The purpose of this study is to establish the relationship between Durand's architectural theory which provided reasonable architectural logic in the early 19th century, and architectural logic of the Modern Movement of Architecture led by avant-garde architects in the 1920’s. The system of thought in architecture proposed by Durand which clarified a architectural design method(composition) is very similar to the one of the International Style(Book), which summarizes commonalities in the flow of modern architecture. This approach has something in common from the perspective of the systems of thought, despite differences in external forms and time gaps. Therefore, this study intends to examine the systems of thought in three ways. It is to examine how the two systems of thought define architecture, what is the logic of building production, and finally the value of architecture (including aesthetic values) while eliminating classical aesthetics.

This study covered the features and development process of the stylobate of the Sumijwa style, which emerged in Silla around the late 7th century. In the Period of North and South Dynasties, Sumijwa was used as the seat of the Buddha. It was used as a stylobate of tower in the Sui Dynasty and as a stylobate of central buildings in the Tang Dynasty, raising the status of buildings. In the late 7th century, Silla faithfully embodied Buddhist view of the world under its architecture by accepting the latest stylobate of the Sumijwa style. The pagoda of Hwangnyongsa Temple is believed to be the beginning of the stylobate of the Sumijwa style, in Silla. Gradually, in the central buildings within the capital, the stylobate of the Sumijwa style became common. Starting with Bulguksa Temple's Daeungjeon Hall, the materials of stylobate and staircaes will be integrated from the late 8th century. Silla's stylobate of the Sumijwa style can be evaluated as a step-by-step leap in religious, political, technical and aesthetic's terms.

The subjects of this study were limited to Silla buddhist temple remains in the 6～8th century, where the excavation survey report was published and the details of the remains of the corridor are revealed. Since the corridor completes the structure of temple and is involved in formation of the space, the building plan for corridors is thought to have an intention linked to the entire temple. Thus, more closer study is required for this construction plan to identify the role of corridors. The corridor is a building that has a low architectural hierarchy and completes the layout and composition of the temple. In the unit planning of the corridor, unit were designed to be of a certain size in the temple layout. Then, the overall scale was made by adding the fixed size of unit. The combination of corridors are the combined points of paths and were used as visual points. The structure of the corridor was constructed to be adjusted according to the size of the main compartment of the building to which it was connected and inserted under the roof of the building. The adjustment of the unit changed in the range of 0.5 to 2 of Silla’s system of measurement. The usage of embedded pillar in the corridor presents a new perspective on Silla architecture.

After the study of Fujishima Gaijiro(1930), although it is common to see that the Tang-ruler(唐尺) was used in the construction of the Silla Sacheonwangsa temple(679), the basis of the discrimination of the construction measure and the detection of the unit length is not actually sufficient since conventional research was done before the excavation. The study was based on archaeological results, which was secured through the excavation research(2006∼2012) of the temple site in recent years, to determine the construction measure and try to detect the unit length. In the analysis of the measured value of the ruins, the numerical data were obtained through measurements on drawings of the ruins, the tendency of conversion measure’s number appearing by dividing each unit length of the Goguryeo-ruler(高句麗尺) and Tang-ruler within a certain range was compared from the Wansu-je(完數制) viewpoint. The research results are summarized as follows : 1)As a result of the analysis of the distance between the site’s center, the case that conversion Cheok’s(尺) number is converged to the unit of Jang(丈) within the range of unit length expresses three times more in Tang-ruler, and it is confirmed that a simple multiple relationship based on the unit of Jang is established between conversion Cheok’s number. 2)As a result of analysis of Bokan(梁間) of the each Corridor site and the measured value of the stonework ruins, it could be confirmed that appears overwhelmingly in the Tang-ruler when conversion Cheok’s number becomes an integer within the range of unit length. The results of the analysis are judged to be a clear basis for viewing the Tang-ruler as the construction measure of the Sacheonwangsa temple. 3)The estimated unit lengths of the construction measure that were obtained from the analysis of the distance between the site’scenter, the foundation stone center distance of the building site and the measured value of the stonework ruins are slightly different. There is a limit to the verification of the construction error about this, however it is difficult to specify, it is mentioned 294.37㎜ which is obtained from the analysis of the distance between the site’s center.

