This thesis mainly deals with the meaning of single eaves buildings which have Chunyeo with Sarae. As a rule, building with single eaves does not construct Sarae. But we can find some special buildings using Chunyeo with Sarae in the corners of the eaves. At this time, many people say that lower part of the member so called Alchunyeo, and upper part of the member so called Chunyeo. And they also say that the using of Alchunyeo was caused by the shortage of timber which can make Chunyeo properly. As a result, single eaves buildings using Chunyeo with Sarae in the corners of the eaves were not caused by the shortage of timber. That kinds of buildings were made by the hierarchy of building. Single eaves buildings with Sarae have lower rank than double eaves buildings, and also have higher rank than those without Sarae. And we have to say that lower part of the member is Chunyeo, and upper part of the member is Sarae.

This study is a comparative study on a cookbook published in 1900s titled「Jusikbangmun」, one of collections of the National Central Library, along with other cookery books in Joseon Dynasty in the late 1800s to early 1900s. 「Jusikbangmun」consists of 51 recipes, including 45 kinds of staple foods and six kinds of brews. More than 60% of the recipes deal with staple dishes and side-dishes, whereas the rest deal with ceremonial dishes and drinking. The 「Jusikbangmun」applies a composite method of cooking from boiling and steaming to seasoning with oil spices. The ingredients are largely meats rather than vegetables, which is distinguished other cookery books in the Joseon Dynasty. Only 「Jusikbangmun」deals with such peculiar recipes as ‘Kanmagitang’, ‘Bookyengsumyentang’, ‘Jeryukpyen’, ‘Yangsopyen’, and ‘Dalgihye’. It is estimated that 「Jusikbangmun」was published around the 1900s based on findings that 「Jusikbangmun」is more similar with「Buinpilgi」and「Joseonyorijebeop」in the early 1900s than with「Kyuhapchongseo」, 「Siyijenseo」and「Jusiksieui」in 1800s. Therefore,「Jusikbangmun」is a valuable resource, we can use understand the food culture of the late Joseon period.

This study explored the Jeollajwasuyeong Dongheon in the Late Joseon dynasty and its findings are as follows. Buildings in Jeollajwasuyeong were completed since the mid-18th century. They formed areas based on functions and were largely classified into two areas. The buildings within Yeongseong included Gaeksa (guesthouse), Dongheon(government office), Hyangcheong(advisory organ), Jungyeong(military camp), Guncheong (county office), Gongbang(workroom), and Changgo(warehouse). There were also buildings for low-ranking government officials. The central part of Jeollajwasuyeong was the areas of Gaeksa and Dongheon. Gaeksa was iconic area where local governors served King and had 75 Jinnamgwan Guesthouses and 3 inner gates. Those were measured off by separate walls. The Dongheon area was located in the northeast of Gaeksa. There were three gates such as Wanyeongru, Gongsamun, and Jeongbyeonmun at the entry area, which were also divided by walls like Gaeksa. Unjuheon (Dongheon) was at the center of the area where Gyeolseungdang, Mugwonjae, Naea, Chaekbang, and Gongsu were built. Outside the area, Baekwadang(used as Bijangcheong), Jinhyulgo, and Byeonggo were composed of part of the Dongheon area. Most of the buildings in Dongheon seemed to be repaired since 1664. It was difficult to locate the area of previous Dongheon. In particular, Jinnamgwan was first built in 1599 and destroyed by fire in 1716. In 1718, the building was reconstructed and shared historic denominator with Unjuheon before 1858 and reconstructed Unjuheon in 1869. It was found that Unjuheon was reconstructed more than at least three times, which was the central building in Dongheon. The buildings including Gyeolseungdang, Mugwonjae, and Baekwadang in the area were not existed within Jeollajwasuyeong and were reconstructed more than once and maintained until the early 1900s.

