 관 리방안이 더 적합하다. 따라서 현재 진행되고 있는 생태경 관보전지역 차원의 가시박, 환삼덩굴 등의 제거작업을 포함 하는 생물보전활동은 과한 관리방안일 수 있다. 하천 및 습지의 특성을 고려하여 한강 밤섬을 다른 한강 하구 유역과 도 연계하여 함께 보전하는 보다 거시적인 관리방안 도입이 필요하다. 따라서 대상지 자체에 대한 관리방안을 제시하는 생태경관보전지역 관리방안보다는 유역권을 넓게 고려하 는 람사르습지협약 차원의 관리방안이 밤섬에는 적합할 것으로 판단되므로 이에 대한 관리방안을 보다 정밀하게 검토 할 필요가 있다.

참억새군락은 우리나라 산림 내 미립목지, 경작지 주변, 묘지주변등 주로 목본식물이 생육하지 않는 광량이 풍부한 각 지역에 광범위하게 분포하여 생육하고 있다. 현재 참억 새군락은 우리나라 산림 특성상 자연 천이에 의해 지속적 축소가 예상되며 그에 따른 빠른 쇠퇴가 진행되고 있는 중 이다. 참억새군락은 지역관광자원으로 대표적 가을 경관 중 하나로 참억새군락의 생육상태가 점차 쇠퇴해지고 있는 반면 방문객들의 관리요구는 도리어 높아지고 있다. 유명한 참억 새군락이 있는 지자체들은 참억새군락 보전관리유지에 많 은 고민을 가지고 있는 실정이다. 참억새군락을 자연에 맡겨 경관의 변화에 적응해야 하는 지, 아니면 참억새군락 경관 유지를 위해 참억새군락을 집 중적으로 관리하여 방해극상의 개념으로 참억새군락 경관을 유지해야 할 것인지가 해결해야 할 딜레마라고 볼 수 있다. 본 연구는 참억새군락의 보전유지관리 여부의 문제해결을 위하여 참억새군락 생육환경과 생육상태를 조사 분석하였으며, 참억새군락 경관보전가치를 추정하였다. 먼저 참억새군락의 효율적 유지관리 방안을 위한 기초자 료 활용 모색으로, 부산 도심지에 위치한 대규모 참억새군 락으로 유명한 승학산을 대상지로, 참억새군락의 생육환경과 생육상태를 조사 분석하였다. 더불어 화왕산과 재약산의 참억새군락의 생육환경도 조사하여 비교하였다. 첫째, 산림지역의 참억새군락은 참억새군락의 생육을 방 해하는 수목들의 생장이 좋지 않은 유효토심이 낮은 지역에 분포하는 것이 일반적이었다. 둘째, 현존식생 현황은 화재 등 교란이후 숲의 천이가 진행되는 과정에 있는 지역으로 복잡하고 다양하게 나타나고 있었다. 셋째, 식물군집구조현황은 참억새군락의 피도에 따라 관목의 유입정도, 초본식물별 피도 등을 고려하여 조사하였는데, 산불발생이후 유기물의 축척에 따라 토양환경이 변화되고 있으며, 천이의 과정상 자연스럽게 목본식물이 이입되고 있어 참억새군락의 쇠퇴가 가속화 되고 있는 실정이었다. 현재의 승학산은 부영양화 된 토양으로 다른 습윤지성 목본식물군락으로의 천이가 예상되고 있어 참억새군락의 생육을 오랜 시간 지속유지하기에는 많은 어려움이 있다. 비용효율적인 참억새군락 관리를 위해 전체적인 참억새군 락의 유지보다는 탐방로에서의 가시권과 조망점에서의 가 시권과 같은 시각경관을 분석하여 관찰이 용이한 지역의 집중적 관리가 효과적인 참억새군락 경관관리의 방법이 될 수 있을 것이다. 다음 연구로 문화서비스(cultural services) 측면에서 참 억새군락의 지속가능한 자연자산자원으로서의 경관보전가치 평가를 위해, 대규모 참억새군락으로 유명한 승학산, 화 왕산, 재약산을 대상지로 선정하였다. 3개 대상지의 탐방객 들을 대상으로 지불의사액(Willingness To Pay)으로부터 조건부가치측정법(CVM)을 이용해 참억새군락 경관의 공익적 가치를 추정하였으며, 그 결과는 다음과 같다. 첫째, 성별에 있어서는 공통적으로 남성이 여성에 비해 대상지를 많이 방문하였고, 그 중 화왕산은 남성 방문객의 비율이 가장 높았다. 둘째, 환경보전에 대한 노력은 승학산과 화왕산의 경우는 적극적이다가 약 60% 내외로 탐방객들은 생활에서 환경을 위한 작은 실천들을 하고 있다고 답변을 하였으나, 재약산의 경우 응답자들이 보통 이하의 답변이 높게 나왔다. 셋째, 이중경계 로짓모델에서의 t-값의 유의확률을 보면 승학산의 경우, 수입과 환경보전 노력에 관한 변수들이 ‘예’ 라고 응답할 확률이 5% 유의수준에서 유의한 영향을 미치는 것으로 나타나서, 수입이 높을수록 환경보전노력을 많이 하는 탐방객일수록 제시액에 ‘예’라고 응답할 확률이 높아 짐을 알 수 있었다. 각각의 투입된 변수로 추출된 계수를 이용하여 추정한 이중경계에서의 로짓모델의 1인당 참억새군락 경관가치에 대한 평가는 승학산(38,277원), 화왕산(38,648원), 재약산 (48,891원)으로 전체 평균은 38,679원으로 추정되었다. 이러한 참억새군락 경관가치는 영화 1회 관람비나 놀이 공원 입장료등의 현 시세 물가와 비교하였을 때 탐방객들의 지불의사가 높다고 볼 수 있는데, 이는 탐방객들이 참억새군 락 경관을 생태계서비스 측면에서 자연자산가치로서 인식을 하고 있다고 볼 수 있다.

