Chinese characters used in the ancient Korean peninsula continued to occupy a leading position in the information processing process. Many literatures used Chinese characters as a means of recording. The main examples include Samguk-sagi (literally meaning the Historical Records of the Three Kingdoms) of the Goryeo Dynasty and the rest are listed as the Memory of the World: Joseonwangjo-sillok (literally meaning the Annals of the Joseon Dynasty), Joseonwangjo-uigue (literally meaning the Royal Protocols of the Joseon Dynasty), a well-known medical book of Joseon Dynasty, Dongui-bogam (literally meaning A Priceless Book about Medicines of an Eastern Country), and Printing Woodblocks of the Tripitaka Koreana and miscellaneous Buddhist scriptures (2007) of the Haeinsa Temple that amounts to about 87,000 pieces of woodblocks. However, only 9 books about Chinese characters in the Joseon Dynasty have been preserved up to date as the genealogy and dictionary of Chinese characters. These genealogies and dictionaries provide valuable data for studying common-use Chinese characters in the Joseon Dynasty. This study was intended to investigate the purpose of making Chinese characters and the frequency of common-use Chinese characters at that time through computerized data of Genealogy and Dictionary of Sillok-ja Types and the statistics of the frequency of Chinese characters.

Oversized fashion is again in the spotlight due to the influence of retro fashion. This has created new fashion trends with methods different from those of the past. This analysis examines recent trends by sorting these looks according to new and different methods of judging their appearance. A new categorization of the oversized look and its configurations has been created, one which separates “big” looks, partial changes, and layered looks. This research was based on historical review and previous studies. Three thousand one hundred thirty-six photos of oversized looks that have appeared in collections over the past five years were gathered, and their appearance was categorized according to type. The categorization results showed that big looks (55.1%) were most prevalent, followed by partial alterations (36.35%), and layered looks (8.45%). In comparison to prior oversized clothing production, new permutations of the “Big” look expanded the silhouettes of torso, shoulders, neckline and collar. Partial changes have expanded from the broadened shoulders of the 1980s. Today these styles expand the shoulders and armholes vertically or horizontally, which dramatically exaggerates the sleeves and collar. The layered look no longer simply features overlapping layers but takes the form of over-layering through cuts and insertions. Through such analysis it is clear that modern oversized looks break away from the simple expanded forms and production methods of the past. They now attempt to realize an exaggerated beauty of form regarding each clothing component and also maximize decorative effects through innovative drafting or sewing methods.

동물플랑크톤은 식물플랑크톤 및 기타 소형 미생물을 섭식하고, 고차 생물군집에 포식되어 일차생산과 상위 영양단계를 연결하는 중추적인 연결고리 역할자로 수생태계 내 물질 및 에너지 순환 구조와 기능을 이해하는데 필수적인 요소로 여겨지고 있다. 하지만, 동물플랑크톤은 분류군에 따라 상이한 크기와 유영능력, 그에 따른 다양한 서식 특성을 가지고 있어, 식물플랑크톤에 비해 다소 복잡한 채집 및 분석방법이 요구된다. 정확한 동물플랑크톤 정량화를 위해서는 종특이적인 분포를 고려하여 장소를 선정하 고 적합한 도구 (채수기, 플랑크톤 네트 등)를 이용하여 시료를 채집해야 할 필요가 있으며, 동정 및 계수 중에 발생 할 수 있는 오차를 최소화하기 위해서는 고정법과 부차시료에 대한 고려도 중요하다. 본 논문에서는 현재 사용되고 있는 대표적인 동물플랑크톤 정량채집방법 및 시료처리방법의 장·단점을 소개하여 연구 목적에 부합하는 방법을 선택, 적용할 수 있도록 가이드라인을 제시하고자 하였다.

