本论文主要以韩中古典文作品中出现的‘女扮男装’的现象为主体，分析 了韩中古典文学中的‘女扮男装’的动机、展开以及结果。我们发现，韩中古 典文学中‘女扮男装’的行为有以下共同点。 韩中两国古代女性在‘女扮男装’的展开过程中, 如‘女扮男装’的行为以社 会共同认同的伦理道德‘孝’和‘烈’为动机，就得到全社会的肯定，而且获得圆 满的结束。但以‘个人的自我实现’为动机，就得不到社会的肯定和支持，甚 至于这些‘女强人’，被传统观念排斥再也不能回到原来的世界了。两国古典 文学作品中，我们可以看到这种限制性。 结果，以儒道佛家为思想背景的男尊女卑的韩中旧社会里，基本上否定 了在文学中出现的‘女扮男装’所有的现象。但是，以社会共同认同的伦理道 德动机‘孝’和‘烈’为出口，给这些'女强人'的出现留下了余地。即,韩中古典文 学中'女扮男装'现象，表面上尊重严格的阶级秩序，同时，也可以看到，这 些现象，在某种程度上消弱了男尊女卑的社会制度对女性压迫，也成为一种 可以倾诉的感情净化之地。

최근 여성결혼이민자의 한국사회적응이 중요한 사회적 과제로 부각되고 있다. 지금까지의 선행연구들은 여성결혼이민자의 생활적응과 사회문화적응에 초점을 두고 있으며, 이들의 경제적 통합을 위한 논의가 부족한 상황이다. 이러한 점을 감안하여, 본 연구의 목적은 부산지역에 거주하는 여성결혼이민자를 대상으로 한국사회에서의 취업 후 직업적응 과정이 어떠한지를 살펴보고자 하는 것이다. 이를 위해 현재취업 중인 여성결혼이민자 10명을 대상으로 심층 면담을 실시하였으며,

After liberation from Japanese colonial rule in 1945, there was the three-year period of United States Army Military Government in Korea. In 1948, Democratic People’s Republic of Korea, and Republic of Korea were established in the north and south of the Korean Peninsula. The Republic of Korea is now a modern state set in the southern part of the Korean. We usually refer to Koreans as people who belong to the Republic of Korea. Can we say that is true exactly? Why make of this an obsolete question? The period from 1945 when Korea was emancipated from Japanese colonial rule to 1948 when the Republic of Korea was established has not been a focus of modern Korean history. This three years remains empty in Korean history and makes the concept of ‘Korean’we usually consider ambiguous, and prompts careful attention to the silence of ‘some Koreans’forced to live against their will in the blurred boundaries between nation and people. This dissertation regards ‘Koreans’who came to live in the border of nations, especially ‘Korean-Japanese third generation women artists’ who are marginalized both Japan and Korea. It questions the category of ‘Korean women’s art’that has so far been considered, based on the concept of territory, and presents a new perspective for viewing ‘Korean women’s art’. Almost no study on Korean-Japanese women’s art has been conducted, based on research on Korean diaspora, and no systematic historical records exist. Even data-collection is limited due to the political situation of South and North in confrontation. Representation of the Mother Country on the Artworks by First and Second-Generation Korean-Japanese(Zainich) Women Artists after Liberation since 1945 was published in 2011 is the only dissertation in which Korean-Japanese women artists, and early artistic activities. That research is based on press releases and interviews obtained through Japan. This thesis concentrates on the world of Korean-Japanese third generation women artists such as Kim Jung-sook, Kim Ae-soon, and Han Sung-nam, permanent residents in Japan who still have Korean nationality. The three Korean-Japanese third generation women artists whose art world is reviewed in this thesis would like to reveal their voices as minorities in Japan and Korea, resisting power and the universal concepts of nation, people and identity. Questioning the general notions of ‘Korean women’and ‘Korean women’s art’ considered within the Korean Peninsula, they explore their identity as Korean women outside the Korean territory from a post-territorial perspective and have a new understanding of the minority’s diversity and difference through their eyes as marginal women living outside the mainstream of Korean and Japanese society. This is associated with recent post-colonial critical viewpoints reconsidering myths of universalism and transcendental aesthetic measures. In the 1980s and 1990s art museums and galleries in New York tried a critical shift in aesthetic discourse on contemporary art history, analyzed how power relationships among such elements as gender, sexuality, race, nationalism. Ghost of Ethnicity: Rethinking Art Discourses of the 1940s and 1980s by Lisa Bloom is an obvious presentation about the post-colonial discourse. Lisa Bloom rethinks the diversity of race, ethnicity, sexuality, and gender each artist and critic has, she began a new discussion on artists who were anti-establishment artists alienated by mainstream society. As migration rapidly increased through globalism lead by the United States the aspects of diaspora experience emerges as critical issues in interpreting contemporary culture. As a new concept of art with hybrid cultural backgrounds exists, each artist’s cultural identity and specificity should be viewed and interpreted in a sociopolitical context. A criticism started considering the distinct characteristics of each individual’s historical experience and cultural identity, and paying attention to experience of the third world artist, especially women artists, confronting the power of modernist discourses from a perspective of the white male subject. Considering recent international contemporary art, the Korean-Japanese third generation women artists who clarify their cultural identity as minority living in the border between Korea and Japan may present a new direction for contemporary Korean art. Their art world derives from their diaspora experience on colonial trauma historically. Their works made us to see that it is also associated with post-colonial critical perspective in the recent contemporary art stream. And it reminds us of rethinking the diversity of the minority living outside mainstream society. Thus, this should be considered as one of the features in the context of Korean women’s art.

