본 연구는 조선왕조 말기에 일본 육군성 참모본부 소속의 장교들로 조직된 첩보장교들이 국제법을 위반하면서 한반도에 침투하여 측량침략을 감행한 비밀측량 지도들을 분석한 것이다. 이 지도들은 첩보장교들의 목측에 의해 은밀하고 신속하게 제작된 노상측도와 目測迅速圖로 제작되었기 때문에 일정한 도식이 적용되지 않았다. 이들 지도에서 주목할 만한 것은 일정한 도식에 근거한 등고선과 축척표시가 체계화되지 못하였고 지형의 고도를 표시하기 위하여 우모식과 등고선식이 혼용되었다는 점이다. 그러나 지형을 사실과 근사하게 표시하기에는 많은 시간이 요구되었으므로 경우에 따라서는 간단한 약식등고선이 사용되기도 하였으며, 기호의 범례는 대부분 생략되었다.

This article attempts to excavate Korean literary works influenced by modern Chinese literature during the Japanese occupation of Korea, based on which it also analyzes the ways in which Korean writers and intellectuals received, perceived and transformed modern Chinese literature. Research findings in this article are to be summarized as follow. Firstly, writers such as Guangsoo Yi and Nanson Choi, who lived during the nascent period of modern Korean literature, approached China in the image of a looser and Japan in the image of an empire. Thus, they completely excluded Chinese literature from the world literature since the Japanese occupation of Korea. This was a dark side of modern Korean literature as a result of Korea’s marginality in the colonial age. Secondly, Baekhwa Yang is generally regarded a first writer that received modern Chinese literature; but most of his works and translations related to China were from Japan since he introduced them to Korea by translating Japanese. Consequently, the perspective that Yang applied in approaching Chinese literature was not his own but Japanese during the colonial age. Although Yang’s contribution to the translation of modern Chinese literature needs to be fairly appreciated, one may not arguably say that he was the first writer who received Chinese literature based on a proper understanding of the trajectory of China’s intellectual history. Thirdly, Dong-gog Yi and Myung Yang are the critics who for the first time accepted Chinese modern literature into Korea on their own perspective. This study has a considerable significance in excavating, introducing and analyzing the large amount of their works. Dong-gog Yi had deep interest in the value and spirit of the Chinese New Cultural Movement, and was the first critic in Korea who accepted the value and spirit of modern Chinese literature in its full measure. Myung Yang was pursued ceaselessly in what direction Korean should lead their lives under the rule of Japanese imperialism, and for the first time accepted and blended Chinese modern theory with Korean reality. This was consequential of their struggles to overcome the dual problem of particularity and universality that Korea confronted during the colonial period. Thus they approached Chinese culture and literature in terms of the world historical conjuncture of decolonization and yearnings for modernity. They did not follow the trajectory of the reception of modernity via Japan as many Korean intellectuals did but groped for a way to receive it via China.

The purpose of this study is to analyze the articles of food and nutrition published in the Yeo-Sung magazines from 1936 to 1940 in Korea. Out of the 67 articles about the food and the nutrition from the Yeo-Sung magazines, 28 (41.8%) of them were about the brief information of food and nutrition news, 16 (23.8%) of them were about the recipes, 6 (9.0%) were about the nutrition information, and 17 (25.4%) of them were about others. As the number of recipes mentioned from the Yeo-Sung magazine was 103, 77 items, the majority, were about the Korean foods, 18 of the Western foods, 6 of Chinese foods, and only 2 of Japanese foods. This result showed that the Japanese colonization didn't seem to influence on Korean tastes and gastronomy. During this period, the modernization caused the numerous changes to our traditional cuisine with introduction of new western menu items and concept of nutrition. The nutrition articles highly recommended eating brown rice, vegetables, tofu, and the white meat. Shin-Young Bang, one of the main authors, insisted that "Cookery is not only the skill, but also the one of the very important academic sciences." showed budding modern cookery sciences in Korea.

