Wearable technology is expected to maintain continuous marketability and prospects, with its scope gradually expanding beyond the fashion sector to encompass fashion accessories. Meanwhile, the wedding industry is currently reflecting consumer preferences that emphasize individuality and emotional connection. As wedding trends evolve, there is a growing interest in unique and differentiated wedding styles. Therefore, the purpose of this study is to create high-value designs by integrating wearable LED technology into wedding accessories and dresses to meet the emotional needs of modern consumers. To achieve this, we analyzed the LED wedding accessories currently available in the market. Based on the findings, we designed and developed new such accessories and dresses through planning, development, and production processes. First, the study found out that LED wedding accessories are gaining attention as high-value products. Second, a survey of the domestic market for LED wedding accessories highlighted the needs for wedding dress designs that can be paired with LED hairpins. Third, we used Lilypad Arduino’s Lily Tiny to design and develop LED wedding hairpins and dresses through a production process. Finally, by styling LED wedding hairpins and dresses together, we demonstrated the potential in creating products that blend emotion and technology, in line with the current wearable technology trends. Overall, this study offers a fresh perspective on design development in wedding accessories.

본 연구의 목적은 근현대 한국불교 혼례의 형성과 사상적 배경에 대해 그 특징으로, 예(禮)와 형식을 담은 전통 혼례인 육례(六禮)와 현대 혼례 의 절차 구조와 옛 고서를 통하여 혼례의 바탕이 무엇인지 알아보는데 있다. 또한, 전통혼례가 1900년대 들어 근대화 물결을 타고 서양식 新式 혼례로 점차 바뀌면서 근대한국불교 혼례의 생성과 변모, 및 사상적 배경 이 어디에 있는가에서다. 1918년 이능화의 『조선불교통사』 ‘금처주사시수청규(禁妻主寺是守淸 規)’의 화혼의식, 백용성의 『대각교의식』에서 혼례 의식, 안진호의 『불자 필람』과 『석문의범』의 혼례 의식 등이 20세기 초반의 불교 혼례 의식과 20세기 후반의 『법화경요문과 예규』에 편제된 혼례 의식, 조계종의 『통 일법요집』과 『불자생활의례』의 혼례 의식 등에서 그 형식과 의례의 구조 를 분석하였다. 불교 혼례의 사상적 배경으로는 붓다 전생의 헌화 설화에서 보이는 일 곱 송이 꽃과 관련하여 의미를 불교적 사상을 부여 하였고, 또한 『법화 경』에서 설하는 인연설에 의지하고 있음을 밝혔다. 근대불교 혼례의 양상 은 국내 예식장에서 이루어지는 것과 별반 차이가 없이 식순에 의해 주 례사 또는 주례법사라 이름하여 진행되고 있었는데, 이 또한 불교 경전의 인연설과 주전(主前)에 꽃을 바치고 계(戒)를 중심으로 서원 중심으로 남 녀 대등적 관계에서, 天神이나 조상에 혼례를 아뢰고, 또 양가 부모, 친 지와 하객을 향해 혼인을 맹세한다. 다음은 참가한 이들이 이 혼례를 증 명하면서 남녀 서로 상호주의적인 방향으로 나아가도록 지향하는 제2의 삶의 출발이다.

The purpose of this study is to establish the relationship between wedding companies and wedding planners and understand the influence of relationship factors on the relationship performance and relationship continuation intention of wedding companies. We conducted an online survey from June to July 2017, and collected 201 responses which were used during analysis. Statistical analysis, including technical statistical analysis, factor analysis, reliability analysis, and regression analysis, was undertaken using SPSS 23. This study shows that among the relationship factors affecting the wedding planner and the wedding company, the computational tie-up has a significant impact on both the financial and non-financial performance of the wedding company, while emotional tie-ups have a significant impact on the non-financial performance of the wedding company, but not on financial performance. As for the effects of relationship commitment to wedding planners on wedding shops’ relationship continuation intention, each factor for relationship commitment significantly affected wedding shops’ relationship continuation intention. Regarding the effects of wedding shops’ relational performance on relationship continuation intention, each factor of performance significantly affected relationship continuation intention. Therefore, wedding companies should make continuous efforts to maintain this relationship and recognize the need for robust relationships with wedding planners as a sure and important competitive tool for attracting customer and generating revenue.

