Korean architecture classifies Banja (the decorated flat of the ceiling visible from the inside) of Royal Palaces into two types: Woomul(water-well, 井) banja, which inserts rectangular wooden board into lattice frame, and paper banja, which applies paper to the flat ceiling. Such classification was established in the 19th century. Before that, Banja was classified according to what was inserted into the lattice frame, either wooden or paper board. At first, the banja that used paper board was widely installed regardless of the purpose or nobility of the building. However, since the 17th century, the use of paper board banja became mostly restricted to Ondol (Korean floor heating system) rooms which are characterized by private usage and the importance of heating, and it was considered inferior to wooden board banja in terms of rank or grace. The contemporary paper banja was mainly installed in low-rank ondol rooms until the late 19th century to early 20th century, when roll-type wallpaper was introduced from the West and the paper banja came to decorate the King’s and Queen’s bedrooms. The traditional paper board banja benefits heat reservation, reduces the weight of the ceiling, and allows the adjustment of the lattice frame size. Furthermore, it can feature unique artistry if covered with blue, white, or red Neung-hwa-ji (traditional flower pattered paper).

이 논문은 『매의 우물에서』와 『이머의 유일한 질투』가 어떻게 예이츠 자신의 독특한 영성에 대한 생각을 문화적 민족주의와 결합시키는지를 보여준다. 두 극은 쿠훌린을 주제로 사용함으로써 강렬한 감정을 불러일으키고, 이를 통해 민족의식을 불러일으키고 있다. 그 중 첫 번째 작품인 『매의 우물에서』는 쿠훌린이 영생의 샘물을 찾아나선 젊은이로 등장한다. 그러나 쿠훌린은 결국 샘물을 얻지 못하고 떠난다. 두 번째 작품인 『이머의 유일한 질투』는 그보다 훨씬 이후의 이야기를 다루고 있는데, 극에서 쿠훌린은 아들을 제 손으로 죽인 후 미쳐서 파도와 싸운 후 의식을 잃은 모습으로 등장한다. 그 다음으로, 논문에서는 두 극에 영향을 주었다고 생각되는 노 극 『요로』 (養老)와 『아우이노우에』(葵上)에 대한 논의를 통하여 예이츠가 어떻게 노 극의 전통을 따르면서도 동시에 변형시키는지에 대하여 알아본다.

예이츠의 일본의 노드라마와의 조우는 1916년『매의 우물』을 쓰게 하는데, 이 작품에서 그는 시극에서 직면한 여러 문제와 자신의 시적 문화주의의 애매한 표현에 대한 해결책을 찾는다. 노드라마를 그대로 재현하는 대신에 예이츠는 대중적 연극개념에 반대한 자신의 미학적, 정치적 이상을 담아 재창조한다. 예술적으로, 예이트는 “극의 형식을 발명”해내는데, 이 형식은 반연극적, 반사실주의적 화법을 실행할 뿐 아니라, 일반대중을 포용하기를 거부하는 친밀한 극을 만든다. 정치적으로, 예이츠의 시적문화주의는 노에 영감을 받은 극에 적합한 신비주의철학과 결합한다. 시극은 이미지의 집중이 애국심을 불러일으키는 강력한 의식이어야 한다고 예이츠는 생각했다. 그러나 이런 공연 리추얼이 야기하는 주술적 상태는 부정적 양상을 초래한다. 매의 우물에서, 쿠훌린의 마지막 영웅적 행위는 자신의 선택이 아니라 주술의 결과이다. 이렇게 이 극은 초기극『캐스린 니 훌리한』에서 보이는 문화적 주술의 시학으로서의 문화주의의 지속성에 우리의 관심을 끌게 한다.

이 연구는 『매의 우물에서‏‎』에 예이츠의 극작품의 특징과 노극의 요소가 어떻게 재현되어 있는지를 분석한다. 더 나아가 이 연구는 예이츠의 극작품과 노극과 의 차이점을 분별하면서 지혜의 추구에 대한 그의 열망을 규명한다. 그는 노극을 접한 이후에 초기 극작품들과 아주 다른 새로운 극작품을 창작한다. 그의 극작품은 노극의 기본원리를 이용하였으나 아일랜드의 전설적인 영웅들을 작품에 등장시켜서 아일랜드 문학의 세계화를 창조한다. 더욱이 그는 쿠헐런과 같은 아일랜드 영웅들을 『매의 우물 에서』에 등장시켜서 소포클레스와 셰익스피어의 전통을 이어받는 세계적인 극작가로 탄생한다. 요컨대 그는 그의 극작품을 통해서 현대를 살아가는 우리들에게 문화의 중 요성을 끊임없이 자각하여, 삶의 지혜로 활용하도록 하고 있다

The low and intermediate-level radioactive waste generated in Korea is disposed of at Wolsong Disposal Facility. For the safety of a disposal facility, it must be assessed by considering some abnormal scenarios including human intrusion as well as those by natural phenomena. The human intrusion scenario is a scenario that an incognizant man of the disposal facility will be occurred by the drilling. In this paper, the well usage scenario was classified into the human intrusion event as the probability of the well drilling is very low during the man’s lifecycle and then was assessed by using conservative assumptions. This scenario was assessed using the dilution factor of contaminants released from a disposal facility and then it was introduced the applied methodology in this study. The assessed scenario using this methodology is satisfied the regulatory limits.