The objects of this study were a review on the schedules and the programs of the school athletic meetings( a kindergarten, elementary and secondary schools) and yahak(night school) and citizen's athletic meetings during the Japanese colonial period in Kor

본 연구는 한반도를 둘러싼 동아시아의 격동기였던 구한말부터 일제강점기에 이르는 19~20세기 초엽의 한반도 지도제작과정을 규명한 것이며, 한국지도발달사 중 고지도와 현대지도의 고리를 잇는 작업으로 자리매김할 수 있다. 일제는 1884년부터 한반도에 육군참모본부 간첩대를 파견하여 지도를 제작하기 시작하였고, 국가기본도인 1:5만 축척의 지형도는 3차에 걸쳐 간행되었다. 제1차 지형도는 간첩대를 파견하여 비밀측량과 같은 주권국가에 대한 불법행위를 무릅쓰고 간행된 것이며, 제2차 지형도는 기존의 제1차 지형도를 삼각측량에 의해 개측하거나 새롭게 측량한 것이고, 제3차 지형도는 식민지정책인 토지조사사업의 일환으로 간행된 지도이다.

From the late 1920s to the 1930s, Korea’s fine art community focused on traditionalviewpoints as their main topic. The traditional viewpoints were discussed mainly byKorean students studying in Japan, especially oil painters. Such discussions on tradition canbe divided into two separate halves, namely the pre- and post-Sino-Japanese War (1937)periods. Before the war, the modernists among Korea’s fine art community tried to gain afuller understanding of contemporary Western modern art, namely, expressionism,futurism, surrealism, and so forth, on the basis of Orientalism, and borrow from theseschools’in order to create their own works. Furthermore, proponents of Joseon’s avant-garde fine arts and artists of the pro-fine art school triggered debate on the traditionalviewpoints. After the Sino-Japanese War, these artists continued to embrace Westernmodern art on the basis of Orientalism. However, since Western modern fine art wasregressing into Oriental fine art during this period, Korean artists did not need to researchWestern modern fine art, but sought to study Joseon’s classics and create Joseon’s ownavant-garde fine art in a movement led by the Munjang group. This research reviews thetraditional view espoused by the Munjang group, which represented the avant-garde fineart movement of the post-war period. Advocating Joseon’s own current of avant-garde fine art through the Munjang literarymagazine, Gil Jin-seop, Kim Yong-jun and others accepted the Japanese fine artcommunity’s methodology for the restoration of classicism, but refused Orientalism as anideology, and attempted to renew their perception of Joseon tradition. The advocation ofthe restoration of classicism by Gil Jin-seop and Kim Yong-jun appears to be similar to thatof the Yasuda Yojuro-style restoration of classicism. However, Gil Jin-seop and Kim Yong-jun did not seek their sources of classicism from the Three-Kingdoms and Unified Sillaperiods, which Japan had promoted as a symbol of unity among the Joseon people;instead they sought classicism from the Joseon fine art which the Japanese had criticized asa hotbed of decadence. It was the Joseon period that the Munjang group chose as classicism when Japanwas upholding Fascism as a contemporary extremism, and when Hangeul (Korean writing system) was banned from schools. The group highly evaluated literature written in the styleof women, especially women’s writings on the royal court, as represented by Hanjungnok(A Story of Sorrowful Days). In the area of fine art, the group renewed the evaluation of notonly literary paintings, but also of the authentic landscape paintings refused by, and thevalues of the Chusa school criticized as decadent by, the colonial bureaucratic artists,thereby making great progress in promoting the traditional viewpoint. Kim Yong-junembraced a painting philosophy based on the painting techniques of Sasaeng (sketching),because he paid keen attention to the tradition of literary paintings, authentic landscapepaintings and genre paintings. The literary painting theory of the 20th century, which washighly developed, could naturally shed both the colonial historical viewpoint whichregarded Joseon fine art as heteronomical, and the traditional viewpoint which regardedJoseon fine art as decadent. As such, the Munjang group was able to embrace the Joseon period as the source ofclassicism amid the prevalent colonial historical viewpoint, presumably as it hadaccumulated first-hand experience in appreciating curios of paintings and calligraphicworks, instead of taking a logical approach. Kim Yong-jun, in his fine art theory, definedartistic forms as the expression of mind, and noted that such an artistic mind could beattained by the appreciation of nature and life. This is because, for the Munjang group, theexperience of appreciating nature and life begins with the appreciation of curios ofpaintings and calligraphic works. Furthermore, for the members of the Munjang group, who were purists who valuedartistic style, the concept of individuality presumably was an engine that protected themfrom falling into the then totalitarian world view represented by the Nishita philosophy. Such a 20th century literary painting theory espoused by the Munjang groupconcurred with the contemporary traditional viewpoint spearheaded by Oh Se-chang in the1910s. This theory had a great influence on South and North Korea’s fine art theories andcircles through the Fine Art College of Seoul National University and Pyongyang Fine ArtSchool in the wake of Korea’s liberation. In this sense, the significance of the theoryshould be re-evaluated.

