간행물

건축역사연구 KCI 등재 Journal of Architectural History

권호리스트/논문검색
이 간행물 논문 검색

권호

Vol.33 No.6 (157호) (2024년 12월) 7

1.
2024.12 구독 인증기관 무료, 개인회원 유료
Chunyanggyo Bridge is a major bridge located on the access route to the Silla palace in Muncheon (문천), built in the mid-8th century. Based on the excavation report from the Chunyanggyo Bridge site, the findings of this study can be summarized as follows: 1. It can be inferred that water diversion facilities and temporary wooden structures were erected under a strict construction process plan. 2. The installation of railings and eave-like components on the bridge is evident. 3. The structure is designed to divide the span by establishing an intermediate pier, allowing for the assembly of components at intervals of 3 meters. 4. Chunyanggyo Bridge has at least three or more major structural elements along its length. 5. The bridge width was constructed to be narrow, within 6.4 meters, depending on the spacing of the intermediate piers. 6. The Guitile shaped stones (귀틀형 석재) exhibit nine distinct bonding methods, and as they are critical structural materials for Chunyang Bridge, further in-depth research is necessary. 7. The Chinese Zuelbuengyo (절변교) utilizes straight members angled to overcome spans, applying techniques such as joints found in wooden architecture. This serves as a reference in the research aimed at uncovering the original form of Chunyanggyo Bridge. It is believed that the basic structure of at least 3 Zuelbuengyo (절변교) could be realized through the Guitile shaped stones of Chunyanggyo Bridge.
4,500원
2.
2024.12 구독 인증기관 무료, 개인회원 유료
This study examines the Banja Dancheong style of traditional Korean architecture, with a particular emphasis on the lotus pattern found among the Woomul Banja ceiling patterns. The genesis of Korean ceiling decoration motifs can be traced back to the Goguryeo mural tombs of the mid-4th century. The oldest known examples of Banja Dancheong styles in Korean traditional architecture are Beomja lotus pattern decorated in well-shaped Banja of the Daeungjeon Hall of Bongjeongsa Temple in Andong (1435), the Geungnakbojeon Hall of Muwisa Temple in Gangjin (1430) and the Guksajeon Hall of Songgwangsa Temple (15th century). This Beomja lotus pattern, adorned with the ‘Om Mani Padme Hum’ mantra, emerges as an almost definitive example. Therefore, it is evident that this decorative element stands as a quintessential exemplar of the early style among well-shaped Banja decorations in Korean temple architecture. The Ohwayeonhwadangcho pattern, encapsulating the essence of the lotus motif, is a Dancheong pattern with a lineage that stretches back to the early Joseon Dynasty, where it was initially employed in the Banja wells. This pattern exhibits design characteristics that are perfectly suited to the square Banja wells. The lotus pattern, thus, has been extensively utilized as a decorative motif in palaces, temples, and Confucian architectural structures, evolving continuously from Korea’s Goguryeo period Dancheong patterns to the present day.
4,000원
3.
2024.12 구독 인증기관 무료, 개인회원 유료
This study analyzed displacement records of Sungnyemun Gate's primary structural members, such as columns, beams, and hip rafters, over approximately ten years from 2013 to 2023. Through this, we attempted to examine the behavior of wooden architectural heritage in detail and infer the factors influencing structural change through the deformation revealed during the displacement accumulation process. As a result of the analysis, it was quantitatively confirmed that the prominent structural members of the Sungnyemun gate, including the columns, beams, and hip rafters, continued to move and that the accumulated displacements from the movement led to the structure's deformation. It was also confirmed that member displacements accumulate in a specific direction. In the case of the Sungnyemun gate, even after the structure was stabilized, the columns were tilting inward toward the building, and the ends of the hip rafters and the centers of the beams were moving downward continuously. Furthermore, the behavior of wooden architectural heritage, in which damage accumulates as it undergoes repeated transformation and recovery according to seasonal changes, was also revealed in detail. The deformation of the Sungnyemun gate members shows a common pattern of relatively large behavior in the summer. However, seasonal deformation did not appear the same in all members. Even the same member has an uneven drying speed due to differences in the amount of sunlight received depending on the location, leading to uneven distribution of deformation. This study, while acknowledging its limitations, is significant in that it attempts to examine the behavior of our wooden architectural heritage in detail and discuss its characteristics and influencing factors based on quantitative results of long-term measurements.
4,300원
4.
2024.12 구독 인증기관 무료, 개인회원 유료
Blossoms is a novel published by Jin Yucheng in 2013 and is currently regarded as a representative work of Shanghai urban literature in China. The novel is told from three different points of view: before and after the Cultural Revolution and in the 1990s. The primary setting is the activities and living spaces of the three protagonists, who are friends. The novel includes descriptions and illustrations of multi-dwelling housing in Shanghai from the 1930s to the 1970s, including old lilong housing, new lilong housing, apartment, Workers’ Village. These types of multi-dwelling housing symbolized the social status of the protagonists, and the protagonists' move to different residences during the Cultural Revolution signified a change in status. This study analyzes Blossoms from an architectural perspective to examine the types of multi-dwelling housing in modern Shanghai. It aims to understand the formation background of each multi-dwelling kind of housing, related urban planning and policies, and architectural characteristics such as floor plans, structures, and materials to better understand the urban residential culture and life of Shanghai residents at that time.
4,900원
5.
2024.12 구독 인증기관 무료, 개인회원 유료
This paper examines the practical experiences and perceptions of “TingziJian” (亭子間) as writers’ residential space in 1930s Shanghai. The TingziJian refers to a type of small room in the LiLong house, a communal housing in Shanghai, typically situated above the kitchen and below the veranda, or attached to the hallway stairs between the main room and the outer room. In the late 1920s, large numbers of writers from various regions migrated to Shanghai, and among them, emerging writers with insufficient financial supports opted for the more affordable TingziJian accommodations. The basic conditions of living in the TingziJian were poor, especially unpreventable to unpleasant odors and noise, making it barely functional as an independent residential space. As a result, writers often expressed their frustration with the squalid conditions of the TingziJian through their literary works, reinforcing its image as a cheap yet substandard residential space within the LiLong housing. Nevertheless, in real life, writers took full advantage of this low rent, recognizing the TingziJian as a space that overlapped both residential and working functions, used this space practically.
4,500원