간행물
건축역사연구 KCI 등재 Journal of Architectural History
- 발행기관 한국건축역사학회
- 자료유형 학술지
- 간기 격월간
- ISSN 1598-1142 (Print)2383-9066 (Online)
- 수록기간 1992 ~ 2024
- 주제분류 공학 > 건축공학 공학 분류의 다른 간행물
- 십진분류KDC 610DDC 720
권호리스트/논문검색
Vol.26 No.1 (2017년 2월) 9건
1.
2017.02
구독 인증기관 무료, 개인회원 유료
One of the essential characteristics of Lewis Mumford’s architectural criticism is the coherent emphasis on symbolism. Such emphasis stems from his understanding of city and humanity in the context of civilization: first, that the architecture symbolizes institutions of urban civilization; second, that the technical aspect of human nature should be balanced with its artistic aspects. Mumford believed that each architectural type requires an appropriate symbolic expression corresponding to its purpose and that a new symbolic expression, in a new cultural context, should replace the conventional expression. He took symbolism for an intuitional expression, and read multi-layered meanings of architecture: ‘practical function’ by way of rational reason and ‘symbolic function’ by way of intuition. He pursued a balance between practicality and beauty to rectify the situation of modern civilization, in which symbolism, the expression of its intuitional aspect, is in crisis. Ultimately, for Mumford, the essential task of architectural critic is of the interpretation of symbolism, aiming at the correspondence and communication between the architect(artist)’s intuition and critic(interpreter)’s via the media of symbol. The critic can play some privileged role of interpreting even symbols unintended by the architect. The ideal architectural critic, after all, would be the one who is able to understand the city, technology and human beings in the perspective of civilization and to interpret the architect’s artistic expression in its highest form through intuition. Mumford established himself as such a critic and evaluated the status of aesthetic accomplishment of his contemporary architecture and technological civilization, giving emphasis on the artistic practice in architecture as a solution.
4,000원
2.
2017.02
구독 인증기관 무료, 개인회원 유료
The aim of this study is to examine the square shape cases of rafter end header with special reference to wooden architecture and Uigwe records. In Uigwe, the member Bangyeon is widely used in multiple Changung and Chansil, and it is the most used in various gates in the buildings. It is also found in Haenggak and Subokbang. In the surviving wooden architecture, Bangyeon is found in pavilion, colonnade and gate in Changdeokgung Palace, and it is often seen in palace architecture. It is rare in private sector, and it is shown in Sangju Yangjindang and Andong Songsojongtaek. A total of 48 cases in Uigwe, can found records of Bangyeon. According to the records, mainly Yeonggeon Uigwe and Salleung Uigwe, it can be found that gates, also Bangyeon was used.
4,600원
3.
2017.02
구독 인증기관 무료, 개인회원 유료
Module coordination(分數), which is crucially relevant to plan shape of a fortress and the location of its gates and chis(雉, protruding posts), have not been thoroughly studied, despite its importance in fortress system. While plan shape of Goryeo fortress features orderly placement of gates and chis, under medium-sized Joseon fortress doesn’t follow it strictly. As a result, fortresses with various plan shapes greatly outnumber those of Goryeo. Especially, Gimhaeeupseong Fortress, which is a large-scale town wall, shows such a complicated plan shape, making it difficult to figure out its modular coordination. Presumably, the reason for Joseon fortress’ complicated plan shapes, which doesn’t follow the orderly modular coordination, is thought to be in its various geographical conditions. Also, it seems that the building of fortress with such various and complicated plan shapes was to deter enemies from intruding by confusing them. And various plan shapes of fortress are also figured out to be pertinent to street system of towns and positions of public offices.
4,600원
4.
2017.02
구독 인증기관 무료, 개인회원 유료
The purpose of the present study is to figure out what the issues faced by architecture were at the time immediately before the transition to modern era centering of the works of Otto Wagner who acted in Vienna, Austria at the Fin de siècle. Therefore, the following points were examined in the present study; first, how were new spaces necessary to accommodate modern lives organized and how were the plans changed; second, how did the external expressions of architecture pursued by Otto Wagner appeared between arts and technologies, between historicism and modernity, and between decorations and functions. Through the study, it could be seen that Wagner began from historicism and traditionalism and tried to compromise them with modernity. Many modern characteristics appeared a priori in Wagner’s works from the construction of ‘Linke Wien Zeile housing block’ in 1898, his works completely broke from the typical historicism styles to open the period of inventive ‘Secession styles.’ At that time, Wagner concentrated on so called ‘flat decorations.’ Thereafter, his residential architecture completed to modern styles with ‘Neustiftgasse housing block’ as the peak. The characteristics of modern housing as above became a cornerstone of the modern functionalism later.
