The purpose of this study was to investigate changes in Korean meat consumption as well as meat consumption trends. During the Japanese occupation period, the supply of meat was considerably insufficient. However, meat consumption mainly in large cities has gradually increased. Especially, 'Pyeongyang cow', a specialty of Pyeongyang, started being raised as edible beef cattle in 1933. During the chaotic period following liberation from Japan, the price of meat sharply increased. However, as the meat supply stabilized, the 'beef grade system' was introduced in 1967. Since then, beef has sold according to region. During the early economic growth period of the mid-1970s, meat consumption rapidly increased, and foreign beef was first imported in 1976. The preference for beef was somewhat attenuated due to the outbreak of mad cow disease and economic slowdown of the 1990s, resulting in an increase in the consumption of pork, a replacement meat. During the recent period of economic development, meat consumption has somewhat fallen and remained low. In late 2003, with the occurrence of mad cow disease in the US, the demand for pork, and especially pork fatback, has sharply increased.

인간들은 대체적으로 어떤 사상이 그의 의식영역에 주입되었느냐에 따라서 그 사상에 의해 절대적인 영향을 받는다. 따라서 본 논문에서는 인간들의 의식영역에 어떤 사상이 선점해 있음으로 해서 그것이 인간에게 어떤 영향을 미치는지에 대해 살펴보고자 한다. 우리나라에는 기독교가 들어온 지 약 200년쯤 밖에 되지 않는다. 그럼에도 불구하고 기독교가 들어오면서 유일신 사상으로 인해 타 종교와의 많은 종교적 갈등을 가져왔다. 적은 범위로는 각 가정에서 제사나 장례절차 등에 있어서 가족 간 종교차이로 많은 문제점이 노정되고 있으며 아울러 사회적으로는 타 종교를 음해하는 사건들이 비일 비재하다. 본인은 지금까지 본인 스스로 관심을 가져온 인간들의 의식영역의 관념적 선점권과 진실·진리와의 관계를 중심으로, 기독교가 중세 유럽의 중심사상이 된 역사적 과정, 기독교가 내세 중심사상으로 흐르면서 유럽 문화에 끼친 영향, 중세 기독교사상의 분열과정과 근대사회의 출현문제에 대해 살펴보고자 한다. 다시 말해 중세 기독교 교리 타파 과정이 바로 근대화로 가는 지름길이었음을 음미함으로서 인간들에게 지배하는 진리관은 단지 그것이 절대적 진리로서 존재하는 것이 아니라 본인 스스로 진리라고 믿는 착시현상에서 오는 것임을 밝히고, 아울러 본인이 믿는 종교를 강조하다보니 타 종교와의 갈등관계를 가져온다는 사실을 인지하게 함으로서, 나아가 집안에서나 사회적으로 불필요한 종교적 갈등관계를 줄여보고자 하는 것이 본 논문을 쓰는 주목적이라 할 수 있다. 본문의 내용을 요약해 보면 서양에서 기독교가 절대적인 지위를 차지할 수 있었던 것은 AD 313년 콘스탄티누스 대제의 기독교 공인과 AD392년 데우도시우스 왕의 기독교를 국교화했기 때문이었다. 기독교는 중세에 이르러서는 내세중심사상으로 흘렀으며 그러다 보니 아이러니 하게도 중세는 암흑세계가 되었던 것이다. 암흑세계에서 탈출하여 근대 민주주의나 자본주의로 흐를 수 있었던 것은 단지 기독교 교리 타파에 의해서 가능했다고 볼 수 있다. 이러한 점을 재음미해 볼 때 인간들은 어떤 종교나 사상이 절대적인 것이라고 믿는 것은 그 종교나 진리가 옳아서 라기 보다는 단지 그것이 도그마화 하여 자신의 의식 영역을 선점하고 있기 때문이 아닌가 다시 한 번 숙고해 볼 필요가 있다고 여겨진다. 그랬을 때 타인의 종교를 인정하게 되고 그럴 때 이 사회는 종교 분쟁과 같은 사회적 갈등을 가져오지 않고 더 밝은 사회가 되리라고 생각되어진다.