앨리스 칠드레스(1916-1994)는 여성 극작가의 관점에서 인종차별, 젠더차별에 대한 시각을 표현하고자 한 미국의 대표적 흑인 극작가이다. 초반에 칠드레스는 주로 백인과 흑인 남성들의 성적이고 편견적 차별을과 인종차별을 반대한 다는 얼굴 아래 자신의 인종차별적 편견을 숨기는 백인 여성에 대한 비판을 주요 주제로 삼았다. 중 후반기에 이르러 그녀는 인종차별, 젠더차별에 대한 문제 뿐 아니라 사회에서 일정한 부와 지위를 차지한 지식인 여성들이 하층 여성에게 가하는 차별적이고 편견적 관점까지 그 비판 대상에 포함하였다. 본 논문에서 필자는 현대에서 영향력 있는 이론인 상호성 이론과 급진적 흑인 페미니즘을 적용하여 칠드레스의 초 중반기의 대표적 극작품인 『플로렌스』(1949)와 『결혼 반지』(1964)를 분석해보고자 한다.

Using the developed wedding planner selection criteria scale, this study examined whether wedding planner selection criteria differ according to consumer characteristics such as demographic characteristics and wedding preparation behaviors. The main survey for this study was conducted via the Internet with 295 consumers aged 20-30 living in the Seoul metropolitan area. The data collected from the survey processed and analyzed using the statistical programs SPSS 21.0 t-test. Analyzing how wedding planner selection criteria differ according to consumers’ demographic characteristics and wedding preparation behaviors, results shown for the wedding planner selection criteria were all four points on average except for individual characteristics and important sub-factors regardless of the consumers’ characteristics, and various results were derived depending on the consumers’ characteristics. This study has various practical implications in that it verified the difference in wedding planner selection criteria according to consumer characteristics and determined how much money consumers were willing to play for wedding planners. It is recommended that future studies take various approaches to investigate how wedding planner users are satisfied with or place importance on wedding planner services and conduct empirical using the selection criteria developed in this study to compare influential variables that affect behavior intention and willingness to pay according to consumer type.

Identifying the selection criteria of wedding planners, who are the main human resource that contribute to the overall satisfaction level of a wedding’s preparation, can produce important data for the wedding industry as it faces a transition period. To develop a scale for wedding planner selection criteria, preliminary items were prepared based on in-depth interviews with an experienced wedding planner group and a comprehensive review of previous studies, such as studies on selection criteria in the wedding industry and service work similar to wedding planners and wedding planner selection criteria. The preliminary items were tested for content validity using a focus group interview, comprising people in the wedding industry, and were refined accordingly. Then, the definitive quantitative questionnaire items were developed after conducting a preliminary survey. The main survey for this study was conducted using the responses of 295 consumers taking an Internet questionnaire. Exploratory factor analysis, Cronbach’s alpha, and confirmatory factor analysis were adopted to develop the scale, which was tested for convergent validity and discriminant validity. This study is academically significant in that it developed a selection criteria scale tailored to wedding planners to address an area that has not been covered in previous studies. It is recommended that future studies conduct empirical analyses using the selection criteria developed in this study to compare influential variables that could affect behavior intention.

The aim of this study is to develop new wedding dress designs by blending the traditional female Korean upper garment of Han-bok, known as dang-ui, with Western-style wedding dress designs. For this research, the author considered the various types of wedding dresses and their historical development based on literary resources and previous studies of the subject. The results are as follows: first, this study featured the use of different types of fabric for the dang-ui, selected from the various fabrics available for wedding dresses. Starting from the basic design of a sleeveless and strapless princess-line tight top, three different styles of A-line dresses were created: a tiered long dress, an unbalanced tiered midi dress, and a spangled and pleated mini dress. The study also resulted in a tight H-line mini dress with a bustle. In this way, the author was able to suggest new wedding dress styles that are well suited to the cultural trend of the Korean wave. Second, the traditional Korean dang-ui is an elegant ceremonial garment that harmonizes well with Western-style wedding dresses. Satisfaction can be found from combining these creative fusion gowns with traditional Korean aesthetics. Third, the traditional Korean ceremonial coronet jokduri and veil, which go well with dang-ui wedding dresses, are suitable accessories for contemporary wedding dresses. The dang-ui wedding dress, a result of merging the Korean dang-ui and the Western style, will help enhance business for both the Korean and the international wedding industry thanks to an aesthetic that has global appeal.

