뚝섬적축면상추', '잔치열무', '다조은엇갈이배추'에 대한 본포 재배기간 동안 터널 막덮기재배에 있어서 막덮기 자재 종류간에 터널 내 기상, 생육 및 해충 발생에 미치는 영향을 조사하였다. 피복자재별 투광률은 무피복(100%)에 비해 네트류가 90% 정도를 보였으며, 부직포는 83~89%로 다소 낮았다. 평균기온과 지온은 무피복에 비해 네트와 한랭사 피복에서 0.3~1℃, 부직포는 0.5~3℃ 상승하였다. 그러나 상대습도는 처리 간에 차이가 없었다. 열무, 엇갈이배추, 상추 모두 무피복에 비해 부직포 막덮기에서 생육이 촉진되었는데, 상추는 81%, 열무는 58%, 엇갈이배추는 93% 정도의 증수 효과가 있었다. 특히 부직포 피복에 의해 해충의 피해가 크게 경감되었다.

본 연구에서는 정밀관수를 위한 관수시간, 점적라인 설치 등 관수시스템 설계를 위한 기초 데이터를 얻고자 점적관수 시 토성에 따른 물의 수분함량변화를 공간적, 시간적 변이의 차이를 구명하였다. 20cm의 간격의 노즐로 설치된 1열 점적관을 이용 관수 하였을 경우 양토와 사양토내의 수분은 중심을 따라 대칭 형태를 유지하면서 이동하였으나 수분확산 폭은 양토가 더 넓고 속도가 느린 경향을 나타내었다. 상대적으로 높은 모래성분 함량을 갖는 양질사토의 경우는 낮은 수분 보유력으로 인하여 위치별 수분함량의 변화는 상대적으로 낮았으며 그만큼 물 빠짐정도가 큰 것으로 나타났다. 관수개시점과 종말점을 고려하였을 때 사양토의 경우 20cm 깊이에서 관수개시 30분 후에 수분의 포화가 이루어졌으나 양토와 양질사토의 경우는 약 80분이 소요되어 효율적인 수분공급 측면에서 관수시간은 토성별로 달리해야 하는 것으로 나타났다. 깊이 10cm에서의 시간에 다른 토양수분의 감쇠특성은 지수함수의 형태를 나타내었으며 토양별 안정된 상태에서의 수분함량은 양토, 사양토, 양질사토 각각 17.6%, 6.2%, 4.2%로 예측되어 토성에 따라 잔여수분함량은 차이가 있음을 확인하였다. 토양수분함량과 토양수분퍼텐셜과의 관계를 나타내는 수분특성곡선은 시험 토양의 경우 모두 높은 결정계수를 갖는 지수함수로 근사가 가능하여 수분퍼텐셜을 이용하여 측정하는 재배시스템에서 대응하는 수분함량 예측에 유용한 관계식을 얻었다.

Any Irish writer can hardly liberate his mind sufficiently from the questions of public duty to form and influence the opinion in Irish politics. And for the same reason almost all the contemporary Northern Ireland poets are under the pressure to lead his readers through the psychic hinterland to emerge from the Northern Ireland crisis. But the demands made on Paul Muldoon result to his persistent belief that poetic language is an abstraction of everyday discourse. Muldoon claims and testifies that poet's word can be used to the particular function of expressing the poet's intention: the poet's task is to control the meaning of the words in relation to the other words in the poetic text. Thus his poetry is to some extent full of fantastic and disconnected languages which, he seems to argue, comprise the actual experiences in the contemporary Northern Ireland. In this perspective his poetic languages tend to be the fragments of the continuous narrative and have different tones and styles. And his early poems seem to the readers to shift between different levels of meaning which keeps the poet's attitude toward the material and the context of the work. In this process his poetry is to create his own poetic world as a paradise free from the violent and corrupted real world as well as to draw links between poetry and politics. That means that his early works repeatedly figure out the relation between social and poetic significances of poetry and at the same time investigate the nature of poet's word as a way to form his own world. This seesawing attitude to the responsibilities toward the contemporary Northern Ireland makes his poetry tend to be oblique by detaching the poet himself from the society.

Colors in the poems are non-verbal communication. Colors in the poetry have symbolism and color meanings that go beyond ink. Therefore, the purpose of this paper is to investigate how Yeats chooses colors for his poems and how those colors are related to his poetic imagination. Yeats uses many colors in his poems in order to strengthen his poetic themes. The color that he uses quite frequently in The Collected Poems of W. B. Yeats is white. The color white is often related to the fairyland, his ideal land, or the beauty of woman in his several poems. In Yeats's poems, he also equates the love of country with the love of woman. He connects the physical world to the spiritual world by using the color white in his poems. For example, in "The White Birds" Yeats hopes to flee from the material world of sorrow with his beloved in the form of white birds. Yeats describes Maud Gonne's beauty as a white woman because she is the loveliest woman that he has ever met. In his Autobiographies, he says that her complexion was luminous like that of apple-blossom when he met her for the first time. The color of apple-blossom is white. The color white is used in many places in his poems to express the beauty of woman or the love of Ireland. In short, understanding the meaning of white used in his poetry will help us grasp his poems properly.