The Meaning of Sociolinguistics about the Composition's Order Rules of Complex Word-Focus on the Textbooks in Modern Enlightenment Periods. The Sociolinguistic Journal of Korea 19(2). This study aims to describe the change of word order in the modern enlightenment times in Korean language. The composition's order was dominated by several elements, for example preception and recognition. Chang (2008) concluded the word placement of coordinate word order is determined by the elements of lexical hierarchy, basic vocabulary, word frequency and sociocultural meaning. These elements are the fundamental factors. But, the word order is changed by the language family and sociolinguistic environment. The word order has rapidly changed in the modern enlightenment times. I divided the change into two types: lexicalization and sociocultural change. The former means the increase in quantity of lexical items through the competition of two types: in the right order and reverse order. The latter means the social concerns have changed. But the results of change are not uniform. Some reverse words gain special meaning or nuance. The Korean word 'SEONGJANG(成長)' means 'growth' or 'development', but 'JANGSEONG(長成)' means 'come of age' or 'grown up' for example.

This paper discusses the rationale for establishing the interval from the Gabo Reforms (1895) to the liberation from Japan (1945) as the modern Korean language period for teaching the history of Korean language or the life history of Korean language. Such setting of this period arose from the critical awareness regarding the school grammar curriculum which defines modern Korean language as the language developed during the era between the Imjin War and the end of the Gaehwa period. The issue of differentiating by period the history of Korean language in the school grammar curriculum is seen as a problem that arose from a simplistic use of the term “modern” as it is applied in the life history of Korean language. To properly establish the modern period of Korean language, a balanced perspective is required regarding the concept of history which is affected by opposing approaches, such as those of positivist and relativist historical views and micro and macro histories. In addition, since the modernity in modern history has freedom and equality language life inequality in the history of language should become the key perspective. From this standpoint, the establishment of modern Korean language must be looked at of the human agent as its basic attributes, the overcoming of contradictions such as from the basis of written language rather than spoken, and the identity of spoken and written language which holds the issue of equality in language life should become the key yardstick for establishing the period of modern Korean language. Hence the Gabo-Reforms which occasioned King Gojong’s Royal Decree on Korean Language (1895) and the publication of the DoknipShinmun(1896) should be set as the starting point of modern Korean language .Moreover, since Koreans fully became the principal agents of Korean language and the Hangeul-only Law was enacted in the wake of the liberation from Japan(1945), the liberation should be taken as the line that divides modern Korean from contemporary Korean language

This research is to analyze the modern warehouses in Gunsan during the Japanese Colonial Period. They were the spatial and urban symbol of City of Rice, Gunsan. The main purpose of this study is to survey the modern warehouses in the original center of city, to find their architectural characteristics and to set up a possibility of reuse. 7 existing warehouse buildings are located at Jangmi-Dong and Jooksung-Dong, and they have been built between 1935 and 1940. The warehouse buildings have a module of 6m and they are generally 12m wide, 24∼48m long and 8m high. Their structure is composed of reinforced concrete and wooden truss. All warehouse buildings have a rectangular form. Now the diverse commercial programs occupy the original space. Modern warehouse in Gunsan has the spatial and symbolic value as industrial heritage. Therefore, it is necessary to respect the original value of modern warehouse and to create a reusing space for the current generation. It is also essential to verify restoring possibility of three symbolic warehouse buildings in the harbour that were demolished.

The purpose of this study was to investigate changes in the cooking process of Pat-juk(red beans porridge), Jat-juk (pine-nut porridge) and Tarak-juk(milk porridge) in cooking books published after Korean modern era, approximately from late 19th century to the present. We analyzed 11 historical cook books were analyzed. It is found that the amount of red beans used for Pat-juk was the same or more than that of rice but never less than rice. Only one cook book suggested sugar as seasoning for final taste, but all the other cook books mentioned salt for final taste. Hangukeumat(1987) suggested the method for obtaining optimum color for Pat-juk. After smashing and passing through the cooked red beans, collecting the red bean water to boil first and then adding the passed through red beans to boil together, in which rice will be added the last to be boiled. For Jat-juk, the ratio of the amount of pine-nut and rice were varied among cook books that the amount of pine-nut can be more, same or less than rice. Jat-juk can have salty or sweet, so sugar, honey or salt were used for final seasoning. Pine-nut and rice were cooked together or cooked successively depending on cook books. The changes in cooking procedures of Tarak-juk were the portion of milk used and the method of preparing rice before making the porridge. Firstly, the portion of milk increased over time. Tarak-juk can be also tasting both sweet or salty, so sugar or salt was used for final seasoning. Secondly, two method of preparing rice were found; one is that rice was ground after soaking in water and the other is that rice was ground and toasted before putting into the porridge. When the ground rice was toasted, the milk was added with water at the same time because the cooking time of the porridge with toasted rice was shortened so that the milk could be added earlier than the other method without the risk of sticking on the bottom of the pot. In further studies, the cooking procedures used in the previous period of the late 19th century should be examined. Also after restoring all the cooking methods suggested in cook books, the comparison of the sensorial and nutritional value needs to be carried out for applying or reinventing new recipe for food industry.

