Economic indicators are a factor that affects air cargo volume. This study analyzes the different factors affecting air cargo volume by each Chinese cities according to the main characteristics. The purpose of this study is to help companies related to China, airlines, and other stakeholders predict and prepare for the fluctuations in air cargo volume and make optimal decisions. To this end, 20 economic data were used, and the entire data was reduced to 5 dimensions through factor analysis to build a dataset necessary and evaluated the influencing factors by multi regression. The result shows that Macro-Economic Indicators, Production/Service indicators are significant for every cities and Chinese manufacture/Customer indicators, Korean manufacture/Oil Price indicators, Trade/Current indicators are significant for each other city. All adjusted R2 values are high enough to explain our model and the result showed excellent performance in terms of analyzing the different factors which affects air cargo volume. If companies that are currently doing business with China can identify factors affecting China's cargo volume, they can be flexible in response to changes in plans such as plans to enter China, production plans and inventory management, and marketing strategies, which can be of great help in terms of corporate operations.

본 연구는 5·4운동 이후 1910년대부터 개혁개방 이후인 1980년대에 이르기까지 이 기간에 베이징을 묘사한 시를 큰 범주로 분류하여 분석했다. 분석 대상 작가들은 중국, 타이완, 한국 작가들을 대상으로 했는데, 이들 작품에 표출된 베이징 이미지와 이들의 표상이 시대가 흐를 수록 어떻게 변해가는지 그 변모 과정을 도출했다. 베이징 현대시를 베이징 성, 천안문(天安門) 광장, 전문역(前門驛), 호동(胡同), 공원과 신·구 베이징 사람들로 범주화하여 베이징의 빛과 그림자를 중국 현대시를 통해 살펴보았다. 이를 통해 베이징에 산재한 인문·자연·조형 경 관에 대한 표상과 이미지가 어떻게 생성되고 전파되며 유통되는지 살펴볼 수 있을 것이다.

봉건시대 ‘아’문화를 상징했던 베이징의 문화는 1980년대 ‘문화뿌리찾기’의 일환으로 등장한 ‘경미’를 통해 ‘아’와 ‘속’이 병존하여 구축된 것이라는 인식이 확산되었다. ‘경미’는 단순히 지역적 특색을 나타내는 문학과는 다른, 근대성으로 대변되는 ‘도시’와 ‘인간’의 상관관계를 풀 어내는 인문적 개념이 되면서 이를 통해 라오베이징부터 현재의 베이징까지 독해가 가능하게 되었다. 또한 ‘경미’는 영상 미디어의 발전에 편승하여 베이징의 시공을 시·청각적 이미지로 압축하여 사람들이 ‘경미’를 더욱 분명하게 느끼고 인식하는데 혁혁한 공헌을 하였다. 이에 본고에서는 ‘경미’ 서사와 영상 미디어의 최초의 결합 장르이자 가장 오랜 역사를 가지고 있는 ‘경미’영화를 중심으로 시대에 따라 변화된 ‘경미’의 문화적 속성인 ‘아’와 ‘속’이 어떤 서사와 방식으로 체현되었는지 그 양상을 고찰해보고자 한다.

This study was conducted to examine the effects of Chinese perceptions of quality attributes on customer’s satisfaction, revisit intention and recommendation intention for coffee shops in Beijing, China. Subjects of this study included 200 customers who had visited a coffee shop at least once during the last year. Statistical analyses were performed using SPSS v23.0 and AMOS v21.0. In this study, the majority of customers visited a coffee shop once or twice a week with friends. Respondents preferred tall-sized warm coffee in the store. The coffee shop quality attributes of were derived from five exploratory factors identified upon analysis of 30 observational variables. It was important to maintain and strengthen the quality attributes of coffee shops in this area because IPA(Importance Performance Analysis) analysis showed that “Doing great, keep it well” part was a desirable area because it had high importance and performance. Finally, path analysis revealed that customer satisfaction was influenced by employee attitude and affected revisit intention and recommendation intention.