As the types of wedding ceremonies become diversified, and consumers’ needs become more selective, greater importance is given to wedding planners’ roles in the wedding industry, and consumers require differentiated types of wedding service. As a preliminary qualitative study in this field, an ethnographic study was conducted to identify factors valued by consumers when selecting a wedding planner in the wedding planner market, which has rapidly grown in recent years. An in-depth interview was performed with eight participants in terms of wedding planner utilization type and consumers’ understanding of wedding preparation with a wedding planner. The collected data were analyzed through taxonomy, component analysis and decision table analysis; for validation, professional wedding planners were asked to review the items valued by consumers in selecting a wedding planner. Four factors - expense characteristic, wedding planners, wedding consulting companies, and customer characteristics - were identified, along with eight sub-factors (capability, service attitude, technical communication, personal factors, wedding planner encounter paths, spouse’s satisfaction status, and companies). Out of these, price (within budget), wedding planners’ capability, wedding planners’ service attitude are expected to be meaningful in further research because they were found to be attributes commonly valued by every respondent. This study is significant in that it has made a new approach to understanding wedding planner selection attributes through ethnographic research and identified new wedding planner selection attributes.

This study aimed to categorize women’s body shapes by type after extracting prototypes of 25~34 year old Korean woman. The standardizing research service project conducted by the Ministry of Commerce, Industry and Energy in 2005, divided the age ranges of adult women into three groups: 18~24 years (young), 25~34 years (young-adult) and 35~49 years (adult). This study utilized this age division method to create a concrete body type categorization schema with the most marriageable period, 25 to 34 years old as target age the target age group. We used, measurement data from the 7th Korean Human Body Size Survey (Size Korea) for the body shape analysis. We completed a statistical analysis using the statistical program SPSS 21. After creating the body types using CLO 3D, which is based on the 7th Korean human body measurements, we input data for the average size for each type into the Avata. We then compared and analyzed the cross sections using the Rapidform XOR program. The results of the type-specific characteristics are as follows: big square body of obese body, small square body of plain flat body with tall, plain square body of plain flat with short, triangular body of lower body obesity there was. Significantly, the results of this study should facilitate the development of various apparel products using mass customization or easy-order systems.

This study is based on the results of the 7th Korea Human Size Survey (Size Korea). The standard body shapes of Korean women between 25 and 34 years old were analyzed and used to develop a prototype princess line for wedding dresses. or this purpose I conducted a literature review and a survey of the actual situation of domestic ligaments. In order to select suitable ligaments for the standard body type of 25~34 year-old Korean women, I collected the most representative ligaments from around the world: Stock man from France, Superior from the USA, KIIYA from Japan, and Pig and Nonno from Korea. They were then compared and analyzed. In the form of a formal wedding dress, a prototype princess line was developed by a draping technique in order to finely implement the human body fitting. To develop the prototype of the princess line, I made test garments with muslin. 25 to 34 years old Korean female standard body type Three human subjects close to the average measurement value were selected as subjects. An exterior appearance evaluation questionnaire was created with 28 questions focusing on the main parts of the prototype princess line. The clothes were evaluated three times. In this study, aesthetic and functional elements were considered for the development of princess line prototypes for wedding dresses. In addition, the amount of spare area was given differently. This study is significant in the achievement of a dress line closest that closely matches the human body line of the standard Korean female body type.