The order of poems plays a very important role in Yeats's book of poems without understanding which his poetry cannot be fully appreciated. Hence, understanding Yeats's poems requires looking into not only a relationship between the poems placed side by side in his Book of poems but also the principle of arranging the entire poems. The purpose of this paper is to find out a principle with which Yeats placed his 37 poems for The Wind Among the Reeds. The principle, if there is any, brings us closer to why Yeats moved "The Fiddler of Dooney" from the 11th place in the 1899 edition to the 37th in the 1909 edition. My argument is that Yeats's arrangement of poems selected in The Wind Among the Reeds reflects his poetics which he formed in between 1890's and 1910's. Reading Yeats's essays, “Nationality and Literature" (1893), “The Theater" (1899), "The Symbolism of Poetry" (1900), and “What is Popular Poetry?” (1901), we see that the poet talks about different subjects matters but reveals his idea of how the literature develops. Yeats believes that literature goes through three developmental stages: the epic period; dramatic period and the period of lyric poetry. The epic phase is marked by great racial or national movements and events; the dramatic phase mainly deals with characters who lived in them; and the lyric phase focuses on pure emotion or mood, the seed of which again grows into a tree of epic literature by stimulating human sensibilities. This cyclical pattern of literature, which Yeats compares with the growth of a tree, is a model after which the poems of The Wind Among the Reeds are arranged. That is, the opening poem, "The Hosting of the Sidhe" reflects the epic concern by dealing with great Irish people and soil; the second poem, “The Everlasting Voices," in which great racial or national movements disappear, talks about old human hearts; and the third poem, “The Moods,” shows the lyric phase concentrating on the birth of mood and its immortality. The following 34 poems are arranged in such a way as to mirror the epic-dramatic-lyric pattern; dramatic poems outnumber the epic and lyric poems. This pattern shows Yeats's message: literature goes through this three developmental stage and the parts do not exist in isolation from the whole. Yeats also announces that he is the poet of Irish people, drama, and lyrics.

Most soybean sprouts grown in factories are sold on the market. When the soybean sprouts grow up to lateral root initiation, the rate and absolute amount of asparagine in the roots of all sprouts are comparatively low. To extract the greatest amount of asparagine from soy-sprouts, it is advantageous to grow sprouts more than 16 days. When sprouts were grown with ozonic water, it was possible to grow sprouts more than 16 days without any rotting problems. The content of asparagine in the sprouts were proportionally increased up to 16 days. When sprouts were grown in 0.2% of urea, the content of asparagine in sprouts were significantly increased. Soybean sprouts grown at room temperature showed the highest yield rate and asparagine content, at the same time.

Bamboo leaf powder was added to Chiffon cake to increase its neutraceutical effects and storage periods. Specifically, 0, 7, 10 and 13% leaf powder was added to the cakes. The content of total dietary fiber in the bamboo leaf powder was 65.57%. The moisture content did not differ significantly among groups. The cake containing 10% bamboo leaf powder had the greatest volume, whereas the control group (0% bamboo leaf powder) had the lowest volume (p〈0.05). The Hunter's L and a values decreased significantly as the amount of bamboo leaf powder increased. The b value of the control was lowest among the groups (p〈0.05). Evaluation of the consumer acceptance of flavor revealed that the cakes containing the added bamboo leaf had greater consumer acceptance than the control. However, when the color was evaluated, the 13% group showed the lowest acceptance (p〈0.05). Other factors such as texture, taste and overall acceptance did not differ significantly among groups. Additionally, the elasticity did not differ among groups, while the air cells were most uniform in the control. The strength of bamboo leaf aroma, bitter taste and aftertaste increased as the amount of bamboo leaf powder added increased. Cakes containing 10% and 13% added powder had the greatest moisture content, while the control had the lowest content (p〈0.05). As in previous studies, the results of this study indicated that 10% bamboo leaf powder was the optimal level for the preparation of Chiffon cake. To evaluate the storage of cakes, the 10% group and the control were inoculated with Aspergillus oryzae and then incubated at 30℃ for 6 days. The microbial colony counts in the control group were dramatically increased after 48 hrs; however, the fungal concentration of the 10% group did not increase for 4 days. In conclusion, the addition of 10% bamboo leaf powder to Chiffon cake increased the storage time while maintaining adequate consumer acceptance.