In the safety assessment of the geological disposal system of the radioactive wastes, the abnormal scenarios, in which the system is impacted by the abnormal events, need to be considered in addition to the reference scenario. In this study, characterization and prediction of well intrusion as one of the abnormal events which will impact the disposal system were conducted probabilistically and statistically for the safety assessment. The domestic well development data were analyzed, and the prediction methodologies of the well intrusion were suggested with a computation example. From the results, the annual well development rate per unit area in Korea was about 0.8 well/yr/km2 in the conservative point of view. Considering the area of the overall disposal system which is about 1.5 km2, the annual well development rate within the disposal system could be 1.2 well/yr. That is, it could be expected that more than one well would be installed within the disposal system every year after the institutional management period. From the statistical analysis, the probabilistic distribution of the well depth followed the log-normal distribution with 3.0363 m of mean value and 1.1467 m of standard deviation. This study will be followed by the study about the impacts of the well intrusion on the geological disposal system, and the both studies will contribute to the increased reliability of safety assessment.

Rorabaugh(1953)에 의해 재정리된 단계양수시험 해석해 sw = B C p 는 단열암반대수층에서 비선형 으로 증가하는 수위강하에 매우 적합하며, 현장에서 관측된 수위강하 값과 추정된 수위강하 사이의 제곱 근 평균제곱오차(RMSE) 값이 매우 낮음을 보여주었다. 우물수두손실(C p )의 C 값은 3.689×10-19 5.825 ×10-7, P 값은 3.459 8.290의 범위로 산정되었으며, 지표로부터 하부심도로 내려 갈수록 양수율 증가에따른 수위강하는 매우 크게 나타났다. 단열암반대수층에서의 우물수두손실은 다공질매질에서와 달리 단 열특성(단열의 틈, 간격, 상호 연결성)에 의한 영향으로 나타나므로, 우물수두손실의 C 와 P 값은 단열암 반대수층의 난류구간과 고·저 투수성 단열암반의 특성을 해석하는데 매우 중요하다. 그 결과, 우물수두 손실 항의 C 와 P 값에 대한 회귀분석 결과로부터 암반대수층의 난류구간과 수리특성의 관계가 파악되었 으며, C 와 P 값의 관계가 단열암반대수층의 수리특성 해석에 있어 매우 유용함을 확인할 수 있었다.

지진시 구조물에 작용하는 동적토압은 구조물 관성력과 동적토압의 위상관계에 따라 구조물의 변위에 대한 하중 또는 저항력으로 발휘될 수 있다. 본 연구에서는 위상관계를 고려한 동적토압 산정 절차를 제안하고, 이 절차에 따라 교량 우물통 기초에 대한 수치해석을 수행하여 구조물 관성력과 동적토압의 위상관계를 분석하였다. 그 결과, 지반강성이 작아서 지반의 변위진폭이 구조물의 변위 진폭보다 큰 경우에는 동적토압이 구조물의 변위를 증가시키는 하중으로 발휘되며, 지반강성이 커서 지반의 변위진폭이 구조물의 변위진폭보다 작은 경우에는 동적토압이 구조물의 변위를 감소시키는 저항력으로 발휘되는 것으로 나타났다.