려말선초 혼란기에 불교는 타락하고 활발했던 조영의 분위기는 침체기에 빠져들었다. 그런 가운데 우리나라 사찰건축의 명맥을 유지된 몇 가지 중요한 원인을 가지고 있었다. 첫째, 건물짓는 기술자가 바로 승장 대목 자신들이라는 점과 혼란기를 틈타 엄격함으로부터 어느 정도 자유스럽게 영조할 수 있었다는 점이다. 이러한 인식의 변화는 그대로 건물에 나타나게 된다. 이러한 대표적인 사례가 사찰 전각 측면공포에 대한 등간격배열방식이다. 그 동안 이 문제에 대해 심도갚은 연구가 진행되지 않은 상태에서 서둘러 규정짓는 자세에 문제가 있었다고 본다. 본 연구는 이러한 문제점을 제기하면서 보다 심도있는 연구가 되기를 바라는 마음에서 고찰되었다.

Finding the origin of life-centrism in East Asia, especially a longevity, you can find a harmony of the nature and mankind in Ancient Chinese myth and rarity about a idea of afterlife. In Chinese important trend, Confucianism and Taoism, their attitude to life shows a life-centrism. Confucianists' final aim at life is remaning their name in real life, so they don't care about afterlife. They put emphasis on the immortal fame and the happiness, comport in life. Taoists think the lifespan is the absolute objective because they believe the penalty for faults is lifetime shortening. The Ten Traditional Symbols of Longevity is a group of the long life stuff symbolize the longevity. The first record of them appeared in the royal paintings in Goryeo Dynasty. These symbols used in the folding screen, windows and doors in palace and expand to ordinary people because of the development of commerce after the 18th century. After that, symbols have widespread popular support so appear in the folding screen, woodcraft and embroidery. The Ten Traditional Symbols of Longevity describes the hermit's world, it contains the real organisms of sky, underwater and land. Symbols are the combination of objection to life, desire of longevity and transcendence in life. They show us the concentration of real life.

조선시대 불교에 대한 이해와 연구는 불교탄압과 유교진흥이라는 편견과 선입견이 여전히 지배하고 있다. 이와 같은 인식은 조선후기 승려들의 각종 부역동원의 사실에서도 나타나고 있다. 이른바 승려 들의 산성방어와 각종 토산물의 생산과 상납이 불교계에 대한 수탈 과 착취라는 것이다. 이와 같은 평가와 인식은 조선후기 사회경제적 상황에서 살펴보면 많은 문제점을 지니고 있다. 임진왜란 이후의 조선은 인구감소, 자연 재해, 대규모 기근, 농토의 황폐화 등으로 암울한 상황이 지속되었 다. 급기야 조선정부는 백성들의 전세(田稅)·공물(貢物)·역(役)의 부담을 완화시켜 주는 조치를 취했다. 그러나 대동법이나 균역법의 시행은 백성들에게 일시적인 위안책이었다. 대동법 시행으로 백성들 의 부담을 떠안은 승려들의 곤궁함이 더해지기도 했지만, 백성들의 삶은 여전히 향상되지 못했다. 균역법의 시행 이후 승려들의 부역동 원도 점차 금지되었고 완화되었다. 요컨대 조선후기 경제상황과 수취체제의 시행은 승려들이 맹목적 인 수탈과 착취의 대상은 아니었으며, 불교탄압의 사례로 볼 수 없는 구조적인 문제였다.

The purpose of this study is to identify the figurative characteristics and symbolic meanings of the patterns of royal families in the late Joseon Dynasty based on the theoretical examination as well as the overall characteristics of the colors based on the quantitative analysis of colors. This study focused on the costumes of King Young royal families in the late Joseon Dynasty which is the last costume of Joseon Dynasty and classified 129 relics under preservation for the analysis. This study analyzed the colors using the digital data in the picture brochure as the previous studies did and presented the color palette. Based on this, a variety of textile designs that are developed by using the traditional patterns and colors could be applied to the modern fashion designs. For Patterns used in costumes of King Young royal families, the five pattern categories include animals, plants, letters, and geometric patterns and the final category of other types. The features of color in the costume were v tone of Y color and lt and p tones of Y color. The implication of this study is to develop textile designs which reflects conversion of past and modern cultures and cultural identity by applying the traditional cultural elements through literature review and empirical study and theses developed 8 textile designs could be applied to the various modesrn fashion designs.