The purpose of this study was to investigate changes in the cooking process of Bibimbab(cooked rice mixed with various ingredients) appeared in cook books published after Korean modern era, approximately from late 19th century to the present. 7 cook books were chosen to be analyzed. It is found that the ingredients were mixed with the rice before being served in the cook books written in late 19th century until mid 20th century, while the ingredients were separately decorated on top of the rice in the cook books written from mid 20th century until late 20th century. Gochujang(Korean chilly paste), which is common spicy seasoning for Bibimbab in the present time, appeared only in Hangukeumak(1987) which is written in late 20th century. Prior to Hangukeumak(1987), chilly powder or chilly was used for chilly-based spicy seasoning. Cook books written in late 19th century until mid 20th century, ingredients used for Bibimbab had complicated cooking methods such as Jeonyueo(assorted pan-fried delicacies), Nurumi(fried beef skewer with various vegetables) and Sanjeok(grilled beef skewer). From mid 20th century until late 20th century, among the cook books analyzed in this research, only Hankukyoribaekguasajeon(1976) suggested Jeonyueo as an ingredient, and in general, the cooking method for preparing beef became simpler. For further studies, firstly, the cooking procedures used for Bibimbab in the prior period to the Korean modern era need to be examined for more information about the changes of cooking style of Bibimbab. Secondly, new Bibimbab recipes for modern restaurants could be created by using the recipes used in the historical cook books. Finally, the definitions of culinary terms used in historical cook books need to be clarified.

Western style timber roof trusses used as typical roof structures of buildings during a modern period have been developed with the interactions with their facade and functionality. The shapes of trusses and member sizes have been diversely changed by the purposes of architects, historical circumstances, and structural characteristics. For this reason, the change in the shapes of western style timber trusses along the times is one of important technology assets demonstrating the development of their structures during the modern period. Therefore, the purpose of this paper is to find out their structural characteristics throughout parametric analysis of which parameters were determined from the collected and classified documents on western style timber roof structure built in the modern period carefully obtained from public institutions. Results of the parametric analysis are as follows. The number of king-post trusses and modified king-post trusses built between 1920 and 1937 reaches almost half of the total number of truss types investigated. The mean values of their spans, distances, tributary areas, and height are respectively, 10.5m, 2.4m, 24.37㎡ and 3.24m. The cross-section areas of trusses tend to reduce since the city construction law was enacted in 1920. Also, this study found that western architects usually used larger structural members than eastern architects and usages and finishing materials of roof trusses are not always considered as one of the important design parameters.

The purpose of this study is to understand the transition process of Korean architecture and urbanism from traditional state to modern state, by investigating the development of modern survey and the characteristics of survey drawings during the Great Han Empire (大韓帝國), the early modern Korea. The governmental efforts of the Great Han Empire to introduce a modern survey system named Gwangmu Land survey (光武量田事業) ended in failure. After the Russo-Japanese War (露日戰爭, 1904-1905), the Residency-General (統監府) held the hegemony of Korean Peninsula. It reintroduced a modern survey system for the survey of land and buildings all over the country and enforced the Land and Buildings Certification System (土地家屋證明制度). Since then, the land and buildings survey was propagated rapidly and the modern system for land use was gradually organized. With the progress of modern survey, the survey bureau of Cabinet (內閣) and Department of Royal Household (宮內府) created survey drawings that had some characteristics of colonialism. Takjibu (度支部) produced cadastral maps of major cities, with which the modern land system was developed. In addition, the Royal Property Bureau (帝室財産整理局) produced survey drawings of land and buildings owned by the Royal Household which were finally converted into modern facilities.