Spoken words tends to be verbal communication, because the source of the words is different, or for use in different groups, it produced the sound homophones nearly glyph (written symbols) through the synchronical and diachronical spread, which is a spoken word may become phonetic variations occurred in the communication process, and lead to produce multiple variants including the shape of words and the numerous, complicated and changeful usage of words, sometimes even cover up their original real feature. This article focuses on spoken word about the same word but variant character of the oral literature (including abroad), which reflected Beijing dialect in the late Qing and early republic period

Chinese traditional residential buildings have the characteristics of diversification. Because of the vast land of China, different geographical environment, production and life and religion directly created a living culture of different ethnic and geographic, so that Chinese traditional dwellings have a variety of features. These diverse Traditional Dwellings architecture is an important historical and cultural heritage, but also has a high technical and artistic value. The Beijing traditional quadrangles and the Jilin Korean Nationality dwellings are representative buildings in North China and Northeast China, and they are subject to different geographical factors and the impact of climatic factors, and therefore have their own geographical features. In addition, they also have differences in cultural customs, traditions and folklore materials. These differences also reflect the different cultures living.

Siheyuan, is the traditional Chinese courtyard style building, has a long history, and is an extremely important historical and cultural heritage. It carries the folk culture of old Beijing and the history of the old Beijing. Therefore, its cultural connotation should be maintained. With the growing number of skyscrapers, construction industrialization replacing traditional construction technology today, hutongs and Siheyuan have lost their luster, most of the traditional Siheyuan have become shabby, inner vitality and old form that were the social mechanism are rotting away. Just relying on protection and repair Siheyun is far from a healthy survival. Instead development and innovation is needed for a vibrant sustainable preservation of Siheyuan. In order to make Siheyuan more comfortable, more vibrant and to achieve its sustainable development, it should be combined with modern materials and construction technology.

Based on the reference achievement scholars before, combined with the actual survey results on Nom Tay documents currently stored in Institute of Sino-Nom Studies, conducted article comparing other cases face each other and are similar in structure between the written word: Nom of the Kinh and Tay ethnic group in Vietnam with the letter of the Zhuang ethnic blocks (Guangxi, China). This indicates that, basically 3 types of this writing there are a lot of similarities in terms of composition, the differences are very small and specific characteristics. This sector should be studied in depth and hopefully more will have interesting results in the future.

Siheyuan, is the traditional Chinese courtyard style building, has a long history, and is an extremely important historical and cultural heritage. It carries the folk culture of old Beijing and the history of the old Beijing. Therefore, its cultural connotation should be maintained. With the growing number of skyscrapers, construction industrialization replacing traditional construction technology today, hutongs and Siheyuan have lost their luster, most of the traditional Siheyuan have become shabby, inner vitality and old form that were the social mechanism are rotting away. Just relying onprotection and repair Siheyun is far from a healthy survival. Instead development and innovation is needed for a vibrant sustainable preservation of Siheyuan. In order to make Siheyuan more comfortable, more vibrant and to achieve its sustainable development, it should be combined with modern materials and construction technology.

Mushroom production by automatic bottle culture system was introduced into China in 1999 and developed rapidly in recent ten years. According to the statistics of Chinese Mushroom Society, about 652 facilities of automatic mechanized bottle system were in 2011. The annual rate of increase of facility is expected to exceed 47%. The gross production by automatic bottle culture system was 990,000 tons in 2011. Beijing Hengdaxing Edible Mushroom Co., Ltd established in 2007 in Tongzhou district, Beijing is a company producing Pleurotus eryngii var. ferulae with annual production of 1,000 tons. The company has finished the technical reformation and expansion. Its designed production capacity is 6.5 tons per day and 2,000 tons per year. Beijing Fuqin Edible Mushroom Science & Technology Co., Ltd is an industrial production company of Flammulina velutipes. It was established in 2007. Its production capacity is 20 tons per day and 7,000 tons per year.