보스턴미술관의 한국미술 컬렉션은 보스턴미술관의 운영 및 소장품 수집과 관련된 컬렉 터들과 큐레이터에 의해 변화를 겪어왔다. 보스턴미술관의 동양미술품 소장 및 연구는 일본 과 중국이란 큰 축을 중심으로 이뤄졌으며, 그 중 한국미술은 부수적인 부분으로 다뤄졌다. 본 논문은 동양컬렉션의 조성 과정 및 소장과 연구에 주요한 영향을 미친 두 명의 큐레이터와 컬렉터들의 활동을 중심으로 살펴봄으로써 보스턴미술관의 한국미술 컬렉션의 형성과 특징에 대해 조명해보고자 하였다. 보스턴미술관에 한국 미술품이 처음 소장된 1892년에서 1910년 사이 에드워드 실베스터 모스(Edward Sylvester Morse, 1838~1925)의 한국 도자 컬렉션이 가장 주요하다. 일본 도자기와의 관계를 보여주기 위한 표본으로 삼국시대부터 근대에 이르는 시기의 다양한 한국 도자기가 수집되었으며 특히 신라, 가야의 토기가 많은 비중을 차지했다. 시기, 종류의 구분 없이 하나의 캐비넷에 전시된 한국도자기는 민족학, 인류학과 유사한 맥락에서 연구되었다. 이어지는 1910년대와 1920년대에는 기존 동양미술 컬렉션에 부족한 일본 조각과 중국 미술품들을 보강하는 과정에서 회화, 공예 등 다양한 매체의 한국미술품이 함께 소장되었다. 그 중 특별 기금을 통해 수집된 고려청자는기형, 색감, 문양, 유약 등의 특징을 파악하는 등 청자 자체로서 전시, 연구되는 양상을 띠었다. 연구를 통해 과거부터 중국, 일본인들에게 높은 평가를 받은 우수함과 고분 출토 도자기가 갖는 진품성이 고려청자를 한국미술의 대표격으로 자리잡게 하였다. 한편 고려청자는 중국 고대 역사를 바탕으로 다양한 동양미술의 보고로 발전한 일본미술까지의 시대적 변화를 담은 보스턴미술관 동양미술 전시에 한 부분으로 자리하였다. 전시구성과 함께 보스턴미술관의 동양미술 소장, 연구에 반영된 오카쿠라 카쿠 조(岡倉天心, 1868~1913)의 영향은 동양미술 연구자와 컬렉터들로 이어졌다. 다음으로 도미타 코지로(富田幸次郎, 1890~1976)가 동양미술부를 이끌어 나가던 1930년 이후, 일본 미술상과의 관계 속에서 고려시대 금속공예품이 주로 소장, 연구되었다. 동서양을 오가며 주요 컬렉터 및 기관과의 관계를 형성해 온 야마나카 회사(Yamanaka Company)를 통해 수집된 금속공예품은 코지로에 의해 일본 연구자들의 발굴, 연구성과를 활용하여 연구되며 한반도 내 일본 식민정책의 성과를 함께 담아내기도 했다. 마지막으로 한 국미술 컬렉션에 가장 큰 기여한 찰스 베인 호이트(Charles Bain Hoyt, 1889~1949)의 한국 컬렉션은 고려청자, 금속공예에 편중되어 전체 한국미술 컬렉션과 유사한 구성을 가지고 있으나 조선시대 도자기가 청자와 비슷한 수준으로 수집되었으며 다양한 기형, 기법을 반 영하고 있어 개인의 취향도 반영되어 있음을 확인할 수 있었다.

The purpose of this study is to analyze the eco-friendly design characteristics of contemporary children’s collections. Photos from FirstviewKorea were utilized for analysis; 29 brands were selected that included children’s clothing collections featuring eco-friendly characteristics from 2007 to 2018. The results are as follows. First, naturalness was the most frequent characteristic of environmentally friendly children’s collections. It was not conveyed in an eccentric way in any season, showed a relatively uniform distribution, and was seen in various ways, including printed on the fabric and expressed in appliqués and embroidery. Second, handcrafted features frequently changed according to seasonal trends. Various methods such as beading, embroidery, applique, sewing techniques, and handbags were used, which enhanced manual workability, discrimination from other designs. Third, traditionality is divided into the characteristics of ethnicity and revivalism. National traditions were expressed in the clothing and reflected the current generation while connecting to the past. Fourth, simplicity appeared in classic designs such as simple silhouettes, sparse decoration, natural colors, and comfortable dress length that is not tight on the body. Simplicity was not a frequent feature due to the characteristics of the children’s clothing collections. Fifth, playfulness functioned to enhance the children’s clothing’s wear frequency. Although it was the least frequent of all the characteristics, it seemed to increase the design fun and the clothing’s value by fusing with other characteristics such as handcraftedness and naturalness.