On behalf of the royal women, SangGung(尙宮:The head of female servants in the palace) and NaIns(內人: Female servants caring for royal families in the palace) were dispatched in order to attend a funeral at the royal tomb. The NaInGaGa(內人假家) is the temporary building for SangGung and NaIns in the royal tomb. It is comprised of lodgings for them and also workrooms and warehouses to prepare ritual offering for the dead King or Queen. In the early Joseon dynasty, the NaInGaGa was utilized until a funeral at the royal tomb. Since 1674, NaInGaGa for the 3 years-period lamentation was started constructing separately. At these processes, the plan and placement of NaInGaGa was changed. This study based on the SanReungDoGam-EuiGwae (山陵都監-儀軌: The report on constructing royal tomb). The SanReungDoGam-EuiGwae written since 1800 have illustration about NaInGaGa. The illustration and explanation about NaInGaGa become a important clue that make suppose detailed space of NaInGaGa

Nakseonjae in Changdeokgung Palace was established at The King Hunjong’s 13rd year (1847), the mid-19th century. It was constructed for own rests of King Hunjong and the residence of Kyungbin (king’s concubines), and is showing features of upper-class houses from several points such as rustic architectural types by getting out of authoritative aspects as king’s shelter space within the palace, block and floor distribution that separated spaces for men and women, simplicity in structures and styles, and non-colorful painting etc. This study aims at tracing on which architectural types did the upper-class houses within Hanyang (modern Seoul) at late Joseon Dynasty have and what was characteristics of Nakseonjae. The resemblance between Nakseonjae and the upper-class houses was very little differences from scale aspects, and floor plan shapes of Anchae (women’s quarters) and Sarangchae (men’s quarters) were followed basic common styles. Also, resemblance could be confirmed in the structural styles too. Characteristics of Nakseonjae are showing apparent differences from clearance compositions such as hall configuration etc. Nakseonjae was king’s dwelling place, and spaces for house’s collateral functions such as kitchen, stable, and warehouse etc together with shrine were unnecessary, and such places were substituted into servants’ quarters for assisting the Royal family. In detailed structural styles, column’s size was larger 3cm or more than the upper-class houses, and its height was higher to the degree of 30~60cm. Besides, formality as king’s shelter space was raised more in decorating aspects, and Nakseonjae was implemented by getting architectural influences from Qing Dynasty of China. This study induced features of Hanyang’s upper-class houses at the 19th century by supplementing distribution and space configurations at existing cases of Seoul and Gyeonggi area together with house diagrams having been collected by Gaokdohyung (site and floor plan) of Jangseogak Library, and confirmed resemblances and differences with Nakseonjae, that is, features of Nakseonjae. Through the result, this study judges a fact that architecture of Nakseonjae seemed to be affected from conveniences of upper-class houses within Hanseong, and also architectural styles and distribution types of Nakseonje would give influences to the upper-class houses.

Since the 1970's, UNESCO and ICOMOS have adopted or emphasized on the principles of historic preservation. One of them is what to require a repair have not to be repaired beyond the limits of the features and techniques to have been born in those days of establishment. On the premise, this paper is to examine the materials and technique of lime plaster work in order for roof ridge, and for bond paste of stones and bricks in government constructions in the late of Joseon dynasty(17〜19c). The result of this examination will come up with a basic conformity in the case of repairing the building established in the late of Joseon dynasty. This paper is carried out for the proper repair and restoration of architectural cultural properties. Construction reports and other documents in those days are examined for the study. Following conclusions have been reached through the study. The components of old plaster mixtures which agglutinate stones each other were quicklime, perilla oil, and paper fiber. The components of old plaster mixtures which point joint of black bricks consisted of slaked lime, perilla oil, paper fiber, and cereal starch. These components were the same as coat surface of roof ridges. In the case of times, one of the following sand, white clay, sap of boiled elm bark was added to these components for the purpose of high efficiency. These materials and techniques which applied to plaster work of those buildings had developed in the process of making royal tombs. But these materials and techniques were quite different from the present.