본 연구의 목적은 여성 지체장애인을 대상으로 24주간 규칙적인 휠체어댄스 프로그램 참여가 혈중지질 및 심리적 웰빙에 어떠한 영향을 미치는지를 규명하여 여성 지체장애인의 생리적, 심 리적 효과에 대한 지표를 제시하는데 그 목적이 있다. 연구대상은 A시에 거주하는 B장애인복지 센터 회원들 중 전혀 운동 경험이 없는 40세 이상의 여성 지체장애인 총 20명을 대상으로 실험 집단 10명(지체기능장애 8명, 관절장애 2명)과 통제집단 10명(지체기능장애 7명, 관절장애 3명)으 로 무작위로 할당되어 구성하였다. 측정된 자료는 IBM SPSS Statistics 19.0 통계프로그램을 이용 하여 실험집단과 통제집단 간의 평균과 표준편차를 종속변인별로 구하였다. 두 집단 간의 평균 비교는 사전검사 측정값을 공변인으로 하여 사후검사 측정값을 서로 비교하는 공분산분석 (Analysis of Convariance)으로 분석하였으며, 통계적 유의수준은 .05로 설정하였다. 연구결과, 첫 째, 휠체어댄스 프로그램 참여는 여성 지체장애인의 혈중지질의 총 콜레스테롤과 중성지방은 감 소시켰으며, 고밀도 지단백콜레스테롤은 증가시켰다. 둘째, 휠체어댄스 프로그램 참여는 여성 지체장애인의 심리적 웰빙의 즐거움, 유능감, 자아실현, 몰입감에 긍정적 영향을 미쳤다. 따라서 24주간의 휠체어댄스 프로그램은 여성 지체장애인들의 신체활동의 감소와 장애로 인해 저하된 생리적 변화의 개선뿐만 아니라, 특히 심리적요인인 심리적 웰빙에 매우 긍정적인 결과를 가져 온다는 결론을 얻었다.

본 연구는 안전하면서 효율적으로 비만을 개선시키는데 도움이 될 수 있는 식품소재로 목이버섯을 선정하여 복부비만이 있는 중년 여성의 골밀도 및 혈청지질농도에 미치는 영향에 대하여 알아보고자 하였다. 30～50대의 복부비만 여성 30명에게 4주 동안 대조군은 목이버섯을 섭취시키지 않았고, 실험군은 목이버섯을 식사와 함께 섭취하도록 하였다. 실험 전 후 골밀도(T-score, Z-score), 총 콜레스테롤, HDL-콜레스테롤, LDL-콜레스테롤, 중성지방을 측정하였다. 연구결과, 목이버섯 섭취군과 대조군 간에 T-score와 Z-score는 유의한 차이를 보이지 않았지만, 목이버섯 섭취군의 혈청 총 콜레스테롤, LDL-콜레스테롤 및 중성지방 수준이 대조군에 비해 유의하게 소되었다.