The study uses lists of wedding gifts used from old Korean documents written in Hangeul in the western Gyungnam province during the 20th century. The study analyzed four lists of wedding gifts from the Muncheongak archive and two lists from the archive of ancient document. This analysis found that clothing accounts for the majority of the items in the lists, and items such as furniture, jewelry, household goods, and medical materials were also recorded. That the furnishings were commonly prepared by the groom's side, and the fact that the number of jeogori was higher than the number of skirt, speaks to the unique wedding custom of Gyeongsang province. While the groom’s list of wedding gifts included a record of the bride's ornaments, jewelry, and furnishings in the bride’s list, the groom’s nickel top-knot pin was only included as an ornament. In the list of wedding gifts between brothers, the gifts for the eldest son differed from those for the third son in terms of number and price. The list of wedding gifts between father and son illustrates how economic development and changing times wedding custom. The lists of wedding gifts in the old Korean documents shed light on the oral research into 20th century wedding custom, which will be used as basic data in researching and reproducting the wedding culture and life conditions of the time.

농촌진흥청 원예특작과학원에서는 2013년에 백색계 중 형종 심비디움 ‘Sweet Wedding’ 신품종을 개발하였다. 이 품종은 심비디움 ‘Cotton Club’과 심비디움 ‘Grace Kelly’를 2000년도에 교배하고 그 후대들로부터 얻었다. 온 실에서 식재 및 순화 과정을 거쳐 130개체의 실생묘를 얻었다. 2007년도에 화색, 엽형, 생장성과 같은 특성검정을 거쳐 한 개의 개체를 선발하였고 ‘원교 F1-45’로 명명하 였다. 개체번호 ‘00-0722-127’는 균일성을 가지고, 우수한 원예적 형질을 지니고 있었다. 2차 특성검정을 거친 후에 ‘Sweet Wedding’으로 명명하였다. 이 품종은 품종 은 백색계(RHS, WN155D)이며, 1개 꽃대에 11.4개의 소 화가 착생하며 화폭이 큰 편이다. 일반적인 꽃받침과 꽃 잎의 모양은 약간 안쪽으로 오므라드는 형태이다. 꽃대 는 반직립성이다. 재배여건이 양호할 경우 개화시기는 12 월 중순경부터이다.

This paper is a qualitative study which explores perceptions of the ideal wedding dress held by Singaporean brides who choose to skip wedding fairs in their wedding preparaton process. Ten interviews are conducted: 8 with Singaporean brides who do not attend wedding fairs, and 2 with brides who do attend them. Questions to the interview are formulated by first attempting to understand the bride’s perception of the ideal wedding ceremony, and subsequently that of the ideal wedding dress. For the purpose of this paper, the narratives of two brides who do attend wedding shows are included as an attempt to make the study more complete. For example, brides who attend the wedding show might attend with the sole purpose of acquiring information of what is available for consumption in the wedding market, but still hold the same perceptions as the non-attendees. From the results, perceptions of the ideal wedding dress in relation to wedding shows are catagorised as follow: (A) The perception that a wedding dress offered by the wedding show is a bad investment; (B) The perception that the wedding dress available for sale at the wedding show is not “unique”; (C) The rejection of the wedding dress altogether; (D) The rejection of the idea of a “wedding dress package”; (E) Attributes that have nothing to do with perceptions of the ideal wedding dress, such avoiding wedding shows because brides do not like “hard-selling”, or perceiving the wedding show as a “marketing gimmick”. Wedding show organisers can consider these perceptions when planning future communication and sales efforts to appeal to a larger pool of prospective brides.