On December 27, 2017, the 31st session of the Standing Committee of the 12th National People’s Congress passed the Vessel Tonnage Tax Law of the People’s Republic of China. China’s Vessel Tonnage Tax Law has basically maintained the stability of the vessel tonnage tax collection system and accorded with the basic national conditions of China’s shipping industry. The system established by China’s Vessel Tonnage Tax Law is basically a traditional vessel tonnage tax system, which is different from those implemented by many other countries. This paper explores the reason why China chooses to implement the vessel tonnage tax system and evaluates the policy within a certain scope and from a certain angle. It also examines the shortcomings of China’s vessel tonnage tax system as well as the burden brought by it to the shipping enterprises and puts forward countermeasures and suggestions for reforming and perfecting the vessel tonnage tax system in China.

유버섯자원 개발을 위한 기초자료를 확보하 기 위해용 용 흰가시광대버섯(A. virgineoides)의 정점조사지역 내 발생양상과 기온의 변화양상을 조사하였다. 버섯발생전 60일간의 기온변화는 조사지역에 따라 다르게 나타났으며, 특히 발생전 20일간의 기온분포는 발생여부와 조사지역에 따라 상반되는 양상을 보였다. 흰가시광대버섯은 활물 공생균으로 기온, 강수량, 상대습도 등과 같은 기상환경뿐만 아니라, 식물분포, 토양미생물, 토양유기물 등 다양한 환경요인이 자실체의 발생에 영향을 주는 것으로 알려져 있다. 본 연구에서는 기온변화 양상만을 분석한 결과, 흰가시광대버섯의 발생과 기온과의 관련성은 조사지역별로 다른 양상을 보였으며, 흰가시광대버섯의 재배생산기술을 개발하기 위해서는 식물상과 토양환경에 대한 정밀한 조사분석을 통해 자실체발생을 좌우하는 요인의 구명이 필요하다.

Lately, CRISPR-Cas9 has become one of the most essential tools to understand gene’s function. In the honeybee, however, the application of CRISPR technology has been hindered by various factors leading to very few reports of success in genome editing. Among these, collection of honeybee embryos for microinjection has been a time-consuming procedure, mainly limiting the applicability of the genome editing technique to honeybees. To improve the drawbacks of the conventional plastic plug-based system, we have developed a film-assisted honeybee embryo collection system (FECS) using transparent film as a detachable bottom layer. In this new system, eggs are laid on the detachable film surface and collected in a batch, and thus no additional alignment is required for microinjectoin. As the film can be easily replaced with in a few seconds, embryo collection can be repeated continuously after a single caging of a queen. Also, unlike conventional plug-based systems, the new system utilizes 100% of the eggs laid by the queen, thereby increases the yield three times in theory. The main unit of the system can be printed with ordinary SLA/DLP type 3D printer and the stl file for 3D printing will be distributed online.

Over the course of the past decades, technological advancements accompanied a plethora of new types of data and consumer insights (e.g., Erevelles, Fukawa, & Swayne, 2016). Companies value opportunities provided by the availability of large data sets for their business strategy. Customers, however, are wary, as these analyses require the collection and storage of large amounts of personal information. Therefore, it is vital for companies to understand what customers perceive to be fair with regard to their personal data (e.g., Malhotra, Kim, & Agarwal, 2004). However, research still lacks deeper insights into customers’ expectations of fair data handling (Marketing Science Institute, 2016). Yet, only few studies have covered the field of expectations regarding fair data collection and use (Earp, Antón, Aiman-Smith, & Stufflebeam, 2005; Milne & Bahl, 2010). Importantly, however, previous studies have frequently neglected how companies’ fulfillment of customers’ expectations translates into subsequent consumer behavior. Moreover, we have yet to understand if companies’ actual behavior meets customers’ expectations. Grounded on psychological contract and justice theory, we investigate how customers want their data to be handled and in which ways they want to be informed about its usage, while also exploring how customer expectations translate into subsequent behavioral intentions. Additionally, we shed light on current company behavior, thus analyzing if customers’ expectations of fair data collection and usage are aligned with company perspectives. Responding to calls for a mixed methods approach in business research (e.g., Harrison, 2013; Woodside, 2010), we undertook qualitative and quantitative studies to address our research goals. In Study 1, we conduct in-depth interviews with customers and experts to gain an overview of customer expectations with regard to fair data collection and usage. Based on these findings, we conducted a quantitative study (Study 2) investigating each of the customer expectations identified in the prior study. The findings of Study 2 reveal that customers expect a simplification of privacy statements as well as easier control options for their data. Moreover, customers are willing to switch to a competitor, if it better fulfills expectations. Study 3 applies a content analysis of company homepages and privacy statements. Aligning the results from Study 2 and Study 3, we demonstrate that companies currently do not sufficiently meet customers’ expectation of fair data collection and usage.

