The current domestic gaming market is flourishing, with a multitude of games centered around or incorporating elements of traditional culture. Notably, exceptional cases such as “Black Myth: Wukong” have even succeeded in exporting culture overseas. However, beneath this prosperity lie certain challenges. Most games that revolve around traditional culture suffer from certain gaps and lack subsequent work. Only a few manage to evolve into series. This paper primarily explores the feasibility and advantages of the IP economic model in propagating traditional culture through digital games, aiming to uncover novel strategies for disseminating traditional culture in the digital gaming realm.

Economic globalization and regional economic integration have become the world’s two major trends of the world economy, with most countries pursuing broader economic development of space through the strengthening of national and regional economic and trade ties. The geographic proximity of China and ASEAN nations, both in terms of resources, industrial structure, and industrial and agricultural goods, among other things, is very complimentary, and the growth of economic and trade cooperation has a distinct benefit. Long-term “neighborly and friendly” strategic partnership relationships have provided a solid framework for the growth of economic and trade cooperation. The establishment of the China-ASEAN Free Trade Area can achieve a win-win situation by not only complementing each other and expanding bilateral trade and cooperation on a larger scale, but also strengthening overall competitiveness and its ability to resist risks. Friendly relations between China and ASEAN will be further consolidated and strengthened to improve the Chinese and ASEAN in East Asia and the Asian region’s political status and ability to deal with international affairs. This article proposes solutions to the challenges that exist in the China-ASEAN Free Trade Zone. The establishment of the China-ASEAN Free Trade Area will not only consolidate and strengthen China’s and ASEAN’s already friendly and cooperative relations, but will also further promote China’s and ASEAN’s respective economic development and regional cooperation and competitiveness. Finally, with the construction of the China-ASEAN Free Trade Area, China and ASEAN will enjoy the benefits of economic globalization and regional economic integration even more, face obstacles jointly, and contribute to the growth and stability of Asian and global economies.

The art field of contemporary society is developing rapidly, and digital media is developing at a high speed. The installation art, which is rooted in contemporary art, has gradually become an important art form of new media art with its unique conceptual, experimental, on-site and interactive nature. In the late 20th century, the media scene has become more diversified with the development of science and technology, and the creation form and content of installation art have been more fully developed, and once became the patent of avant-garde fashion designers. On this basis, with the help of outdoor art behavior, the article makes an in-depth exploration and research on the integration and development of digital media technology and installation art.

Animation character design is the soul of animation creation. Excellent animation character design can promote the development of the plot, reflect the value of the work itself, and lay a good foundation for the success of the film. The paper takes the domestic animation movie I Am What I Am as an example, and studies the characteristics of a credible, respectable and lovely Chinese animation character image from the relationship between animation character design and animation film, the spiritual image design of animation character, and the styling design of animation character. The Chinese animated film I Am What I Am is created with realistic themes, and tells the story of the main character’s struggle for his dream, creating a credible, respectable and lovely Chinese spiritual image. However, the character’s features and shape are overly exaggerated, lacking in beauty, and not unified with the purely realistic style of scenes and props. Therefore, domestic animation creators need to pay attention to the all-round beauty and style characteristics of the character, and design a credible, lovely and respectable Chinese animation character image.

Since China’s reform and opening up, Chinese SMEs have developed rapidly and have gradually become an important force in China’s economic development. Under the trend of economic globalization, Chinese SMEs, which have experienced more than 20 years of development, are remarkable in terms of their activity in the economic arena and their contribution to China’s economic development. However, under the current high-speed development of the international situation, Chinese SMEs still face many constraints and difficulties in developing markets. We should explore countermeasures for this and provide some ideas and references for Chinese SMEs to seize the opportunity to develop markets and economic development and drive China’s economic development.

As an important cultural industry, animation, with its unique affinity and communication power, is one of the important carriers of cultural communication. It can build up the national cultural image, reflect the comprehensive strength of the country, and contribute greatly to the achievement of national brands and the aggregation of national images. It is a great tool for international communication and exchange under the background of globalization. By studying the development status of contemporary Chinese animation, analyzing the contemporary artistic characteristics of Chinese animation, this paper puts forward the methods and principles of Chinese animation creation under the construction of national cultural image, that is use animation themes to highlight the connotation of Chinese culture, improve China's recognition through role shaping, innovate scripts to tell Chinese stories and use new means to promote Chinese animation. Finally realizes the transformation and innovative development of excellent traditional ideas and values in the modern cultural context, and improves the national cultural soft power and the international influence of Chinese culture.

In recent years, domestic animation films are committed to inheriting and carrying forward the traditional national culture. This article takes “Nezha”and “New Gods: Nezha Reborn”as an example to study the expression of traditional national culture from the perspective of cultural construction and audio-visual culture. It is concluded that the domestic animation focuses on the interpretation of the Chinese stories and the expression of the Chinese spirit, and uses the traditional elements to integrate the traditional culture with the modern context.