Yeats held a life-long interest in Japanese culture, and employed the images, knowledge and inspiration he gained from Japan in many of his literary works. On the whole, it was the Japanese literary form that was most significant in his development as a writer. It was through the translations of Ezra Pound and Ernest Fenollosa that Yeats became acquainted with Noh, the medieval Japanese drama. It is generally agreed that Yeats’s encounter with Noh marked a turning point in his career as a dramatist. The Noh led him to create “a form of drama, distinguished, indirect and symbolic...an aristocratic form.” In “Note to At the Hawk’s Well,” Yeats writes: I have found my first model—and in literature, if we would not be parvenus, we must have a model—in the ‘Noh’ stage of aristocratic Japan. From this statement, we can see how significant the Noh-form was to Yeats in his development as a playwright. When Yeats was first introduced to Noh, he immediately perceived affinities with Irish legends and beliefs. The Noh was not something completely new or alien to Yeats. It was the discovery of an ideal, an ideal form for him to express his perennial themes of the tension between the physical and spiritual worlds. Yeats’s Noh-inspired plays are often categorized as “dance plays” and we can see that “dance” was an important symbol which Yeats developed through his experience with Noh. Yeats wrote in his “Introduction” to Certain Noble Plays of Japan that it was a Japanese dancer, Ito Michio, who inspired him to write his new play, At the Hawk’s Well (1916). In Noh, the dance which is usually danced by a supernatural figure, is placed at the centre. Here, the supernatural dominates the stage and the action develops toward a moment of enlightenment. Yeats precisely points out this fact and writes that in his new play, instead of “the players working themselves into a violence of passion...the music, beauty of form and voice all come to climax in pantomimic dance.” However, since Yeats intended Cuchulain as the central figure of At the Hawk’s Well, the theatrical effect of the dance had to differ from that of Noh. Another characteristic of this play is that it dramatizes the ‘transformation’ of the Guardian of the Well, the role which Ito Michio played, through spirit possession. This change in personality is conveyed by means of a change in costume(she throws off her cloak to reveal a dress suggesting a hawk). This is a method resembling ‘monogi(物着),’ one of the most important dramatic conventions of Noh. Yeats explores this device again, in The Only Jealousy of Emer(1919), another dance play modeled on Noh, but this time using different masks to show the change in personality. Yeats’s interest in this motif of spirit possession eventually led him to write The Words Upon the Window-Pane(1930), a play where he dramatizes a seancē. Here, the dramatic tension is concentrated mainly on a supernatural manifestation through the ‘protagonist’ who is a professional spiritual medium. In this paper, I have discussed Yeats’s relationship with Noh through a detailed analysis of At the Hawk’s Well. In this play, we can see many aspects of Noh. The simplified stage, the musicians, the mask, the dance, the use of a square blue cloth to represent a well; these are characteristics reminiscent of Noh. However, we must note that this play was not merely an imitation of Noh but a completely new form of creative writing. Richard Taylor indicates the influence of Yoro, a felicitous Waki-noh, or God Play on this play. A comparison of these two plays reveal that Yeats had no intention of following the Noh paradigms faithfully. However, the inspiration he gained from Noh opened a wide range of dramatic experiments enabling him to write a sequence of dance plays. In later plays such as The Words Upon the Window-Pane and Purgatory, Yeats succeeded in achieving a dramatic effect closer to that of Noh.

Al0.24Ga0.76As/GaAs 다중 양자우물 구조의 고아 흡수 특성을 표면 광전압 방법을 사용하여 연구하였다. SPV 측정결과 1.42eV 부근에서 두 개의 신호가 나탔으며, 이는 화학적 에칭으로 GaAs 기판의 신호와 GaAs 완충층과 관련된 신호임을 확인 할 수 있었다. Al0.24Ga0.76As와 관련된 전이 에너지를 관찰하고, Kuech 등이 제안한 조성식을 이용하여 Al 조성(x=24%)을 결정하였다. 그리고 다중 양자우물에서 나타나는 전이 에너지 값들은 envelope-weve function approximation(EFA)로 계산한 이론치와 잘 일치하였다. 입사광의 세기에 따라 광 전압이 선형적으로 변한다는 것을 알 수 있었고, 온도가 감소함에 따른 전이 에너지의 변화를 관찰하였다.

In this paper, a groundwater hydrological study of the Gyeongju well during the Silla period is conducted to investigate how sufficiently the Gyeongju well supplied water demand at the time. It is assumed that the current geology and soil condition in Gyeongju remain similar to the Silla period. Also, the land use and land coverage during the Silla period is estimated based on the current land condition in Gyeongju. Precipitation during the Silla period is analyzed using precipitation data from 1984 to 2014 provided by Gyeonju weather station. Precipitation analysis is applied based on 3 different scenarios; precipitation intensity during the Silla period was Case ① the same as, Case ② 30% more, and Case ③ 30% less than the precipitation intensity of the last decade (2005~2014). Furthermore, to observe the use of the well in Gyeongju during droughts, the following condition(Case ④) is also considered; ten year drought during the Silla period was the same as the ten year drought from 1984 to 2014. Available amount of groundwater development is analyzed using NRCS-CN method. The results show that the potential amount of groundwater in Gyeongju during Silla era was for Case ① 62,825,272 ㎥/year, Case ② 93,606,567 ㎥/year, Case ③ 32,277,298 ㎥/year, and Case ④32,870,896 ㎥/year. Also, it has been shown that 45,260,000 ㎥ of groundwater were required to supply to all households in Gyeongju during Silla era. Therefore, if the precipitation intensity during Silla era was similar with the last decade, the groundwater would provide enough supply to all households in Gyeongju. However, in the case that the precipitation intensity during Silla era was 30% less than the last decade or a ten year drought happened, it is predicted that the water use in Gyeongju would have been limited.

우물수원의 보호구역의 범위를 결정하기 위해서 GIS를 이용한 지하수 모의모형ㅇ과 Arc/Info의 Grid 함수를 이용하였다. GIS를 이용한 지하수 모형은 Arcview GIS를 사용하여 모형의 시간변화를 고려하고 자료의 입력 및 조작, 모의, 결과의 표시 등을 GIS내에 통합한 모형으로 개발하였다. 모형을 적용하기 위해 미국환경의 자료를 사용하였으며 적용시킨 결과 지하수 모형에서 계산된 수두 분포와 우물의 영향권을 계산한 값이 본 논문에서 계산한 값