The purpose of this paper is to analyze the mechanism of the physical environment of North Korea’s Kaesong Industrial District in terms of landscape management. It also assesses how such a mechanism has been created and the effectiveness of the results. As a research method, we compared the architectural design and landscape management guidelines of fifteen companies in the initial complex of Kaesong Industrial District. The results follow. First, advanced spatial planning, such as landscape management, has contributed greatly to preparing the physical environment of Kaesong Industrial District to be a future-oriented economic special zone. Second, the landscape management methods that do not apply to the manufacturing complex were first transplanted to the North Korean Kaesong Industrial District ten years before they were adopted in South Korea. Third, officials of the two Koreas have generally recognized the necessity and effectiveness of landscape management. Fourth, the necessity of landscape management methods further developed at Kaesong Industrial District, as well as the means of implementation, will continue to be a positive precedent for future inter-Korean economic cooperation projects. However, some problems were found in the process of formulating and executing the landscape management plan. First, despite the fact that it is a national project in which the central government of directly intervenes, it is an impromptu progress without preparation of each special field, including landscape plan. Second, although Kaesong Industrial District is an inter-Korean economic cooperation project, North and South Korea have never been cooperative in specialty areas such as landscape management.

This study on the intensive landscape management zone of Muju county in Korea was conducted for the purpose of first, developing landscape guidelines that take the current conditions of the landscape in the area and tourists’ requirements into account and second, exploring ways to implement them. The current conditions of the landscape resources in the area were analyzed by conducting a theoretical examination; a survey of the current status of the landscape; and a questionnaire survey of the local people, tourists, and public officials. Based on the result of those surveys, the guidelines for the landscape design of the intensive landscape management zone were set, and measures to implement them were explored. The results of this study are as follows: 1. For the building landscape of the Meeting plaza at Muju IC, a variable structure made of natural materials is suggested for the extended space in front of the mall, while an integrated design of street furniture and installation of a landmark and its design are suggested for the streetscape. 2. For the area of Bandi Land and Taekwondowon, improvement of the street structure for the main street and of the height of the buildings, taking the view of mountains into account, is suggested, and the design is also proposed. 3. For the Muju Resort and entrance to the Gucheondong valley of Muju, building planning that takes fine natural views into account, as well as reorganization of public and commercial signboards, are suggested, and the design is also proposed. 4. For the implementation of these plans, focus is placed on the current status of land use by zone. First, implementation of landscape projects and switching to a roundabout at the entrance are proposed for the Muju IC Meeting Plaza. Second, a district-unit plan is suggested for Bandi Land and Taekwondowon areas because new development projects are planned for them. Third, a landscape agreement is suggested for the Muju Resort and the area of entrance to the Gucheondong valley of Muju because those are already-developed areas where active commercial activities are performed.