경극의 시작은 오래되었으나 중국 중부지역의 양자강 일대에서 발전하기 시 작하여 각 지방의 특색을 포함하면서 오랜 시간 동안 변화해 왔다. 지금 의 형태로 나타난 경극은 청나라 시기(1736~1796)에 북경에 정착하면서 극의 내 용과 음악의 곡조, 그리고 표현방법 등이 어우러져 춤과 노래가 동시에 진행되는 형태로 변화했다. 이 경극은 극본에 연기와 음악 ‧ 노래 ‧ 소도구 ‧ 분장 ‧ 의상에서 너무나 중국적인 특색을 보이기 때문에 중국전통 문화의 엑기스로 일컬어진다. 경극은 시간과 공간의 제약을 받지 않는다는 특징 때문에 극의 배경과 시대적 상 황 등, 모두가 상징적으로 처리된다. ‘상징’은 중국 극의 중요한 요소라고 할 수 있 다. 그리고 경극은 장식성과 과장적인 면이 있다. 따라서 경극의 이해는 어떻게 보 면 근대연극과 비교해 볼 때 무대의 장치 면에서 조악하게 보일 지도 모른다. 이 런 것들이 문화적 특색이라 평가할 수 있다. 또, 배역으로 등장하는 배역들이 공연 할 때 표현하는 행동 들이나 배우들이 갖추는 분장 등 역시 중국 문화에 대한 관 련성을 보여준다.

In this paper, the Beijing courtyard and Fujian Earth Building--model for two typical entry points, through both a comparative analysis of the typical form and from the perspective of traditional Chinese culture to explain the differences between the two shapes in order to explore the south and the north of China's residential cultural similarities and differences .

서울시와 베이징시의 두 도시의 공원 관리체계의 현황, 유형, 관리조직, 이용객, 예산, 문화활동 분야로 구분하여 정리하였고, 양국 비교분석 하였다.두 도시의 공원 관리체계의 기본기능과 내용은 대체적으로 동일하나, 그러나 구체적인 방면에서 차이가 많다. 공원녹지통계, 오락공원시설, 이용객 및 구성원의 신분 통계, 수입관리방식, 관리조직과 기능, 이용객을 끌어들이는 방식 및 관련있는 법규의 내용등 방면에서 나타난다.공원관리의 과정에서 나타나는 차이의 주요원인은 국가의 문화, 행정체제가 다른데 있으며, 목표에 도달하기 위하여 두도시 모두 많은 방면에서 노력을 하고 있으며, 시설의 재정비, 공원문화의 혁신 등을 통하여 이용객 만족도를 높이는 것이다.두 도시의 도시녹화, 공원시설, 이용객 활동, 구성원과 원림수입/지출방면의 통계자료로 두 도시의 특징과 차이를 보이고,도시공원의 문화활동, 입장료 판매방식, 수입/지출관리 방식을 비교하여 최종에 두 도시의 공원관리방식에 관련 있는 법규내용의차이가 나타났다..공원관리사업에서도 공통적으로 공원조성, 수목 및 화훼, 시설물 보수 및 정비, 환경위생, 공원 서비스, 유람 서비스등서비스가 포함되기 때문에 관리내용이 비교적 업무량도 많으나. 그러나 베이징시의 경우 공원 구성원들은 반드시 계획대로고효율적으로 공원관리를 진행하여 공원관리의 목적에 도달해야 하다는 인식이 지배적이다.그러나 비교할 수 있는 자료는 문화와 행정체계가 다르고 연구 자료도부족하기 때문에 내용도 한계가 있다고 보며, 중국의녹지 정책, 넓게는 중국의 환경개선 및 보호 정책에 대한 정보가 매우 부족한 상태이므로 정책과 실상을 알아보는 것이가장 우선되어야 할 것이다.

Much has been written about the general ability (or lack thereof) of international development organizations to effectively monitor and evaluate the impact of their Rule of Law projects on the ground. However, less research has focused on particular development organizations’methods of project evaluation, the politics behind them and their strengths and weaknesses. This paper offers such an analysis of the evaluation methods of GTZ Legal Advisory in Beijing. After describing the work of GTZ in general and its Legal Advisory in particular, the paper offers a detailed evaluation of the tools that it uses to gauge the impact of its projects on the ground. What is gained from such a particularized analysis is a deeper understanding of both the donor politics and organizational tradeoffs inherent in monitoring and evaluation decisions, two factors often given insufficient attention in more theoretical discussions.

