This study was conducted to examine the architectural characteristics of Hak-seong Lee Family's Geun-jae-gong Historic House located in Seok-cheon-ri, Ung-chon-myeon, Ulju-gun, Ulsan. The house is said to have been rebuilt in the early 20th century after it was built in the 18th century, and now there are nine buildings left, including the An-chae, Sa-rang-chae, Sa-dang, storehouses and etc. This house is a large-scale house that is difficult to find similar cases in near region. The division of areas on each building is clear, and it is evaluated that it retains the typical characteristics of the head family in the late Joseon Dynasty in terms of its overall size and layout. In addition, the current wooden structure, which is said to have been rebuilt in the early 20th century, shows the composition method and space utilization method of the 3-Dori type upper structure, which have become more diverse since the late Joseon Dynasty. This has not been dealt with in the previous survey, and should be considered in detail through this paper.

The compositions of ethnic groups in Macau vary with time. Prior to the opening of the port, the majority of the residents in Macau were Chinese people, including those living on land and at sea. After the port was opened, with the increase of Portugal businessmen and missionaries, the population was divided into Chinese people and foreigners (so-called ‘Yiren’ or 夷人in Chinese). Chinese people living on land were mainly of Hakka, Fujian, and Cantonese descent. Those living at sea were referred to as ‘Tanka People’ (named ‘Danmin’ or 蜑民in Chinese). They lived on floating boats for their entire lives and were similar to the ‘drifters’ in Japan. Since modern times, many refugees from mainland China and Southeast Asia flooded into Macau due to warfare. The development of industrialization required a larger number of laborers, and some ‘coolies’ entered Macau in legal or illegal ways, making it a multi-ethnic city. However, the Tanka people were not considered a minority ethnic group under the national ethnic policy of 56 ethnic groups since they did not have an exclusive language and shared dialects in different regions. As the ports inhabited by Tanka people gradually restored foreign trade, the boats and stilt houses used by Tanka people were dismantled to expand the infrastructure area of the ports. Many Tanka people began to live on land and marry people on land, leading to the disappearance of the Tanka group in Macau. The fishing boats and stilt houses used by Tanka people have also disappeared, with only a few remaining in areas such as Pearl River Delta and Hong Kong. This paper examines the natural and social environment of Tanka people in Macau from the Ming and Qing dynasties to the Republic of China, as well as the adaptive changes they adopted for the aforementioned environment in terms of living space and architectural type, on the basis of summarizing the historical activities of Tanka people. Finally, this study provides a layout plan and interior structure of the most commonly used boat for Tanka people from the Ming and Qing dynasties to the Republic of China, with the use of CAD and other technical software, along with reference to written historical documentation, and provides a case study for further research on the architectural history of Macau's inner harbor cities, from anthropological and folklore perspectives.

The grade of East Asian architecture is generally classified by the size, the shape of the roof, and the type of bracket set. The craftsmanship of columns, beam, purlin, stylobate, column base stone and paintwork is also a contributing factor for such classifications. These classifications can be found not only in historical documents such as Oksajo(屋舍條) of Samguksagi(三國史記) but also in house details regulations of residential architecture(家舍規制) of Joseon Dynasty. However, there are differences in detailed designs among the same grade of architecture regardless of the classification. In this research, the Palace, the Royal Residence(宮家), and the Jaesil(齋室) are considered as the Palatial Buildings and Royal Residences. And the advanced architectural ㅇ details which appear only in the Royal Architectures are defined as the ‘The Architectural Crafts as a Code of Manners’. The Architectural Crafts as a Code of Manners is detailed design, which can be seen as fabrication of materials and supplementary factors. The Architectural Crafts as a Code of Manners used in the Palatial Buildings and Royal Residences reveal the types and their historical changes. This research will present a basis for the repair and restoration of cultural heritages to be carried out in the future, and also prevent them from further damages, thus help to preserve the cultural heritages.