In this study, we analyzed the whole design of the necklace in detail, which reflects the artistic sense of handicraft in couture. The purpose of the study was to identify the characteristics of the design based on the analysis findings and to provide basic data to help fashion designers. The research method entailed analyzing trends in necklace design - viewed in fashion magazines and on websites - by year, season, brand, kind, material, color, and image. The identified necklace design characteristics were as follows. First, artistry and originality are dramatically expressed through the use of a broad range of materials. Second, due to the necklace’s role as an object of perfect beauty, in a number of images, the necklaces were presented in convergence and contrast with overall costumes. Third, the dramatic effects of layering revealed a strong presence and individualized styling. Necklaces are created with diverse sculptures by realizing the creative imagination of fashion designers. Even though they looked a little different every year, there were designs in the collections constantly. Round shape and princess length were preferred. In particular, the mix type was used to express dramatic effect by focusing neck part in entire styling which different length of necklaces were layered and worn. As a result, it meets the needs of consumers who emphasize brand differentiation and diversity, and it is believed that the role of necessities in fashion will continue and it creates economic demand in the fashion industry.

Using a theoretical framework of cultural capital, the present study analyzed a collecting system in AbyssRium, a mobile healing game. AbyssRium provides users with emotional satisfaction by allowing them to decorate a virtual aquarium using fishes and other sea creatures. We conducted a content analysis using contents generated in online communities and focus group interview with heavy users of AbyssRium. Results suggest that game players feel superiority by possessing rare fishes over others. These rare items were also utilized to distinguish users who collected the items from others not possessing such fishes. Also, the game operator of AbyssRium maintains the game balance by imposing greater costs for experienced users than for novice users in collecting fishes and decorate the aquarium. Such a strategy contributes to sustaining the social ecosystem of Abyssrium by encouraging new users to start to play the game. The current study suggests that a simple mobile game can afford a social interaction and a social system allowing users to constructs social meaning of artifacts presented in the virtual environments. Future research may broaden the generalizability of the cultural capital framework by replicating these findings in different video games.

In this study, we introduce the technology that provides the driver with the information related to the traffic information application such as the traffic center or T-map when the slippery situation occurs on the road by collecting the slip information by the vehicle speed on the road surface. Road surface detection technology collects road surface information by using black box and DTG which are installed in commercial vehicles and detects dangerous sections for road safety. It transmits information to a traffic center and transmits it to a rear vehicle driver It is aimed at delivering safe driving information.

The purpose of this study is to analyze Alexander Wang’s collections representing the athleisure look, and suggest a multilateral direction for fashion design based on the data. The present study examines literature, journals, and mass media to define the athleisure look and understand the background of its emergence, and assess its key design characteristics. The collections examined are from 2007 fall/winter to 2017 spring/summer, and T by Alexander Wang from 2011 spring/summer to 2016 fall/ winter. A total of 446 photos were collected and verified by a group of experts. The characteristics of the athleisure look in Alexander Wang’s collections were described by the following themes: dynamism (39.46%), unexpectedness (34.30%), sensuality (14.57%), and resistance (11.65%). Results revealed a number of findings: First, regarding the sensuality of the athleisure look found in Alexander Wang’s collections, it was found to exhibit the lines of the human body and highlight sexiness and healthy beauty - with either direct or indirect body exposure. Second, the concept of dynamism is the most frequently seen - utilizing items with a comfortable or loose fit or materials that are flexible to enhance activity. Third, resistance appears as a specific style using aggressive and rough decorations. Alexander Wang’s signature color, black, appears often, and showcases resistance through black clothing and fashion. Fourth, the unexpectedness of the athleisure look found in Alexander Wang’s collections creates its own uniqueness with playful expressions made by various materials’ mixed and matched or made visually fun.

