If cultural Heritageis located in the downtown, conservation areas was developed or is being developed In most cases Therefore, in this case, the relative height of the building during construction than the regulatory limit is reasonable, is emerging need to be objectified. This study was utilizes GIS analysis techniques for 'View Corridor' and building height standards were determined. First, 'View Corridor' set and building height restrictions for the analysis of urban environmental factors were analyzed in. In particular, the topography and urban planning, and existing buildings, including the distribution of the physical urban environment, with detailed analysis on the major historical and cultural assets with a combination of a review of the impact factor for the formation of the urban landscape recognize the scope has been expanded. Second, the key selection criteria for View point largely focused on cultural Heritageand the surrounding communicative point of view and, consequently, connectivity, and symbolism, accessibility, analysis, factors such as Prospect, setting the standards by applying a detailed assessment of each item the main view point were derived. Third, the derived key View point on the terrain and landscape characteristics simulation analysis carried out by considering together the main axis, and this suggests a reasonable height for the proposed standards.

The aim of this research was to analyze changes in a Roasted Beef recipe through Sulhamyukjuk. In order to conduct this study, we investigated ancient and modern culinary literature published until 1950. The main method of research in this study was content analysis. There were 15 pieces of ancient and modern culinary literature used. In addition, the roasted beef recipes totaled 78. Analysis of recipe data published over the last 300 years showed two different types of Roasted Beef recipes: 1) Roasted Skewered Beef and 2) General Roasted Beef. In the case of Roasted type, the method was divided into three steps: 1) Coating of flour porridge after marinade in the source, 2) Three dippings into cold water during Roasting, and 3) Roasting again with Seasoning.

The commonly used word historical evolution research is one of Chinese glossary history research important topics. The verbs Relevant to plant is in Chinese the important commonly used glossary from the pre-qin until the modern age. According to the historical literature,this article carries on the investigation to this kind of verb in each historical period evolution situation, and tries to find their characteristic .The research for the commonly used word to provide the document reference.

본 연구의 목적은 역사적인 관점에서 유럽과 한국에서 사용된 ‘독도’ 명칭과 새 한글 로마자 표기법에 따른 독도의 표기 문제를 살펴봄과 동시에 독도에 대한 한국의 영유권의 정당성을 증명하는데 있다. ‘독도’가 쓰이기 전까지 이 섬은 ‘우산도’, ‘석도’, ‘삼봉도’, ‘가지도’ 등 다양하게 쓰여졌다. 독도는 1849년 ‘리앙쿠르’ 포경선에 의해 최초로 발견되었고, 그로 인해 ‘리앙쿠르암’이라 불리게 되었다. 한국에서는 20세기에 들어서 역사적, 지리적으로 증명하기 위해 ‘독도’라 쓰여지게 된다. 본고에서는 ‘독도’의 남·북한 로마자 표기법을 적용하여 적절한 표기법에 대해 살펴보았다.

공정거래법의 법과 역사적 고찰 한국 공정거래법의 입법적 변천 과정을 법과 역사의 관점에서 볼 때, 과연 바람직한 위상을 갖추었느냐의 문제는 향후 우리나라 공정거래의 법질서가 어떻게 어떤 모습으로 정착되는가에 따라 그 평가가 달라질 수 있다.우리 법은 1981년 제정이후 2011년 현재까지 타법개정으로 인한 재개정을 제외하고 15차례의 일부 또는 전부개정이 있었다. 그 중 1986년 제1차 개정과 1990년 전부개정을 제외하고는 모두 1992년 이후에 이루어진 것으로 이는 우리 나라 공정거래법의 역사가 1990년대 이후 매우 가변적이었고, 불안정하였음을 뜻한다. 이는 입법기술적 측면에서 cooling-off의 결여이고 정치적 협상에 의한 입법의 정치화현상이거나 그 침전물로의 전략이라고 생각한다. 잦은 법개정이 수범자의 예측가능성을 박약케 함은 당연한 역설이다.우리 나라 규제완화 정책의 역사적 전개과정을 ①규제강화기(해방-1979년)②규제완화도입기(1980년-1987년)③규제완화확장기(1988년-1992년)④규제완화인프라형성기(1993년-1997년)⑤규제개혁시스템정착기(1998년-2002년)⑥규제개혁성숙기/과잉규제완화기(2008년이후)로 분류하는 견해가 있다. 그러나, 당해 분류는 우리 나라 공정거래법의 역사적 위치를 오로지 규제완화정책 측면에서만 관찰한 것으로 보인다.기능적 측면에서 우리 나라 공정거래법 법과 역사를 제조명해보면 공정거래법 前史시기와 신규제정은 규제기반조성(강화)단계로 보아야 할 것이며, 우리 나라 공정거래법은 현재 2 단계인 규제조정(완화)시기를 거쳐 이제는 규제구조 고도화단계에 진입했다고 하여야 할 것이다.결론적으로, 한국공정거래법의 역사적 전개과정 속에서 한국적 독점의 특수성을 고려한 법적 기준을 명확히 계량화하고 법집행의 누수현상을 예방하는 연성적 입법화를 촉구되어야 할 것이다.

