,  , Wood products are sometimes infested with cossonid weevils. A cossonid weevil, Hexarthrum brevicome Wollaston has been found on wood boards used for printing books in the Jeonju Confucian temple and school (2004), a wood cabinet in the Museum of Milyang (2007), a wood wardrobe in the Museum of Seoul (2008) and on wood boards used for printing Buddhist scriptures in the temple of Suncheon (2008). Wood utensils for living in the Museum of Seoul were found to be infested with another cossonid weevil, Rhyncolus sculpturatus (Walt!) in 2008. To protect the cultural property from insect pests in the field of conservation science, more comprehensive insect pest management (IPM) programs are required.

Western style timber roof trusses used as typical roof structures of buildings during a modern period have been developed with the interactions with their facade and functionality. The shapes of trusses and member sizes have been diversely changed by the purposes of architects, historical circumstances, and structural characteristics. For this reason, the change in the shapes of western style timber trusses along the times is one of important technology assets demonstrating the development of their structures during the modern period. Therefore, the purpose of this paper is to find out their structural characteristics throughout parametric analysis of which parameters were determined from the collected and classified documents on western style timber roof structure built in the modern period carefully obtained from public institutions. Results of the parametric analysis are as follows. The number of king-post trusses and modified king-post trusses built between 1920 and 1937 reaches almost half of the total number of truss types investigated. The mean values of their spans, distances, tributary areas, and height are respectively, 10.5m, 2.4m, 24.37㎡ and 3.24m. The cross-section areas of trusses tend to reduce since the city construction law was enacted in 1920. Also, this study found that western architects usually used larger structural members than eastern architects and usages and finishing materials of roof trusses are not always considered as one of the important design parameters.

세계의 글로벌화가 신속하게 진행됨에 따라, 환경과 자원적인 측면에서 또 정신적 사회적 측면에서 많은 문제를 야기했다. 이에 사람들은 이러한 경제발전의 중시에서 벗어나 문화적 측면의 중시로 관심을 돌리게 되었다. 그래서 문화발전전략문제는 이제 세계적 관심의 이슈로 되었다. 문화전략은 “인문가치적 이성”을 원칙으로 하여, 화합․심미형․지속발전형․문화계승형․안전형 사회를 구축하는 힘써야한다. 이러한 문화발전전략으로 창출하려는 문화발전 모델은 서구 문화 위주로 발전해온 근대적 모델에서 벗어나, 중국 문화 속에 내재해 있는 유가문화에서 찾아야 한다.

The purpose of this study is to identify hazardous physical factors and chemical air pollutants in conservation museum in order to protect the cultural heritage. For this, we collected and re-analyzed the articles that were published from 2006 to 2007 by National Research Institute of Cultural Heritage for temperature, relative humidity and the level of pollutants (PM₁₀, CO₂, HCHO, CO, NO₂, Rn, TVOCs, O₃, SO₂) in exhibition hall and storage in museum. The pooled average level of temperature at exhibition hall and storage in museum was 23.5±1.4℃ and 20.6±1.1℃, respectively. The range of temperature variation was 5.4℃ for exhibition hall and 4.5℃ for storage. The pooled average concentration of TVOCs in exhibition hall and storage in museum was 493.6±125.6㎍/m³ and 788.9±157.5㎍/m³, respectively. These exceeded 400㎍/ m³ which is the guideline of national law for the Korean Ministry of Public Administration and Security (KMOPAS). Other surveyed pollutants were as per the guidelines of the national law for the Korean Ministry of Environment (KMOE) and the KMOPAS. Through the consideration of the physical and chemical properties and the result of meta-analysis for thermal environment and surveyed temperature, humidity, PM₁₀, NO₂, SO₂, O₃, TVOCs, and HCHO were the identified hazardous physical factors and chemical pollutants at exhibition halls and storages in museum.

The aim of these studies is to confirm the red and blue painting damages during the fire suppression of wooden cultural assets by using the loaded stream charge extinguishant. As a results of these experiments, the ingredients of extinguishant existing on the surface of wooden cultural assets were perfectly eliminated by the water washing only. Any changes on the surface of wooden cultural assets couldn't be detected. Moreover, any color changes of the red and blue painting didn't occur.

This study is conservation works trend since 1900. Objects for study are National Treasures and Treasures in Buddhism, in wooden architecture. And researched about the factor of conservation works, roof and tile, painting and dissolution conservation works cycle by dissolution, timber change ratio. The factor of conservation works is the most, roof and tile. Conservation works cycle by dissolution is 12.8 years. Painting cycle is 16.3 years. There are two concepts of conservation works, that is restoration and preservation. There are many restoration before 1960's. To 1960's the preservation to be many to 1970's many Restoration. And since the end of 1970's is Preservation. These reasons are conservation works history of object, the rule for Heritage protection, people on works, and study of architecture. history.