본 연구에서는 2006-2008년 여름(6-8월)에 발생한 12개 낙뢰 사례에 대하여 기상청의 낙뢰관측 자료와 MTSAT-1R 위성의 적외(IR1) 및 수증기(WV) 채널 휘도온도를 이용하여 낙뢰 발생 시 위성영상 특성을 분석하였다. 낙뢰가 발생하지 않은 경우 IR1 채널의 휘도온도는 290-295K, WV 채널의 휘도온도는 245K 부근에서 최대 분포를 보인다. 그러나 낙뢰가 발생하는 경우, 강한 대류의 영향으로 두 채널 모두에서 휘도온도가 215K 이하로 낮아졌으며, 두 채널의 휘도온도차는 약 -50K에서 0K로 급격히 증가하였다. 뇌우 시스템의 발달 단계에 따라 차이는 있지만 원형 또는 타원형의 중규모 대류복합체에서는 그 대류 중심에서 많은 낙뢰가 발생하고, 스콜선 형 뇌우에서는 낙뢰가 선상으로 발생하는 특징을 보이고 있다. 낙뢰 발생빈도와 휘도온도는 중규모 대류계에서는 휘도온도에 관계없이 비교적 높은 상관성을 보이나 스콜선 형에서는 휘도온도가 낮을 때만 높은 상관성을 보인다. 또한 낙뢰는 두 채널의 휘도온도가 215K 이하, 휘도온도 차가 -3-1K 이고, IR1 채널의 국지표준편차가 급격히 증가하다가 감소하는 지역에서 많이 발생하는 특징을 보였다. 그러나 위 조건은 선상으로 발생하는 낙뢰의 경우 탐지 정확도가 비교적 높지만, 중규모 대류복합체가 소멸단계에 이르러 모루운이 광범위하게 확장된 경우에는 탐지 정확도가 낮다. 따라서 휘도온도의 특성을 이용하여 낙뢰를 탐지하기 위해서는 보다 많은 사례와 다른 채널의 자료를 이용하여 낙뢰 발생시의 위성영상 특성을 정교화하여야 할 것이다.

To produce alloy powders with only SmFe single phase by reduction-diffusion (R-D) method, the effect of excess samarium oxide on the preparation of Sm-Fe alloy powder during R-D heat treatment was studied. The quantity of samarium oxide was varied from 5% to 50% whereas iron and calcium were taken 0% and 200% in excess of chemical equivalent, respectively. The pellet type mixture of samarium, iron powders and calcium granulars was subjected to heat treatment at 1100 for 5 hours. The R-D treated pellet was moved into deionized water and agitated to separate Sm-Fe alloy powders. After washing them in deionized water several times, the powders were washed with acetic acid to remove the undesired reaction products such as CaO. By these washing and acid cleaning treatment, only 0.03 wt% calcium remained in Sm-Fe alloy powders. It was also confirmed that the content of unreacted -Fe in SmFe matrix gradually decreased as the percentage of samarium oxide is increased. However, there was no significant change above 40% excess samarium oxide.

산성 용액의 수처리가 폴리아크릴로니트릴계 중공사형 한외여과막에 미치는 영향을 십자흐름 방식의 순환식 막 모듈 여과 장치를 이용하여 연구하였다. 막 모듈 여과장치를 이용하여 pH 2인 강산성 용액의 수처리를 시작한 지 약 80시간이 경과되었을 때 막 투과량(permeate flux)이 급격히 감소하는 것을 관측하였다. 또한, 수처리 시간 별로 막 모듈 여과장치의 공급조에서 채취한 샘플 용액의 자외선/가시광선 흡수 스펙트럼과 기체 크로마토그래피/질량분석(gas chromatography/mass spectrometry, GC/MS) 스펙트럼을 분석한 결과 수처리 시간이 경과함에 따라 막 모듈을 통과한 농축액 속에 새로운 유기 화합물이 생성된다는 사실을 알아내었다. 질량스펙트럼 분석을 통해 이 화합물을 1,6-dioxacyclododecane-7,12-dione이라고 예측하였으며, 각종 플라스틱 특히 폴리우레탄 제조 시 사용되는 첨가제 중 하나라는 사실도 알아내었다. 수처리에 사용된 막에 대한 전자주사 현미경 사진 및 고체 NMR 분석 등의 추가 실험을 통해 산성 용액 수처리 과정에서 발생한 막 투과량의 감소는 산성 용액 하에서 일어나는 UF막의 변형에 의한 것이 아니라 막 모듈 여과장치에 사용된 폴리우레탄 튜브에서 산과의 반응에 의해 용출된 저 분자량의 유기화합물이 막 오염 현상을 일으켰기 때문인 것으로 결론지었다. 이번 연구 결과는 산성 용액의 수처리 공정 시 UF막 자체의 산에 대한 반응성 뿐 아니라 막 모듈을 포함한 수처리 장치 자체의 산에 대한 반응성 역시 산 용액의 수처리 효율은 물론, 산을 이용한 막의 화학 세정 효율 및 수처리 막의 pH 사용 한계를 결정하는 데 매우 중요한 요소 중 하나라는 것을 보여준다.