This study deals with construction contract bid-rigging by Japanese contractors who monopolized the construction market of the Korean Peninsula during the Japanese colonial rule, and investigates the abuses of the contract bid-rigging. First of all, construction contract bid-rigging in Korea was triggered by Japanese construction contractors and contract brokers, who had savored the benefits of bidrigging in Japan and had repeated the bid-rigging in Korea since 1903. Second, the agency played a significant role to mediate construction contractors, and existed throughout the Japanese colonial rule on the Korean Peninsula with changing their names. Most of them were engaged in major contract bid-rigging scandals. Among them was Construction Association of Korea, which existed for over 13 years. The agencies had took part in governmental services since the mid-1930s when Japan exploited Korean people during wartime, and focused on sweating human resources for the constructions. Third, one of the biggest construction bid-rigging scandals during the Japanese colonial rule was "the 1st and 2nd scandal on Daegu construction contract bid-rigging." Indeed, the second scandal paved the way for the serial scandals: "Kyeongseong construction contract bid-rigging scandal", "Busan construction contract bid-rigging scandal", and other cases throughout the nation. Fourth, along with the contract bid-rigging cases related to the Japanese Government-General of Korea and local authorities, bid-riggings firmly took rooted in local governments' farmland reclamation projects in the 1920s and the poor relief services in the 1930s. The "bid-rigging charges" forced contractors to compensate their losses with exploiting material costs and labor costs, generating serious problems. The construction contract bid-rigging enabled Japan to monopolize the construction industry and to sweat farmers on the Korean Peninsula. Against this backdrop, contract bid-rigging by Japanese construction contractors during the its colonization made Korean contractors ruled out, and helped Japanese monopolize the industry. A large amount of bid-rigging charges drove Japanese contractors to do fraudulent work with cheap materials and to exploit Korean labor force.