This study was performed to determine the effects of soil and building materials on indoor radon concentration. Short-term measurements were made in the underground soil of a building along with the radon emanation rates from the phosphogypsum board used as the interior wall. The radon measurements in the soil were 9,213 Bq/m3 in the B3 level, and 3,765 Bq/m3 in the B4 level. Soil radon concentration in the B4 level was 2.4 times higher than in the B3 level. Indoor radon measurements in 50 different locations in the underground of the building, averaged from 144.3 Bq/m3 (B1), 177.0 Bq/m3 (B2), and 189.2 Bq/m3 (B3) to a high of 210.1 Bq/m3 (B4). Indoor radon concentration was increased from the lower level to the upper level. The radon emanation rates from phosphogypsum were 4,234.1 mBq/m2/h and, 450.4 mBq/kg/h. The measurement results indicated that the phosphogypsum board used as building materials as well as the soil could affect the indoor radon concentration.

본 연구에서는 한국에 대한 기후변화로 인한 미래 풍속의 변화를 예측하고, 건축물 외장재에 대한 풍해 위험도를 정량적으로 평가하였다. 미래의 기후변화로 인한 풍속의 변화를 예측하기 위해서 기상청에서 제공하는 RCP 시나리오와 HadGem3-RA 모델을 사용한 풍속 변화 예측치에 관한 이전 연구의 결과가 활용되었다. 강풍에 대한 위험도는 임의의 풍속에 대한 손상확률인 강풍 취약도 모델과 강풍이 발생할 확률인 강풍 위험 모형의 결과를 합성곱하여 평가 되었다. 강풍 취약도 모델은 몬테카를로 모사(Monte-Carlo simulation)를 사용하여 개발되었으며, 강풍 위험모델은 과거 태풍에 대한 자료와 몬테카를로 모사를 사용한 강풍의 발생확률 분석에 관한 이전 연구의 결과를 기초로 개발되었다. 본 연구에서는 강풍 위험도 연구의 결과를 기초로 미래 풍속의 변화로 인한 건축물의 강풍 위험도 변화를 정량적으로 분석하였다. 연구결과로부터 서울보다 남쪽 지역인 부산에 미래 강풍이 더 발생하는 것으로 파악되었다. 또한, RCP 4.5와 RCP 8.5 시나리오 하에서 부산에서의 미래 풍속의 차이가 크지 않기 때문에 강풍 위험도의 변화 역시 크지 않은 것으로 평가되었다. 본 연구에서 제안한 방법론은 미래 강풍으로 인한 피해를 예측하고 대비하기 위한 방법으로 사 용될 수 있을 것으로 판단된다. 본 연구에서의 강풍 위험도 평가를 국가 차원에 적용하기 위해서는 강풍 위험에 대한 공간적 확장과 더불어 피해 대상물에 대한 강풍 취약도의 추가적인 개발이 필요할 것으로 판단된다.

The traditional earth wall structure consists of a Joongkit(a small reinforcing post inside a wall) and a Oe(a miscellaneous tree, rendered laths) based on the space between the columns and applying the soil. The members who act as the base layer before applying soil used joongkit, sakmok, and oemok, which are known to correspond to the current joongkit, gasisae, and lath strips. This study was designed to understand the following through an analysis of the ancient texts, such as uigwe. Through a study on the usage and specifications of joongkit recorded on the uigwe, I wanted to reveal that joongkit is a material that has different specifications, functions, and installation techniques from current joongkit. The purpose of this study was to present the differences and technical features of the components of use for two types of oeyeokki technique of traditional wall. In addition, the items to be considered at the actual cultural heritage repair site were reviewed in the restoration of the earth wall weaving technique.