The mainly purpose of this research was to investigate tendency of changes regarding the recipe of Naengmyeon (Korean cold noodles) based on water. In order to conduct of this research, we analyze the recipe data published in Korea from 1800's to 1980's. A method of mainly study was conducted by content analysis and literature review. The documents of recipe used research were 42 literatures (euigwae, recipe book, magazines, and dictionaries). In addition, the recipes of Naengmyeon based on water were total method of 84. The results of an analysis of recipe data published in the last 200 years showed 3 different types of the recipe of Naengmyeon based on water; 1) Naengmyeon based on water of Kimchi juice type 2) Naengmyeon based on water of (meat) broth type 3) Naengmyeon based on water of mixed (Kimchi juice+broth) type.

Radish kimchi is a typical side-dish in Korean traditional food and is a way of keeping vegetables for a extended period using fermentation. This study examined the classification, usage, eating history, variety, and recipes of Korean radish kimchi through ancient and modern era literature. The Korean radish kimchi were categorized into six groups: kkakttugi, seokbakji (or nabakkimchi), dongchimi, jjanji, jangachi, and jangkwa. According to the record, the eating history of radish kimchi comes from before the age of the Three Kingdom period. Radish was preserved in salt, vinegar, soybean paste or lees of fermented liquor in the early times. This pickled radish was not supposed to be watery. Radish kimchi was divided into watery kimchi (dongchimi) during the period of United Silla and the Koryo Dynasty. Kimchi was mixed with Chinese cabbage to make seokbakji or nabakkimchi. Up to the early Chosun Dynasty, the key ingredient of kimchi was radish. After the middle of the Chosun Dynasty, kimchi was mixed with red pepper powder, salted fish, soybean sauce, and various ingredients. There were many kinds of radish kimchi during the late Chosun Dynasty. In the 11 Korean recipe books published within the past 100 years, there are nine kinds of kkakttugi, three kinds of seokbakji, four kinds of dongchimi, three kinds of jjanji, nine kinds of jangachi, and five kinds of jangkwa. Kkakttugi (cubed, sliced or julienne radish) was pickled with salt, red pepper powder, garlic, green onion, oyster, sugar, salted fish, and more. Seokbakji and nabakkimchi were not as salty, so they could not be preserved as long. Dongchimi (watery radish kimchi without red pepper powder) was made of radish, water, salt, 18 side ingredients, 13 condiments, and seven garnishes. Jjanji was pickled to be very salty and was eaten during summer. Jangachi can be used as a regular side dish and is made of radish or dried radish slices pickled or seasoned with salt, soy sauce, vinegar, soybean paste, lees of fermented liquor, and spices. Jangkwa is used as a stir-fry method and has been segregated from jangachi relatively recently.

동양꽃꽂이는 고대에 신에게 헌화한 공화양식으로 좌우대칭의 삼존형식의 엄격한 삼각형의 조형미를 갖추고 있었으며 침봉을 사용하여 꽃을 고정하므로 쉽게 꽂을 수 있었다. 서양꽃꽂이는 이집트시대에 꽃을 연속반복으로 쌓아 올려 원추형의 형태를 이루어 현재 vertical form의 근원으로 보고 있다. 그리이스 시대에는 부드러운 S라인 형식을 주로 사용하였고, 로마시대에는 꽃들의 중심을 풍성하고 화려하게, 갈수록 낮고 가늘며 긴 수평형으로 연결하였다. 페르시아 시대에는 동양의 삼존형식과 비슷한 triangular 조형을 나타내고 있다. 그리고 르네상스 시대에 꽃꽂이도 고전의 바탕위에 기본형이 창조되었으며, 19세기말 동양미술의 온화한 색과 단순미, 사실적 묘사 등에 영향을 받아 20세기 미국을 중심으로 양적 mass에서 공간미학까지 꽃꽂이의 영역이 광범위하게 표현되는 art nouveau 시대로 이어졌다. 서양꽃꽂이는 조형성에 기초를 두는 것은 동양꽃꽂이와 같으나 자연성이 거의 무시되고 실용성에 근거를 삼는 것이 특징이다.