안창호가 ‘민족대업의 기초’, 즉 민족의 독립을 준비하기 위해 가장 정력적으로 추진한 것은 민족운동의 인재양성을 위한 興士團이었다. 이것은 그가 “우리 민족이 완전히 부흥하여 생존번영을 누리고 나아가 서 전체 인류사회의 공존공영에 공헌을 짓는 대 사명을 달성하는 유일한 길은 오직 흥사단의 주장”이라고 한데서도 알 수 있다. 그는 “흥사 단이 한발짝 한발짝씩 실력을 양성 강화하는 것은 한발짝 한발짝씩 조 선독립에 접근하는 것이고 최후에는 조선의 완전한 독립을 얻는 것으로 생각하여 흥사단을 조직하고 그 운동을 계속한 것이다”라고 밝힌 바 있다. 1913년 5월 13일 미국 샌프란시스코에서 8도 대표들이 참석하여 창단된 흥사단은 務實․力行․忠義․勇敢의 정신으로 덕성을 함양하고 신체를 단련하여 기력을 튼튼하게 하며 각자 전문지식 또는 과학기술을 습득하고 건전한 인격을 기른다는 실천방안을 제시했다. 창립 이후 흥사단은 단우의 모집에 주력하면서 실업을 장려하는 정책에 따라 북미실업회사와 흥업회사 등을 세우기도 했다. 안창호는 3․1운동 뒤 대한민국임시정부에서 활동할 때에도 상해지 역을 중심으로 중국본토는 물론 남북만주와 일본 및 연해주 지역까지를 포괄하는 흥사단 원동위원부를 조직했다. 흥사단 조직 확대운동은 1920년 9월에 상해에 원동위원부가 조직된 것을 시작으로 북경과 남경, 만주 등지에서 펼치려던 이상촌 건설운동과도 표리를 이루면서 1932년 4월 상해에서 일경에 체포될 때까지 계속되었다. 따라서 (수양)동우회는 원동위원부의 흥사단 국내지부였다. 물론 일 제의 직접 통치하에서의 흥사단운동이었기 때문에 될수록 인격수양 단 체임을 표방하고 합법적인 활동에 주력할 수밖에 없었는데, 안창호는 이러한 한계를 가질 수밖에 없는 (수양)동우회에 대하여 국내의 동지 들을 통해 깊은 관심과 애정을 가지고 간접적으로 지도하였다. 본고에 서는 (수양)동우회의 조직과 노선에 대한 안창호의 노선을 그가 체포 되는 1932년 이전까지를 중심으로 살펴보고자 한다.

This research examines symbolic meanings of architectural style of Japanese ruling era of Korea through analysis of Expo buildings. Expo buidings of Joseon Product Evaluation Expo(1915), Joseon Expo(1929), and Joseon Grand Expo(1940) are chosen as subjects of this research. Expos held in Korea since 1945 were creatures of colonial reign and their objectives are advertising the advancement of Japan. New and latest architectural styles of Western countries were used as a symbol of advancement in non-western countries. Renaissance style and Secession style in Joseon Product Evaluation Expo and Modernism style in Joseon Expo were introduced as architectural styles that symbolize advancement. On the contrary, the traditional architectural style of Joseon Dynasty was distorted as symbol of backwardness. Latest Western Architectural Styles were used elaborately and Intentionally to symbolize advancement and industrialization by Japanese ruling power and companies. Specially, Modernism style operating as 'symbol of advancement' is characteristic of non-western society in attempt to proceed Modernization through Westernization. Also, it can be suggested that architectures in Modernism style are used in ways to symbolize the advancement of the colonial reign authorities within the colonial society.