The objectives of this study are to investigate the effect of plant type on the roof of a model building on the temperature of the interior space, and to provide the suitable plant species for a green roof. On the roof of scaled model building, grass (GR: Zoysia japonica), sedum (SE: Sedum makinoi Aurea), maekmundong (MM: Liriope platyphylla), and jasanhong (JH: Rhododendron schippenbachii) was planted. From June 28 to August 28, i.e., for 63 days, the internal and external temperature of the model building and the light intensity were measured and compared with the control model building (CON: no plant and substrate on the roof). With increased global radiation, the maximum temperature was increased from 28.2℃ to 51.74℃ for CON, from 27.2℃ to 47.7℃ for GR, from 27.7℃ to 49.3℃ for SE, from 27.9℃ to 48.3℃ for MM, from 27.5℃ to 48.9℃ for RD, whereas the outside temperature increased between 25.5℃ and 34.6℃. A positive linear relationship was observed between global radiation and the internal temperature (r=0.987-0.989) and hence, the temperature difference between the internal and external model building (ΔT) was larger with increased radiation. A positive linear relationship was shown between light intensity and ΔT at difference radiation levels. The regression coefficient was estimated as 0.99-1.00℃/[100W/m2] under 500 J/cm2, 1.10-1.15℃/[100W/m2] at averaged radiation 1,800J/cm2, whereas the large decrease in the coefficient, i.e., 0.76-0.86℃ /[100W/m2] was observed for above 1,800J/cm2 radiation level. The ΔT per unit of light intensity observed a significantly different between treatments. With the planted grass on the roof of the model building, the lowest ΔT per unit solar radiation was observed, which means that the covered roof with grass causes the building internal temperature to be less affected by the sun radiation.

The purpose of this study is to analyze the landscape image of the Seoul City Wall, focusing on the external restoration without paying attention to the landscape. To derive the results, data were collected from a domestic portal site and the original text of documents and used as the basic data for the study. As a result, 21 landscape image keywords related to the “Naksan course” were derived, and the correlation of the extracted keywords was analyzed. First, the landscape image of the Naksan section does not mean the characteristics of the place, but rather how it has been perceived as a physical element of the city for about 600 years. Second, the landscape image of the Naksan section can be divided into positive and negative images according to people’s reasons for visiting. Visitors pursuing a positive physical activity had a positive image, while those pursuing a passive activity had a negative image. Third, there is a need for a variety of landscape elements that can bring out the emotions of the visitors, because landscape images are derived in various ways. In this study, the Naksan section was the sole focus, and landscape image studies of the other sections are still ongoing, so visitors need to understand the landscape image needed for the Seoul City Wall and discuss the direction it should go. In addition, technical studies should be conducted to make up for the limitations of the text mining method used here to derive the results.

This study aimed to identify design factors from the female perspective and then propose the implications for landscape design at the Hengshui Lake Park in Hebei Province, China. The Importance-Performance Analysis (IPA) was adopted and 27 attributes from seven categories on women’s preferences in spatial cognitions were selected. Results indicated that among 27 factors, women gave more consideration to waterfront spaces, plant colors, restrooms, wheelchair accessibility, sign boards, warning signs, layered planting, historic landscapes, lighting systems, adult entertainment facilities, children's playgrounds, resting places, and pedestrian roads. Among these attributes, relatively dissatisfied ones are layered planting, warning signs, historic landscapes, lighting systems, adult entertainment facilities, sign boards, children's playgrounds, resting places, and pedestrian roads. For women, reasonable information on security, location, and landscape history should be supplied, and various personal, semi-public, and public spaces should be created using layered planting techniques. Based on women's characteristics of accompanying children, playgrounds and educational spaces on their history and culture should be reformed and upgraded.

This plan attempts to rigorously analyze the location characteristics and surroundings of the Ungpo village from the perspective of rural landscape planning. On the basis of the analysis, a strategy for developing the village as a rural tourist hub is established by determining characteristic attractions. The ultimate objectives of this plan are to create a good living environment for the local people and provide memorable attractions to visitors, which are expected to increase the incomes and revive local community. In other words, this plan conceives a village that is an attractive place to visit and also a good place to live. The planning procedure included an analysis of the current situation, basic concept, basic plan, and landscape plan. The characteristics of this plan are as follows. First, the natural features and surroundings of the Ungpo village were reflected in designing a rural tourist hub. Second, the current infrastructure was considered in the basic plan to create a sustainable rural tourism environment. Third, a water experience space is included in order to create an amusing and exciting tour. Fourth, the existing facilities will be remodeled to create amenities for visitors. Fifth, the main focus of the plan includes the landscape plan, increasing the visibility of streets, and connecting nearby tourist attractions and the landmark plan around the rural tourism center.