This essay is to explore the life and work of Dr. John Scudder (1793-1855), a missionary to Ceylon and to discuss his theological place in the history of missions. He studied at Princeton College and then at College of Physicians and Surgeons, New York. As a successful physician, he realized God’s calling to missionary work abroad while he was reading a religious tract in a patient’s home. Together with his wife, Harriet Scudder, and three other missionaries, Dr. Scudder sailed to Ceylon, today’s Sri Lanka, where he worked thirty six years for mission. His primary choice was India, but the East India Company opposed any missionary work in their ruling territories. That was why he had to the northern part of Ceylon where he was free to preach, teach, and treat. Dr. Scudder was the first medical missionary sent by American Church to foreign countries. He was also a forerunner of the medical mission and the most distinguished model for later medical missionaries. He launched a ministry of intensive evangelism by establishing hospitals and schools. He trained natives to become medical doctors. He also founded several churches after he became a ordained pastor in Ceylon. Dr. Scudder made religious small tracts about biblical stories which were written in Tamil to distribute to numerous people. He had to suffer and overcome countless obstacles and hardships against his missionary work. Ecological diseases, famines, economic burdens, family matters, natural disasters, persecutions from other religious groups, and other troubles could not hinder his ministry. He even suffered the losses of his two daughters in the missionary fields. Nevertheless, his mission was very successful and his wife, Harriet, was also wonderful partner to this missionary work. In 1836, he moved to Madras, India in order to supervise young missionaries. During his later days, he visited many missionary posts in South Asia and Africa in order to share his missionary experiences. His last visiting place was the Cape of Good Hope in South Africa, where he went into eternal peace in 1855. Later generations of numerous missionaries were impressed and influenced by his deeds and words. While visiting North America, more than one hundred thousand young people heard his lectures and sermons about mission and foreign cultures. Influenced by Scudder's mission, James Taylor made a resolution to become missionary to American outcasts and westerners. David Coit Scudder also became a missionary after having been impressed by Dr. John Scudder's Mission. Furthermore, his heritage includes forty two missionary descendants, whose years of ministry service in mission fields are close to almost one thousand. One of the most famous medical missionaries out of his descendants was Dr. Ida Scudder who also worked in India.

Main theme of this paper is the evaluation of the historical significance of Luciano Baldessari's exhibition works mainly during the Fifties. In order to understand the formal and logical basis of those project, his relationship with the historical Avant-gardes and the consequences expressed in his pavilion projects for the Breda Industrial Company are analyzed. The first part focuses on the influence of Italian Futurism, German Expressionism and Italian Rationalism on the formation and experience of Baldessari during the interwar years. The encounter with these movements determine the interest but also the principles along which Baldessari represents his idea of object, space and place. Specially his professional activities during Fascism would determine his attitude toward political power and the necessity of autonomy in artistic sphere. In the second part, different themes that Baldessari affronted in each project of Breda Pavilions is analyzed. Another important issue regard the historiography of the contemporary architecture. Often, many important works that lies in the threshold of the disciplines such as painting and sculpture and media art were excluded in the history of architecture just because they do not deal with the architectural object. Recently, many elements such as theatrical project and temporary objects are considered as part of urban reality and architecture with acknowledgment of their capacity to create event and situations. Along this thought, not just the reconfiguration on the territory of architecture in present but also the criterion to evaluate the past history of architecture is changing drastically. This study on the pavilions of Baldessari intends to contribute indirectly on the current issue of dominion of architecture, but also to evaluate objectively recent architecture. Consequently, architectural protagonists such as Baldessari and their ephemeral projects would be evaluated compressively in their multiplicity of significance.