The objects of this study are to find out (1) real situation of the food supply in prison under Imperial Government of Japan more cleary (historical meaning) and (2) which might help in understanding wrong present food consumption patterns in Korea which causes environmental as well as health problems. It is generally known that the length of the Japanese occupation for Korea is 36 years. However, it is concluded in this study that it was longer (70 years ; from 1875 to 1945 from when Japanese Army attacked and occupied Yungjongdo and Kanghwado island to e time when they were defeated on World War II.) Korea was annexed by Japan in 1910 then the Imperial Government of Japan dismissed the Korea Army, controlled the Office of Justice and the management of prison by force. Since then about 50% of all land was fell into Japanese Government ownership and 80% of Korean farmers became as tenant. After this change, Korea farmers were forced to pay extremely high rent (up to 80% of its harvest). Forced immigration, low price procurement of grain by Japanese government up to more than 30%of their production, was practiced. Accordingly, the food situation of Korean farmers became miserable, which may caused more violations of Imperial Japanese Law. Malnutrition, epidemic diseases, mortality rate of infants soared and average life expectancy shortened to 20-30 years old. This was the period of World Economic Crises and Food Crises in Japan. It was said then that if one Japanese comes to Korea then 200 Koreans will starved to death. Meanwhile, Proconsul Bureau of Chosun requested to the Department of Medicine, the Imperial University of Kyungsung to survey food supply situation of Koreans in prison throughout Korea. Objectives of the survey then was not only to find out scientifically whether it is agreeable in maintaining prisoner's health and also find out the possibility to save food during food crisis. Survey was started from 1923 and ended in 1945, and it focussed on prisoners in the Seodaemoon Prison. This report is the outcome of the first survey. They concluded that the food supplied was nutritionally (had) no problem, in compare with those of workers in the factory, students in the dormitory in Japan and with those of prisoners in Taiwan, France and Germany. Amount of grain supplied were different according to their work lord and was divided into 9 different levels. Total grain was consisted of 50% millet, 30% soybean and 20% indica rice(variety). However, there were no difference in the amount of supply of side dishes between work groups. For the highest working group, 3280g of boiled grain per day was supplied to make stomach full but as a side dishes, salty fermented bean paste, fermented fish and salty soups, etc. was supplied. Deficiency of animal protein were observed, however, high intake of soybean may possibly caused animal protein deficiency problem. On the contrary, the intake of water soluble vitamins were insufficient but the level of calcium and iron intake seems to be sufficient, however, imbalance of intake of nutrition may caused low absorbtion rate which might caused malnutrition. High intake of dietary fiber and low intake of cholesterol may possibly prohibited them from so called modem disease but may caused the defect in disease resistancy againist epidemics and other traditional disease. Over intake of salt(20-30g per day) was observed. Surveyors who attended in this survey, mentioned that the amount of food intake may nutritionally be sufficient enough but the quality of food(and possibly, the taste of food) were like that of animal feed. For the officials who received this report might consider that considering the war situation and food crisis, the supply situation of food in the prison may considered to be good enough(because they are not starving). But as a Korean who studied this report, one feel extremely pity about those situation because (situation of) those period were very harsh under the Imperi..

In this research, we analyzed the activities of Japanese architectural offices in Korea during the Japanese occupation era, classifying them into two groups: first, Japanese architectural offices that had their bases in Korea, and second, Japanese architectural offices that had their bases in Japan. There were totally 98 Japanese architectural offices that had their bases in Korea during the Japanese occupation period. The number of those offices had increased rapidly since 1920s. Nakamura(the design of bank buildings), Tamada(the design of theaters), Otsumi(the design of Japanese style residential houses) can be regarded as the most remarkable Japanese architectural offices among them. We found that these offices already specialized in certain architectural planning fields, such as bank buildings, theaters and residential houses. It was also found that, during the Pacific War period, even privately-managed architectural offices were mobilized for the war by Japanese government, through designing munitions factories, etc. On the one hand, since some large Japanese corporations entered into Korea, many Japanese architectural offices, that had their bases in Japan, got into working in Korea and designed a number of buildings, with the exception of the architectural office of Vories, who was a Christian architect. Even though the place that the activities of these Japanese architectural offices were carried out was Korea, any factors of Korean architectural style couldn't be found In their works. This means that they just transplanted the Japanese modern architectural style in Korea.

This paper discusses the change of land ownership in the urban historical core of Kyungju city in the Period of Japanese occupancy(1910-45) based on the analysis of land register records. Kyungju city was not designated for the cities controlled by urban planning law which was set up in 1912 and 1934. The major purpose of this paper is to clarify the urbanization process of a Korean local city where the formal urban planning projects were not carried out. The focus of the study is the increase of the Japanese landowners and Japanization of the landscape. In the very beginning of occupation, Japanese already owned about 8% of the total land of the city centre where the old Kyungju castle had been located. The ratio of the land owned by Japanese went up to more or less 70% at the end of World war II. The process which the urban core had been replaced for the Japanese is very clearly traced from the analysis of a land register records.