4,800원
5.
2017.02
구독 인증기관 무료, 개인회원 유료
We surveyed Preah Pithu monument group site in Angkor. We made the map of present condition throughout the actual measurement and 3D scan. And we restored the floor plan, and completed the map of site placement. During this processing, we confirmed the middle axis of temples and studied the relation of temples and made clear the order of sites. Throughout this studying, we verified the middle axis of sites is not matched in Preah Pithu monument group. It is different aspect comparing with general Khmer religion architectures which were built with the planification belonging to strong royal authority and shared main axis through whole sites. In other words, we can estimate that Preah Pithu monument group was not built with planification rather than expanded as occasional demand during the process of actual use
4,000원
6.
2017.02
구독 인증기관 무료, 개인회원 유료
Pavilions, follies, and installations provide a place with a new experience beyond that of simple garden architecture. From this point of view, this study tried to analyze the constructs in the Glass House site, which Philip Johnson has built for 50 years. After Chapter 1 Introduction, which summarized the background of the study, Chapter 2 investigated the design background of the landscape and the types of the constructs there. It also, studying literature on pavilions, follies, and installations, defined the basic meanings of them. Chapter 3 identified the features of each construct through the case studies of it, analyzing Johnson’s intentions on it. These features are such as the applications of classical follies, the quotations of architectural history, fusion with art, architectural experiments, and the monuments of personal history. In conclusion, this study, finding the site specificity as a common feature of pavilions, follies, and installations, referred to two aspects of this, which are not only physical placeness but also cultural media.
4,300원
7.
2017.02
구독 인증기관 무료, 개인회원 유료
This paper studied Lee Han-Choel’s career who was known as the first Korean who had participated in several survey and repair projects of Korean historic buildings as a field engineer during the Japanese colonial era. This paper investigated documents and drawings to find out what he had done specifically in the field, and distinguished the records he had written by handwriting comparison method. In addition, the author analyzed the contents of the articles he published and clarified their significance in Korean architectural history. Through this study, the author expected to clarify Lee’s historical status as the first Korean modern expert in the field of historic building conservation, and to supplement the research for the history of Korean during the Japanese colonial era.
4,000원
8.
2017.02
구독 인증기관 무료, 개인회원 유료
This study is about the Changdeokgung Palace and detached palaces of architect Park Jacheong who was a representative supervisor having framed the palace architecture of the Joseon Dynasty. The results are as follows. First, Park Jacheong had been in charge of Changdeokgung Palace for 15 years since its founding. The palace was continued to run for the longest time and was the palace on the frame made by him for the years, so Changdeokgung Palace’s status has become as good as Gyeongbokgung Palace’s. Second, he built a lot of palaces besides Changdeokgung. They were completed about the same time in accordance with the political intentions of King Taejong. Park Jacheong was a former military officer and was well skilled in mobilization of manpower and materials by making good use of the military power. Third, the detached palaces constructed by him were located in the places where military training and testing of new weapons were possible. They were also used as sleeping, dining and office spaces. This can be regarded as a result of the tradition of the storied-pavilion that had been since the Goryeo Dynasty, with the method of approaching to the main hall of the palace.
4,300원
9.
2017.02
구독 인증기관 무료, 개인회원 유료
The purpose of this study is to comprehend the change of the terms and the structure of the Pungpanbu in the T-shaped wooden shrines in the later Joseon period through the Salleung-dogamuigwes. Following conclusions have been reached through the study. First, the terms in the Salleung-dogamuigwes were similar to Yeonggeon-dogamuigwes but timing difference was verified. The word about the frame of Pungpanbu was different from the current. Second, in accordance with the extended of Pungpanbu, the members of frame of Pungpanbu had been increased and it had been changed to the lattice. The members of Pungpanbu used as plan dimensions and the size of the members had been gradually increased. Third, the Pungpanbu had been extended to protect the side of T-shaped wooden shrines. At the same time, the range of Chukjungbang had been extended. This was the result of the efforts of the era to reduce the range of plaster. This affected the overall elevation change of T-shaped wooden shrines.
4,300원