This study was to analyze the architectural characteristics and facade construction of brick masonry auditorium through the Auditorium of Namsan Primary School in 1936. The results of this study were described separately as follows. 1. The auditorium is located away from the school buildings, and its plane is a chamber of rectangle type with an entrance installed on each of the four sides. 2. The external appearance is Renaissance eclectic style, laid red bricks on the lower wall of the window and having a mansard roof. The front and the rear are symmetric with respect to the projected wall at the center. 3. As to the structure of the building, a concrete lower wall was built on the concrete continuous footing, and the brick wall was constructed on the lower wall. The roof is queen post roof truss, and the wall girders were installed on the brick wall. 4. The auditorium has had a number of repairing and maintenance works, which changed the roof and windows outside and the floor, walls, ceiling, etc. inside. 5. The decorative elements of external appearance include lower wall, brick wall, entrances, windows, roof, and dormer windows. The brick wall gives verticality and solidity to the surface of the wall, and the lower wall and wall girders are connected like a cornice of the wall. The surface of the mansard roof and dormer windows express a stable vertically oriented shape.

According to it, a final goal of this study sets up ‘Renovation of the Red brick architecture’ and development of theoretical foundation and substantial conservation about Red brick architecture through historical records must be settled without delay. Firstly, it analyzes related terminology and adjusts brick architecture's history and features for architectural authenticity about Red brick architecture. It would study production and construction process of brick in korea. From analysis of records, brick of traditional meaning is ‘Jeondol’ and western brick of modern meaning is ‘Red brick’. ‘Brick’ defines a common designation. This study shows definition of words based on documents published until 19th century and a korean language and architecture terms dictionary. In view of this results, the meaning of brick which combines different types extensively uses ‘Chu(甃)’, ‘Jeon(塼, 磚, 甎)’, ‘Byeok(甓)’ according to the purpose of use and the current of the times. In case of ‘Jeon’, it uses jointly different types such as ‘塼’, ‘磚’, ‘甎’. but ‘塼’ is frequently used. Even though these words like ‘byeok(甓)’ used individual or combination types until the late 19th century, there is no use because of japanese terms in japanese colonial. After liberation, it was the term of the traditional brick. Brick is generally used through modern times. In an unabridged Korean language dictionary, it defines this term as orthodox korean ‘壁乭’ and ‘甓乭’. At that time of japanese colonial, ‘Yeonwa(煉瓦)’ used in combination with brick. Due to influence it, it partly uses until now but it is not in common use. Also, a Korean language dictionary contains transcription of ‘Yeonwa’ with same definition as ‘Byeokdol(甓乭)’. In the other side, it results from translating japanese into Korean. It would make exact definition of ‘Yeonwa’.

This study aims to investigate the organizing background, activity and the limit of society sports group during the time of enlightenment in our society’s specific historic situation, and to analyze sports group situation after Japanese annexation of Kore

예이츠의 시세계, 특히 초기시에는 낭만주의와 상징주의가 자리잡고 있으며 그 중심에는 ‘자연’이 자리해 있다. 예이츠에게 있어 자연은 ‘자연에 대한 동경과 모사’와 ‘자연과의 대립 및 의식의 우위’, 즉 자연 친화적 세계와 자연부정의 세계라는 진폭 안에서 인식되었으며 그의 시는 이를 형상화하거나 극복하려는 긴장의 궤적을 보이고 있다고 할 수 있다. 이 글에서는 이같은 예이츠의 자연에 대한 인식과 시세계를 한 축으로 놓고 한국 근대시에 나타난 자연을 살펴보고자 한다. 이를 위해 한국근대시의 완성에 가장 큰 역할을 한 대표적인 시인인 정지용의 시세계에 나타난 자연을 먼저 검토하였다. 그리고 현재 왕성히 활동하고 있는 시인들의 시세계에 나타나 자연을 각각 고찰하였다.