Since the 17th century, the society of Joseon dynasty belongs to a period of rapid transition in many fields. As the building is a result to be produced on the basis of a society and economy, the general transition in a society is to be reflected into a process of building construction. Especially, a study on the material supply system of economic base in a process of building construction is one of very important factors in an understanding or estimate of a building. On the premise, this paper is to examine the supply system of iron materials and the tools in the construction of the government managed buildings in the late of Joseon dynasty on a viewpoint of productivity. Construction reports and other documents in those days are examined for the study. Following conclusions have been reached through the study. 1) The general supply method of iron materials for a large-scale government construction was based on 'byulgong', that is, a kind of tribute. 2) Various methods were selected in the supply method of iron materials for government use in the late of Joseon dynasty. The priority order of choice in its government policy was put on an easiness of amount security, on a minimum of expenditure, and on an efficiency of construction execution. 3) The manufacturing technique of weaponry was used in the production method of iron materials and the tools for government use. The cooperation of the official, the army, and the merchant had improved the manufacturing technique of building construction.

This study examines the joint and splice of wooden structure at Geunjeongjeon Hall of Gyengbok Palace, which was constructed in the late Joseon Dynasty. The scope of the study is on the part of columns, the bracket sets, and the frame structure. This research also deals with the relationship between vortical load and horizontal load. Firstly, the examination of the joint and splice methods between the pillar and penetrating ties is on the joint and splice methods of the outer and corner. Through the investigation, it is verified that the joint methods between pillar and penetrating tie on the outer and corner pillars is the method of Sagal joints(cross joints, 사개맞춤). Joints used between pillar and penetrating tie are dovetailed tenon joints, between columns and Anchogong(안초공), between columns and Choikgong(초익공) are tenon joint(장부맞춤). Secondly, the examination of the joint and splice methods of the bracket set is on that of Salmi and Cheomcha(첨차), and Salmi and Janghyeo(장혀). Joints used between Salmi and Cheomcha, Salmi and Janghyeo are halved joint, and between each Janghyeo are stepped dovetailed splice. It is Cheomcha that is used the Jujang-Cheomcha(주장첨차) on center line. Therefore it is connected with each bracket set, which gets to is the strong system, easy and convenient on the construction of that. Thirdly, the frame structure of wooden architecture in royal palace is consist of purlins and beams, Janghyeo(장혀, timber under purlin), tall columns, king posts, etc. Through the investigation, it is verified that the joint and splice methods between purlins and beams are used with the methods of Sungeoteok joint(숭어턱맞춤). It is verified that the joint and splice methods between beams and high columns are used with methods of mortise and tenon joint(장부맞춤), is highly related with tensile force. To reduce the separation of parts, sangi(산지) and tishoi(띠쇠) are used as a counterproposal, which were generally used for architecture in royal Palaces in the late Joseon Dynasty and continued to be used until these days common wooden architecture.

본고는 문헌에 실린 봉정사 관련 시문들을 중심으로 시문이 창작된 연대와 배경과 의미를 살펴보고, 이들 시문을 통해 봉정사가 사찰이 갖는 기본적 기능 이 외에 유교적 공간으로도 적극적으로 활용된 점을 중점적으로 고찰하였다. 봉정 사는 신라 시대의 승려인 能仁이 창건한 고찰로 알려져 있다. 극락전과 대웅전 은 독특한 건축 양상을 인정받아 국보로 지정될 만큼 매우 가치적인 공간예술이다. 또 봉정사를 포함한 주변 원림은 사찰이 지닌 특수성과 우수성을 인정받아 세계유산에 등재되는 성과를 이루었다. 이렇듯 봉정사는 불교 문화로서의 전통성과 심미성을 지닌 공간이다. 그런데 조선 중기에 접어들면서 지식인들이 사찰 공간을 유교 공간으로 활용하였고 특히 조선의 유학을 집대성한 퇴계가 16세에 이곳을 찾은 이후로는 그 상징성이 더욱더 커갔다. 그리하여 봉정사는 독서와 강학 공간으로 널리 활용되었을 뿐만 아니라 이곳에서 『퇴계집』을 중간하는가 하면 『번암집』과 『서산집』을 간행하는 등 인쇄문화의 꽃을 피웠다. 특히 김시 침·류원지·이이송 등이 주도하여 창건한 蒼巖精舍는 추념의 공간이자 성지순례 코스로서의 그 기능이 강화되었다. 이렇듯 불교적 수행·의례·강학의 공간인 사 찰이, 지역 사대부와 사족에게 강학·문집 간행·풍류 등의 방식으로 향유되었다.