Several water tanks installed in the building were damaged during the Gyeongju earthquake (2016) and the Pohang earthquake (2017). Since a water tank for fire protection is very important component, seismic safety should be ensured. In this study, an interaction between a water tank and a building was studied by the dynamic analysis of the RC building with the water tank. In case the water tank was installed on the roof of the RC building, it was confirmed that it did not significantly affect the response of the building. Based on the result, dynamic response characteristics of the water tank in the building were studied using two SDOF models represented dynamic behavior of the water tanks under earthquake. An earthquake time-history analysis was carried out with variables of aspect ratio of the tank, story of the building, and installed location in the building using three kinds of earthquakes.

최근 필로티는 공간의 활용도나 미관상의 이유로 많이 사용되고 있다. 필로티는 외벽보다는 안쪽에 위치하나 외기에 접하는 형태로 강한 바람이 불 때, 바람길이 형성되고 강한 압력을 받아 필로티의 천장 및 벽면 부분의 외장재가 탈락하는 피해가 발생한다. 현재 건축구조기준(KBC-2016)에서는 필로티 건축물에 대한 천장 및 벽면의 풍압계수가 제시되어있지 않아 필로티 부분의 주골조 및 외장재에 대한 구조설계에 어려움이 있다. 이에 본 논문에서는 저층구조물의 관통형 필로티에 대한 풍압실험을 진행하여 풍압계수를 산출하였다. 실험 모형의 변수는 필로티의 높이와 폭으로 두었으며 변수에 따라 풍압계수를 산정하고 풍압분포의 변화를 비교·분석하 였다. 따라서, 필로티의 여러 변수 중 가장 불리한 풍압계수를 제시하여 이를 주골조와 외장재 설계 시 기초자료로 제공하고자 한다.

Pinson Hall is a dormitory building of Chosen Christian College, built in 1922, and it still remains comparatively well preserved as original form. This building is worthy in that it shows the living space of western style college in Korea, as well as characteristics of collegiate gothic style and building technology, designed by western architect in 1920s. At first, based on literate review and field survey, this study aims to trace the construction background and process of Pinson Hall, and find out its architectural characteristics with the original form when it is used as dormitory. Additionally, it deals with historic meaning and value of Pinson Hall as a modern western style college dormitory, through comparison with other dormitories in the same era. In conclusion, Pinson Hall is a Western style dormitory which allows students to accustom themselves to Western life style, using bed and desk, as well as it shows the new building technology in the early 1920s which has mixture of masonry and reinforced concrete structure.

본 연구는 건축설계 계약에서 이루어지는 구체적인 불공정계약의 관행을 수집하고, 계약서에 드러난 ‘갑’의 절대적 우위를 교정하기 위해 시작되었다. 이를 위해 2009년에 국토부고시로 발표되어 현재 그대로인, 업계에서는 거의 무용지물이나 마찬가지인 ‘건축물의 설계 표준계약서’를 대신해 새로 표준계약서 제정을 제안했다. 또한 표준계약서의 사용을 제도적으로 뒷받침하기 위해 관련법 즉, 건축서비스산업 진흥법, 건축법, 건축사법, 국가계약법, 그리고 ‘공공발주사업에 대한 건축사의 업무범위와 대가기준’ 역시 개정되어야 하고 이를 제안했다. 건축물의 최종 소비자는 불특정 다수인 국민이다. 그러나 건축물의 설계계약서는 사인간의 계약이라며 사적자치의 자유만이 작동되고 있다. 국민의 안전을 담보하는 건축물을 위해서는 이제라도 계약공정의 원칙이 작용하도록 일정 부분 국가가 개입 되어야만 한다. 이러한 법, 제도의 개정이 상호 유기적으로 이루어지고 시스템이 작동되어야 건축물이 건강하고 아름답게 세워질 것이다.