This study investigates the types and spread of framed structures of gable roofs meeting at right angle showed in old architecture and documentary paintings of houses, which were well liked in the early Joseon Dynasty. The conclusions of this study were as follows. First, the framed structure of gable roof meeting at right angle can be divided or recognized in 4 types according to their structure’s size and purlin’s position. Three of those types were noted to be in Seoul. Second, the framed structure of gable roofs meeting at right angle begun from the awareness of their independence from one another. Each space was divided based on their functions. Therefore, it could be extended in various forms, not only in the square plan physique but also in many different forms. And allowed free plan configuration regardless of column layouts or size of structure. Third, 5 purlins and 3 purlins crossing structure were preferred in Han-yang, the early Joseon Dynasty. It is related to the specific construction conditions of urban houses, such as the slope of land, limited land area, and economic power. Fourth, urban housing techniques were diffused throughout the country by officials who lived in Kae-gyeong and Han-yang at the end of Goryeo and early Joseon Dynasty. In other regions, framed structure of gable roof meeting at right angle households decreased, but in some regions of Gyeongsang-province, framed structure of gable roof meeting at right angle has maintained with Staggered purlin.

Altar architecture is a kind of sacrificial building, mainly formed in altar. Central architecture of Altar architecture is relatively simple. However, various attached building are necessary for worship. Among them, Sinsil which is a place to seal a God’s tablet, is very important. The central government of the Joseon Dynasty attempted to define the local sacrificial system and make it customary as a way to strengthen the centralization based on Confucianism. Nonetheless, the altar architecture of the province without detailed regulations, were managed and underwent repairs according to the political situation of the state and local circumstances. Sinsil, which is an important component of the altar architecture, best reflects this situation. Therefore, it was possible to grasp the situation of the altar architecture of the province in the Joseon Dynasty by analyzing the Sinsil through various documents. As a result of analysis, it was divided into six types. In addition, It is also found that there are temporal relation between these six types.

This study analyzed indoor and outdoor thermal performance among different types of green roofs and green walls in order to provide information for building greening. When temperature reduction effects of green roofs and green walls were compared to the control, the effects was highest at the green roof and wall treatment, followed by green wall, green roof, and the control, which means there was temperature reduction effects by building greening. Also these temperature reduction effects was influenced by outdoor weather condition such as being typically high in sunny days but not notable in rainy days. In addition temperature reduction was effective as the air temperature was up but was not influenced by wind velocity. As for directions, the west side showed the highest temperature followed by the south and east in the order. Heat flow was found greater in control than in green roof and green wall. In addition, heat flow reversal was found as time went on.

Since the recent Hanok boom in Korea, Contemporary Hanok has been evolving in terms of structure, space, form, etc. To get a comprehensive understanding of the diversified Contemporary Hanok, this paper aims at its type classification by analyzing architects’ designs since 2000. The criteria for the classification are two: (1) renovation [Re] or new construction [New]; and (2) degree of Contemporary Hanok’s deviation from the traditional Hanok’s standard ― maintaining the traditional form [Main]; changing space within the traditional form [Space]; changing the traditional frame [Frame]; and juxtaposing the traditional and the modern [Combi]. From the two criteria, this paper deduced eight types of Contemporary Hanok, named respectively: Re-Main, New-Main, Re-Space, New-Space, Re-Frame, New-Frame, Re-Combi, and New-Combi, and studied their cases. It can be argued that various aspects of Contemporary Hanok and their critical meanings were well-investigated through this type classification and case-studies.

This study aims at searching the Church Building Type and Design Sources of a German church architect who had designed many churches and other buildings in Korea. P. Alwin Schmid(1904-1978) had designed 188 Catholic buildings in Korea for 20 years from 1958 to 1978. In his works there are many excellent Catholic ritual buildings. It was caused by his conviction on the theology and the principles of Church Architecture. And His remarkable achievement is affected by the works of Dominikus Bo"m(1880-1955) and Rudolf Schwarz(1897-1961). Alwin's 5 plan type is relevant to Schwarz' iconographic model, and their approach to 'light' is much the same. But the Character of inner space is the middle of Dominikus Bo"m and Rudolf Schwarz. His works rotted in the Liturgical Movement had been developed in the line of connection with 20th German church architecture. The works of Dominikus Bo"m and Rudolf Schwarz played the role of the teacher of Alwin Schwarz.