The Bauhaus educational method gave the strong influences on Modern Japanese art and design education. In the 1920s and 1930s, Japan allied with Germany and Italy politically and tried to receive German system to be modernized. The reception of the Bauhaus and Moholy-Nagy's photographic theory was one of those activities at that time. Japanese intellectual class went to the Bauhaus and studied there; Ishimoto Kikuchi, Nakata Sadanosuke, Mijutani Takehiko, Yamawaki Iwao and Yamawaki Michiko(Yamawaki Iwao's wife). Especially, Yamawaki Iwao studied about the architecture at the Bauhaus, but his interest moved toward the photography and the photomontage based on Moholy-Nagy's theory. He studied at the photography workshop of the Bauhaus presented by Peterhans irregularly. Even though Yamawaki Iwao was an architect, he wanted to be admitted as an expert for the photomontage that he particularly studied at the Bauahus as a Bauhaus member. He had presented many articles about the photomontage at the photography magazines in Japan in order to introduce it to Japan since he returned in 1933. Thus, Yamawaki Iwao is the important person when we look back the Modern Japanese design and art history. In Japan, the art and design systems are managed by the Bauhaus educational system until now, and it has become a kind of cultural legacy in Modern Japan; The university of Tama and The university of Tsukuba are the representative educational systems which are based on the Bauhaus legacy. However, Yamawaki Iwao had been concealed as a photographer in Japanese design and photography history until the retrospective discuss named by ‘Bauhaus syashin(Bauhaus Photographies)’ at the photography magazine, Deja-vu in 1995 and the retrospective exhibition titled as ‘Bauhaus syashin(bauahustofografie)’ in 1997. This study rethinks of Yamawaki Iwao's historical position while looking at the term as ‘Bauhaus Syashin(Bauhaus Photographies)’ used in Japan. It is very important to bear in mind Moholy-Nagy's wide variety of approaches to photography at the Bauhaus, but it is impossible to name it ‘Bauhaus style’. ‘Bauhaus style’ is the international style in architecture, but that was never a Bauhaus style in photography. Eugene J. Prakapas indicated that the vague term of ‘Bauhaus Photographies’ in his article in 1985 as well. This study considers the historical background for the mistake of the term of ‘Bauhaus Syashin(Bauhaus Photographies)’ in Modern Japanese history, while looking at Yamawaki Iwao's photomontage faintly entering on the historical stage again to discuss the reception of the photomontage from him. In particular, Some of Yamawaki Iwao's photomontage presented as the wall photography in Japan during the Second World War, that was related to the propaganda of Japanese government. It had not been known well in the modern Japanese art and design history because it was related to a declaration of the Second World War by Japan. However, the historical position of his photomontage is very important for Japanese history when we rethink of the reception of the Bauhaus and Moholy-Nagys' photographic theory to build up the Japanese modern history. In the result, this study wants to discuss that the mistake of the term of ‘Bauhaus syashin(Bauhaus Photographies)’ in Japan is related to the interpretation for the the historical position for Yamawaki Iwao's photomontage in the reception of Bauhaus and Moholy-Nagy's photography in Japan.

본 계획은 김제시를 중심으로 하는 테마 파크를 디자인한 것이다. 이곳은 전라북도 김제시 적산면에 위치해 있고 면적은 약 120,000㎡이다. 농경 테마파크가 지니고 있는 정체성, 이용자를 위한 문화와 지역 관광, 토지의 효율적 이용과 실효성,그리고 친환경적인 디자인등 몇 가지 중요한 기준을 고려하여 본 테마파크를 계획하였다. 이 테마파크는 즐거움을 제공하고휴식, 체험과 놀이를 하는 다양한 장소이다. 김제의 근대 역사를 소개하는 이 공원의 정체성은 탐사지역, 출입지역, 상업지역,휴식과 놀이지역, 전시지역이라는 5가지 공간으로 나누어진다. 각각의 장소는 “근대 김제지방의 농경역사”에 관한 테마를갖고 있으며 공간의 연속적인 측면에서 긴밀히 연결되어 있다. 이 지역은 다양한 집합체와 다채로운 행사를 위한 상징적공간으로서 김제의 문화와 관광 기능을 할 수 있다.