The photosynthetic characteristics and water use of WL323MF at 3 irrigation treatments (60㎜, 40㎜ and 20㎜ water were applied at the regeneration period and after mowing, respectively) were studied in Beijing's farmland. The results showed t㏊t there are the diurnal change with "M" shape in the Pn, Tr and Gs of WL323MF and there are the positive corresponding relationship between the ㏊y yield and the water consumption, the WUE. About 60㎜ of irrigation could get about 532.74㎜ of the water consumption and 17925.28㎏/㏊ of alfalfa hay, about 20㎜ only could get about 389.60㎜ of the water consumption and 10450.75㎏/㏊ of alfalfa hay.

The situation, problems and models of forage production and industrialization in Beijing were analyzed, and the strategies were pointed out including: (1) The suitable planting areas for alfalfa, silage com and rye etc should be defined systemically, and the rational harvest time and dry skills should be set up in Beijing plain areas. (2) The perennial forage crops with higher drought resistance should be planted in the waste slope land and barren land. (3) The interplant forage crops in the woodland and orchard should be generalized.

Yangbanxi("model plays") symbolize the Cultural Revolution(1966~1976) in China. The Eight Model Revolutionary Works include five Chinese Modern Peking Operas, namely, Taking Tiger Mountain by Strategy(智取威虎山), Harbor City(海港), Shaijabang(沙家浜), The Red Lantern(紅燈記), and Raid on the White Tiger Regiment; (奇襲白虎團), ballets such as The Red Detachment of Women(紅色娘子軍) and The White-Haired Girl(白毛女); and a symphony: Shajiabang(沙家浜). On April 24, 1967, Chinese leaders, including Mao Zedong, saw a performance of The White-Haired Girl. Yanbanxi was performed in Beijing between May 24 and June 15 the same year. The Red Lantern was designated as a work for the proletarian classes by Jiang Qing(Mao Zedong's third wife and the most influential woman in China) and spread nationwide. It was also made into a film to be enjoyed by many people. The modern Chinese operas went a long way in their creation of visual images of revolutionary heroes. The Red Lantern, in particular, came to be regarded as the most representative revolutionary opera. In the course of such a process, Jiang Qing used Yangbanxi as a political tool for compelling the people to worship and pledge their allegiance to Mao in an effort to turn the Cultural Revolution into a class struggle on behalf of her husband. During the Cultural Revolution period, artists were made to associate with workers, farmers and soldiers based on the idea of advocating revolutionary arts for the proletarian classes. The characters in The Rend Lantern were portrayed as heroes from the proletarian classes according to the demands of the era. Chinese leaders set forth the principles of artistic expression, stressing three important factors: politics, heroes, and heroic acts, which were to be applied to all the visual arts, including Yangbanxi. This paper attempts to present a new view of fine arts during the Cultural Revolution in China by focusing on the productive significance of a leading style of a specific era in the past. To that end, this paper sheds light on products made in conformance with political instructions, stressing the importance of revolutionary heroes in The Red Lantern.

본고는 金昌集의 문집 夢窩集에 실려 있는 燕行塤錄을 중심으로 18세기 초 장동 김씨 일문의 燕行 체험을 고찰하였다. 연행훈지록은 김창집이 정사로, 동생 김창업은 타각(자제군관)의 신분으로 4개월에 걸친 사행 기간 동안 침식을 같이 하면서 형제가 동일한 시제나, 같은 운자로 지은 시들을 모아 놓은 것이다. 이때 운자는 대개 부친 김수항의 사행시에서 차운한 것으로, 선대의 연행의 족적을 답습하고 추체험하는 단서이기도 하다. 내용을 분석해보면 첫째로 선조와 같은 길로 연행을 하면서 유적이나 그밖에 유편들을 통해 선조를 회고하고 훌륭한 조상에 대한 자부심을 갖고 또 형제간의 공감대와 가족간의 동질성을 확인하는 것을 볼 수 있다 다음으로 비록 조공을 바치러 가지만 대표적 척화신의 자손으로서 여전히 존명의리와 배청사상을 견지하고 있음을 볼 수 있었고 다만 형제가 신분의 차이에서 오는 목적의식은 다소 다름도 확인할 수 있었다 또한 이 「연행훈지록」 에는 숙종의 御製詩가 포함되어 있는데 이는 이들 형제를 사행을 보내면서 숙종이 쓴 시로 임금의 이 명문거족에 대한 배려를 짐작할 수 있다 이들은 여기서 다시 가문의 자긍심을 갖게 된다 이로써 세기 초 장동 일문의 연행체험의 내용과 문학적 형상화의 한 면을 고구해 보았다.