Wedding dresses have developed along with a modern wedding culture. The 21st century wedding ceremonies of Korea and China have evolved from traditional complex procedures ; however, the demand for wedding garments for modern people is still important Consumer’s demand for wedding dresses has become more individualized and diversified according to a diversified wedding culture; consequently, an economic and practical variable wedding dress that can change dress styles has received positive responses. This study compared and analyzed the preferred designs of Korean and Chinese women when selecting wedding dresses, awareness of variable wedding dresses, and design preference type to develop variable wedding dresses of a high satisfaction level that satisfy Korean and Chinese consumers, and suggests a design for a variable wedding dress that corresponds to various procedures instead of a wedding dress that can be worn only once. To investigate the status of a Korean an Chinese variable wedding dress, this study conducted a questionnaire on women in their 20-30's (the optimal age to marry) from January 10 to November 23 in 2014. Women who reside in Seoul Metropolitan City and the capital region were selected for Korea, and women from Zhengzhou (a central city of industrial zone) were selected for China. That total of 525 questionnaires (249 copies of Korea and 276 copies of China) were used in this study. We subsequently conducted frequency analysis, t-test, and cross analysis using SPSS program to suggested a variable wedding dress based on the findings. The results of analysis are as follows. 1. Korean women preferred 'luxurious' image, 'mermaid' silhouette, 'white' color, 'silk' material, and 'off-shoulder' neckline design the most; however, Chinese women preferred 'elegant' image, 'mermaid' silhouette, 'white' color, 'lace' material, and 'off-shoulder' neckline design where only image and material of dress differed. 2. The Chinese showed a greater interest in wedding dresses than Korea. Wedding dress purchase type and customized rental was higher for Korea versus higher custom purchase intent in China. The internet was the highest method to obtain wedding dress information in Korea versus the use of both the internet and specialty stores in China. The contents that did not show differences between the two nations were the wanting to wear 2 wedding dresses and selecting a dress that 'best suits herself.' 3. Korean and Chinese women were unaware of variable designs. Few Chinese women experienced variable design products, but some Korean women had experience using fashion goods. For variable design advantages, Korean women pointed to practicality versus Chinese women pointed to diversity. For the preferred variable type of dress, Korean women preferred a 'detachable' style and Chinese women preferred 'replacement.' 4. This study suggested a variable wedding dress design with elements that Korean and Chinese women 20-35 years of age preferred by identifying the design concept and characteristics of design elements by adding the wedding dress trends of 2015. Each design for women of the two countries influenced several dresses by changing into several dresses according to type of variable dress designs as silhouette changes, variable by technology subsidiary materials, and variable by ways of wearing. This study provides a variable wedding dress design that increase practicality and economic feasibility according to the procedure of changed Korean and Chinese wedding culture instead of a disposable dress worn only during wedding ceremonies.

The purpose of this study was to examine interactive effect of wedding makeup, head dress, and perceiver's culture on bride's image perception. Image analysis was carried out by 10 photos which was designed for brides in their twenties with different makeup and head dress. Subjects were female university students in Seoul, Korea and 100 black female university students in Delaware, U.S. The result of study was as follows. Image perception by bride's makeup and head dress was classified as five dimensions: 'distinctive', 'tidy', 'elegant', 'soft', and 'beautiful'. There was a significant difference in image perception from culture and head dress. The result of interactive effect due to culture and makeup showed that Korean students perceived pink makeup as close to more elegant image, and American students felt orange makeup. We can know through above contents that there was significant difference in image perception by makeup and head dress between Korean and American students. Also, American students in general evaluated the photos (stimulus) presented positively compared to Korean students. This can be interpreted as a meaning that the degree to perceive each photos of American students was lower than Korean students.