The purpose of this study is to reestablish the innovative and experimental designs of Rei Kawakubo by considering and analyzing the flow on the avant-garde nature of her design collection from 1981 to 2017. Design trends such as the art trend, silhouette, color, and expressive technique showcased in Rei Kawakubo’s collection from 1981 spring/summer to 2017 spring/summer were examined through precedent studies, books, internet materials, and the avant-garde expressive nature of her designs appearing in modern fashion. Additionally, this study considers the definition of avant- garde and analyzes the expressive nature of Rei Kawakubo’s 137 works from the Comme des Garcons collection, exhibited in New York’s Metropolitan Museum of Art. As a result of this examination, the avant-garde expressive nature seen in modern fashion was classified into the following themes: historicity, de-structure, exaggeration, intermixture, and surrealism. As a result of reclassifying these characteristics according to historical flow, the historicty, intermixture, and de-structure appeared in the 1980s, while intermixture, exaggeration, and de-structure appeared in the 1990s. More recently, historicity, intermixture, and de-structure appeared in the 2000s, and intermixture, de-structure, exaggeration, and surrealism appeared in the 2010s. The present study is significant in providing theoretical material for the more innovative and various design development in diverse domains while helping to define and understand the avant-garde expression through Rei Kawakubo’s collection.

This article study the Letter of Collection(LOC) of U.S. National Cancer Institute(NCI) and the INBio-Merck Agreement as a international cases of the Access to Genetic Resources and Benefit- Sharing. These cases have the matching parts to the provisions of concern international norms. But, these cases not reflected the provisions of international norm because they concluded before 2010. So access to genetic resources and benefit sharing agreement will be concluded in the future must include the following contents. First, the provisions of the provider and the user of genetic resources as a parties of benefit sharing agreement. Second, the provisions of participation of stakeholders. Third, the provisions of prior informed consent. Prior informed consent must provide basic principles, elements, competent national authority granting and information of procedures for obtaining prior informed consent. Fourth, the provisions of mutually agreed terms. Fifth, the incentive measures could be used in the implementation for conservation and sustainable use of biodiversity, to promote accountability of access and benefit sharing, to provide for national monitoring and reporting.

On the early stage of Emperor Qianlong period, Qianlong ordered the ministers to sort out interior cultural relics. Therefore ministers successively compiled four antiques catalogue, they are "Midian Zhulin Buddhism and Taoism paintings appreciation", "Shiqu Baoji paintings appreciation", "Ancient bronze vessels collection appreciation in Qing Dynasty" and "Tianlu Linlang official books collection catalogue appreciation" respectively. The stylistic rules and layout of the first two was borrowed from Gao Shiqi "Jiang Cun Xiao Xia Lu". The stylistic rules and layout of the record of "Ancient bronze vessels collection appreciation in Qing Dynasty" was borrowed from Wang Fu "Bo Gu Picture" and Lv Dalin "The Archaeological Picture". To a great extent, the stylistic rules and layout of "Tianlu Linlang official books collection catalogue appreciation" was inherited from the connoisseur ideology of "Shiqu Baoji paintings appreciation" and "Ancient bronze vessels collection appreciation in Qing Dynasty", which was the evolutionary adaptation of style reference and actual situation of books identification and collection. As the classic examples of official connoisseur catalogue, "Tianlu Linlang official books collection catalogue appreciation" had a significant impact on Qing dynasty bibliography. As the development of textology in Qing Dynasty, the connoisseur gradually flourished in society. Under its inspiration and influence, the edition bibliography of Qing dynasty continued to develop.

The distribution of mosquitoes collected in Cheongju area in 2016 and 2017 were compared. The collection sites wereestablished from residential area, migratory bird sanctuary, and cattle feedlot using BL trap and BG trap. Culex pipienswere the most collected in residential area, and Aedes vexans were the most collected in migratory bird sanctuary andcattle feedlot in both years. BG trap was more collected than BL trap in residential area and migratory bird sanctuary.However, cattle feedlot was more collected in BL trap. A variety of mosquito species were collected from BG trap thanBL trap. However, the number of Anopheles sinensis collected in cattle feedlot showed significant differences betweenBL trap and BG trap. Based on the results of this study, it is considered that effective monitoring of mosquitoes mightbe done by using appropriate trap type according to the region

“Cobranded endorsement”, i.e. the interactive partnership between a brand and a celebrity, seems to be the last frontier for endorsing a brand and increasing brand popularity. Indeed, the collaborations between a celebrity and a brand are increasing in number and growing in importance. Many new products or capsule collections are created and launched after these partnerships. The paper wants to investigate whether this cobranded endorsement has positive effects on brand equity. Findings from an experimental study carried out in the fashion segment reveal that cobranded endorsements foster a better attitude towards the brand and a higher purchase intention.