In this study, the characteristics of a horizontal sundial from the Joseon Dynasty were investigated. Korea’s Treasure No. 840 (T840) is a Western-style horizontal sundial where hour-lines and solar-term-lines are engraved. The inscription of this sundial indicates that the latitude (altitude of the north celestial pole) is 37° 39´, but the gnomon is lost. In the present study, the latitude of the sundial and the length of the gnomon were estimated based only on the hour-lines and solar-termlines of the horizontal sundial. When statistically calculated from the convergent point obtained by extending the hourlines, the latitude of this sundial was 37° 15´ ± 26´, which showed a 24´ difference from the record of the inscription. When it was also assumed that a convergent point is changeable, the estimation of the sundial’s latitude was found to be sensitive to the variation of this point. This study found that T840 used a vertical gnomon, that is, perpendicular to the horizontal plane, rather than an inclined triangular gnomon, and a horn-shaped mark like a vertical gnomon is cut on its surface. The length of the gnomon engraved on the artifact was 43.1 mm, and in the present study was statistically calculated as 43.7 ± 0.7 mm. In addition, the position of the gnomon according to the original inscription and our calculation showed an error of 0.3 mm.

We investigated the six remaining Yang-cheon-cheoks (量天尺), which were first described in the Veritable Record of King Sukjong (肅宗實錄). These woodblock sundials from Korea are structurally very similar to a Gyupyo (圭表, gnomon) or an altitude sundial and are light, compact, and portable. The front side of a Yang-cheon-cheok has two holes for styluses and several hour-lines. We compared the intervals of the hour-lines from the originating point of the stylus placement on all Yang-cheon-cheoks and found that two of the relics had the same hour-lines using the standard of the unit of 1 chon (寸). These two were actually the same sundial although the physical size was different. In spite of the lack of time accuracy, we hypothesize that various-sized Yang-cheon-cheoks were made and widely distributed throughout the public in the late Joseon Dynasty.

부산은 18세기말 서양에게 처음으로 알려졌다. 이후 19세기말 조선이 강화도 조약을 시작으로 국제 열강들에게 개항되었을 때에도 중요한 국제적인 개항장이었다. 국제 선박들의 왕래가 늘면서 부산항의 항만시설과 등대의 중요성이 부각되었다. 등대의 설치와 관리는 부산 해관원들이 담당하였다. 개항기 해관의 작업들은 봉건사회에서 근대국가로 변천하는 조선의 역사적 기원이 된다. 이처럼 소중한 역사임에도 불구하고 개항기 해관문서들이 상당부분 소실되어 정확한 역사를 알 수가 없었다. 그러나 조선의 내부문서와 외교문서 그리고 국내외 언론들 에 의해 작성된 기록들을 비교 검토함으로써 객관적인 사실관계를 정립할 수 있을 것이다. 이러한 맥락에서 본 연구는 최근 출간된 자료들과 수집된 고지도들을 바탕으로 조선말 개항기 부산항에 설치된 근대식 등대를 확인하는 것을 우선적인 목적으로 한다. 이를 통하여 대한민국 근대사의 올바른 정립에 객관적 자료를 제공할 수 있을 것이다.