베이징은 중국역대의 유명한 도시로서 알려져 있지만, 대부분 도시 속에 거주하지만 도시를 혐오하는 중국의 지식인에게 이 도시는 친근하고 향토감을 느낄 수 있는 도시로서 중국지식인의 이 도시에 대한 사랑을 여러 글에서 찾을 수 있다. 베이징은 사람과 도시 간에 역사와 깊이 있는 문화로 연결되어 있었다. 그러나 이제는 베이징과 베이징인의 문화적 경험의 공감과 정감의 그 전원적인 세계는 존재하지 않는다. 문화적 기억이 상실된 대도시 형상이 사실상 현실의 베이징의 진실한 모습이다. 그래서 최근의 문화서술 속에서는 베이징에 대한 향수가 시작되어진다고 할 수 있다. 앞에서 언급한 铁凝의 《永远有多远》이라는 질문, 즉 일찍이 풍부한 역사와 문화전통을 가진 베이징이 과연 자신의 기억을 보존할 수 있겠느냐의 물음은 답이 없다고 할 수도 있을 것이다. 그러나 이글을 쓰면서 확고한 신념과 같은 것이 느껴졌는데, 베이징은 현대화 과정의 어떠한 급격한 변화와 통제 속에서도 여전히 문화의 중심지일 것이라는 생각이다. 예술에의 열정으로 베이징을 유랑하는 주변인 예술가(현시점에서는 이미 그들을 주변인이라고 할 수도 없지만, 왜냐하면 장위엔, 왕샤오솨이, 지아장커 그들은 이미 중국과 세계 영화세계에서 자신의 위치가 확고하기 때문이다) 와 그 후대인들이 베이징에서 중국미래의 문화를 새롭게 창조해갈 것이라는 생각이 들기 때문이다. 그리고 이미 사라진 베이징 전통문화는 중국 당대인의 정신적 필요에 의해서 매 시기 마다 그 시기의 담론의 내용에 의해서 재건립 될 것이다.

This paper is focused on Damheonseo(湛軒書), an anthology written by Hong Daeyong, and I deal with Chinese Architectural views which he had experienced in his itinerary to Beijing, and the vivid pictures of Joseonkwan (called the Koryo or Joseon Embassy) located in Beijing at that time. He was a scholar of great erudition over astronomy, mathematics, military science, politics, and so on. He was interested in practical sciences at early time, and criticized secular scholars full of vanity who had presented purposeless articles. In his age of 35, Qianlong(乾隆) 30 (1764, Youngjo 41), he, a military escort, accompanied by Hong Uk, Joseon envoy and his uncle. Before his itinerary, he self-studied Chinese. Also, during a long journey he got new experiences and information around each area, deviating his group whenever he had some times. He could get more variant experiences than others because of his character full of curiosity, and his observations from the vivid lives of the time helped us get various views between Chinese and Korean architecture. Likewise, although he denounced Qing(淸) scathingly as a barbarian, he mentioned several points about the characteristics of Chinese architecture at that time. First of all, totally Chinese architecture had strong rational and practical points. Secondly, based on bountiful products, buildings along streets shown in Chinese city had sophisticated compositions, and luxurious and magnificent appearances. Thirdly, using the brick from walls to houses was so universal. Fourthly, the layouts of building with three- or four-closed courtyard had very orderly shapes, and the structure of street was also so arranged. Finally, because of stand-up lives, the scales and appearances of interior space were even more extended, and storages were less developed than those of Joseon. As another points, I found that Joseonkwan was moved next to Shushangguan(庶常館)from Huidongnanguan(會同南館) around Hanlimyuan(翰林院), and had been remodeled into a house with Korean custom in using the inner spaces, although it was followed by a closed courtyard style. Likewise, I recognized that Ondols were sure to be established in all temporary houses during the journey to Qing, and felt their strong traditional residential custom in such mentions. Now that the past pictures have disappeared and ways of life and our values have been largely changed, this study has very important meaning in comparing the ancient Chinese and Korean architecture.