본 연구는 러시아의 수도이자 메가시티인 모스크바의 도시 브랜드의 지 속가능성을 모스크바 관련 유튜브 동영상에서 비춰지는 도시 이미지를 중 심으로 탐구하고자 한다. 현재 모스크바는 메가시티의 지위를 가짐에도 불 구하고 적절한 브랜드 전략이 부재한 상태이며 보완이 시급한 상황이다. 관련 선행연구도 적은 관계로 연구를 수행하는 것이 필요하다. 방법론으로 는 도시 브랜드 연구에서 주로 사용하지 않은 정량적 접근법인 사회·의미 연결망 분석법을 채택하였다. 본 방법론을 통해 모스크바 도시 브랜드는 주로 관광지의 이미지와 호전적인 러시아의 수도로서의 이미지로 주로 구 성되어 있음을 발견할 수 있었다. 현 상황으로 보았을 때 도시 이미지 및 브랜드 재생을 위한 온·오프라인 커뮤니케이션 전략을 수립하는 것이 그 무엇 보다 시급하다. 이러한 특성을 근거로 다음 사안을 제안하고자 한다. 첫째, 모스크바의 가시성을 끌어올려 줄 수 있는 브랜드와 로고 개발이 시 급하다. 둘째, 모스크바 시청이나 관련 기관에서 온라인 커뮤니케이션 전 략을 수립해야 한다. 셋째, 부정적인 이미지에 대처할 수 있는 전략이 아 울러 중요하다. 넷째, 다각적으로 그리고 지속적으로 모스크바의 이미지나 브랜드를 관찰하고 유용한 방안을 도출하는 것이 필요하다.

The concept of sustainability was first introduced a few decades ago, and it has gradually become the primary concern of many nations and firms around the world. Sustainability is a broad concept that encompasses three pillars, namely, economic, social, and environmental, represented as profit, people, and nature. It implies that firms can only sustainably develop if they grow without compromising the benefits of their stakeholders. Thus, this study aims to identify, through the participatory approach and the Delphi method, an appropriate set of sustainability indicators to strategically evaluate Hai Phong port's sustainable development achievements. The paper will critically review past studies on port sustainable development to find the most frequently used indicators for assessing port sustainability. These indicators vary because of the availability of data and the researcher's perceived level of importance given to each indicator. Finally, we employ the Delphi method to narrow down the initial set of sustainability indicators based on consensus on the importance of indicators and availability of data among experts. Some indicators that are not important and statistical data unavailable are eliminated. Therefore, the final set includes all crucial indicators for evaluating the sustainability of Hai Phong seaports with collected data.

본 연구는 고등학생을 대상으로 진로·진학 사교육 참여배경, 서비스품질, 만족도에 대한 인식을 조사하고, 이러한 요 인들이 사교육비용 및 지속성에 어떠한 영향을 미치는지 알아보는 것을 목적으로 하였다. 이를 통해 진로·진학 사교육의 전망을 탐색하고, 진로·진학 사교육이 불가피하다면, 비용을 절감하면서 좀 더 효과적으로 이루어질 수 있는 방안을 모 색하였다. 이를 위해 고등학생 576명을 대상으로 설문조사를 통해 자료를 수집하였으며, SAS 9.4 프로그램을 활용하여 자료를 분석하였다. 연구결과를 종합해보면, 진로·진학 사교육은 사교육업체가 경영 성과를 높이기 위해서 적극적으로 마케팅을 하는 시 장적 논리, 입시정책의 변화에 발맞추어 진학을 준비하고 미래의 이익을 추구하는 학생들의 대응, 공교육에서 진로·진학 지도의 미흡함이 연계되어 나타나는 현상이다. 즉, 진로·진학 사교육은 기업(기업의 이익추구 마케팅), 가계(학생/학부모 의 자구책 마련), 정부(공교육의 공공재로써 평등성 가치추구)가 각 주체의 이익을 추구하는 가운데 발생되고, 이와 관련 된 여건이 단기간에 개선되기 어렵다는 점에서 지속될 가능성이 높다. 또한 진로·진학 사교육은 서비스품질 및 만족도가 보통 이상이고, 서비스품질에 대한 확신성이 낮고, 진로선택 만족도가 낮은 경우에 비용이 높아진다. 이는 진로·진학 사 교육이 품질과 만족도를 높이기 위해 노력해야 한다는 것을 시사한다. 그리고 진로·진학 사교육의 지속성은 여학생, 대 부분의 고등학교 학생, 소득이 높은 가정의 학생, 참여배경(공교육 미흡, 입시정책 대응, 사교육마케팅)이 그 수준을 높이 고 있다. 결론적으로 진로·진학 사교육은 지속될 것으로 전망되며, 그 비용을 절감하고 효과성을 높이기 위해서는 사교 육업체, 정부, 학부모의 노력이 요구된다.

The purpose of this study is to analyze how modern fashion brands practice cultural sustainability by investigating the ways they use and reinterpret traditional culture and clothing. The transmission and reinterpretation of traditional cultural elements connect the past, present, and future. These forces also lead to the development of new creativity in the fashion industry. Three brands have been selected for case studies: Danha (Korea), Mittan (Japan), and Jan Jan Van Essche (Belgium). These brands possess in-depth understanding of traditional cultural elements, including clothing, dyeing techniques, and patterns unique to various regions and minority groups. The brands all make use of traditional cultural identities whose clothing contains the historical and sentimental values of various regions and ethnic groups. The use and mixing of various cultures can be seen as the respectful preservation of global culture. Also, in contemporary fashion, the use of traditional culture plays an important role in the presentation and development of creative designs. The use of traditional handicraft techniques and the use of traditional clothing in the past convey cultural diversity to future generations; they will have a lasting influence on future fashion trends. The results of the study show that cultural sustainability in contemporary fashion has been implemented through safeguarding and respecting indigenous cultures and developing cultural elements into creative design.