본 연구는 한국인 중등 영어교사(KETs) 2명과 원어민 영어보조교사(NETs) 2명의 의견을 바탕으로, 현재 코티칭 수업에 대한 그들의 시각에 대해 논의한다. 한국에서의 개인적 교수경험을 기초로 한 코칭에 대한 정의, 코티칭에 대한 현재의 태도를 결정하는 데 영향을 끼친 요소들, 더 나은 코티칭 수업을 위해 필요한 점에 대한 그들의 의견을 온라인 비디오 인터뷰를 통해 수집하였으며, 동료검토 과정(Peer debriefing session)을 통해 분석하였다. 자료 분석 결과, 네 명의 영어교사 모두가 코티칭의 개념, 코티칭 수업의 목표, 어떻게 코티칭 수업을 하고 피드백을 공유할 지에 대한 명확한 합의에 도달하지 못하였으며, 그 실천 가능한 방법을 배울 기회가 부족했다. 그로 인해, 한국인 중등 영어교사와 원어민 영어교사 사이 수업에 대한 주인의식(Sense of ownership)이 불균형하고, 코티칭에 대한 서로의 의견이 암묵적으로 불일치하는 상황이 야기되었다. 또한 원어민 교사와의 코티칭 관련 협의 과정에서 어려움을 경험한 바 있었다. 한국인 영어교사들은 코티칭 수업에 대한 진지한 의견을 공유 하려는 시도 자체가, 그들의 원어민 영어보조교사들에 의해 "방해 (혹은 간섭)”으로 받아들여질 것이 라고 생각하고 있었다. 또한, 네 명의 참여자들 모두 코티칭에 필요한 요소인 협력하는 방법을 제대로 연수 할 기회가 없었다는 것을 인터뷰 분석을 통해 확인할 수 있었다. 이러한 연구 결과를 바탕으로 영어 코티칭 교사들 사이에 건설적인 협의를 할 수 있는 방향을 제시한다.

As the leading figure of the fifth generation of directors, Chen Kaige is a director with a unique personal style. Chen Kaige has always taken a high level of cultural consciousness as the basis of his creation. In his film works, there are strong personal aesthetics and expression of personal thoughts. The film Legend of The Demon Cat is another attempt and breakthrough under the background of cultural commercialization and film industrialization. This paper attempts to explore the unique aesthetic thinking and profound cultural reflection behind the creation of Chen Kaige's series of films by analyzing the creative technique, narrative mode, aesthetic value, aesthetic style and cultural context of the film “Legend of the Demon Cat.”

요즘 중한 양국 문화 영역의 합작이 심화하고 있다. '원소스 멀티테리토리'모식으로 제작한 중한 영화들을 관객의 주목을 받았다. 하지만 <용하형경>과 <극한직업>이 개봉하면서 양극화 관영 평가와 현격 한 흥행 차이가 생겼다. 따라서 본 논문에서는 두 영화를 중심으로 내러티브, 캐릭터로서 현지화 원소의 운용을 대비하고 분석한다. 같은 스토리는 어떻게 다른 나라의 현지화 사회 문화를 표현할 수 있는 것에 대해 살펴보고 더 우수한 중국 영화를 만들기 위해 현지화 원소의 활용 방법을 총결해야 한다.

Christopher Cristof Yvoré is a French contemporary painter with a unique artistic style. Today, in the era of image, his painting concept, painting style, art style and the specific objects of daily life and painting space focus and expression, the painting art elaborated the unique charm. In contemporary painting shows an atypical, not with the trend of personality characteristics. Cristof Yvoré's work is obtained from memory, not painted in reality. He instilled all subjectivity and uncertainty in memory into the theme of the work, trying to bring memory into painting facts through continuous attempts to bring tradition The limits of painting are pushed to the limit. This paper takes Cristof Yvoré as the research object, and analyzes his unconscious selection of subject matter and expression of artistic concept, his calm and cool use of color, his treatment of thick and heavy picture texture superimposed by multiple layers of pigment, as well as his expression of ductile painting space. Further study its unique painting style and painting language expression, and then explore its positive role in promoting the development of painting art and reference significance.