The purpose of this study is to find the traditional landscape of the Korean tea cultivation area, which has become a tourist attraction as a result of heightened interest in tea culture increased. The subjects of this study were wild tea cultivation area in the vicinity of Bulhoe temple and Unheung temple in Naju, Jeollanam-do. The research method was conducted through field survey and literature analysis. Research results are as follows. Through literature and related research, tea cultivation in the past was performed around temples in Korea, and existed in a wild form in a place where proper shade is secured. In the analysis of spatial composition and landscape characteristics, it was confirmed that the wild tea plantation is located on the north side of the temple and on the slope of the northwest side of the temple. A wild green tea was grown along the valley to a higher position than the temple. There were two types of cultivation environment and landscape. One is a place with proper shade. In other words, a wild tea grows in the lower part where some shade is provided by a tree. The other is the case where a wild tea is located in the inner space surrounded by the trees, and it has topographical characteristics such as slopes in the south and southeast directions.

Understanding the identity of an urban space is one of the most important considerations for spatial planners and designers, who are charged with revealing and strengthening the space’s sense of place. However, in many cases, an urban space is regarded merely as a physical form, lacking an interpretation of various semantics, such as its history, political economy, social culture, and art. The purpose of this study is to investigate how an urban space evolves, and thus, how the social images of urban spaces can be recognized with Lefebvre’s theory. Therefore, we examine an urban district to reveal the interaction between societies and spaces through images reflected in news media and public articles, and eventually define the identity of the space. This study takes Yeonnam-dong district as its case, and carefully examines the social relations affecting spatial practices in the area by means of Lefebvre’s spatial triad: representation of space, representational space, and spatial practice. Using historical observation as a research method, we conducted a case review of Yeonnam-dong over 40 years (from 1975 to 2016). The results indicate that there have been complicated power dynamics and struggles to form the current image of Yeonnam-dong, which is still an ongoing process; this exemplifies Lefebvre's notion of the social construction of spaces. The results provide meaningful lessons for planners and designers that they should play important roles as coordinators in radical spatial changes. One of the major limitations of this study is that it does not fully examine the detailed roles of each social entity in the landscape changes, which should be investigated in further studies.

This study analyzes the structure and meaning of the landscape expressed in the Sangrimshipgyeong poem composed by King Jeongjo, which describes the Donggwol back garden in the Joseon Dynasty. The study conclusions are as follows: the landscape contents of Sangrimshipgyeong were evenly distributed in the Donggwol back garden, and jeongs, gaks, and dangs are set as view points. The landscape objects of Sangrimshipgyeong consisted of behaviors and the natural phenomena of four seasons. The poem primarily depicted daytime scene. The landscapes were distributed over the four seasons, with four spring landscapes, four autumn landscapes, one summer landscape, and one snowy landscape. The landscape structure expressed in Sangrimshipgyeong appeared to be formed around a limited view point of the building. However, the objects did not intermittently exist, but maintained organic relations in one context. It is organic and harmonious in that interplay was visualized as the pavilion extends to nature, and nature comes into the pavilion. The depiction of Sangrimshipgyeong was not only very suggestive in terms of showing the hopes and dreams of the royal culture of the Joseon Dynasty, but also interesting because they were based on the condensed ideological symbolism of a specific cultural group. Sangrimshipgyeong expresses amusement and responsiveness to the scene based on the understanding of nature in the limited space of a palace back garden. It was also full of dynamic poetic language, such as encouragement of agriculture, sericulture, rain-calling, and highest- level state examination. Sangrimshipgyeong is interpreted as a symbol of ideology and a desired landscape reflecting the cosmic resonance of political affairs and moral cultivation of a king or an heir to the throne.

The rapid developments of research and teaching of international law in China have attracted the attention of international law academics of the world, who have looked over the landscape of international law in China with great interest. Unfortunately, existing literature has yet to completely satisfy their interests in this aspect. This article is intended to compensate for this gap by introducing representative international lawyers, publications, academic associations and research funding schemes on international law in China. More concretely, this paper will show the mainstream research sources of their Chinese counterparts as well as embrace teaching as part of the research system of international law in China. It is expected that, with their more attention into the holistic research methodology and the “One Belt, One Road” strategy, the Chinese academia of international law will contribute more to the international rule of law.