본 연구는 웨딩잡지에 나타난 웨딩부케를 분석하여 우리나라의 현 웨딩부케의 실태를 알아보고, 일반인을 대상으로 부케의 형태, 색상, 소재 등에 대한 의식과 선호도를 조사하여 현재 소비자들의 웨딩부케에 관한 생각과 기호를 분석하여 웨딩부케 연구의 기초 자료를 제시하고자 하였다. 최근 12년 동안 웨딩잡지에 나타난 웨딩부케를 분석 한 결과 웨딩잡지에 가장 많이 나타난 웨딩부케의 형 태는 원형(37.3%), 내츄럴형(27.1%), 폭포형(16.8%), 암형(7.2%), 초승달형(3.8%), 볼형(1.2%), 기타(6.6%) 였다. 전기에 원형과 함께 높은 비율을 보였던 폭포형, 초승달형이 후기에는 감소하고 원형, 내츄럴형, 암형이 많은 비율을 보였다. 색상빈도 분석 결과 연한 색조로 이루어진 부케(40%), 흰색(35%), 연한 색조와 진한 색조가 함께 쓰인 부케(14%), 진한 색조(10%)였다. 전기에 많은 비율을 보였던 흰색부케는 점차 감소한 반면 연한 색조 부케의 수는 크게 증가하였다. 웨딩부 케를 구성하고 있는 소재를 분석한 결과 꽃과 잎소재 를 함께 사용한 부케(59.1%)가 가장 많이 나타났고 꽃만 사용한 부케(38.4%), 잎소재만 사용한 부케 (2.6%)였다. 1999년 꽃과 잎소재를 함께 사용한 부케 가 80.9%로 많은 비율을 차지했지만 꾸준히 감소하여 2010년에는 34.4%가 되었으며 꽃만 사용한 부케는 56.5%로 증가하였다. 소비자들의 인식을 알아보기 위해 설문 조사한 결과 선호하는 부케 디자인 형태는 원형(40.3%)이 가장 많 이 나타났고, 내츄럴형(31.1%), 초승달형(9.2%), 암형 (8.3%), 폭포형(6.3%), 볼형(4.9%) 순으로 나타나 대 체적으로 원형을 가장 선호하는 것으로 볼 수 있다. 부케 선택 시 원하는 꽃의 색상을 분석한 결과는 전체적으로 볼 때, 연한 색조(55.8%)가 가장 많이 나타 났고, 연한 색조와 진한 색조(20.9%), 흰색(13.6%), 진한 색조(9.7%) 순으로 나타나 대체적으로 부케 선택 시 연한색조의 색상 꽃을 선호하는 것으로 볼 수 있 다. 선호하는 부케 소재의 사용구성을 분석한 결과는 꽃만으로 디자인한 부케(60.7%)가 가장 높게 나타났고, 꽃과 잎소재를 함께 디자인한 부케(35.4%), 잎소재만 으로 디자인한 부케(3.9%) 순으로 나타나 대체적으로 꽃만으로 디자인한 부케를 가장 선호하는 것으로 볼 수 있다. 12년 동안 웨딩잡지에 나타난 웨딩부케의 형태는 원 형이 가장 많았고 후기에는 내츄럴형이 가장 많았으며 소비자가 선호하는 웨딩부케의 형태는 원형이 가장 많 았다. 색상은 연한 색조의 웨딩부케가 가장 많았고 소 비자도 연한 색조의 웨딩부케를 가장 많이 선택하였다. 소재는 12년 동안 꽃과 식물소재가 함께 쓰인 웨딩부 케가 가장 많았고 후기에는 꽃만 사용한 웨딩부케가 가장 많았으며 소비자도 꽃만 사용한 웨딩부케를 가장 선호하는 것으로 나타났다. 웨딩잡지 분석결과 연도별 웨딩부케의 유행이 변화 하였고 최근 잡지에 나타난 경향과 소비자가 선호하는 부케의 디자인이 유사한 결과를 보였다. 매체가 시대의 흐름을 주도하고 있지만 현대는 다양성의 시대로 개개 인의 의사와 스타일이 중요시 되고 있다. 이렇듯 변화 하는 소비자에 발맞춰 유행에만 따라가기보다 소비자 의 성향과 개성에 맞는 웨딩부케 디자인을 제작하고 연구하는 자세가 필요하다.

The objectives of this study were to analyze the design elements of hairstyles, wedding headdresses, and necklines in wedding magazine pictures by using content analysis method and to investigate the differences in image perception according to hairstyle, wedding headdress, and neckline. A quasi-experimental method by questionnaire was used. The experimental design was a 2×5×4(hairstyles×wedding headdresses×necklines) factorial design by 3 independent variables. The subjects consisted of 378 female college students. The results are as follow. First, the most popular among hairstyles, headdresses, and neckline forms were the updo hairstyle, dark brown hair color, the crown headdress, white flowers, and the horizontal bared top. Second, the elements determined to be most elegant and attractive were the medium-up hairstyle and the crown with a veil. However the wedding hat was perceived to be high in individuality and tenderness, while the flower and the wedding hat were perceived to be very pretty. The halter neckline was perceived to be higher in individuality and attractiveness than the other neckline types. Third, the medium-up hairstyle when wearing a crown with veil was perceived to be the most elegant. Placing a flower in the long-wave hairstyle was evaluated as looking most pretty. Fourth, the medium-up hairstyle was higher in preference than the long-wave style. Among wedding headdresses, there was greatest preference for a crown.