Tension members is a type of effective structural member, which is often used in large span structures. The structure systems composed with tension members are combined in various way and specific formations. So, there are need to research into the formations of tension structure and the type of adaptation in tension structure architectures. The structure systems with tension members were considered as tension main system, vector system and tension supported bending system, comprehensively. And tension structures were classified into the formation of tension structure with uniaxial or multiaxial line tension member, with surface member, with hybrid member of line and surface, concerning the flow of tension force. In each the formation of tension structure, the typical adaptations to architecture were also investigated through architecture examples. The type of the formation can be used to plan an architecture with respect to the flow of tension force and structural feature.

Louis Kahn has overcome the limits of Functionalist Architecture and reconnect the classical tradition to Modern Architecture. With a point of view that his special approach to historical precidents enabled him to contribute broaden the hiorizon of Modern Architecture, this paper trys to investigate and analyse Kahn's typological thoughts and practice in Architecture. In many ways his a priory and metaphysical thoughts on Architecture proved to be very similar to typology of 18th Century Neo-Classicism. And the geometry of Kahn's Architecture play a important role with respects to his typology. As a form-generator and 'parti' his geometry and its composition play a intemediate role to connect Form and Design and to realize the concrete structure. Therefore, the concept of his Form could be called an archetype and geometry be a kind of type in his architecture

How have they preserved the regional historic buildings in Korea? Do they preserve the original value as a historic building. Are there any artificial deformations deteriorating the quality of the buildings? Is the regional system for preservation effective agalnst the artificial deformations of the buildings? These questions are involved in the purposes of this paper. I investigated the historic buildings designated by Kyong-Nam provincial government. As the resuit, variouse patterns of artificial deformation were found. I found that the deformations may deteriorate the original quality of historic building, and it is related somehow to the limitations of regional system for preservation. So I suggest some alternative ideas for preserving the quality of historic buildings against artificial deformation : a. Present system for preservation is not effective for preserving various architectural value such as urban context and landscape, site planning techniques, function of a space, etc. Regional system should be revised for preserving their architectural value or meaning. b. Historic buildings should be classified and should have proper protecting area according to each architectural values or meanings, respectibly: Historic buildings with Urban context and landscape Historic buildings as a part of a complex Historic buildings as a behavorial setting. c. Historic buildings should be graded based on their quality. And standard and criteria for acceptable deformations should be established. d. Periodical inspections by experts should be carried out to check out the deformation.

플로팅건축물은 최근 지구온난화에 따른 해수면의 상승, 소득 증대 및 관광행태 변화에 따라 급증한 해양 레포츠 수요에 대응하는 효과적인 건축물이다. 국내 플로팅건축은 이미 전문회사들이 등장한 유럽과 비교하여 초보적인 도입기 이다. 플로팅건축은 프로그램, 형태, 건축규모, 층수, 위치, 접근방법, 이동성, 에너지 자립도 등 8가지 기준에 따라 유형 구분이 가능하다. 또한 시공된 주거시설을 대상으로 분석 한 결과 플로팅건축의 디자인 특성은 (1) 2층 규모, (2) 면적 비율이 높은 데크, (3) 장방형의 균형감 있는 매스, (4) 조망 극대화, (5) 친수공간 확보, (6) 공간의 통합적 사용 및 합리적 면적 배분의 평면계획, (7) 수면 반사를 고려한 단면계획, (8) 모듈화 및 유닛화 등으로 정리할 수 있다.

지금까지의 집합주거를 살펴보면 건축의 역사를 통해 일반적 혹은 보편적으로 생각되는 형태가 존재함을 알 수 있다. 왜냐하면 집합주거는 형태적으로 변화가 어렵기 때문이다. 최근 세계적인 해양강국인 네덜란드에는 이러한 전형적인 형태와는 매우 다른 집합주거 작품들이 많이 건립되었다. 이 연구는 바로 이러한 작품들의 형태적 특징에 초점을 둔다. 네덜란드 독특한 집합주거들은 현대사회의 다양한 요구를 만족시키기 위한 시도임과 동시에 근대건축의 전형적인 형태들을 탈피하고자 하는 노력의 결과이다. 일반적인 형태의 집합주기에 대하여 이러한 독특한 형태의 건축물은 유형학적 측면에서 볼 때 건축적 신-유형이라 할 수 있다. 이러한 맥락에서 이 연구의 목적은 현대 집합주거건축의 유형적 변화에 내재된 의미를 밝히는 것이다.