Within the Pungnap-dong Earthen Fortress in Seoul, various archaeological remains and artifacts that constitute an ancient capital have been excavated, including residential sites from the Proto-Three Kingdoms period to the Hanseong period of Baekje, as well as public buildings, ritual facilities, large-scale waste pits, pit dwellings, roads, waterways, and earthen fortess. The reconstruction focuses on Building Site No. 44 in the Gyeongdang zone and Pit-Dwelling Site No. Ga-30 in the Mirae Village area. Based on the traces of these structures, the study reconstructs various architectural elements, including floor plans, foundation construction methods, flooring treatments, pillar arrangements and frameworks, wall construction techniques and openings, as well as roof materials and forms. Building Site No. 44 in the Gyeongdang zone exhibits features characteristic of a transition to above-ground architecture, such as a rectangular floor plan, the construction of a separate foundation, a deliberately planned pillar layout, and independently built walls. Pit-Dwelling Site No. Ga-30 in the Mirae Village area, on the other hand, was designed as a pit structure with thick load-bearing walls to create a large interior space, differing from earlier forms. In this case, materials such as wood, stone, and earth were combined, reflecting an understanding of the distinct properties of each material. The significance of this study lies in the discovery that, although both buildings share similarities with pit dwellings in terms of floor plan and certain structural aspects, they also reveal attempts to implement new wall construction techniques in order to elevate the structures above ground and to construct large-scale buildings.

Digital restoration of non-verbal expressions is difficult to trust unless the documentation. The purpose of this study is a new documentation methodology that can intuitively confirm the basis for restoration. The technical method utilized the BIM program function by referring to Italia's VRIM and Korea's HBIM cases. And the direction of documentation distinguishes between 'positivism' based on archaeological data and 'interpretivism' based on hypotheses. Specifically, it was applied to the 'Mireuksa Restoration Project' and tried to document it experimentally. This documentation proposed a framework for recording evidence according to sources based on the context of regions. Technically, the data organized in the Excel DB were directly input into the 3D model using the BIM program function. So, the user was able to intuitively review by matching the absence of the model and document information. The documenting method of this study is flexible to modify the restoration information whenever new evidence is found. And it has the advantage of being able to easily inform by converting it to IFC format.

Chunyanggyo Bridge is a major bridge located on the access route to the Silla palace in Muncheon (문천), built in the mid-8th century. Based on the excavation report from the Chunyanggyo Bridge site, the findings of this study can be summarized as follows: 1. It can be inferred that water diversion facilities and temporary wooden structures were erected under a strict construction process plan. 2. The installation of railings and eave-like components on the bridge is evident. 3. The structure is designed to divide the span by establishing an intermediate pier, allowing for the assembly of components at intervals of 3 meters. 4. Chunyanggyo Bridge has at least three or more major structural elements along its length. 5. The bridge width was constructed to be narrow, within 6.4 meters, depending on the spacing of the intermediate piers. 6. The Guitile shaped stones (귀틀형 석재) exhibit nine distinct bonding methods, and as they are critical structural materials for Chunyang Bridge, further in-depth research is necessary. 7. The Chinese Zuelbuengyo (절변교) utilizes straight members angled to overcome spans, applying techniques such as joints found in wooden architecture. This serves as a reference in the research aimed at uncovering the original form of Chunyanggyo Bridge. It is believed that the basic structure of at least 3 Zuelbuengyo (절변교) could be realized through the Guitile shaped stones of Chunyanggyo Bridge.

Recognizing that the debate on the original form of the Seokguram Grotto is closely related to the mythologization of the Seokguram Grotto, which is far from factual understanding, this paper is prepared to restore the Seokguram Grotto based on scientific facts. To this end, we will first analyze its active meaning and fiction from three directions: the founding legend, the rediscovery story, and the concept and discourse of the Line of sight for Buddha statue (對佛像視準線), which have contributed to the mythologization of the Seokguram Grotto. The original restoration of the Seokguram Grotto should be based on a scientific understanding of the Seokguram space. However, past debates and restoration attempts have been based on imagination and not on scientific knowledge. Therefore, Chapter 3 attempts a scientific analysis of the light environment of thr Seokguram Grotto and critically examines the existing errors and realistic mythological images to correct the public's spatial perception of Seokguram's architecture and to propose a rational restoration of Seokguram's architectural space.

This article focuses on the Namdaemum repair and the Seokguram restoration, which had begun in 1961, as an important repair conducted during the time of seeking the conservation principle of architectural heritage after liberation in Korea. Through the analysis of the principles described in the repair report issued after the two repairs, meeting records, and related expert announcements, it is shown that the principle of 'preservation of the historic state' had been established at Namdaemun repair and later have changed to the principle of 'restoration of the historic form' which means reconstruction in Seokguram restoration. By analyzing the minutes of the Cultural Heritage Committee's meeting on the repair of other cultural properties during this period, it is revealed that the key terms related to the preservation principle, 'historic form' and 'restoration', were given meaning as 'object' and 'method' of preservation, and then 'restoration of the historic form' has been gradually used as a conservation principle.