This study is on the construction work of Preservation for Korean architectural properties during the period of japan invader. Korea lost their preservation ability of architectural properties when went through specific background from 1910 to 1945, which was the period of japan invader. Through this situation japan had to face the preservation of architectural properties for japan and korea. After 1945, korea has preserved the architectural properties over 50's years and which accomplishment every yew. Also, there are some architectural properties which registered in world heritages. However, the study of this period is not studied enough. Especially a construction work for architectural properties during this period is not become known. Therefore, the purpose of this study is for three. First is to analyze construction work data(a specifications and etc.) for accessing originality of korea architectural properties. Second is to understand about the construction works of preservation for the korean architectural properties. and the last is to compare the peculiarities of construction work of Preservation for korean architectural properties between during 1910-1945 and 1945-1965.

Preservation of wooden architecture by means of synthetic resin, is physical and chemical work. Synthetic resins are using for consolidation and restoration of decayed members. Since 1978, synthetic resin became useful preservation of architectural heritage in Korea. The first object was Chimgyeru of Songgwang-temple in Suncheon city. In the 1980s, have begun the care of materials for conservation on the architectural heritage, it was influenced according to authenticity of UNESCO Venice charter's principle, in 1964. In Korea, preservation of wooden architecture by means of synthetic resin that is sing many kinds of epoxies. Among the specific types of epoxies are araldite XN1023, SV427, etc. The use of synthetic resin have merits and demerits in the restoration for architectural heritage. The merit is that it is more smaller change with new members during preservation work. But the demerit is an irreversibility of the epoxy resin. In 1999, 'ICOMOS International Wood Committee' recommend contemporary materials and techniques, should be chosen and used with the greatest caution. And preservation work should reversible, as possible as technically. Therefore, should be data continous for preservation of wooden architecture by synthetic resin. Because data is very important work about a preservation of wooden architecture by synthetic resin. And should be try to think about new materials and techniques instead of synthetic resin, in the long view.

Most of researches in Korea by far on Sekino Tadashi were mainly focused on his historical view only. The main observations of this study, instead, are that; (1) his methodology of studying architectural history was closely related to his previous experiences with the conservation of the architectural heritages in Japan, and (2) his earlier activities in Korea made a significant Influence on the conservation of the architectural heritages in Korea. Sekino started his carrier after the graduation from the university by participating in the restoration sites of the architectural heritages in Japan, and his experiences at that time had founded the basis of his methodology of studying architectural history. Later, his on-site experiences were also adapted into the conservation of the architectural heritages in Korea when Korea was about to be colonized by Japan. In other words, Sekino's study on the Korean traditional architectures started from 1902 had a meaning of not only the starting point of the study on the Korean architectural history but also the starting point of the conservation of the Korean architectural heritages. Especially, Sekino's study during 1909 1912 prioritized the conservation of the architectural heritages as the main purpose of the study, and the influences of the study spanned over the entire colonial period by Japan. The influences were that; (1) Sekino's studies in 1909 1912 had outlined the colonial government's policy of the conservation of the architectural heritages, and (2) many restorations were made based on those studies.

지진에 대한 구조물의 건전도는 내진설계에 의하여 많이 개선된 반면, 구조물 내부의 설비 및 중요 장비등에 대한 안정성은 최근에 관심을 가지게 되었다. 특히 국보급 문화재나 소장품은 그 가치에 비하여 지진에 대한 안전성이 고려되지 않은 것은 사실이다. 본 연구에서는 지진에 의하여 발생할 수 있는 내부 기기 및 문화재의 전도, 낙하를 방지하기 위한 면진 시스템을 개발하여, 본 장치에 대한 면진성능을 진동대 실험을 통하여 검증하였다. 본 면진 테이블은 전시물의 하부에 설치되어, 바닥판의 진동이 전시대에 전달되는 것을 차단하는 격리시스템이다. 면진성능시험 결과, 면진성능이 80-90%이며 면진테이블의 최대 스트로트내에서 안정적으로 거동하는 것으로 나타났다.

How have they preserved the regional historic buildings in Korea? Do they preserve the original value as a historic building. Are there any artificial deformations deteriorating the quality of the buildings? Is the regional system for preservation effective agalnst the artificial deformations of the buildings? These questions are involved in the purposes of this paper. I investigated the historic buildings designated by Kyong-Nam provincial government. As the resuit, variouse patterns of artificial deformation were found. I found that the deformations may deteriorate the original quality of historic building, and it is related somehow to the limitations of regional system for preservation. So I suggest some alternative ideas for preserving the quality of historic buildings against artificial deformation : a. Present system for preservation is not effective for preserving various architectural value such as urban context and landscape, site planning techniques, function of a space, etc. Regional system should be revised for preserving their architectural value or meaning. b. Historic buildings should be classified and should have proper protecting area according to each architectural values or meanings, respectibly: Historic buildings with Urban context and landscape Historic buildings as a part of a complex Historic buildings as a behavorial setting. c. Historic buildings should be graded based on their quality. And standard and criteria for acceptable deformations should be established. d. Periodical inspections by experts should be carried out to check out the deformation.