본 연구에서는 스포츠사진이 언론매체를 통해 보도되는 여성이미지의 젠 더의 맥락성과 이데올로기를 연구하려 하였다. 이를 위해 2012년 런던올 림픽 경기 기간에 종합 일간지와 스포츠신문의 보도된 사진을 분석하고 사진의 제 목을 통해 언어적으로 묘사하고 있는 사진에 대해서 해석하고 텍스트분석을 시도 하였다. 또한 올림픽기간에 스포츠 사진이 가지는 특성과 성 불평등 및 여성이미 지를 규명하려 하였으며, 이를 위하여 보도사진의 의미와 특성을 분석하는데 목적 이 있다. 연구결과 스포츠 사진이 언론매체에 에로티시즘과 성 상품화을 통한 마케팅이 이루어지고 있으며, 선정성과 결합된 인간의 지적요구의 일정인 에로티시즘이 나 타났다. 여성스포츠나 여성 운동선수의 운동행위보다는 특정 신체부위나 복장 등 을 강조하는 사소화(trivalization)나 성격이 아닌 미모 등 스포츠와 무관한 특성에 기사의 초점을 맞춤으로써 스포츠 장면에서의 의미를 축소하는 한계화 (marginalization)가 이루어지는 방식, 여성 운동선수의 신체를 성 상품화 (sexualization)하는 방식으로 나타났다. 스포츠 사진에 함축된 이데올로기는 과감 한 노출 사진을 통해 성 상품화를 강조한 기사의 제목과 내용을 통해 볼거리를 제 공한다. 또한 여성의 우는 모습을 통해 여성의 나약함과 함께 성적 차이를 강화시 켜 여성 나약함을 표현되는 경우가 많음을 알 수 있었다.

On behalf of the royal women, SangGung(尙宮:The head of female servants in the palace) and NaIns(內人: Female servants caring for royal families in the palace) were dispatched in order to attend a funeral at the royal tomb. The NaInGaGa(內人假家) is the temporary building for SangGung and NaIns in the royal tomb. It is comprised of lodgings for them and also workrooms and warehouses to prepare ritual offering for the dead King or Queen. In the early Joseon dynasty, the NaInGaGa was utilized until a funeral at the royal tomb. Since 1674, NaInGaGa for the 3 years-period lamentation was started constructing separately. At these processes, the plan and placement of NaInGaGa was changed. This study based on the SanReungDoGam-EuiGwae (山陵都監-儀軌: The report on constructing royal tomb). The SanReungDoGam-EuiGwae written since 1800 have illustration about NaInGaGa. The illustration and explanation about NaInGaGa become a important clue that make suppose detailed space of NaInGaGa

Cho Nam-min 2012. A Study on The Emergence of Terms for Female Body, and Changes in Perspectives - with focus on female words such as pregnancy, delivery, and womb. The Sociolinguistic Journal of Korea 20(2). pp. 425-446. This research studies emergence and changes of female words, especially about pregnancy, delivery, and womb, through analysis of medical books and female literature in Chosun dynasty and modern enlightenment era. It studies how females recognized their bodies and gender differently from Chosun dynasty’s patriarchal system to rapidly changing modern enlightenment period. Birth (and delivery) is one of the indispensable steps of human life, and the whole process of pregnancy and delivery is closely related to pregnant mother. Through pregnancy and delivery, infants and mothers attain new social status, and, at the same time, experience significant changes in family relationship. As a consequence, while related literatures such as medical books published in Chosun dynasty were focused on being pregnant and delivering infant, those published in modern era paid more attention to pregnant mothers’ body and health. It was thanks to the import of western medicine and enhanced scientific understanding of pregnancy and delivery. More frequent mention about female health and body were found in modern female and family literature, and it was found that perspective on and understanding about pregnancy, delivery, and infant care were changed. It was the results of changes in social and cultural understanding of females given that perception on bodies are developed and defined in social and cultural ways.

In previous studies, we performed joint animal studies and clinical trials between Yonsei University and Oryza Oil & Fat Chemical Co. Ltd. We have shown that coffee bean extract has potent anti-obesity and hypotriglyceridemic activities as well as beneficial effects on body fat reduction.In this study, the effects of coffee bean extract (100 mg/capsule) on body fat reduction were evaluated in overweight/obese women (body mass index of 25~30 kg/m2 or body fat 〉 30%) not diagnosed with any type of disease. Subjects were randomly assigned to a coffee bean extract group (n=10) or placebo group (n=10). We measured anthropometric parameters, abdominal fat distribution by computed tomography and blood components before and after the 8week intervention period. After supplementation, the coffee bean extract group showed body weight (p=0.08), body mass index (p=0.06), hip circumference (p〈0.05), and upper waist circumference (p〈 0.01). In addition, after 8 weeks, the coffee bean extract group showed a significant decrease in abdominal internal fat area compared to 0 weeks (0 weeks : 155.8cm2; 8 weeks : 145.9cm2, δ change : -9.9cm2, respectively). However, there were no significant differences in lipid profiles or serological measurements between the coffee bean extract group and placebo group. The results of our human study demonstrated that coffee bean extract supplementation for 8 weeks has beneficial effects on reducing abdominal internal fat area as well as hip and waist circumferences.