This paper analyses the railroad trunk line constructed in the Korea since the end of the 19th century. The analysis consists of the following problematics. 1) The process of the decision of the railroad route 2) The relationship of the location of Eupchi and the stations By clarifying the above, the purpose of this paper is to clarify how the morphology of the city in Korea has been affected by the change in the relationship with Korea and Japan. The Empire of Japan has been reconnoitering the Korea since way before the formal contract for the railroad construction was signed. Therefore, the Empire of Japan had a very good understanding of the actual transportation system when it started the construction of the railroad. The railroad construction was used by the Empire of Japan to empower the control over the Korea. For this reason, the new railroad system was constructed as a different system from the former transportation system and the urban system was also affected. Also the relationship of the western powers and Japan around the turn of the 20th century defined the characteristic of the railway system as a pathway through the Korean peninsular to link Japan to the continent. Moreover, being apprehensive about the friction with the western, Japan located the railway stations to avoid the missionary land properties. This made it clear that the restraint relationship between Japan and the western affected the urban special structure.

Whereas the composition exists generally in written musical notation, the improvisation is caused by spontaneous process of making music with unfixed notes or without any notation. There is no doubt that the earlier the age was, the less notation system was developed and improvisation was practiced more. Ancient music historically covers the music from the invention of letters until the medieval times and regionally the music from Mesopotamia, Egypt, Israel and Greece. The music of each region had different musical characteristics but the tendency of improvisation was common according to the historical reconstruction. It would be well-matched for the brilliant lyre with a bull head from Mesopotamia to accompany the Epic of Gilgamesh. It is difficult to reconstruct the ancient Egypt music because the text material of the music is insufficient. The reconstructed instrument could bring the sound of the instrument and it often makes the pseudo-music, which comes from the imagination of composers or scholars. Many improvised Israelite songs are orally transmitted. One of the famous examples is Schema Israel, which reflects their religious confession. In comparison to other ancient musics, the ancient Greek music remains the most generous archeological evidence. The reconstruction of the ancient Greek music depends on the systematical system but it is performed in improvised style as well.

This study focused on the revival movements in Korea, Revival movements had previously taken place in Wales, America, and India, The revival movements in Korea started with the 1903 Wonsan revival which was led by R. A. Hardie, who was a Methodist medical missionary working in Wonsan, Korea. Then the 1907 Pyungyang revival tool place as a historical movement in Korea. This revival movement was begun with missionaries, but it was mainly led by Pastor Sun Ju Kil who was an elder of the Jang Dae Hyun church. This study discovered following the strengths and weaknesses of Korean revivalism through an evaluation based on historical and missiological insights. A. Strengths: 1. Korean revivalism was based on the believers’ repentance as a result of the work of the Holy Spirit. 2. Korean revivalism was stimulated by missionaries, but it was led by Koreans. 3. Korean revivalism spiritually awakened believers, but it also enhanced evangelism and church growth. 4. Korean evangelism stressed prayer which led people to true repentance. 5. Korean revivalism always emphasized God’s word which led people to conversion. 6. Korean revivalism developed the Korean church into an indigenous church, therefore people felt it as their own. 7. Korean revivalism had a great impact upon other countries like China and Japan. 8. Korean revivalism formed a historical tradition in which some great evangelists were born and trained. B. Weaknesses 1. Korean revivalism tended to be otherworldly and eschatological after independence from Japanese colony. As a result, Korean church lost the balance between a spiritual awakening and political participation. 2. Korean revivalism demonstrated some “prosperity gospel” while reflecting Shamanistic faith. 3. Korean revivalism demonstrated some individual churchcenteredness which could cause conflict among churches. 4. Korean revivalism became so secularized that some evangelists fell to worldly temptations. 5. Korean revivalism allowed the Korean church to confuse the work of the Holy Spirit with the “Holy Spirit Movement.” Korean revivalism needs to be understood in terms of a great spiritual awakening movement, evangelism/missions, church growth, ecumenism, an indigenous church, and a holistic mission. To accomplish this, it needs to be approached through Korean church history and missiology. Some great Korean evangelists were discussed in this study. Sun Ju Kil, Ik Du Kim, Yong Do Lee, Nam Su Chung, Sung Bong Lee, Hwal Ran Mim, Hyun Gyun Shin, and Yong Gi Cho were included as great evangelists in the light of their call by God, their revival ministry, their message, and their contribution. The Korean church needs another great spiritual awakening movement to become a true church of Christ.