Purpose: This research aims to empirically investigate the motivation of corporate voluntary disclosure by exploring the impact of historical loss on corporate social responsibility disclosure (CSRD). Research design, data, and methodology: This paper takes Chinese A-share listed firms that issued standalone social responsibility reports during the period of 2009-2017 as a sample. Drawing on extant literature, this paper defines historical loss firms as firms with net profit greater than or equal to 0 and undistributed profit less than 0. The tendency score matching method (PSM) is used to find matching samples for historical loss firms. Then OLS regression is conducted to investigate the relationship between historical loss and corporate social disclosure. Results: The results show that historical loss has a significant positive impact on the quality of corporate social responsibility disclosure. After changing the measurement of independent and dependent variables as well as adopting different matching methods to screen the control group, the results still hold. Further research indicates that the relationship between historical loss and CSRD is influenced by corporate financing constraints and industry competition. Conclusions: This research supports the resource motivation hypothesis of corporate social responsibility disclosure, and provides empirical evidence for regulators to strengthen supervision on corporate disclosure.

Xu Jingda is undoubtedly an animated director with the most "paradigm" meaning in the history of Chinese animation, beginning in the 1980s. He was praised by Tewei as an "unusual talent." The animation he directed are simple, humorous, subtle and whimsical. Different from the previous generation of animators' understanding and exploration of the "nationalization" of animation, Xu Jingda's animation works mostly explore and analyze the national cultural psychology from the perspective of human nature, and make new insights into the nationality and inter-nationality. To a certain extent, his films expanded the road of Chinese animated creations, and even promoted and surpassed the artistic pursuit and academic connotation of the "Chinese Animation School" at that time. Although his animated works can't be compared with the European and American animated films at the time, the national cultural connotation and human thoughts contained within them, as well as the aesthetic enjoyment brought to the audience are immense. This is not only due to the cultivation of the predecessors and their own efforts, but also the artistic style of the foreign animation has a deep influence on him. A research on Xu Jingda, an innovative animation director, focuses on the artistic style and creative concepts in these animated films. This paper starts with Xu Jingda's influence on the artistic style of Zagreb's animation school, and conducts an in-depth analysis and research on the development of traditional story themes, the exploration of animated film language and the excavation of national cultural psychology, and explores Xu Jingda's unique style. The creative art creation style and its importance and innovation in the process of nationalization of Chinese animation. All of this helps achieve a look into the development and innovation of the current "nationalization" of Chinese animation.

In recent years, China has produced many excellent animation films. In this paper, we will explore the animation films: Monkey King: Hero Is Back, Big Fish and Begonia and Da Hu Fa. By comparing and contrasting these films, we will be able to discover their similarities and differences. Specifically in the aspect of animation script creation, the director pursued a stylized film creation and make a bold adaptation to the original stories. Regarding the animated character creation, the main characters are highly personalized and humanized. There are also many breakthroughs in the audio-visual language of animation. Domestic animation is no longer for children but also a viable entertainment option for adults.

지난 수십 년 동안, 변화하는 기후를 이해하기 위해 많은 연구가 있었고, 여러 기후 변량의 변화추세가 발견되었다. 이들 추세를 설명하기는 쉽지 않 고, 때로는 서로 모순적으로 보여지기도 한다. 다양한 기후 변량의 변화추세를 일반적으로 설명하기 위한 가설을 제시하기 위해 많은 시도도 있었다. 어느 정도 지식이 축적된 이 시점에서, 우리 시대에 진행되는 기후 변화에 대해 우리가 알고 있는 것을 되돌아보고 신중히 정리해볼 필요가 있다. 여기서는 기온, 일사량, 풍속, 증발, 강수에 초점을 맞추어 변화하는 기후에 대해 우리가 얻은 지식을 종합적으로 살펴보고자 한다. 온난화, 흐 려짐, 잔잔하기로 대변되는 주요 변화추세 및 증발의 역설, 강수 변동성의 증가를 서울 지점 자료를 예시로 들어 설명한다. 이러한 변화에 대한 이해를 근거로 수문학자와 공학자들에게 네 가지 함의를 제시하려 한다.

The purpose of this paper is to examine the relationship between regional financial development and corporate investment efficiency as well as the relationship between firm-level characteristics and corporate investment efficiency. Using a large sample of A-listed companies in China from CSMAR database between 2003 and 2016, this paper explores corporate investment efficiency and its influencing factors in emerging market on the basis of heterogeneous stochastic frontier model. The results show that: (1) the average investment efficiency of Chinese listed companies is 74.5%, and the investment efficiency of large enterprises, state-owned enterprises and enterprises with relatively high financial development level is significantly higher; (2) compared with average corporate investment efficiency in the year 2003, the investment efficiency of different types of enterprises in 2016 is significantly higher, and the gap is gradually widening; (3) enterprise heterogeneity namely firm size, nature of property right, and institutional environment reflected by the level of regional financial development indirectly affects corporate investment efficiency by influencing the financing constraints and uncertainty. The findings suggest that to improve corporate investment efficiency in emerging market, financial market should be accelerated, regional balance should be restored and the differences among regions, industries and differences between public and private sectors should be eliminated.