A major performance stage carpenter, Jang Insang led performance stages from the 1719 Sukjong Royal Banquet and was confirmed by historical records to be the first craftsman. Lee Wandeuk led the Hwaseong Fortress performance stages of the Jeongjo period and Gichuk Jinchan performance stages of the Sunjo period. The carpenter techniques he used during the Jeongjo period were succeeded to the Sunjo period. Ahn Sungil was the head craftsman who led the performance stages of Jagyeongjeon Jinjak, Muja Jinjak, and Gichuk Jinchan of the Sujo period, under which the foundation for court palace performances was laid. The progression of major carpenters includes Jang Insang of the Sukjong period, Jeon Yoochu of the Yeongjo period, Ahn Sugil of the Sunjo period, Yoon Seoksin of the Heonjong period, Kim Yoonsik of the Gojong period, Lee Jongyoon, Kim Soongil, Seo Sangmook, and Han Sujoon. In addition, the Major Repair of Injeongjeon Hall (1857) of the Cheoljong period was the most important palace construction project for transferring the carpenters’skills. Through this project, Ahn Sungil of the Sunjo period, Kim Myeonggap, Yoon Seoksin of the Heonjong period, Kwon Deuknyang, and Kim Sungil of the Gojong period were able to interact with each other. That is, this major repair project of Injeongjeon Hall reflected the major carpenters’best techniques through performance stage construction, showing the progression of Ahn Sungil, Yoon Seokshin, and Kim Sungil, who led the constructions of Gichuk Jinchan of the Sunjo period (1829), Mushin Jinchan of the Heonjong period (1848), and Jeonghae Jinchan of the Gojong period (1887), the most impressive performance stages of the late Joseon period. The carpenters of the court performance stages participated in important construction projects of the royal palace, reflecting the superior technical skills of the carpenters in the construction of court palace performance stages. The carpenters who played a leading role in the construction of performance stages were able to interact with one another and transfer their excellent technical skills, providing the driving force that allowed court performance stages to blossom into splendid and high-quality court stages in the late Joseon Dynasty.

Modern Joseon Architecture is North Korea's unique building style that interprets Korean traditional architecture in a modern way, and its most distinctive design feature is the Paljak roof that decorates the upper part of the buildings. This paper argues that continuous attempts at characterizing the nature of traditional Korean architecture in the late 1950s and early 1960s developed the theoretical rationale for the exclusive use of the Paljak roof in Modern Joseon Architecture. It also argues that the construction of the Pyongyang Grand Theater and the Okryu Restaurant during this period became a decisive moment for the formalization of the Paljak roof. The double roof rafters and gables and the "cheerful yet solemn" roofline were considered as main characteristic features of the Korean roof and the Paljak roof perfectly fits this description. Particularly, in North Korean society where Kim Il Sung became idolized as an impersonalized deity, an anecdote in which Kim Il Sung fixed a prominent gabled roof in the Pyongyang Grand Theater into a Paljak roof has allowed for the roof to gain an exclusive status. Hence, almost all Modern Joseon Architecture since the 1960s accepted the Paljak roof’s monopoly position, rather than experimenting with other traditional roof types.

Seongjeonggak Hall in Changdeokgung Palace, although built after the Japanese Invasion in 1592, displays the architectural style and structure of Early Joseon period. It did not include ondol (Korean floor heating system) and contained Early Joseon style window frames. Later, King Jeongjo installed ondol as he repaired the building into a more convenient office. The initial construction of Seongjeonggak Hall was based on the architectural ideology of the Early Joseon Period, which divided up the space according to the season. Thus, the initial structure of the building consisted of a joint of a one-story building and a two-story building with the top floor of the latter specialized for hot and humid season. The two-story building was called ‘chimnu(寢樓)’, and its top floor was called ‘nu-chimsil(樓寢室)’