본 연구는 결혼 예식장 종류에 따른 서비스스케이프 배색 이미지를 호텔 예식 연회, 일반 예식장, 종교 결혼식장 간에 비교하여 분석하고자 하였다. 서울 및 경기 지역 20~39세 400명을 대상으로 직접 방문 및 우편조사를 실시하였고 315부를 분석에 사용하였다. 통계 분석은 SPSS/WIN 17.0을 사용하였고, 신뢰도 분석, 요인분석, t-test, 분산 분석 등을 실시하였다. 요인 분석 결과 결혼식장 배색 이미지는 경쾌함, 고상함, 은은함의 3개 요인으로 분석되었다. 크론바하 알파값이 조사 도구의 신뢰도 분석을 위해 사용되었으며, 0.7 이상을 나타내어 적합하게 나타났다. 결혼식장 배색 이미지 분석 결과, '깨끗한'이 3.60으로 가장 높게 나타났으며, '온화한' 3.50, '은은한' 3.38 순으로 나타났다. 결혼식장 배색 이미지에 대한 결혼식장 유형별 차이를 분석한 결과 통계적으로 유의한 차이를 나타냈으며, 배색 이미지 중 '경쾌함' 요인은 일반 예식장이 3.00, '고상함' 요인은 호텔 결혼식장 3.64, '은은함' 요인은 호텔 결혼식장에서 3.60으로 가장 높게 나타났다. 결혼식장 배색 이미지에 대한 인구통계학적 차이 분석 결과, 성별, 결혼 유무, 한달 총수입에 따라 통계적으로 유의한 차이가 나타난 반면, 연령, 학력, 직업에 따른 차이는 나타나지 않았다. 본 연구 결과는 결혼식장 색채 마케팅 연구의 기초 자료로 활용될 수 있을 것으로 기대된다.

In such special or precious occasions as a wedding ceremony, brides, handicapped or not, wish to wear a beautiful wedding dress. However, an ordinary wedding dress is not suitable nor convenient to a bride who has a bodily impediment. A one-piece type wedding dress, which even a normal bride needs assistants to help her wear, will create more inconvenience to crippled females. In this connection, this study is purposed to convert a normal ready-made wedding dress design into one suitable to the bodily handicapped females. For handicapped people on a wheelchair who generally put on and off a wedding dress while sitting on the chair, a one-piece type wedding dress is divided into the top and the skirt to make it a two-piece type wedding dress which is easy to get into and take off. The top should be separated from the skirt in such a manner that the wearer may not be aware of the division of the two pieces but easily put on and off since the sides or back of the top is opened. An opening is also given to the sides of the skirt so that handicapped people may sit on the skirt on the chair and then close the opening by themselves. Converting ready-made wedding dress design into functional clothes for handicapped people is really significant in that ready-made clothes can be recycled, their production cost reduced, and the economic burden of handicapped people relieved.

화훼디자인 분야에 있어서 색채의 중요성이 부각된 것은 오래 되었지만 전문적인 교육과 표준화 작업은 미흡한 실정이며, 화훼디자인 분야에서 큰 비중을 차지 하고 있는 웨딩부케도 이러한 문제점을 직시하고 있다. 이에 본 연구는 인터플로라 세계월드컵대회의 출품작 중 웨딩부케의 색채이미지 분석을 통해 화훼디자인의 기초 자료로 활용하고자 연구를 수행하였다. 분석 결과, 명도와 채도가 높은 색채를 선호하였고, 난색과 한색의 고른 분 포가 나타났다. 반면 파란색(Blue)의 사용은 없는 것으로 결과가 도출되어, 화색(花色) 중 파란색(Blue)을 띠는 식물의 희소성을 보여주는 결과라고 판단되었다. 색채 배색의 분석 결과 대륙별로 차이점을 보이고 있었다. 유럽의 웨딩부케는 한가지 색에 치중하지 않고 다양한 색채 배색이 나타난 반면, 아시아의 웨딩부케는 빨간색 (Red)계열이 나타났다. 본 연구에서 살펴본 결과 웨딩 부케의 색채이미지스케일은 12개의 대표이미지 중 8개의 이미지에 분포하였고, ‘맑은, 우아한, 점잖은, 모던한’의 4개의 이미지에는 나타나지 않았다.