Numerous Sundials were fabricated during the reign of King Sejong of the Joseon Dynasty. One among them is Jeongnam-Ilgu (the Fixing-South Sundial), where the time can be measured after setting up the suitable meridian line without a compass. We reconstructed the new Jeongnam-Ilgu model based on the records of ‘Description of Making the Royal Observatory Ganui (簡儀臺記)’ in the Veritable Record of King Sejong. Jeongnam-Ilgu has a summer solstice half-ring under a horizontal ring which is fixed to two pillars in the north and south, and in which a declination ring rotates around the polar axis. In our model, the polar axis matches the altitude of Hanyang (that is Seoul). There are two merits if the model is designed to install the polar axis in the way that enters both the north and south poles and rotates in them: One is that it is possible to fix the polar axis to the declination ring together with the cross-strut. The other is that a twig for hanging weights can be protruded on the North Pole. The declination ring is supposed to be 178 mm in diameter and is carved on the scale of the celestial-circumference degrees on the ring’s surface, where a degree scale can be divided into four equal parts through the diagonal lines. In addition, the time’s graduation that is drawn on the summer solstice half-ring makes it possible to measure the daytime throughout the year. An observational property of Jeongnam-Ilgu is that a solar image can be obtained using a pin-hole. The position cast by the solar image between hour circles makes a time measurement. We hope our study will contribute to the restoration of Jeongnam-Ilgu.

본 연구는 뮤지컬 배우의 효율적 발성 훈련을 통한 보컬 역량의 회복 및 성장에 있어 중추 조절 의 효용성을 알아보는 것에 목적이 있다. 뮤지컬 배우는 폭넓은 음역대와 강도 높은 보컬을 요구 하는 뮤지컬 곡들을 소화하다 보면 목의 긴장에서부터 자유롭지 못하다. 따라서 알렉산더테크닉 의 중추 조절, 즉 목-머리-몸통의 협응이 호흡뿐 아니라 효율적인 발성기관의 운용에 유의미하다 는 이론적 배경을 토대로 목-머리-몸통 관계의 역동성 원리를 발성에 적용하고 효과에 대하여 고 찰하였다. 연구자는 서울 소재 대학교 뮤지컬 전공 여자 5명 남자 5명을 대상으로 주 1회 7주간 중추 조절의 원리를 이해시키고 이를 발성과 뮤지컬 보컬에 적용하였다. 7주간 훈련 후 반 구조화 된 인터뷰와 객관적 측정 도구인 보이스프린트의 자료를 분석한 결과는 다음과 같다. 중추 조절이 회복되었을 때의 유의한 변화는 첫째, 머리가 떠오르면서 눌린 후두, 갑갑한 호흡, 눌렸던 몸통의 길이와 폭이 회복되어 목-머리-몸통의 연결감과 안정감을 경험했다. 둘째, 음성스케일 시 음질이 선명해지고 후두의 움직임뿐 아니라 음역도 확장되었다. 셋째, 핸즈온(Hands-On) 시 청각적으로 는 음색이 맑고 음정이 안정되었으며 몸 감각적으로는 머리의 진동감과 몸통의 안정감이 강해짐을 경험하였다. 이러한 연구결과는 발성 훈련에 있어 알렉산더 테크닉의 효용성을 시사하며, 구체적 인 실천 모델을 제안함에 그 의의가 있다. 또한, 향후 보다 발전적인 발성 훈련 프로그램 개발 자료로 활용될 가치를 지닌다.

이식 과정을 통해 식재된 수목은 뿌리 절단, 수관 훼손과 같은 극단적인 교란으로 인해 식재 직후 생장량은 급격히 감소한다. 이후 시간이 경과하면서 원래의 생장량을 회복하는데 이때 소요되는 시간은 수종별로 차이가 있다. 따라서 이식 후 활착을 위한 수목관리를 위해 수종별 연간생장량의 변화를 분석하여 적정 관리 기간을 설정할 필요가 있다고 판단하였다. 이에 본 연구에서는 수변생태벨트 조성 지역에 식재된 낙엽활엽수를 대상으로 생장량을 분석하고 그 결과를 바탕으로 적정 관리 기간을 제안하고자 하였다. 이식과정에서 수목 활착율을 높이기 위해 시행하는 사전 작업인 뿌리돌림, 단근, 가지치기 등으로 인해 식재 직후의 생장량 둔화는 일반적인 현상이다. 이후 시간이 경과하면서 원래의 생장량을 회복하게 되는데, 소요되는 시간은 수종별, 식재 환경 등에 따라 차이가 존재할 수 있다. 연구결과 대부분의 수목은 이식 직후 급격한 생장량 감소를 보이는 것으로 나타났으며. 이후 수종별로 상이하긴 하나 대부분 2년 이후부터 서서히 생장량을 회복하는 것으로 나타났다. 수종별 생장량을 분석한 결과 공통적으로 이식 직후 급격한 생장량 감소를 보인 후, 이식전의 생장 수준을 회복하기 까지는 수종에 따라 2~4년 정도의 시간이 필요한 것으로 확인되었다. 결과적으 로, 생태복원 및 오염물질 저감이라는 본 사업의 목적에 부합하기 위해서는 식재한 수목의 하자율 개선이 필요하며, 이를 위해서는 적정한 기반환경을 조성하는 것 외에 최소 2년간의 수목 관리기간을 설정하는 것이 필요하다.