Bong-amsa Temple is a special temple in the custody of Jogye sect, a branch of Buddhism in Korea. Due to limited public access to this temple, its Geungnakjeon(paradise shrine) has been little known to outside. But it is known that the Geungnakjeon has been not yet explored from academic standpoints in terms of its historical establishment as well as applications, and it would be two-storied wooden pagoda or the like. In order to examine its historical establishment, this study investigated historical records related to Bong-amsa Temple and its intrinsic architectural style. As a result, it was estimated that the building was established around the transitional period ranging from the late Koryo dynasty to the early Joseon dynasty. And it was found that the Geungnakjeon is not the two-storied wooden pagoda, but the unique building including an incidental component called Chayanggan(遮陽間; a sort of stepped penthouse) in Korea. In order to examine its possible applications, this study compared this building with other Buddhist funeral articles in forms similar thereto, such as Buddhist pagoda(僧塔), sarira container(舍利器) and Gamnodo(甘露圖) which depicts Byeoknyeon Daeban(碧蓮臺畔; a palanquin carrying malignant spirit). Then, this study estimated its possible applications on the basis of relevant historical literatures. As a result, it was found that this building was used as Wondang(願堂; a sort of Buddhist prayer house) to wish royal family's going to Nirvana after death, and it was not Confucian-style architecture popularized in the era of Joseon dynasty, but Buddhist-style architecture built widely from the era of Koryo dynasty to the early Joseon dynasty.

Choryang Waekwan was the biggest Japanese settlment to house the Japanese diplomatic mission and traders in Korea. Waekwan means Japanese Pavilion literally, but the reality of this Waekwan exceeded much the scale of single architecture. Since Choryang Waekwan was closed in the second half of the nineteenth century, the site of this settlement grew rapidly as the downtown of Busan, which was the first port open to foreign countries in modern Korea. The formation of modern port owes much to the presence of Japanese settlment in Lee Dynasty as long as Choryang was officially designated as the trading port toward Japan and vice versa. Busan is the nearest city to Japan, in fact. Within a day ships could reach Tsushima Island, the island region north of Fukuoka, which played an intermediary role between Seoul and Edo. No architectural remain could be seen on the actual site of Choryang Waekwan. The site has become one of the busiest centers in Busan with quantify of office buildings and shops. The former Busan City Hall was located in this area. The field survey of the site as well as the analysis of historical documents, which were newly found both in Korea and in Japan, enabled to reconstruct the architecture and cityscape of Waekwan by way of computer graphics.

Tough Korean architecture and urban environment has been developed for almost 100 years, it still remains various kinds of problems. Many attempts was carried out by every new plan to reduce the problems, it result in requiring more investment than before. It means all the investment for the development has been inefficient and immature to protect economic problems compared with the developed country. For the reason of economic problems it must be studied in historical cases which influenced the economic impacts, before the proposal of index with the economic theory. Searching typical architecture or urban development that brought about economic impacts can be classified into 3 cases. First case is the impact that caused the economic growth, increase, boom like the Westminster & others and the american architectures after the economic crisis. Second case is the impacts that was the origin of decline, shrink in economic as the Palace of Versailles, the skyscrape buildings in america before the economic crisis. Third case is the impact that was the both role of increase and decline in economic as the modern architecture in industrial revolution which led to the national economic growth and the gap between the rich and the poor, and as the american architecture that was the root of crisis and the revival in economic. From the case study, it is clear that architecture has relation with economics in various factors as mass production, labour, and another industries all over the history & the world. Now, architecture strongly needed not only to raise functional, cultural effect and value, but to predict and control the economic impacts with theory from further research of historical cases to policy and practise.

이 글은 現在까지 發表된 處容說話 및 處容歌에 對한 論文을 수합하여 이를 몇 개 項目으로 分類하여 整理하고 사이사이에 필자의의견을 보탠 것이다. 筆者의 能力의 限界로 말미암아 모든 자료를 수집할 수 없었으나, 약 330 여편의 논문을 검토하고 분야별 주요한 업적을 망라한 것이다. 그 분야는 국어학 민속학 문학 설화 역사 등이다. 원래 文學作品의 解釋이란 다양하기 때문에 筆者들의 완곡한 主張과 견해들을 집어 내는 일도 그리 쉬운 作業은 아니었다.어쨌든, 우리 民族傳統文化의 가장 요체라할 수 있는 新羅의 處容歌는 處容自體가 승려이든, 무당이든, 地方 豪族이든, 도래인이든 화랑이든 간에 우리의 精神史的 맥락 속에서 길이 記憶되고 우리 先人의 情緖를 오늘에까지 이어 오는데 커다란 役割을 하고 있다. 그리고 우리의 古代社會라 할 수 있는 新羅의 社會ㆍ歷史ㆍ言語들이 더욱 硏究되고 學問間의 상호보완이 이루어질 때 이 處容歌의 原來의 모습은 더욱 우리 가까이 다가 올 것으로 생각된다.