본고는 “這些个英雄人物”、“那些个花儿”、“一些个消息” 등에 나타나는 “些个+NP”명사성 수량구의 용법을 검토하고 있다. 이와 같은 구조속의 “个”에 대해 일부 사전 혹은 문법서에서는 “个”를 “些”의 접미사로 해석하고 있으나 이런 관점은 타당하지 않다고 생각한다. 따라서 본고에서는 현대중국어의 접미사에 대해 고찰한 후, 통사구조, 통사위치, 어법기능 등의 특징을 분석 검토하여, 위 구조 속의 “些”와 “个”가 수량관계임을 밝히고 있다. 즉, “个”는 “些”뒤에 덧붙어 양사의 어법기능을 하는 것이지 접미사 역할을 하는 것이 아니다.
This study aims at finding out about some errors of example sentences shown in the Great Chinese-Korean dictionary. This study can be meaningful because the importance of the example sentences in the dictionary cannot be overemphasized. Example sentences in the dictionary include all of the following parts: meanings, interpretations, and subsequent examples sentences. They hold an importance place in compiling a dictionary. If examples sentences are not accurate, the influences of the dictionary will be reduced by half. Contrary to the intentions of the dictionary editors, the Great Chinese-Korean dictionary has significant problems in terms of sources and example sentences. For example, some of the errors include mistaken sources, incorrect volumes or volume numbers with correct sources, confusion about authors' dynasties, inaccurate authors' names, erroneous periods of historical research, and so on. Therefore, the researcher of this study attempts to provide readers with the first step toward the solutions of these problems by analyzing basic types of errors and to play a role in revising the Great Chinese-Korean dictionary in the near future. As a result, it is hoped that the influences of these errors presented in the dictionary should not be transmitted in the various academic fields and to the following generations.
Research method of 3‐syllables chinese word in 21st century has the following characteristics:the comprehensive description and in‐depth explanations are combined with each other, the same ‐time and along‐time study are mutually permitted, the qualitative and quantitative analysis are combined research thought of these changes breaks new ground for theoretical and applicational research on 3‐syllables word.
This paper explores the concept of leanness in Tang Song Ci in three aspects; external leanness, internal leanness derived from longingness, and internal leanness triggered by perceiving lean objects.
As for external leanness, Tang Song Ci refers to apricot flowers and chrysanthemums - symbolic plants which persevere the winter cold and come into bloom. The first spring blossoms of apricot flowers symbolizes hope, so without any additional metaphors or emotional expressions, the implication and metaphorical nature of the image itself becomes an excellent medium for describing external objects and articulating thoughts in Ci.
On the other hand, the Ci of the Subtle & Concise School in the age of late Tang and the five dynasty period abounds in poetry that depicts leanness caused by inner longing. The early Cis take the form of subtlety and conciseness and have the motif of ladies' longingness; the longing emotions between man and woman are portrayed in the image of leanness.
The internal leanness triggered by perceiving lean objects is found in the Cis of late Tang and the five dynasty period as well as those in Song dynasty. Among them all, Li Qing Zhao's distinguished work stands out as they reflect her unique emotions regarding leanness, which developed from her feminine nature as well as her personal tragedy of being widowed and witnessing North Song fall. The same lean objects can be verbalized through different emotions by different poets, creating various meanings; the introspection by the self regarding the object leads to a variety of expressional forms.