1. 본 연구는 한국-미얀마 농업분야 개발협력(ODA)의 지속 가능성 강화 방안을 분석하기 위해 2001~2017년 시계열(time series)자료를 토대로 자기회귀분포시차 모델(Autoregressive Distributed Lag, ARDL)방법과 최소자승법(Ordinary Least Square, OLS)을 사용하였다. 2. 분석결과 1) 미얀마 농업 개발에 지원된 국제사회의 ODA, 한국이 지원한 농업 분야 ODA, 농촌 개발에 대한 한국 ODA 등의 변수가 미얀마의 농업 GDP에 긍정적으로 기여한 반면, 2) 한국 ODA는 가치사슬 분야 및 기술전수 분야에 미친 영향이 부정적으로 나타났다. 이는 이 분야의 지원 규모가 매우 작아 미얀마 농업발전에 미친 영향을 측정하기 어렵기 때문인 것으로 해석할 수 있다. 또한 한국이 미얀마에 제공한 농업 ODA 중 농산물 생산 및 유통 분야에 대한 지 원은 영향이 미미한 것으로 나타났으나 양(+)의 영향을 나타 내었다. 3. 분석 결과 한국의 미얀마 대상 농업 분야 ODA는 선택과 집중을 토대로 미얀마 농업 발전에 긍정적인 영향을 미치고 있는 농촌개발 분야에 장기적으로 지원을 확대할 필요성이 있음을 확인하였다.

This study conducted a survey and evaluation on ‘The 2021 Jeju World Natural Heritage Festival’ with a framework of various stakeholders related to festivals. While aiming for the essential context of the celebration, we tried to find suggestions to ensure the continuity of the celebration and the designation of the World Natural Heritage. As a methodology, surveys and interview surveys were conducted in parallel with the framework of multifaceted evaluation. To summarize the important contents presented as policy suggestions, first, it is necessary to expand the concept of ' encounter with hidden nature' from the positivity of the concept of 'encounter with hidden nature' to have fellowship with mankind about natural heritage. For reference to this, efforts should be made to secure the continuity of the designation of World Natural Heritage through a contextual approach using the frame of 'encounter'. Second, since the participation of experts can help in many ways, it is necessary to encourage many experts to participate as a staff or activist. Third, it is necessary to sublimate Jeju's natural heritage into a public celebration without damaging it. Finally, it should be a festival centered on local communities and local residents. It is necessary to actively seek a system in which the World Natural Heritage Village Preservation Association, which will be created (tentative name), will be centered and promoted by the villagers.

Silver tellurite glasses with melting temperature of approximately 700°C were developed to immobilize 129I wastes. Longterm dissolution tests in 0.1 M acetic acid and disposability assessment were conducted to evaluate sustainability of the glasses. Leaching rate of Te, Bi and I from the glasses decreased for up to 16 d, then remained stable afterwards. On the contrary, tens to tens of thousands of times more of Ag was leached in comparison to the other elements; additionally, Ag leached continuously for all 128 d of the test owing to the exchange of Ag+ and H+ ions between the glasses and solution. The I leached much lower than those of other elements even though it leached ~10 times more in 0.1 M acetic acid than in deionized water. Some TeO4 units in the glass network were transformed to TeO3 by ion exchange and hydrolysis. These silver tellurite glasses met all waste acceptance criteria for disposal in Korea.

The emergence of environmental and social issues has led to global discussions for the realization of sustainable development. The purpose of this study is to propose a method of sustainable fashion design using waste Hanbok, focusing on men's Hanbok with cultural values. The study utilizes literature research and fashion design development. From the literature study, reform was judged to be a higher concept encompassing reduction, recycling, and upcycling. Reduction is a design method through removal, and recycling design transforms from its original form into a completely different product. Upcycling design focuses on improvement and change in functionality. Accordingly, nine redesigns using men’s Hanbok were developed from which three were produced. Consequently, the reduction design demonstrated a small range of variation without changing the item, and cultural sustainability was confirmed through the design that removed the components and recombined the Hanbok. Second, recycling redesign can be reconstituted into a different item. Third, upcycling enables various designs through module assembly, which prolongs the lifespan of the product and confirms its value as a raw material for waste Hanbok. This study is meaningful in realizing sustainable fashion and suggesting practical measures for the sustainability of Korean traditional culture and creative fashion design planning.

The aim of this study is to investigate fashion activism that supports sustainability by pursuing social transformation through social media. This is achieved by publicizing the environmental and labor problems of the fashion industry. For this study, a literary survey and netnography were conducted from January 2017 to November 2020. We classified and analyzed environmental and labor issues that could be considered fashion activism on social media. The results are as follows. First, movements for conscious consumption appeared as #haulternative, #fashionourfuture, #SecondHandSeptember, and #wornwear projects. These movements are concerned with buying used goods, re-dressing clothes owned by individuals, and transforming and wearing them with new methods. Second, activism for environmental protection includes #fashionOnclimate by Global Fashion Agenda and Sustainable Fashion Matterz’ #Watermatterz. These movements are directly involved in learning about the seriousness of environmental destruction caused by the fashion industry and participating in environmental protection with critical awareness. Third, the #whomademyclothes and the Clean Clothes Campaign are activism for improving the working environment, and are playing a role in publicizing labor issues by informing the general public about inadequate working conditions linked to the fashion industry. Thus, fashion activism on social media examined in this study can contribute to visualizing chronic problems that hinder sustainable development within the fashion industry.