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        검색결과 253

        203.
        1998.09 KCI 등재 구독 인증기관 무료, 개인회원 유료
        Surveying the literature of architecture since the nineteenth century, one can identify two dominant but problematic attitudes, among several, that pursue the task of defining what modern architecture is and should be. The first is the search for meaning and the second is the pursuit of form. This study, following Michel Foucault, asserts that the dual formation of meaning and form is a historical product of modernity and belies architecture's uncritical dependence on language since the nineteenth century. This study is a critique and historical analysis of this pernicious reliance, and constitutes a first step towards thinking of alternative relations between 'words and architecture' in the modern world. In reconstructing this problematic, the paper has called on Foucault's seminal The Order of Things. The study follows his construction of the Renaissance, the Classical and the Modern episteme, and in brief fashion, reconstructs the relation between language and architecture in each episteme. In analysing the Modern, the study focuses on Hegel's Lectures on Aesthetics. Hegel placed architecture in a genre hierarchy within which architecture, because of its material basis, was fundamentally limited in its ability to express the Spirit. For Hegel it was, among the arts, poetic language, and beyond art, the language of philosophy, through which the Absolute Spirit could be atttained. Much of post-nineteenth century architecture has remained within the shadow of Hegel, where architecture's materiality is perceived to be a burden, and in order to secure its relevance in modern society, architecture was deemed to pursue the role of language. As the most recent and sophisticated example of architecture's pursuit of form, the paper analyses the work of Peter Eisenman. Though Eisenman's theoretical writings are replete with post-Hegelian rhetoric, his architecture remains dependent upon the model of language, albeit a structuralist one. The paper concludes that ultimately, the pursuit of meaning and form is unable to face the crucial issue of value in modernity. While the former decides to easily what it is, the latter evades the issue itself. The second installment of this ongoing study will pursue a third possibility alluded to by Foucault, where language remains silent, pointing only to its 'ponderous' material existence.
        5,400원
        208.
        1997.12 KCI 등재 구독 인증기관 무료, 개인회원 유료
        8,700원
        209.
        1996.12 KCI 등재 구독 인증기관 무료, 개인회원 유료
        This study is on the early historical background and the process of development of modern architecture in Thai, during the period from 1782(King Rama 1) to 1934(King Rama 7). Thai started tn form a connection with western nations from the late 18C, founded the Bangkok Dynasty. Since then, Thai was increasingly influenced by western civilization and this trend included an increasing influence of western architecture. In this paper, the centeral objective is to observe the architectural change during the period from King Rama 1(1782-1809) to King Rama 7(1925-1934). This can be divided into three period. During the first period, from King Rama 1 to King Rama 3(1824-1851), Thai architecture showed a tendency to follow the preceding traditional example and to imitate Chinese architecture. The second period is from King Rama 4(1851-1868) to King Rama 5(1868-1910). During this period, Thai architectural design was increasingly influenced by western concepts, specially European Neo-classicism Style. During the third period, from King Rama 6(1910-1925) to King Rama 7(1925-1934), Thu had been enjoying extensive commerce with western nations. The great developments in the field of architecture during this reign were apparent in the construction of public utilities and facilities. These buildings were designed by western architects. At this time, modern architectural concept of western was introduced.
        4,900원
        210.
        1996.06 KCI 등재 구독 인증기관 무료, 개인회원 유료
        7,700원
        212.
        1994.12 KCI 등재 SCOPUS 구독 인증기관 무료, 개인회원 유료
        수산화물법에 의해 제작된 α-stannic acid의 열분해 거동과 SnO2분말의 성질에 미치는 잔류염소이온의 영향을 관찰하였다. SnCl4와 NH4OH 수용액을 중화시켜 α-stannic acid침전물을 제작하고 NH4NO3수용액으로 세척하였다. 분말내의 잔류 염소이온의 양을 주절하기 위하여 세척정도를 3단계로 조정하였다. 세척후 100˚C에서 건조하고, 500˚C ~ 1100˚C에서 하소함으로써 SnO2분말을 제조하였다. α-stannic acid의열분해 거동ㅇ르 DT-TGA 와 FTIR을 통하여 관찰하고, SnO2분말의 조성과 입자크기 및 비표면적을 각각 AES, TEM 및 BET을 통하여 측정하였다. 잔류 염소이온 양이 감소되면, 저온 하소시 일차입자의 상대적 크기가 커지는 반면 고온하소시에는 상대적으로 감소되었ㄷ. 잔류 염소이온의 일부는 α-stannic acid내의 격자산소 자리에 위치함으로써, 저온가열시 결정수탈리와 결정화를 지연시키고 또한 고온가열시에는 이의 증발에 의해 산소공공이 생성되어 소결을 촉진시킨다고 제의하였다.
        4,200원
        213.
        1994.06 KCI 등재 구독 인증기관 무료, 개인회원 유료
        5,100원
        216.
        1991.12 KCI 등재 구독 인증기관 무료, 개인회원 유료
        한국산 은빛잎말이나방족은 6속 9종으로 정리되며 이중 신속 Immariana를 기재함과 동시에 3신종 , 뾰족날개잎말이(Immariana acutiella sp. nov.), 검정무늬잎말이(Kawabeia fuscofasciata sp. nov.), 어리무늬잎말이(Kawabeia paraignavana sp. nov.)를 기재발표한다. 또한 겨우살이잎말이, Kawabeia ignavana Christoph와 꼬마줄무늬잎말이, Oporopsamma stenoptera(Filipjev)등 2종이 우리나라 미기록종으로 보고된다.
        4,600원
        217.
        1991.10 구독 인증기관 무료, 개인회원 유료
        현재까지 남한에서 채집된 표본과 폴랜드의 동물계통분류진화연구소에 보관된 북한산 표본을 대상으로 분류.동정한 결과, 한국산 무늬잎말이나방족은 총 39종으로 정리된다. 이중 북한산 2종이 신종으로 새로이 기록되며 11종의 미기록종이 우리나라에서는 처음으로 보고된다.
        4,600원
        219.
        1984.02 KCI 등재 SCOPUS 구독 인증기관 무료, 개인회원 유료
        5,100원
        220.
        1980.02 KCI 등재 SCOPUS 구독 인증기관 무료, 개인회원 유료
        4,300원
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